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Artist: Max Ackermann (1887 - 1975)
Nationality: German
Movement:
Media: Painting
Influences:
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Max Ackermann.
- Max Ackermann
Abstract Figure
lithograph
1948
- William Henry Pyne
On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
book with 36 lithographs
1817
- James Green
[Poetic Sketches of Scarborough (London: R. Ackermann, 1813)]
Book with 16 etchings and aquatints with hand coloring
1813
- William Henry Pyne
Plate 24 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 23 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 35 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 22 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 21 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 20 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 19 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 25 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 26 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 27 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 28 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 29 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 30 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 34 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 33 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 32 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 31 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 18 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 15 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 17 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 1 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate ZZ in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 3 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 6 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate4 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 5 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 7 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 8 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 12 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 9 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 10 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 11 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 16 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 14 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 13 in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- William Henry Pyne
Plate 36 and frontispiece in the book On Rustic Figures in Imitation of Chalk by W. H. Pyne (London: R. Ackermann, 1817)
lithograph
1817
- Thomas Rowlandson
Rowlandson's World in Miniature (London: R. Ackermann, 1816)
Book with 40 etchings with hand coloring
1816
- Thomas Rowlandson
Plate 8 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 9 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 10 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 11 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 7 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 6 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 5 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 4 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 3 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 2 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 1 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 40 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 12 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 38 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 28 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 29 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 30 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 31 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 32 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 39 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 33 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 34 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 36 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 35 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 37 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 27 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 26 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 25 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 14 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 13 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 15 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 16 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 17 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 18 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 19 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 24 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 20 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 21 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 22 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- Thomas Rowlandson
Plate 23 in the book Rowlandson's World in Miniature (London: R. Ackermann, 1816)
etching with hand coloring
1816
- James Green
Terrace Steps, plate opposite page 177 in the book, [Poetic Sketches of Scarborough (London: R. Ackermann, 1813)]
Etching and aquatint with hand coloring
1813
- Thomas Rowlandson
Untitled, plate 12 in the book, Rowlandson's world in miniature (London: R. Ackermann, 1816)
Etching with hand coloring
1816
- E. Gullan
Island of Capri, twelfth plate opposite page 215 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
color aquatint
1815
- I. Girtin
Map of the Country, Islands, & etc. in the Vicinity of Naples, third plate opposite page 1 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
etching with
- Thomas Rowlandson
The Dance of Life, A Poem by the Author of " Dr. Syntax" [William Combe] (London: R. Ackermann, 1817)
Book with 26 color aquatints with hand coloring
1817
- Anonymous
False title page ,opposite frontispiece and preceding the title page, second plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
color aquatint with add
- I. Girtin
Plan of the Barracks, Theatres, &c. of Pompeji, fifth plate opposite page103 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
color aquatint
1815
- Anonymous
A View near Naples, sixteenth plate opposite page 350 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
color aquatint with additional hand coloring
1815
- Thomas Rowlandson
Title page vignette in the book The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 4th ed. ([London:R. Ackermann, 1813]), vol. 1 (of3)
color aquatint with hand coloring
1813
- Thomas Rowlandson
The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 4th ed. ([London:R. Ackermann, 1813]), vol. 1 (of3)
Book with 31 color aquatints with hand coloringand 1 wood engraved vignette
1813
- Anonymous
View of the Temple of Isis in Pompeji, sixth plate opposite page 107 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815)
color aquatint with additional hand c
- Thomas Rowlandson
Title page vignette in the book The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 4th ed. ([London:R. Ackermann, 1813])
color aquatint with hand coloring
1813
- Thomas Rowlandson
Alas! Poor Grizzle,vignette on page 51 in the book The Second Tour of Dr. Syntax, In Search of Consolation [by William Combe] (London:R. Ackermann, 1820), vol. 2 (of 3)
wood engraving
1820
- Thomas Rowlandson
Title page vignette in the book The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 3rd ed. ([London:R. Ackermann, 1813])
color aquatint with hand coloring
1813
- Thomas Rowlandson
ZZ, plateZZ opposite page ZZ in the book The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 3rd ed. ([London: R. Ackermann , 1813])
color aquatint with hand coloring
1813
- Thomas Rowlandson
The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 3rd ed. ([London: R. Ackermann , 1813])
Book with 31 color aquatints with hand coloring and 1 wood engraved vignette
1813
- Thomas Rowlandson
ZZ, plateZZ opposite page ZZ in the book The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 3rd ed. ([London: R. Ackermann , 1813])
color aquatint with hand coloring
1813
- Thomas Rowlandson
The Second Tour of Dr. Syntax, In Search of Consolation [by William Combe] (London:R. Ackermann, 1820), vol. 2 (of 3)
Book with 24 color aquatints with hand coloring and 1 wood engraved vignette
1820
- Thomas Rowlandson
Dr. Syntax and his Counterpart, frontispiece in the book The Second Tour of Dr. Syntax, In Search of Consolation [by William Combe] (London:R. Ackermann, 1820), vol. 2 (of 3)
color aquatint with hand coloring
1820
- Thomas Rowlandson
The Tour of Dr. Syntax, In Search of the Picturesque [by William Combe], 4th ed. ([London: R. Ackermann , 1813])
Book with 31 color aquatints with hand coloring and 1 wood engraved vignette
1813
Artnews Articles and Exhibition Information: (10) Click on any of the links below to read about artnews or exhibitions related to Ackermann
Irish Museum of Modern Art: Franz Ackermann: Solo Exhibition Ackermann’s work derives from his wide-ranging travels from Tokyo, Manila, Hanoi and Bangkok to Rome and São Paolo. His experiences within this world are that of a tourist, rather than a traveller, and his work reflects this dizzying sensory over...
Cleveland Center for Contemporary Art: THE FUTURE OF COMFORT: International Artists Search for Place in a Virtual World
As art critic Johnathan Crary explains, One of the crucial paradoxes of ‘globalization’ is this: the greater the technological capacity for connection, for speed, for exchange and circulation of information, the more fragmented and compartmentaliz...
Kunsthalle Basel: Personal Plans: Twelve Current Positions in the Genre of Drawing Works included are by: Rita Ackermann (born 1968, Budapest/New York), Anna
Ammadio (born 1963, Basel), Edgar Arceneaux (born 1972,
Los Angeles), Thomas Baumann (born 1967, Vienna),
Annelise Coste (born 1973, France/Zurich), and Andro
Wekua (bo...
Aldrich Museum of Contemporary Art: Glee:
Painting
Now The Aldrich Museum of
Contemporary Art is
pleased to present Glee:
Painting Now, an
exhibition examining
artists1 renewed confidence
in painting in the face of
new visual technologies. A
confident, irreverent, and
...
Joan Miro Foundation: ESPAI 13: Psychodrome - Curated by Grazia Quaroni and David Renaud Psychodrome, the title of the cycle, refers to a circuit in a defined space – the exhibition space in which a basic module will be installed in the form of a circular structure that will change according to the needs of the different artists. It a...
Walker Art Center: Painting at the Edge
of the World Rather than presenting a conservative and nostalgic
celebration of the tradition of painterly practice, Painting
at the Edge of the World will provide an examination of
the recent genetic mutation of that tradition. In light of
Yves Al...
Joan Miro Foundation: Psychodrome.02: Michel Gouery, Franz Ackerman, Fred Tomaselli It also refers to "psychedelia", a familiar word since the 1960s that means a disorder of consciousness through some external stimulus, in this case visual art, that in this exhibition takes the viewer on a journey through cities and galaxies.
Kunstmuseum Wolfsburg: Painting Pictures: Painting and Media in the Digital Age With the exhibition Painting Pictures: Painting and Media in the Digital Age, the Kunstmuseum Wolfsburg will present an exploration of the possibilities of pictorial invention open to painting in the age of photographic and digital media. Since th...
San Francisco Museum of Modern Art: SUPERNOVA: Art of the 1990s from the Logan Collection The exhibition takes its title from Takashi Murakami’s tour de force painting Super Nova, 1999, which depicts “the destruction of an earthly terrain by atomic weapons whose mushroom clouds are rendered in ravishingly colorful detail,” according to...
Carnegie Museum of Art: 1999 Carnegie International Artists Announced For more than one hundred years, Carnegie Museum of Art has played an important role among
American museums with its presentation of the International, said Richard Armstrong, the Henry
J. Heinz II director of the museum. With Madelein...
Further Artwork and Information:
Biographie: Max Ackermann, 1887-1975
Ackermann Ackermann Max Ackermann Max Ackermann
Max-Ackermann-Archiv
Max Ackermann - Biografie rasscass
Max Ackermann Online
Max-Ackermann-Archiv :: Fotoalbum
Max Ackermann @ Catharton Artists
Galerie Bayer - Max Ackermann > Über den Künstler
Irene Lehr - Berlin - Galerie
Max Ackermann - Biografie rasscass
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Paul Cezanne Fruit and a Jug on a Table
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Pablo Picasso Guernica
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Paul Cezanne (No Title)
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