Artist: Giovanni Di Agostino (1310 - 1347)
Nationality: Italian
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Giovanni di Agostino.

The Metropolitan Museum of Art -
Portrait of a Man Giovanni Agostino da Lodi (Italian, Milanese, active first quarter 16th century)Oil
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Tête d'homme vue de profil et tournée vers la gauche by GIOVANNI AGOSTINO DA LODI
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Giuseppe Maria Mitelli Aeneas departs for the Battle, plate 5 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pal
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Giuseppe Maria Mitelli The Shadow of Creusa Appears to Aeneas, plate 7 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
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Giuseppe Maria Mitelli Venus leading Aeneas out of the Flames, plate 4 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Giuseppe Maria Mitelli Aeneas offers a Sacrifice to Apollo, plate 8 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli The Wooden Horse entering Troy, plate 2 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pa
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Giuseppe Maria Mitelli The Trojans Taking Sinon Prisoner, plate 1 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Tête d'enfant (1671) by GIOVANNI AGOSTINO DA LODI
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Cesare Fantetti Frontispiece with a Pedestal supporting the Coat of Arms of Agostino Chigi, a Farnese Prince, dedication page to Giovanni Battists Falda*s Le Fontane di Roma (Fountains of Rome) Etching circa 1675
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Buste d'homme, de profil vers la gauche, coiffé d'une toque by GIOVANNI AGOSTINO DA LODI
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Giuseppe Maria Mitelli Frontispiece of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna Engraving
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Iphigenia, Agostino dei Musi (called Agostino Veneziano) (Italy, Venice, born circa 1490) , Engraving
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Agostino Musi (Agostino Veneziano) The Last Supper, after the engraving by Agostino Veneziano Engraving 16th century
J. Paul Getty Museum -
Saint John the Baptist
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Giuseppe Maria Mitelli Aeneas and his Companions Combat the Harpies, plate 10 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Car
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Giuseppe Maria Mitelli Aeneas and his Family Fleeing Troy, plate 6 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli Polyphemus pursuing Aeneas' Fleet, plate12 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Giuseppe Maria Mitelli The Greeks dragging Cassandra out of the Temple, plate 3 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
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Giuseppe Maria Mitelli The Trojans Sacrifice Bulls to Neptune, plate 9 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Agostino Musi (Agostino Veneziano) Young Women, after an engraving by Agostino Veneziano Engraving 16th century
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Ammiraglio Manfrin - Agostino Barbarigo after 1571 oil on canvas Cleveland Museum of Art Italian
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Buste de jeune garçon de trois quarts à droite by GIOVANNI AGOSTINO DA LODI
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Virgin and Child with Angels, Agostino dei Musi (called Agostino Veneziano) (Italy, Venice, born circa 1490) , no date, Engraving
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Studio of Baccio Bandinelli, Agostino dei Musi (called Agostino Veneziano) (Italy, Venice, born circa 1490) , 1531, Engraving
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Agostino Musi (Agostino Veneziano) St. Luke, copy after the engraving by Agostino Veneziano after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) copy of Agostino Veneziano's engraving of St. Mark after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) copy after Agostino Veneziano's engraving St. John, after Giulio Romano Engraving 16th century
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Battle Between Romans and Carthaginians, Agostino dei Musi (called Agostino Veneziano) (Italy, Venice, born circa 1490) , 1530-1531, Engraving
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Agostino Musi (Agostino Veneziano) copy by Master of the Die after the engraving Young Women, by Agostino Veneziano for the series The Hermae Engraving 1516
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Agostino Musi (Agostino Veneziano) copy by Master of the Die after the engraving Hercules, by Agostino Veneziano for the series The Hermae Engraving 16th century
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LA SAINTE FAMILLE (1er quart 16e siècle) by GIOVANNI Agostino da Lodi
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Agostino Musi (Agostino Veneziano) copy in reverse after Agostino Veneziano's engraving St. Mathew, after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) The Climbers, after Agostino Veneziano's engraving of the drawing by Michelangelo for the Palazzo Vecchio, Florence Engraving 1524
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The Emperor Freeing the Slave Androcles, Agostino dei Musi (called Agostino Veneziano) (Italy, Venice, born circa 1490) , circa 1516-1517, Engraving
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La tradition des clés à saint Pierre (4e quart 16e siècle) by CARRACCI Agostino
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Francesco Zuccarelli Women with a Censer, and a Man Addressing Them, after Giovanni di S. Giovanni Etching 18th century
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Giovanni Bellini - Giovanni Emo c. 1475-1480 oil on panel transfe National Gallery of Art Italian
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Fr. Paria The Communion of St. Jerome, after Agostino Carracci Etching 17th century
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Agostino Musi (Agostino Veneziano) Ionic Base Engraving 1536
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Agostino Musi (Agostino Veneziano) Doric Capital Engraving 1536
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Giuseppe Maria Mitelli Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Ann
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Agostino Musi (Agostino Veneziano) Lycaon, after Raphael Engraving 1523
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Agostino Musi (Agostino Veneziano) The Academy of Baccio Bandinelli Engraving 1531
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Agostino Musi (Agostino Veneziano) Two Men, from the series The Hermae Engraving 1536
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Agostino Musi (Agostino Veneziano) Archbishop Hieronymus Aleander of Brindisi Engraving 1536
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Agostino Musi (Agostino Veneziano) Hercules and Antaeus, after Raphael Engraving 1533
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Agostino Musi (Agostino Veneziano) The Cumaean Sibyl, after Raphael Engraving 1516
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Agostino Musi (Agostino Veneziano) Camillus, after Baccio Bandinelli Engraving 1531
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Agostino Musi (Agostino Veneziano) St. Luke, after Giulio Romano Engraving 1518
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Agostino Musi (Agostino Veneziano) Venus and Eros Engraving 1516
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Agostino Musi (Agostino Veneziano) St. Matthew, after Giulio Romano Engraving 1518

Artnews Articles and Exhibition Information: (6)
Click on any of the links below to read about artnews or exhibitions related to Agostino

Metropolitan Museum of Art: The Birth of Baroque: The Carracci at the Metropolitan
This exhibition of the Metropolitan's important group of paintings, drawings, and prints by the Carracci features Ludovico's Lamentation (1528), recently purchased by the Museum and described by Metropolitan Director Philippe de Montebello a...
MoMA QNS: Ansel Adams at 100
The exhibition is accompanied by a major publication containing reproductions of extraordinary fidelity and an essay by Mr. Szarkowski that articulates his reappraisal of Adams's work. The international tour is made possible by Hewlett-Packard....
National Gallery of Art: Art Nouveau, 1890-1914
At the National Gallery of Art this vibrant fin-de-siècle era will be celebrated with an overview of highlights from the World's Fair of 1900 in Paris, followed by sections presenting sources of the ne...
Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints
The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...
Fogg Art Museum, Harvard: Works from Renaissance to 20th-Century Highlight How Artists and their Workshops Used Both Sides of the Sheet
The unusual display allows viewers to trace the creative process as an artist sketched from one side of the sheet to the other, to see how works were copied by assistants in Renaissance workshops, and to understand the increasing shift toward a co...
National Gallery of Art: The Drawings of Annibale Carracci
The exhibition is made possible by Republic National Bank of New York, and Safra Republic Holdings S.A., Luxembourg. Annibale Carracci is justly celebrated for his na...

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