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Artist: James Charles Armytage ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by James Charles Armytage.
- James Charles Armytage
Holyhead, plate opposite page 101 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Maryport, plate opposite page 53 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
- James Charles Armytage
Beaumaris, plate opposite page 82 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Alloney, plate opposite page 62 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
- James Charles Armytage
Blackpool, plate opposite page 78 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Swansea Bay, plate opposite 127 page of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
- James Charles Armytage
The Walls of Southampton, plate opposite page 133 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Charles Armytage
The Sands at Southport, plate opposite page 173 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descript
- James Charles Armytage
The Mersey at Liverpool, plate opposite page 118 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Charles Armytage
Conway Castle, plate opposite page 69 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
- James Charles Armytage
Blackpool Sands, plate opposite page 80 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
- James Charles Armytage
Conway Quay, plate opposite page 70 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
- James Charles Armytage
Whitehaven Harbour, plate opposite page 168 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions
- James Charles Armytage
Fort Penryn and Bangor, plate opposite page 76 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
- James Charles Armytage
St. Nicholas' Church. Liverpool (from St. George's Basin), plate opposite page 113 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartl
- James Charles Armytage
The Eagle Tower, Carnarvon Castle , plate opposite page 96 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions b The Metropolitan Museum of Art
- Sir George Armytage (1761-1836), Fourth Baronet, possibly ca. 1763 John Smart (British, 1741-43–1811)Pencil and watercolor
- Joseph Mallord William Turner
Jumieges, plate 34 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837)
engraving
1837
- Joseph Mallord William Turner
Troyes, plate 60 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837)
engraving
1837
- John Henry Robinson
Charles James Fox
18th - 19th century
- Joseph Mallord William Turner
Confluence of the Seine and Marne, plate 58 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837)
engraving
1837
- Gilbert Charles Stuart - Portrait of James Ward 1779 oil on canvas Minneapolis Institute of Arts American
- Joseph Mallord William Turner
Jumieges, plate 11 opposite page 98 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green, and Longman, 1834)
engraving
1834
- Joseph Brown
Charles James Fox
19th century
- J.W. Cook
Charles James Fox
19th century
- Charles Willson Peale - James Latimer (1720-1807) 1788-1789 oil on canvas Pennsylvania Academy of the Fine Arts American
- Charles Willson Peale - James Claypoole (1720-1784) c. 1783 oil on canvas Pennsylvania Academy of the Fine Arts American
- Henri-Charles GuÈrard
Portrait de ma mËre, after James Abbott McNeill Whistler's painting Symphony in Gray, No. ?
Etching
19th century
- James Barry
A testimony to Charles James Fox.., fourteenth plate in the book, A Series of Etchings ä from ä Paintings, in the Great Room of the Society of Arts, Manufactures, and Commerce, Adelphi (London: printed by W. Bulmer ä sold by C
- James MacArdell
Charles Erskine
Mezzotint
18th century
- Untitled Fashion Sketch, Charles James (England, 1906-07-18 - 1978-09-23) , 1964, Marker on paper
- Untitled Fashion Sketch, Charles James (England, 1906-07-18 - 1978-09-23) , 1970, Pencil on paper
- Untitled Fashion Sketch, Charles James (England, 1906-07-18 - 1978-09-23) , 1963, Felt pen on paper
- Charles Willson Peale - James Peale The Lamplight Portrait 1822 oil on canvas The Detroit Institute of Art American
- James Duffield Harding
Sketches at Home and Abroad (London: Charles Tilt, [ca. 1835])
book with lithographs
1835
- Daniel Charles Marie Mordant
Le Baron James de Rothchild
19th - 20th century
- Untitled Fashion Sketch, Charles James (England, 1906-07-18 - 1978-09-23) , 1970, Charcoal and pencil on paper
- Untitled Fashion Sketch, Charles James (England, 1906-07-18 - 1978-09-23) , 1970, Pencil and charcoal on paper The Metropolitan Museum of Art
- Suit, 1951 Designed by Charles James (American, born Great Britain, 1906-1978)American; Made New York, New
- James Bard - Steamship James Fisk, Jr. 1870 oil on board Memorial Art Gallery of the University of Rochester American
- James Basire, Sr.
Portrait of Sir James Burrow
Engraving
18th - 19th century
- Woman’s Evening Gown, Charles James (England, 1906-07-18 - 1978-09-23) , 1951, Silk chiffon, silk satin, and nylon chiffon
- Anonymous
The Revolution of the People - Surrender of James P. Casey and Charles Cora to the Vigilance Committee
wood engraving
19th century
- Untitled Fashion Sketch, Charles James (England, 1906-07-18 - 1978-09-23) , 1969-1970, Charcoal, pencil and ball point pen on paper
- Charles Sauvageot dans son appartement du 56 rue du faubourg Poissonnière (1856 en) by ROBERTS James
- Homme drapé, assis de face (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; WESTMACOTT Sir Richard (inspiré par)
- Portrait de Charles James Fox (1749-1806). (1820 en) by MUSS Charles ; REYNOLDS Sir Joshua (inspiré par)
- Composition allégorique (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; BARRY James (inspiré par)
- Scène de triomphe antique (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; BARRY James (inspiré par)
- Naissance de Vénus d'aprés James Barry (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; BARRY James (inspiré par)
- L'Ecole en désordre (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; RICHTER Henry James (inspiré par)
- Réjouissances à l'occasion d'un mariage antique (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; BARRY James (inspiré par)
- Scène mythologique (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; BARRY James (inspiré par)
- Louis Lang
The James Cushing Family
oil on canvas
19th century
- Guerrier désarçonné par des soldats (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; NORTHCOTE James (inspiré par) Museum of Fine Arts
- Francis Alexander, American, 1800-1880 Charles Dickens 1842 Oil on canvas 112.08 x 91.44 cm (44
- Anonymous
Execution of James P. Casey and Charles Cora in Front of the Vigilance Committee Rooms, San Francisco - Magazine Illustration
wood engraving
19th century The Minneapolis Institute of Arts
- Artist: attributed to James Frothingham Title: Portrait of Rev. James M. Winchell. Date: 19th century
- Homme lisant un valentin dérobé à une femme (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (graveur) ; BURNET James (inspiré par)
- Fête dans un palais (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à ) ; MILLER James (inspiré par)
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Further Artwork and Information:
James Charles Armytage (1817 - 1896) Biography, Artwork Images, Exhibitions, Reviews
James Charles (1699 - 1779) Biography, Artwork Images, Exhibitions, Reviews
James Charles Armytage - Joseph Clark - Hagar and Ishmael
I1985: James ARMYTAGE (____ - ____)
NPG D1145; John Burgoyne
NPG D15737; Thomas Carlyle
Colonial Secretary Index, 1788-1825 - Armytage to Arrowsmith
Oz-Boer Database - Names Index
ANTIQUE PRINTS OF CUMBERLAND AT ASH RARE BOOKS: COCKERMOUTH & THE COAST
All Individuals - Name Index - Generated by Personal Ancestral File
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Last updated and links verified on: Thursday May 05/19/11 02:59:57 PM
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