Draperie pour une figure agenouillée (4e quart 15e siècle ; 1er quart 16e siècle) by VINCI Leonardo da
Artnews Articles and Exhibition Information: (13)
Click on any of the links below to read about artnews or exhibitions related to Attavante Degli Attavanti
La Follette Gallery and Framing: Jerry Ross: Ritratti degli amici italiani - Portraits of Italian Friends
In Carlo, my painting style focuses on close-up portraiture, a painting style influenced both by computer technology and photography. I seek a special kind of realism informed by the poetics of the person revealed in light, preferably bright sunli...
Culture Institute of Poland: Clone: Luca Curci, Richard Journo, Fabiana Roscioli and Jan Simon
The artists duplicating an entire exhibition, put in question the
serialising process in the contemporary art. By doing so they reflect on one
hand on the uniformity to which consumer goods are subjected in order to be
distributed on a global ...
National Gallery: Masaccio: 'The Pisa Altarpiece'
Tommaso di ser Giovanni, known as Masaccio, was born on 21 December 1401 in San Giovanni Valdarno, south of Florence. It is not known with whom he trained, but he may have spent time in the workshop of the sculptor Donatello. From around 1423 Masacci...
Pharmaka: Venice: Inspiring Artists in Italy and California
Meant to investigate this incomparable sense of place
through a variety of media (oil and canvas, mixed media and board, metal and
glass), new works and collaborations from this on-going project will be
exhibited in both Venice, Italy, and Los ...
Universita degli Studi di Firenze: Cris Orfescu NanoArt at Italian Week of Science
Principal themes to be discussed during this event are:
1. The scientific imaginary and aesthetics of contemporary art in growing up knowledge economy.
2. The development of nanoscience and new forms of artistic fruition in contemporary ...
Carbone.to: Francesco Lauretta: Bubble Gum
The paintings called "One" and "Other" are the same size.
"One" is a painting reminiscent of the seventeenth and eighteenth century portraits of Velazquez and Goya; "Other" originates from the same figure, but the white veiling which nearly cance...
Fundacao Arpad Szenes - Vieira da Silva: Giorgio Morandi: Paintings and works on paper from 1914 to 1963
The engravings, watercolours and drawings all belong to the Morandi Museum Collection; the oils from the Museo Morandi, Uffizi and Museo d’Arte Contemporanea in Florence, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto (Col Giovnardi), G...
Universita di Napoli - Partenope: Beauitful Elsewhere : Fusion and Con-fusion - Migrating Cultures and the Dynamic of Exchange
Participating Artists:
Isabelle Lamaitre (Belgium), Panayotov Biser Ivanov (Bulgaria), Liu Yang, Liu Wei, Wang Tiewei (China), Ute Illig (Germany), Hiroshi Matsumoto (Japan), Sety Mardiyantoro (Indonesia), Guido Della Giovanna, Gianfranco Er...
National Gallery: Titian
Famous throughout his lifetime (about 1487 - 1576), few individuals have had a greater influence on the development of Western painting. This exhibition brings together important loans of many of his most renowned paintings, covering all stages of...
PS1 Contemporary Art Center: Visa for Thirteen
P.S.1s International Studio Program, founded in 1976, awards studio spaces to artists from 13 countries each year. The International Studio Program unites professional artists from varied cultural and aesthetic backgrounds. International artists a...
National Gallery of Art: Virtue and Beauty: Leonardo's - Ginevra de' Benci - and Renaissance Portraits of Women
The Gallery is pleased to present this remarkable exhibition that brings together some of the most
outstanding examples of Florentine portraits of women from the mid-15th and 16th centuries, said Earl
...
California Palace of the Legion of Honor: Leonardo da Vinci: Drawings from the Biblioteca Reale in Turin
Recognized as one of the greatest draftsmen of all time, Leonardo da Vinci (1452–1519) explored his extensive range of interests through his drawings. Drawings from the Biblioteca Reale in Turin features eleven drawings, including three that are d...
Philadelphia Museum of Art: The Splendor of 18th-Century Rome
A strong sense of their city's cultural centrality encouraged Rome's 18th-century civic and religious leaders to construct or embellish numerous churches,
palaces, fountains, public plazas (piazze), gardens and gallerie...
Further Artwork and Information:
[an error occurred while processing this directive]
Search the Art History Database for artists, titles, media, year, and other indepth information:
