Artist: Maxwell Bates ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Maxwell Bates.

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Robert White Portrait of William Bates, D.D. (age 74) Engraving 17th - 18th century
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Bates Van Allan, Douglas Busch (United States, born 1951) , 1973, Gelatin-silver print
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William Dyce - Mrs. John Clerk Maxwell and her Son James 1832-1833 oil on canvas Birmingham Museums and Art Gallery British
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Pat Martin Bates Empery Of The Silent Black Mandalas Perforated Esta 1968
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Pat Martin Bates White Flame Mandorla For A Glass Wall Porforated Esta 1968
Museum of Fine Arts -
Robert David Gauley, American, 1875-1943 Fountain, Rome 1896 Oil on canvas 30.16 x 42.54 cm
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Elsie Bates Freund - Goats c. 1954 Watercolor on paper Arkansas Arts Center American
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David Bates - Baits 1990 oil on canvas Smithsonian American Art Museum American
The Minneapolis Institute of Arts -
Artist: Maxwell Armfield Title: Dancer"s Servant, theater design for "The Grass-Blade" Date: 1914 Medium: watercolor,
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Richard Dighton Caricature (full figure) of Sir Murray Maxwell,Kt. C. B. Color etching 18th - 19th century
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Ward, Leslie Matthew (Spy) "Wigtownshire" (Sir Herbert Eustace Maxwell, Bart., M.P.) Statesman No. 619, from Vanity Fair, September 28, 1893 Lithograph 1893
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Mark Luca One in a Portfolio of thirty portraits of Scientists : Maxwell Collograph prints 20th century
Museum of Fine Arts -
Marked by Samuel Penbeton, 1773-1801 Scent Bottle Case Birmingham, England England, (Birmingham), 1791-92 Silver H.
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Maxwell Ashby Armfield - Self-Portrait 1901 tempera on sketching Birmingham Museums and Art Gallery British
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Augustin Coppens Fan paint on ? and mother of pearl with gold 19th century
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Augustin Coppens Collar fragment Point de gaze 19th century
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Frances A. Atwell Fan point de gaze lace, painted gauze, and ivory circa 1890
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Augustin Coppens Collar, Point de Gaze Point de Gaze lace 19th century
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Augustin Coppens Edging of point de gaze point de gaze lace 19th century
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Augustin Coppens Collar, Point de Gaze Brussels point de gaze lace 19th century
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Augustin Coppens Lappet, rose point lace Point de Gaze lace 19th century
Museum of Fine Arts -
Unidentified artist, American, 19th century Sea Captain Maxwell B. Chace about 1835 Oil on canvas
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Pair of Man’s Oxford Shoes, Faulkner & Son , 1960-1965, Leather
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Pair of Man’s Oxford Shoes, Faulkner & Son , circa 1960, Leather
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Sainte Claire et saint Louis de Toulouse (1992) by CANO Alonso
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The Descent from the Cross, Charles Le Brun (1619 - 1690) , 17th century, Oil on canvas
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Hermann Wendelborg Hansen Scout Etching 1924
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Stephen de Hospodar Block Prints (Los Angeles: privately printed, 1932) book with woodcuts 1932
Museum of Fine Arts -
John Coburn, 1724-1803 Caster United States, Massachusetts, (Boston), about 1750 Silver Museum of Fine Arts,
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Stephen de Hospodar Reflections, first plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Palisades, third plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
Museum of Fine Arts -
Marked by David Hennell, I Marked by Robert Hennell, I Pair of Salts With Liners
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Woman’s Picture Hat, I. Magnin & Co. (United States, California, Los Angeles, 1893 - 1995) , circa 1913-1915, Beaver, ostrich feathers
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Stephen de Hospodar Madonna, sixth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Bather, thirteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Two Swans, fourteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Iron Moulder, second plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Louise, sixteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Rhythm, fourth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Hollywood Bowl, fifth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Lament, eleventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Rough Sea, tenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Hymn to the Sun, eighth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
Museum of Fine Arts -
Tea bowl Chinese Northern Song dynasty, Northern Song dynasty, 11th–12th century China Ding stoneware with
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Stephen de Hospodar A Family Portrait, seventh plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Tristan and Isolde, twelfth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar White Caps, fifteenth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
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Stephen de Hospodar Kid Kelley Showing Off, ninth plate in the book Block Prints (Los Angeles: privately printed, 1932) woodcut 1932
Museum of Fine Arts -
Bowl with loop handles Nubian Meroitic Period, 1st—2nd century A.D. Sudan, Nubia Bronze Height x
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Saint Mark, Alonso Berruguete (Spain, Valladolid, 1488 - 1561)  (attributed to), circa 1560, Polychromed and gilded wood (pine)
Museum of Fine Arts -
Relief of offering bearers Egyptian New Kingdom, Late Dynasty 18, probably reign of Horemheb, 1319-1292
Museum of Fine Arts -
Jan van de Velde II, Dutch, 1593-1641 Amenissime Aliquot Regiunculae. Part 1 1616 Etching and
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Aun podrán servir. (They can still be of
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y no hai remedio. (And there is nothing
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor do these); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No quieren. (They do not want to); Fatales

Artnews Articles and Exhibition Information: (12)
Click on any of the links below to read about artnews or exhibitions related to Bates

Irregular Art Beat: Queen Mab’s Daughters: Featuring Pearl Bates
Pearl Bates’s work feeds our emotional need for fantasy, passion & beauty, and creates an enticing dream world full of enchantment, desire and intoxication into which we can escape.” This young artist has recently exhibited at the house of John Cl...
Bates College Museum of Art: Documenting China: Contemporary Photography and Social Change
The participating photographers are: Liu Xiaodi, a painter by training who shot his "Village" series while he was a student doing fieldwork; Jiang Jian, director of the photography department at the Henan Institute of Art, Zhengzhou. H...
Figaro Gallery: Generations of Art: From Abstraction to Realism - Matthew Bates and Stephen Bates
Matthew Bates was born in Washington, D.C. in 1970 to an artistic family. At 18, Matthew left Washington to go to art school in San Francisco at the Academy of Art College. While there he learned many techniques in drawing, painting, and design. ...
Bates College Museum of Art: Wenda Gu: From Middle Kingdom to Biological Millennium
Gu was active in the Chinese avant-garde before emigrating to the United States in 1987. He mines tradition and pursues innovation in works that explore globalism, diasporic art and transculturalism to present an idealized unification of humanity....
Los Angeles Center For Digital Art: Mary Bates Neubauer: New Work
The surfaces and translucency of the sculptural and virtual artworks give them properties of inner life and animation despite their digitally archived nature, pointing out qualities of inherent spirituality, tactile beauty, and luminosity. W...
Bates College Museum of Art: Cryptozoology: From Nessie to yeti,
The exhibition is curated by Bates museum director Mark H.C. Bessire and Raechell Smith, director of the H&R Block Artspace at the Kansas City Art Institute, where it opens in late October. "It really has been an artist-driven project," sa...
Bates College Museum of Art: Manuel Lopez Oliva: Cuba and the Theatre of Desire
"Aside from being actors who take on different characters, sometimes merely for effect, sometimes out of desire -- the desire for self-expression, for power, for love, for truth -- we are also actors in the circumstances of history," he said. ...
Minneapolis Institute of Arts: Hair Stories
This exhibition encompasses mixed media work by Diane Katsiaficas, paintings by nancy Robinson, mixed media work and hand made paper by Erica Spitzer Rasmussen and a video installation by Mara Zoltners. Text and readings by Paulette Alden Bates,...
William Havu Gallery: Three Dimensions: Lawrence Argent, Stephen Daly, Mary Bates Neubauer and David Mazza
Stephen Daly is the area head of the sculpture department at the University of Texas, Austin. We will be showing his large cast bronze piece "Controller" as well as a selection of other works. Daly works in many mediums including cast aluminum, ...
Carnegie Museum of Art: Gritty Brits: New London Architecture
Approximately 150 objects, including 18 models, six of which have been commissioned for the exhibition, will be on view. Also included will be photographs, film, working drawings, and material samples. Visitors to the exhibition will get their fir...
Oakland Museum of California: Grand Lyricist: The Art of Elmer Bischoff
The Bay Area figurative movement was perhaps the first school of painting that put the West Coast on an artistic map dominated by New York painters. Arising out of the post-World War II resurgence of energy as artists returned to their studios (B...
Wadsworth Atheneum Museum of Art: Marsden Hartley: First Retrospective in over 20 Years
Widely acknowledged as the greatest of the early American modernists, Marsden Hartley (1877-1943) belonged to a circle of artists promoted by photographer and gallery owner Alfred Stieglitz that included Georgia O’Keeffe, John Marin, Arthur Dove, ...

Further Artwork and Information:

Canadian Literary and Art Archives - Maxwell Bates
Maxwell Bates Online
BAU-XI GALLERY
Maxwell Bates (1449 - 1512) Biography, Artwork Images, Exhibitions, Reviews
Art on Video: Maxwell Bates
MaxwellBates.net
Maxwell Bates
Maxwell Bates: Biography of an Artist
Maxwell Bates - Rural Route - Alberta Community Development
Maxwell Bates artwork from Elliott Louis Gallery

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