Artist: William Armstrong ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Armstrong.

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Charles Armstrong The Great Comet of June, 1881, pl. XI from a portfolio of astronomical observations Chromolithograph 19th - 20th century
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Charles Christopher Hill Armstrong color lithograph 1977
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Friedrich Moritz Auguste Retzsch The Song of the Bell (London: Black and Armstrong, 1837) book with etchings 1837
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Lance Armstrong, Austin, Texas, 2001, Rick Chapman (United States, born 1966) , 2002, Gelatin-silver print
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Ward, Leslie Matthew (Spy) "Chester" (Mr. Robert Armstrong Yerburgh, M.P.) Statesman No. 622, from Vanity Fair, October 19, 1893 Lithograph 1893
Museum of Fine Arts -
Joseph Mallord William Turner, English, 1775-1851 Dover Castle from the Sea 1822 Watercolor on paper
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Caricature : un soldat anglais déposant un boulet dans les bras d'une femme (19e siècle) by CHAM
The Minneapolis Institute of Arts -
Artist: Ewe Title: Panel Date: 20th century Medium: cotton Dimensions: L.72-1/2 x W.45-1/2 in. Credit
The Minneapolis Institute of Arts -
Artist: Robert F. Heinecken Title: Recto/Verso #12 Date: 1988 - 1988 Medium: dye bleach color
The Minneapolis Institute of Arts -
Artist: Charles-François Daubigny Title: The Studio Boat Date: 1862 Medium: etching Dimensions: H.12-5/16 x W.17-5/8
The Minneapolis Institute of Arts -
Artist: Lwena Title: Ceremonial Vessel Date: late 19th century Medium: terracotta Dimensions: H.13-1/2 x W.10-3/4
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner  (Artist), circa 1760-1780, Silver
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Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner  (Artist), circa 1760-1780, Silver
The Minneapolis Institute of Arts -
Artist: Robert F. Heinecken Title: Recto/Verso #6 Date: 1988 Medium: dye bleach color print Dimensions:
The Minneapolis Institute of Arts -
Artist: Robert F. Heinecken Title: Recto/Verso #4 Date: 1988 Medium: dye bleach color print Dimensions:
The Minneapolis Institute of Arts -
Artist: Robert F. Heinecken Title: Recto/Verso #7 Date: 1988 Medium: dye bleach color print Dimensions:
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
The Minneapolis Institute of Arts -
Artist: Luba Title: Ceremonial vessel Date: late 19th century Medium: terracotta, wire Dimensions: H.14-5/8 x
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
The Minneapolis Institute of Arts -
Artist: Sewlyn Image Title: Circular Framed Embroidery Date: about 1880 Medium: cotton, silk Dimensions: D.12-5/8
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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’Origami’ Teacup and Saucer, Belleek Co. (Ireland, Fermanagh, born 1857)  (Manufacturer), 1891, Beleek porcelain
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’Origami’ Teacup and Saucer, Belleek Co. (Ireland, Fermanagh, born 1857)  (Manufacturer), 1891, Beleek porcelain
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
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Adriaen Pynacker William of Orange (William III) Commemorative Plate polychrome tin - glazed earthenware 1690
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William Hancock Wilke William Andrew Clark, Jr. Drypoint 19th - 20th century
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The Hon. William Monson and His Wife, Ann Debonnaire, Arthur William Devis (England, 1762 - 1822)  (Artist), circa 1786
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William Nicholson Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The City, ninth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Faithorne Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840

Artnews Articles and Exhibition Information: (29)
Click on any of the links below to read about artnews or exhibitions related to Armstrong

Red Head Gallery: Else-where. (After Turner): New work by David Scott Armstrong
Else–where. (After Turner) is an exhibition of 16 photo-based prints about point of view, the image, and temporal/spatial displacement. Drawing upon J.M.W. Turner’s apocryphal genesis of his painting "Snow Storm" (and its later engraved print r...
US Art Gallery: Two Exhibitions to Open Today: Terence King and Juliet Armstrong
Terence King is currently a Professor in Fine Art and Art History at the University of Natal, Pietermaritzburg, where he has been since the mid-1980s, having previously taught at the Universities of the Witwatersrand and South Africa, and Techniko...
Photographer's Gallery: John 'Hoppy' Hopkins - From the Hip: The 1960s
Later, Hoppy documented peace marches, poetry readings with a naked Allen Ginsberg, and photographed twentieth century icons such as Martin Luther King and Malcolm X. For Hoppy the Sixties were, Just a...
Wegway – Primary Culture: Call For Artists: First Annual International Juried Photography Exhibition
Wegway’s First Annual International Juried Photography Exhibition will take place at the Steam Whistle Gallery attached to the Steam Whistle Brewing Company in the old roundhouse in downtown Toronto. This event is officially part of the Contact 20...
ArtSpace: Transformers
Sean Bacon
ZONE
The audience is led into Zone only to find themselves the focus of attention. The viewer is given control over a series of images in which they are alternatively present and absent and in which the installation itself os...
Parsons Exhibition Gallery, Parsons School of Design: Michael Kalil Retrospective: Design for the 21st Century
The model for this prototype will be included in the exhibition. Also shown will be Kalil's Electronic Communications Center, designed for Armstrong World Industries, residences and industrial designs. Kalil's work has been extensively publish...
Carnegie Museum of Art: Light: The Industrial Age 1750-1900, Art and Science, Technology and Society
Light! was organized in partnership with the Van Gogh Museum, Amsterdam, where it was previously on view. Pittsburgh is the only other venue for this remarkable exhibition. The exhibition is sponsored by Bayer ...
Bellevue Art Museum: Bounce / In Through the Out Door
Each of these artists are attracting national and international attention for their reinterpretation, discourse and deviation from current schools of thought. The exhibitions are organized by Power Plant, Toronto, Ontario. Philip Monk curated Boun...
Carnegie Museum of Art: William Kentridge Receives the 1999 Carnegie Prize
William Kentridge’s work was first exhibited in and around Johannesburg in the late 1970s. In 1989 he began to participate in international group shows, including Memory and Geography. Africus Johannesburg Biennale (1995); Jurassic ...
Cambridge Galleries: Let's Get Lost: The Summer Vacation Show
But the exhibition has also been influenced by many artists, both contemporary and historical, for whom the experience of art may be founded in a desire to describe ecstatic moments - moments of heightened experience and awareness - moments that h...
Cambridge Galleries: That Obscure Object of Desire: A Group Exhibition of Visions of Delight, Fascination and Desire
It is said that the desire to connect goes back to the infant's separation from the mother's breast. From that grows a life-long search for love and the creation of a system of language and symbols to express that desire. Prose and poetry, music a...
Columbia Museum of Art: Burn: Artists Play with Fire
Technique and theme merge in these dramatic works as artists explore such issues as cultural identity, environmental fragility and personal loss. Some of the featured artists include L.C. Armstrong, Chris Burden, John Cage, Willie Cole, Kathleen K...
Cambridge Galleries: Translinear: 12 Canadian Artists
The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Center for Curatorial Studies at Bard College: Two-day Conference: The History of Exhibition
Scholars, curators, and museum directors will discuss exhibitions in 19th and 20th-century France, exhibitions in the United States and Europe in the 1960s and after, the international exhibitions Documenta and the São Paulo Bienal, constructivist...
Museum of Contemporary Art, La Jolla: ULTRABAROQUE: ASPECTS OF POST-LATIN AMERICAN ART
UltraBaroque features sixteen of the most dynamic and innovative young artists working in the Americas today, whose work is well ...
Institute of Modern Art: 3 EXHIBITIONS......1 LOCATION
Since 1991, Indigenous artists Brenda L. Croft and Destiny Deacon have exhibited their work alongside one another in various exhibitions, strengthening a friendship which stems from early days in indigenous affairs, government and community or...
Art Institute of Chicago: Aerospace Design: The Art of Engineering from NASA's Aeronautical Research
Aerospace Design: The Art of Engineering from NASA's Aeronautical Research features the architecture and engineering of wind tunnels with more than 65 artifacts from NASA's collection, including designs and models for wind tunnels from the 1930s t...
Wexner Center for the Arts: As Painting: Division and Displacement
As painting Organized by the Wexner Center and guest curated by OSU professors Philip Armstrong (Division of Comparative Studies), Laura Lisbon (Department of Art), and Stephen Melville (Department of History of Art), the wide-ranging exhibiti...
Columbus Regional Airport Authority: Today is Tomorrow's History to Feature Ron Anderson
Ron Anderson and his wife, Robin Anderson, both would like express their appreciation for the invitation that was extended to Ron to be a part of this outstanding program. A number of prominent local members of the Columbus community are featured, in...
hug - Gallery for International Photography: Star Struck: An exhibition of photographs by Bob Willoughby
In the early 1950s Los Angeles born Bob Willoughby began his career photographing for Harper’s Bazaar. He was soon discovered by the film studios, becoming the first ‘special’ photographer, when Warner Brothers assigned him to photograph Judy Garl...
Fundacion Principe de Asturias - Campoamor Theatre: Cris Orfescu NanoArt - Solo Exhibition at the 2008 Prince of Asturias Awards
The aim of the Foundation is to contribute to encouraging and promoting scientific, cultural and humanistic values that form part of mankind's universal heritage. Bob Dylan, Al Gore, George M. Whiteside, Google, National Geographic Society, Maya P...
Institute of Contemporary Art, University of Pennsylvania: Yoshitomo Nara: Nothing Ever Happens
The prolific and soft-spoken Nara is internationally recognized for his neo-pop style paintings and sculptures that feature big-eyed, alternately sad, mischievous, or even malevolent children. Born in 1959, Nara was raised during an era in Japan d...
hug - Gallery for International Photography: John ‘Hoppy’ Hopkins: 1960 to 1965 – A Taster
Through Melody Maker Hoppy worked with the biggest groups of the day “...they were having difficulty getting good pictures of The Rolling Stones because the group was so unreliable and they asked me to help,” he says. “We booked a studio for 11am ...
International Fine Print Dealers Association: Twelfth Annual New York Print Fair
Since 1991, The International Fine Print Dealers Association has sponsored The Print Fair in New York City, the world's largest and most celebrated annual exhibition and sale of fine prints. The Print Fair is held at the Armory on Park Avenue and ...
Guggenheim Museum: Call for Artists : Design Virtual Shelters Using Google Earth and 3-D Modeling Software
“Throughout the Guggenheim’s 50th anniversary year, one of our most important goals is to engage new and ever-broader global audiences to understand and appreciate art and architecture through exhibitions, education programs, research initiatives,...
Studio Museum in Harlem: Frederick J. Brown: Portraits in Jazz, Blues, and Other Icons
In the late 1970s and early 1980s Brown emerged as a driving force in the resurgence of expressive figuration in theinternational art world. He has combined his interest in jazz and blues music, Native American and African culture, primitive folk ...
Carnegie Museum of Art: First Exhibition to Explore Dynamic Impact of Aluminum on Design Tours to New York, Montréal, Miami, Detroit, and London.
This groundbreaking exhibition demonstrates how aluminum's essential qualities of brilliance, strength, light weight, ductility, corrosion resistance, and ease of recycling have provided an unparallele...
Carnegie Museum of Art: Lebbeus Woods: Experimental Architecture
"The proposals of Lebbeus Woods are at the forefront of experimental work, and it is our distinct pleasure to present this installation at the Heinz Architectural Center," says Richard Armstrong, the Henry J. Heinz II director at Carnegie Museu...
Carnegie Museum of Art: 1999 Carnegie International Artists Announced
For more than one hundred years, Carnegie Museum of Art has played an important role among American museums with its presentation of the International, said Richard Armstrong, the Henry J. Heinz II director of the museum. With Madelein...

Further Artwork and Information:

William H. Armstrong Teacher Resource File
William Ward Armstrong
William Armstrong (I)
Wikipedia: William George Armstrong
Amazon.ca: Search Results Books:
William Armstrong Public School
William Armstrong - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Ned Kelly World - Australias Famous Bushrangers
William E. Armstrong, Ph.D.
William Armstrong (1817 - 1896) Biography, Artwork Images, Exhibitions, Reviews

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