Artist: Julius Adam (1826 - 1874)
Nationality: German
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Julius Adam.

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Adam and Eve, Old Chelsea, James Abbott McNeill Whistler (United States, Massachusets, Lowell, 1834 - 1903) , 1879, Etching and drypoint
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L'Isle Adam ; le ru du bois (2e moitié 19e siècle) by KAPELER Louise
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L'Isle Adam Le Vivray (2e moitié 19e siècle) by KAPELER Louise
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MR ET MRS JOHN JULIUS ANGERSTEIN (1792) by LAWRENCE Sir Thomas
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Julius Wasserstein Untitled oil on canvas 1960
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JULIUS MEIER-GRAEFE (1912 (?) ; 1914 (?)) by CORINTH Lovis
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L'Isle Adam Ile de Champagne (2e moitié 19e siècle) by KAPELER Louise
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L'Isle Adam l'ancienne écluse (2e moitié 19e siècle) by KAPELER Louise
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Julius John Pommer Landscape No. 1 Lithograph 1937
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Julius John Pommer Landscape No. 2 Lithograph 1937
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Forêt de L'Isle Adam, la table de Cassan by M B
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Eglise de L'Isle Adam (1999) by anonyme
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Julius J. Lankes Lamentations 4: 4 1923
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L'Oise à L'Isle Adam, panorama de la plage by M B
The Metropolitan Museum of Art -
Baron Alexander von Humboldt (1769-1859), 1859 Julius Schrader (German, 1815-1900)Oil on canvas; 62 1/2 x
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L'Isle Adam, le Vivrais (4e quart 19e siècle ; 1ère moitié 20e siècle) by DARRAS C
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Anonymous Julius Klengel, cellist photograph 1912
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Kurt Tuch Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) book with 29 color stencil prints after watercolors 1920
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Isle Adam, rue St Lazare (4e quart 19e siècle ; 1ère moitié 20e siècle) by DARRAS C
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Julius J. Lankes The Crabber Woodcut 1928
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Henryk Tomaszewski Julius Caesar color lithograph 1981
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Antonio Tempesta Iulius Caesar Veneris beneficio in Cometam mutatur (The Murder of Julius Caesar), pl.150 from the series Ovid*s Metamorphoses Etching 17th century
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L'Isle Adam (4e quart 19e siècle ; 1ère moitié 20e siècle) by DARRAS C
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Vue du château de l'Isle-Adam (1787 entre ; 1812 et) by anonyme
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
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Carrefour Capitaine en forêt de L'Isle Adam (1928) by DARRAS C
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L'Isle Adam ; le Pont du Moulin (4e quart 19e siècle ; 1ère moitié 20e siècle) by DARRAS C
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Julius John Pommer Sea Coast Aquatint 19th - 20th century
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Julius John Pommer The Cove etching 19th - 20th century
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El mole rachamim, Julius Kroll , 1921, Etching on laid paper
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Julius Komjaty Storm at Sea Etching 1928
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Julius John Pommer Backyard Aquatint 19th - 20th century

Artnews Articles and Exhibition Information: (40)
Click on any of the links below to read about artnews or exhibitions related to Adam

Metropolitan Museum of Art: Farouk Hosny/Adam Henein: Contemporary Egyptian Artists and Heirs to an Ancient Tradition
...
Zone 9 Art: Perennial: Adam Janes
Adam Janes is a graduate of the Pasadena Art Center. He has been asked to exhibit in group shows in San Francisco at Culture Cache and in LA as a guest artist at Cartoon Network. Zone 9: Art, which is located at 453 S. Spring Street on t...
DECORAZONgallery: GROTTO: An Exploration of Light - Works by Adam Morey
Usually, light is used by art simply as a method by which the art is made observable to the viewer. Adam elevates light from simple and passive enabler of the observational process to a "material" indivisible from the art itself. However, as light...
Adam Gallery: Hsiao-Mei Lin: Recent Works
IMAGE
Hsiao-Mei Lin
Yellow Bank
Oil on Board
24" x 24" ...
ArtHaus: Revelations: New Works in Various Media
Artists also included in this exhibition are: Andrea Arroyo, Astrid, Suzanne Benton, Brian Blood, Deborah Brown, Marc Lambrechts, Joanne Landis, Samuel F. Lewis and Carol Schiavo. IMAGE:
Adam Kurtzman
Flip Flop
bronze
ed of...
Adam Gallery: Michael Hyam: Recent Works
The stories of Judith and Holfernes and of Salome recur as themes in this body of work, as do symbolic motifs such as a black vase and dried flowers and the charged brooding landscapes. These are works which are deeply personal; they are close to ...
Fotomuseum: Adam Fuss - Less of a test than earth
His work - to be found where the world as science meets the world as image - provides a very exiting, original contrast to so-called mainstream contemporary culture. Using motifs which take up the themes of nature, energy, memory and longing...
Adam Gallery: Gail Harvey: New Works
Gail Harvey was born in 1954 in Glasgow. She attended theGlasgow School of Art where she received both a Diploma of Art and a Diploma of Postgraduate Studies. Since 1979, Harvey has beena member of the Royal Scottish Society of Painters in Waterco...
Nohra Haime Gallery: Adam Straus: Small Memorials for a Great Loss
“The work is a response to war rhetoric that does not focus on the fact that people are dying,” Straus notes.  As a father, he empathizes for those thousands of parents who have experienced what he considers to be the greatest sorrow -- the loss o...
ArtHaus: No Contest: A Sculpted Installation by Adam Kurtzman
Kurtzman decided to address this concept in early 2000 with his first doll, whereby he pushed the fetish aspect of the sensuality in the figure. “She had the classic ‘kewpee’ pose, and reticent, innocent expression. After sculpting the prototype...
Institute of Modern Art, Brisbane: Adam Donovan, Jondi Keane, Rodney Spooner, and Carl Warner
Adam Donovan’s exhibit, entitled Heterodyning Cage, combines the highly specialised field of scientific acoustics with the visual arts. His work is interactive, with gallery visitors becoming the subject of his work as a number of camera systems t...
Whangarei Art Museum: Capital! Locating Tradition: Placing Ourselves - Art from the Victoria University of Wellington Collection
WAM director Scott Pothan approached the Adam Art Gallery with the idea of touring key works from the collection, dispersed throughout the campus to a first-time gathering outside Wellington. Detail: Richard Killeen Welcome to the South Pacific 1...
Physica Room: pHonic Curated by r a d i o q u a l i a opens Today
Recent developments in the delivery of audio across the Internet have also lead to the mass distribution of music online. Though this has ...
Montgomery Museum of Fine Arts: Carvings by Fred Webster
His primary subject matter is biblical—illustrating stories such as the Temptation of Adam or Jonah and the Whale—as well as groups of biblical figures like angels in concert. There is a striking sense of whimsy to his small figural grouping...
Centre for Contemporary Photography: Parallel Worlds: Works by Lisa Crowley, Megan Dunn, Sean kerr, Maddie Leach, Ella Bella Moonshine Reed, Jono Rotman
Their practices reflect a look both outwards to mass media and popular visual information and inward to subjects and ideas of personal and idiosyncratic interest. These new works implying seemingly objective representations or popular archetypes ...
31 Grand: Adam Stennett: Before the Accident
The installation IF YOU CAN READ THIS YOU ARE ALREADY DEAD, involves 30-50 live mice which run through a series of industrial Clear Schedule 40 PVC pipe hanging a few feet overhead and extending into the walls of the gallery. ...
Cambridge Galleries: Architecture in Cambridge: Shaping the City
The unique situation ofCambridges core has offered many of the School of Architectures students an opportunity to reflect ...
Gandy Gallery: ADAM VACKAR: Economy of Silence
At first sight, these settings are not particularly striking; they suggest to the viewer a reality that initially appears banal (this is particularly true of News Dispersed and Towards the End). This anchoring in what is, however, does not constit...
ArtHaus: Group Exhibition: LOCATION ~ LOCATION
Serena Bocchino’s paintings and drawings translate the compositional, spontaneous rhythm of jazz into a two dimensional form. Her work uses rhythm, volume and tone to capture different ways in which line may interact with color. A New York Times ...
Bartley Nees Project: Monique Jansen, Esther Leigh and Sara Hughes
Their paintings, which show a delight in process, explore the effect, affect and impact of repetitive patterns. Entering the territory of op art and even pop art they are at once ethereal and sensual, transparent and dense, serious and light-he...
Mobius, Fort Point Cultural Coalition: Babel Part Four: Redemption - Works by Susan Berstler and Lee Mandell
Since then, the artists have rechanneled their initial anger and frustration by creating a four part series of Babble, Limbo, Requiem, and now, Redemption. The series is intended to parallel the very real battle that is taking place in Assembly S...
MEO Contemportary Art Collection: FOTOK: Photographs by Young Czech Artists Opens Today
Included in the exhibition are: Patricie Fexova
Alena Kotzmannova
Jan Kadlec
Jolana Rucharova
Filip Turek
Katerina Seda
Marketa Othova and Pierre Daguin
Andrea Cihlarova
Michal Pechoucek
Zbynek Bal...
Göteborg Museum of Art: Paul Gauguin: A Distant Paradise

Art Institute of Chicago: The Human Form Divine: The Body as Seen by the Camera
This exhibition includes approximately 60 photographs spanning a century and a half, most of them gelatin silver, with some albumen prints and Pictorialist work, as well a number of chromogenic color prints. Exploring the range of attitudes and f...
Greenbelt Arts Center: Call to Artist: Clown Art Exhibition
The exhibit will take place April 1- May 13, 2001 at the Greenbelt Arts Center as part of Acme Clown Month, a residency in Greenbelt, Maryland by Clown Laureate Adam Gertsacov, boss clown of the Acme Clown Company
Sherborne House and Gallery Holt: Past Perfect: Savage, Sonia Hanney and Adam Dade, Shrimpton and Bolas, Paul McGowan
Past Perfect is presented in two venues, Sherborne House and Gallery Holt in Sherborne Boys School. Savage  An old chair that looks from a distance as if it is covered in green velvet, on closer inspection reveals it is in fact covered in ...
O.K. Center of Contemporary Art: Dialog III: RE:LOCATION Upper Austria - Poland
During the spring, a small group of Austrian and Polish artists with very different cultural and geographical backgrounds will collaborate on a dialogical exhibition ...
Lux Gallery: New England: Ann Course, Stephanie Bolt and Eric Lesdema, Subc_t + Mufcoli, Adam Scrivener, Mark Aerial Waller
Ann Course presents her animations, drawings, and a neon work entitled 'Mother Sleeping Bag' (animation's edited by Paul Clark). Previous exhibitions and screenings include 'Pandæmonium', 'Pandemic 01', Lux Centre (2000), 'Girl...
Adam Gallery: Eduardo Chillida 1924-2002
By 1951 his work transformed into a new abstract style using materials such as wood, steel and iron. Meeting Frank Lloyd Wright, Alberto Giacometti and later Joan Miro formed strong influences for him in his use of drawing in space and light in ...
Adam Gallery: New Paintings: Barbara Rae Ra
Following is the essay from the catalogue: " Taste; we are not born with it. It has to be acquired in the same way we learn grammar to improve creative writing. If we feel uncertain about judging a work of art, or the utilitarian design of a c...
Kettle's Yard Gallery, University of Cambridge: Rodin: All about Eve
The exhibition will include two bronze casts of the full-sized sculpture and one of a reduced version, each shown in a different space. The origins of Eves pose, burying her head into her arms, wrapped around her chest, can be traced to Rodins pas...
ArtSpace: warp: Work by Graduates from the 2001 Bachelor of Fine Arts Honors Program
All of the artists are graduates from the 2001 Bachelor of Fine Arts Honors Program, School of Contemporary Arts, University of Western Sydney This exhibition has been made possible and supported by the School of Contemporary Arts, Unive...
Reflect-arts, Inc. at Gallery 27+: Strange Cities: the Unique and the Unusual in the Urban Landscape
The opening event for Strange Cities will take place on Thursday, October 19, 2006, 6-9 pm. The opening will include live improvisational electronic music by the vibrant duo pico fermi, and a surreal, over the top interactive art performance by Th...
Museum of Garden History: diversion: 23 Artists' Reflexions of the Museum of Garden History
Artists taking part in diversion include Suky Best Ellen Bigge Clare Bryan Annie Cattrell Lisa Cheung David Cotterrell Edith Dekyndt Peter Dukes Judith Frost Dan Howard-Birt Theo Kaccoufa Sophie Lascelles Laura Malacart Charlie Murphy S/bas...
Whitney Museum of American Art: Whitney Biennial 2004 Opens Tomorrow
Adam D. Weinberg, the Whitney's Alice Pratt Brown Director, said, "The Biennial is a great tradition that goes back to the Museum's earliest roots. This gathering of new and established artists plunges us into the present moment in American contem...
Soho MultiMedia Festival: September Song - OPEN EXHIBITION AND PRINT SALE
Osterley Park was extensively remodelled by Robert Adam from 1760-1780 and is considered to be the finest example of his work. The Jersey Galleries still have many of their original features inclusing fireplaces, shutters and a 19th Century...
Mummery + Schnelle Gallery: Peter Harris : Self Portraits by Proxy 3, 4, 6 and 7
Self-Portraits by Proxy No. 7, 2009
A companion piece to No. 4, in this video Harris reads out all the comments written in his visitors books and shows us what the the general public thinks. By reading these words in a flat inexpressive man...
Govett-Brewster Art Gallery: From Mini-FM to Hacktivists: A Guide to Art and Activism
Vicente says: “From mini-FM to hacktivists examines contemporary artistic and activist practices in the context of alternative media and provides the historical grounding for today’s internet collaborations. It illustrates a new paradigm of counte...
City Gallery Wellington: Telecom Prospect 2004: New Art New Zealand
From an 18 metre long glistening glitter carpet by Hamilton artist Mark Curtis to Ralph Hotere's White Drip: from a working ice-skating rink by Wellington artist Maddie Leach to a new interactive work by Ronnie van Hout, Telecom Prospect 2004 has ...
Frye Art Museum: Lilian Broca: Mirrors and Reflections
Also on view are drawings from an earlier series, Brides, a metaphor for the conflict between t...

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