Artist: Ballets Russes ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Ballets Russes..

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Fernand Leger - Exit the Ballets Russes 1914 oil on canvas The Museum of Modern Art French
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Costume Sketch of a Duke in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, Watercolor cut out applied to paper
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Costume for a Huntsman in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Man’s Hat, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, Wool felt, ostrich feathers
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Costume Sketch for a Warrior in the Ballets Russes production of ’Le Chant du Rossignol’ (Song of the Nightingale), Henri Matisse (France, Cateau-Cambresis, 1869 - 1954) , 1920, Pencil on paper
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Costume for a Huntsman in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Man’s Coat, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, Cotton velvet, metallic thread braid
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Programme des ballets russes (1917) by PICASSO Pablo (dit), RUIZ-PICASSO Pablo
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Costume for Herod in the Ballets Russes production of ’La Tragédie de Salomé,’ (Tragedy of Salome); Man’s Robe, Sergei Soudeikine (1883 - 1946)  (Artist), 1913, Felt, glass, metal, metallic thread tassels, sequin and brass
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Costume for a Mourner in the Ballets Russes production of ’Le Chant du Rossignol’ (Song of the Nightingale); Headdress and Robe, Henri Matisse (France, Cateau-Cambresis, 1869 - 1954) , 1920, Felt with velvet appliqués
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Costume for I. Orskov as an Attendant to Prince Afron in the Ballets Russes production of ’Le Coq d’Or’ (The Golden Cockerel); Man’s Bolero and Pantaloons, Karinska , 1937; based on original design 1914, Cotton velvet, wool, wool k
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Costume for Kiril Wassilkovsky as an Attendant to Prince Afron in the Ballets Russes production of ’Le Coq d’Or’ (The Golden Cockerel); Man’s Bolero and Pantaloons, Karinska , 1937; based on original design 1914, Cotton velvet, woo
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Costume for Roziarsky as a Duke in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Man’s Coat, Breeches and Hat, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, Cotton velvet stenciled in paint, silk sati
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Costume for Ochinovsky as the Marquise in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Man’s Coat, Breeches and Hat, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, a) Coat: silk rep, lamé, silve
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Costume for Mikolaitchik as a Marquise in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Man’s Coat, Breeches and Hat, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, Silk rep, cotton velvet, metallic th
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Costume for a Green Page in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Jacket and Breeches, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, Silk satin, cotton velvet, metallic thread braid, lamé, silk
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Costume for a Warrior in the Ballets Russes production of ’Le Chant du Rossignol’ (Song of the Nightingale); Man’s Headdress, Tunic and Pantaloons, Henri Matisse (France, Cateau-Cambresis, 1869 - 1954) , 1920, a) Headdress: felt with in
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Costume for Rosenstein as a Marchioness in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Woman’s Ensemble, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, Silk, cotton velvet, metallic thread lace, meta
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Costume for a Female Subject of King Dodon in the Ballets Russes production of ’Le Coq d’Or,’ (The Golden Cockerel); Woman’s Ensemble, Karinska , 1937; based on original design 1914, Cotton, linen, stenciled cotton, cotton braid, a
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Costume for a Female Subject of King Dodon in the Ballets Russes production of ’Le Coq d’Or,’ (The Golden Cockerel); Woman’s Ensemble, Karinska , 1937; based on original design 1914, Cotton, linen, stenciled cotton, cotton braid, a
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Costume for a Female Subject of King Dodon in the Ballets Russes production of ’Le Coq d’Or,’ (The Golden Cockerel); Woman’s Ensemble, Karinska , 1937; based on original design 1914, Cotton, embroidered appliqués, cotton lace
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Costume for Yura Lazovsky as Prince Afron in the Ballets Russes production of ’Le Coq d’Or’ (The Golden Cockerel); Man’s Ensemble, Karinska , 1937; based on original design 1914, Wool, wool felt, leather, gilded leather, cotton vel
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Costume for a Marchioness in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Woman’s Ensemble, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, a) Coat: Moiré silk rep, cotton velvet, silver metal bu
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Costume for a Female Subject of King Dodon in the Ballets Russes production of ’Le Coq d’Or,’ (The Golden Cockerel); Woman’s Ensemble, Karinska , 1937; based on original design 1914, Cotton velvet, cotton, linen, cotton braid and e
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Natalia Sergeevna Goncharova [Bal Banal] 19th - 20th century
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Costume for Hilda Bewicke as a Baroness in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Woman’s Ensemble, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, a) Coat: Cotton flannel stenciled with paint,
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Costume for Alice Allanova as a Duchess in the Ballets Russes production of ’The Sleeping Princess,’ Scene 3; Woman’s Ensemble, Léon Bakst (Russia, St. Petersburg, 1866 - 1924) , 1921, a) Coat: Silk satin stenciled in paint, cotton
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Natalia Sergeevna Goncharova l'Oiseau de Feu: Costume for the first Prince opaque watercolor 19th - 20th century
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Natalia Sergeevna Goncharova L'Oiseau de Feu: Costume for a simple Princess watercolor 19th - 20th century
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Natalia Sergeevna Goncharova Chota Roustaveli: Project for the curtain watercolor 19th - 20th century
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Natalia Sergeevna Goncharova Stage Design for Act I of the ballet Chota Roustaveli graphite and watercolor circa 1946
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Le Shah Zeman ; Dessin de costume pour le ballet en un acte, "Shéhérazade", ballet de Diaghilev, Paris (Sous-titre) (1910) by BAKST Léon (dit), ROSENBERG Lev Samoilevitch (patronyme)
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Natalia Sergeevna Goncharova Costume for a Peasant Girl in the ballet Foire de Sorotchinsk graphite, transparent and opaque watercolor 1940
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Jeune divinité ; Dessin de costume pour "Narcisse", ballet de Diaghilev, Paris (Sous-titre) (1911) by BAKST Léon (dit), ROSENBERG Lev Samoilevitch (patronyme)
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Le Grand Eunuque ; Dessin de costume conçu pour Enrico Cecchetti dans "Shéhérazade", ballet de Diaghilev, Paris, (Sous-titre) (1910) by BAKST Léon (dit), ROSENBERG Lev Samoilevitch (patronyme)
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Natalia Sergeevna Goncharova Stage set design for act 1 of the opera-ballet Le coq d'or (The Golden Cockerel) Graphite and transparent and opaque watercolor on illustration board 1914
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Natalia Sergeevna Goncharova Costume for a Male Dancer in a Shamrock Patterned Costume pencil and watercolor on paper with samples of blue and green fabric attached across top circa 1940 - 1950
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LES RUSSES EN ORIENT. (titre inscrit) (1852 après) by PELLERIN (imprimeur, éditeur)
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Galères russes (1714) by HUGO Victor
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Jan Joris van Vliet Faiseur des Ballets 17th century
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Jean Carzou Forest Setting for Act I, Le Coup, Les Ballets de Paris de Roland Petit watercolor on paper 1953
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Anonymous Le Bon Genre #97: Les Montagnes Russes de la Barriere du Roule engraving with hand color early 19th century
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Béotienne ; Dessin de costume pour "Narcisse", ballet de Diaghilev, Paris (Sous-titre) (1911) by BAKST Léon (dit), ROSENBERG Lev Samoilevitch (patronyme)
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Mikhail Feodorovich Larionov Le Renard: costume sketch for Le Coq watercolor 1922
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Dupreel Napoleanic War Series I: Evacuation de la Hollande par les Anglo-Russes, et Capituationd Duc d*Yorck 18th - 19th century
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Charles Vernier Nos Troupiers en Orient: Les Russes disent que nous n'enterons pas dans Sebastopol.... lithograph 19th century
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Nymphe ; Dessin de costume pour le ballet en un acte "Narcisse" de Diaghilev (Sous-titre) (1911) by BAKST Léon (dit), ROSENBERG Lev Samoilevitch (patronyme)
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Mikhail Feodorovich Larionov Le Renard: Decor with three figures, detail watercolor 19th - 20th century
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Traineaux russes (2e moitié 18e siècle) by LE PRINCE Jean-Baptiste
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Pastorale avec figures portant des costumes russes (2e moitié 18e siècle) by LE PRINCE Jean-Baptiste
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Cinq figures russes au pied d'un rocher (2e moitié 18e siècle) by LE PRINCE Jean-Baptiste
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Etudes de casques russes (2e moitié 19e siècle) by YVON Adolphe
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Mikhail Feodorovich Larionov Curtain design for the dance performance, Le Soleil de Nuit (Midnight Sun) Transparent and opaque watercolor and graphite on paper 1915
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Officiers russes à cheval, en manoeuvre (1980) by CARAN D'ACHE
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Soissons - Ballet chinois dansé par les ballets de la soissonnaise (2004/01) by VERGNOL André (photographe)
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LES RUSSES INVINCIBLES. (titre inscrit) (1855 après) by PELLERIN (imprimeur, éditeur)
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Prisonniers russes défilant sur le boulevard Saint-Martin en 1814 ; Les Prisonniers russes défilant sur le boulevard Saint-Martin à Paris, après la bataille de Montmirail, 17 février 1814 (autre titre) (1814 en) by DELECLUZE Etienne Jean
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Combat du pont de Noeffels le 25 septembre 1799 vers midi ; Combat du Pont de Noeffels entre les troupes commandées par Jellachich et les forces austro-russes, 25 septembre 1799, vers midi (autre titre) (1837 en) by FORT Siméon
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Position et combat de Glaris le 5 octobre 1799 au matin ; Position et combat de Glaris remporté par les troupes de Masséna sur les forces austro-russes commandées par le généralissime russe Suwaron, le 5 octobre 1799, au matin (autre titre) (1837 en)
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HOPITAL MILITAIRE DES FRANCAIS ET DES RUSSES A MARIENBOURG.JUIN 1807 (1er quart 19e siècle) by ROEHN Adolphe
The Metropolitan Museum of Art -
Textile Sample, ca. 1923 Manufactured by La Maison MartineFrenchSilk; 90 x 34 in. (228.6 x
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Combat de cavaliers ; Charge et combat de cavaliers français et russes en 1807 (autre titre) (4e quart 18e siècle ; 1er quart 19e siècle) by ZIX Benjamin

Artnews Articles and Exhibition Information: (4)
Click on any of the links below to read about artnews or exhibitions related to Ballets Russes.

Estorick Collection of Modern Italian Art: A Slap in the Face! Futurists in Russia
After founding Futurism in 1909, F. T. Marinetti’s ambition was to establish an international Futurist movement that would develop his own group’s activities, achievements and interests. Futurist ideas were familiar to Russian artists through tra...
Renishaw Hall: Alan Haliday: A Mini–Retrospective
Halliday has painted widely in Russia, South America, The Middle East and through out Europe. He has painted the Royal Opera, The Royal Ballet, Birmingham Royal Ballet, English National Opera and English National Ballet, The Kirov, The Bolshie’s,...
Tate Modern: Century City: Art and Culture in the Modern Metropolis
The cities and periods are: Paris 1910s: The French capital became the centre of an international avant-garde, following the explosion of the Fauves onto the Parisian art scene in 1905. Paris during ...
McKinney Avenue Contemporary: Jane Wilson: Land/Sea/Sky and Photographs by John Gruen
Jane Wilson's paintings Show extraordinary skies anchored by low, horizontal planes of land and ocean. Wilson's works convey an evocative power and subtle beauty. Drawing on sources as diverse as French Impressionism, Dutch landscape painting,...

Further Artwork and Information:

Ballets Russes
Serge Diaghilev Ballets Russes
Ballets russes
Serge Dighilev
Les Ballets Russes
Ballets Russes
Les ballets russes
AllRefer Encyclopedia - Ballets Russes (Dance) - Encyclopedia
danse
Ballets Russes

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