Artist: John Bard ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Bard.

-
James Bard - Towboat "John Birkbeck" 1854 oil on canvas National Gallery of Art American
-
La Place Mazaniello à Naples (2e quart 19e siècle) by BARD Jean Auguste
-
Portrait du général Bard (18e siècle) by anonyme
-
James Bard The Steamship Syracuse oil on canvas 1857
-
Bard : la porte de Duenas, le pont sur la Doire, la ville (4e quart 18e siècle ; 1ère moitié 19e siècle) by TAUNAY Nicolas Antoine
-
Sir John Beckett (4e quart 18e siècle ; 1er quart 19e siècle) by HOPPNER John (attribué)
-
Mt. Whitney and the Alabama Hills, Phil Bard (Germany, born 1949)  (Artist), 1999, Gelatin-silver print
-
La Bénédiction "urbi et orbi" (1840) by BARD Jean Auguste
-
Kurt Tuch Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) book with 29 color stencil prints after watercolors 1920
-
Jean Auguste Bard The Pontifical Blessing at St. Peter's, Rome graphite with transparent and opaque watercolor on cream wove paper circa 1840 - 1860
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Kurt Tuch illustration in the book Penthesilea by Heinrich von Kleist (Berlin: Julius Bard, [ca. 1920]) color stencil print after a watercolor 1920
-
Vue du fort de Bard (4e quart 18e siècle ; 1ère moitié 19e siècle) by TAUNAY Nicolas Antoine
-
Bonaparte examine le fort de Bard le 23 mai 1800 (4e quart 18e siècle ; 1ère moitié 19e siècle) by TAUNAY Nicolas Antoine
-
James Bard - Steamer "St. Lawrence" 1850 oil on canvas National Gallery of Art American
-
Vue du fort de Bard le 21 mai 1800 ; Passage de l'artillerie française, de nuit, sous le fort de Bard, occupé par les autrichiens le 21 mai 1800 (autre titre) (1801 vers ; 1807 vers) by BAGETTI Giuseppe Pietro
-
Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt
-
Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt
-
Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt
-
Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt
-
Woman’s Modified Turban, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , 1950, Silk
-
Man’s Tyrolean Hat, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Velour
-
Man’s Tyrolean Hat, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Velour
-
Woman’s Modified Turban, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , 1950, Silk
-
GENS DE SERVICE DE LA MAISON DU ROI LOUIS-PHILIPPE (1840) by BARD Jean Auguste
-
INAUGURATION DE LA GALERIE DES BATAILLES PAR LE ROI LOUIS-PHILIPPE.10 JUIN 1837 (2e quart 19e siècle) by BARD Jean Auguste
-
PASSAGE DE L'ARTILLERIE SOUS LE FORT DE BARD.21 MAI 1800 (1834) by ADAM Victor ; ALAUX Jean, LE ROMAIN (dit)
-
Sketches, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , mid-20th century, Ink and watercolor on cardboard
-
John Steuart Curry - John Brown 1938 Lithograph Arkansas Arts Center American
-
James Bard - Steamship James Fisk, Jr. 1870 oil on board Memorial Art Gallery of the University of Rochester American
-
John Singleton Copley - John Gray 1766 oil on canvas The Detroit Institute of Art American
-
John Vanderlyn - John Sudam 1829-1830 oil on canvas National Gallery of Art American
-
John Singleton Copley - John Greene c. 1769 oil on canvas Currier Museum of Art American

Artnews Articles and Exhibition Information: (31)
Click on any of the links below to read about artnews or exhibitions related to Bard

Center for Curatorial Studies at Bard College: Two-day Conference: The History of Exhibition
Scholars, curators, and museum directors will discuss exhibitions in 19th and 20th-century France, exhibitions in the United States and Europe in the 1960s and after, the international exhibitions Documenta and the São Paulo Bienal, constructivist...
Center for Curatorial Studies at Bard College: Assemblance; If it's not love, it's the bomb
The selected works attempt to reconcile difficult histories through the resurrection of personal and cultural memories. This survey crosses experiential divides and examines the artists' continued proximity to the events they depict. Artists inclu...
Paul Rodgers/9W Gallery: Site Inscription: David Bush, Tim Davis, Ahndraya Parlato, Paul Salveson, Stephen Sollins
Osborne further remarks, "how the traveler's look is also a form of writing, an inscribing of the self on the world, the utterance of a desire to absorb it by visual possession and at the same time to saturate it with consciousness and fill the on...
Center for Curatorial Studies at Bard College: Dave Muller: Posters and Three Day Weekend

Although they take different forms, Mullers parallel art activities—his drawings based on artist announcements and posters and the Three Day Weekends—are related in terms of the issues they raise. The most obvious is what Muller has referred to ...
Center for Curatorial Studies at Bard College: image a new - Re:locations - FLESH and FLUID: Three Spring Thesis Exhibitions
image a new, curated by Carina Plath, reconsiders the situation of the image in the arts today. The emergence of digital technology has reopened a discussion of the image as a medium of representation. The artists in the exhibition—Ola Bill...
M + B: Matthew Porter : High Lonesome
While not a direct narrative, the fictional meeting of a cowboy and the Hindenburg after peripatetic wanderings through the desert has the familiar ring of cheap science fiction. Dinosaurs didn’t share the planet with cavemen, but their fictional ...
Center for Curatorial Studies at Bard College: First-year graduate students curate exhibitions: I Need You To Be There, Angles of Incidence, and The Volatile Real
The three exhibitions, I Need You To Be There, Angles of Incidence, and The Volatile Real were conceived in collaboration between curatorial teams of first-year graduate students and visiting curator, Maria Hlavajova, artistic director of the Bega...
Center for Curatorial Studies at Bard College: Solo Exhibtions: Tony Feher and Sarah Sze
Tony Feher's exhibition is conceived as a site-specific project that will fill all of the CCS galleries. Feher will design the installation using new work. This is his largest solo show to date. Feher, who is from New Mexico and Texas, is currentl...
Center for Curatorial Studies at Bard College: First US Museum Exhibition of British Artist David Shrigley
Shrigley's hilarious and disturbing doodles, sculptures, and anecdotes depict the world as an absurd place. He embraces the paranoias, obsessions (stalking is a favorite theme), insecurities, moral conundrums, preoccupations, and anxieties of ever...
Center for Curatorial Studies at Bard College: Four Exhibitions: Bodily Acts, Beyond the Sentence, Just what is it that makes trailer homes so different, so appealing, In Person and
Bodily Acts, curated by Jennifer L. Gray, investigates performances of three generations of artists. Photographs and videos by Vanessa Beecroft, Patty Chang, Valie Export, Nikki S. Lee, and Cindy Sherman comment on identity, objectification...
Center for Curatorial Studies at Bard College: Christian Marclay: 1980 to Present
Marclay's body of work reflects his interest in bridging the gulf between what we hear and what we see and exploring the connection between the two. Among the pieces are Recycled Records (1980–1986), The Beatles (1989), Virtuoso (2000), Guitar Dra...
Center for Curatorial Studies at Bard College: Three Spring Thesis Exhibtions Curated by Ilaria Bonacossa, Cecilia Brunson, and Gabriela Rangel
Leggerezza, curated by Ilaria Bonacossa, features works in mixed media by Italian artists Stefano Arienti, Massimo Kaufmann, Eva Marisaldi, Letizia Cariello, Stefania Galegati, and Sarah Ciraci. The artists draw upon everyday objects and extraordi...
Texas Fine Arts Association at Jones Center for Contemporary Art: New Texas Voices: New New York
There's something for everyone here - Goicolea's photographs are like cloning experiments in a romper room. Danny Hobart's video is a kind of tribute to 80s movies and their icons, i.e. Anothony Michael Hall in Sixteen Candles. Josephine Mecks...
Fusebox: Jason Gubbiotti: New Ways of Living
The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...
Center for Curatorial Studies at Bard College: Three Exhibtions Celebrate 10th Anniversary: The Arch of Desire-Women in the Marieluise Hessel Collection -- Re(f)use -- Text, Texture, Touch
The Center for Curatorial Studies was founded by Marieluise Hessel as a center for the study of late-20th-century art. It offers an innovative, interdisciplinary graduate program in curating and criticism of contemporary art. In the 10 years since...
Jack Hanley Gallery: Anna Von Mertens: Anna Von Mertens
The work is intended to act on many levels: as a memorial, as actual celestial landscapes viewed from specific moments in history, as a study of astrological forces. But ultimately these works simply document a natural cycle that is oblivious and...
Galleries at the Interchurch Center: Indomitable Spirit - Paintings of Faith, Hope and Remembrance by Christina Saj
Ms. Sajs exhibition consists of modern icons depicting the myths and symbols which have shaped our civilization, both religious and secular, throughout the passage of time and history. There is nothing ponderous or portentous about these works....
Rosalux Gallery: Call for Artists: Fourth Annual OPEN-DOOR Exhibition
This year Yasmil Raymond, Assistant Curator at the Walker Art Center, will jury the show. Raymond received her B.F.A. from the School of the Art Institute of Chicago in 1999 and her M.A. from the Center for Curatorial Studies at Bard College in 20...
OBORO: Judy Radul: Proposal for Ghost Pass Rehearsal Park
This parallel between spatial regimes ushers in questions of time and performance. As space and images are variously allocated, sound, objects, and the presence (or absence) of other viewers further dis-tribute roles, offering an ever-changing num...
Plug In, ICA: Dominique Rey: Selling Venus
Rey uncovers illusions and stereotypes about a sub-culture of women in extreme feminine roles, and re-opens the debate on the victimization of women in oppressive and exploitive environments. Photographed in the intimacy of their dressing room, th...
Kantor / Feuer Gallery: Project Room: Quentin Curry
In “Lies and Abstraction” an opened newspaper rests on a hardwood floor. This paper written in both numbers and letters become illegible and is seen not only as text, but also as a diagram and a landscape.  The focus of the piece does not lie in t...
ArtSpace: Call for Papers: Spaces of Art An international conference on institutional / post-institutional curatorial and related practices in contemporary art
The past few years have seen this tendency widely discussed and just as widely critiqued, resulting in emergent discourses that might be characterised as ‘post-institutional’. Rather than simply rehearsing these accounts of the new institutionalis...
Museum of Modern Art: Rober Storr Promoted to Senior Curator at the MOMA
The title of Senior Curator indicates exceptional merit, and is among the highest distinctions this Museum can offer, remarked Mr. Lowry. This promotion recognizes Robert Storrs tremendous contributions, both as an exhibition organizer, a...
Stedelijk Museum: PAUL CHAN – Lights and Drawings
The Lights series is described by some as a commentary on a world on the edge of disintegration. In the words of the artist, the series is about ‘light and light that has been extinguished’. In the title, although the word light is literally cross...
Camera Club of New York: Call for Artists: National Photography Competition
Juror
During a 40-year career, photographer Larry Fink has explored the human condition from myriad angles—and always with a human touch. Among his publications are Somewhere There's Music (Damiani, 2006), The Forbidden Pictures (powerHouse, ...
Price Tower Art Center: Imaginative Qualities of Actual Things
With over 30 objects on display, contemporary artists like Tracy Kendall and Kate Goldsworthy from Great Britain, Volksware from Germany, Anke Weiss from the Netherlands, Miwa Koizumi from Japan, Zac Freeman from Florida, and Jill Weinstock from N...
Americas Society Art Gallery: TALAVERA POBLANA FOUR CENTURIES OF A MEXICAN CERAMIC TRADITION
The exhibition will assemble masterpieces from one of the most important ceramic traditions of the Western Hemisphere, many on view for the first time in decades. The exhibition explores the development of the magnificent tin-glazed earthenware known...
Guggenheim Museum: Hugo Boss Prize 2000 - Marjetica Potrec - Kagiso: Skeleton House Features Two Architectural Installations, Photographs, and Text
We are delighted to present the work of Marjetica Potrc as the winner of the HUGO BOSS PRIZE: 2000, said Thomas Krens, Director, Solomon R. Guggenheim Foundation. Her textual and sculptural investigations into the notion of sh...
Guggenheim Museum: HUGO BOSS PRIZE 2008: EMILY JACIR
In their statement, the jurors* of the HUGO BOSS PRIZE 2008 describe their selection: "Emily Jacir's rigorous conceptual practice-comprising photography, video, performance, and installation-based work-bears witness to a culture torn by war and di...
Palm Beach Institute of Contemporary Art: Marjetica Potrc: Urgent Architecture
After its showing at PBICA from November 22, 2003 through February 29, 2004, Marjetica Potrc: Urgent Architecture will travel to the List Visual Art Center at MIT in Cambridge, Massachusetts, where it will be on view from May 6 through July 11, 20...
Chatterjee and Lal: Artists from the Thomas Erben Gallery
From its very inauguration in 1996, Thomas Erben Gallery's program has been multidisciplinary and internationally oriented, showcasing emerging as well as established artists. Conceptually minded, the gallery strives to either expose or rediscover...

Further Artwork and Information:

John Bard Online
John Bard Manulis
John Bard (1824 - 1903) Biography, Artwork Images, Exhibitions, Reviews
John Bard Manulis
John Bard Manulis - Filmography - Yahoo! Movies
John Bard
John Bard Manulis
ActivistCash.com | John Bard Manulis
John Bard Manulis :: Hollywood.com
John Bard - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]

Search the Art History Database for artists, titles, media, year, and other indepth information: