Artist: Maxwell Armfield ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Maxwell Armfield.

The Minneapolis Institute of Arts -
Artist: Maxwell Armfield Title: Dancer"s Servant, theater design for "The Grass-Blade" Date: 1914 Medium: watercolor,
-
Maxwell Ashby Armfield - Self-Portrait 1901 tempera on sketching Birmingham Museums and Art Gallery British
-
William Dyce - Mrs. John Clerk Maxwell and her Son James 1832-1833 oil on canvas Birmingham Museums and Art Gallery British
-
Richard Dighton Caricature (full figure) of Sir Murray Maxwell,Kt. C. B. Color etching 18th - 19th century
-
Ward, Leslie Matthew (Spy) "Wigtownshire" (Sir Herbert Eustace Maxwell, Bart., M.P.) Statesman No. 619, from Vanity Fair, September 28, 1893 Lithograph 1893
-
Mark Luca One in a Portfolio of thirty portraits of Scientists : Maxwell Collograph prints 20th century
Museum of Fine Arts -
Unidentified artist, American, 19th century Sea Captain Maxwell B. Chace about 1835 Oil on canvas
-
Pair of Man’s Oxford Shoes, Faulkner & Son , 1960-1965, Leather
-
Pair of Man’s Oxford Shoes, Faulkner & Son , circa 1960, Leather
-
Sainte Claire et saint Louis de Toulouse (1992) by CANO Alonso
-
The Descent from the Cross, Charles Le Brun (1619 - 1690) , 17th century, Oil on canvas
-
Hermann Wendelborg Hansen Scout Etching 1924
-
Stephen de Hospodar Block Prints (Los Angeles: privately printed, 1932) book with woodcuts 1932
-
Stephen de Hospodar Reflections, first plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Palisades, third plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Woman’s Picture Hat, I. Magnin & Co. (United States, California, Los Angeles, 1893 - 1995) , circa 1913-1915, Beaver, ostrich feathers
-
Stephen de Hospodar Hymn to the Sun, eighth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Rough Sea, tenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Madonna, sixth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Hollywood Bowl, fifth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Iron Moulder, second plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Bather, thirteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Lament, eleventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Louise, sixteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Two Swans, fourteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Rhythm, fourth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar White Caps, fifteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Kid Kelley Showing Off, ninth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar A Family Portrait, seventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Stephen de Hospodar Tristan and Isolde, twelfth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
-
Saint Mark, Alonso Berruguete (Spain, Valladolid, 1488 - 1561)  (attributed to), circa 1560, Polychromed and gilded wood (pine)
Museum of Fine Arts -
Jan van de Velde II, Dutch, 1593-1641 Amenissime Aliquot Regiunculae. Part 1 1616 Etching and
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Aun podrán servir. (They can still be of
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y no hai remedio. (And there is nothing
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor do these); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No quieren. (They do not want to); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No saben el camino. (They do not know
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 También estos. (These, too); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Será lo mismo. (It will be the same);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Siempre sucede. (It always happens); Fatales consequencias de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Que valor! (What courage!); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Para eso habeis nacido. (This is what you
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad. (Charity); Fatales consequencias de la sangrienta guerra
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Para eso habeis nacido. (This is what you
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ni por esas. (Neither do these); Fatales consequencias
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Se aprovechan. (They take advantage); Fatales consequencias de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad. (Charity); Fatales consequencias de la sangrienta guerra
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede mirar. (One can"t look); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Duro es al paso! (It"s a Hard Step!);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No se convienen. (They do not agree); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Bien te se está. (It serves you right);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Enterrar y callar. (Bury them and keep quiet);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Enterrar y callar. (Bury them and keep quiet);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Amarga presencia. (Bitter presence); Fatales consequencias de la

[an error occurred while processing this directive]

Further Artwork and Information:

Maxwell Armfield (1929 - ) Biography, Artwork Images, Exhibitions, Reviews
Maxwell Armfield - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
ArtMagick - Your Source of Visual Intoxication
Maxwell Armfield
Maxwell Armfield Fine Art
ARC :: Maxwell Armfield :: Page 1 of 1
Maxwell Ashby Armfield @ Catharton Artists
Shakespeare Illustrated | The Artists | Maxwell Armfield
Armfield, Maxwell
Maxwell Armfield :: Artist profile at The Panter & Hall Fine Art Gallery, Mayfair, London.

Search the Art History Database for artists, titles, media, year, and other indepth information: