Artist: George Bell ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by George Bell.

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Sir Henry Raeburn - Portrait of Mrs. George Bell c. 1801-02 oil on canvas Minneapolis Institute of Arts Scottish
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John Vanderlyn - Mary Ellis Bell (Mrs. Issac Bell) c. 1827 oil on canvas National Gallery of Art American
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George Cruikshank Untitled [Man with bell] brown ink 18th - 19th century
The Minneapolis Institute of Arts -
Artist: Sir Henry Raeburn Title: Portrait of Mrs. George Bell Date: about 1801 - 1802
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Thomas Robert Way The Old Bell Inn, Holborn, plate 14 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1893
The Metropolitan Museum of Art -
The Bell Inn George Morland (British, 1763-1804)Oil on canvas; 20 1/2 x 26 1/4 in.
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Thomas Robert Way The "George" Inn, Borough, plate 23 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Larry Bell Untitled glass, rhodium plated brass, plexiglass 1986
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Winslow Homer - The Morning Bell 1873 Wood Engraving Arizona State University Museum
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David Octavius Hill - Mrs. Bell of Madras c. 1844 salted-paper print f Cincinnati Art Museum British
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Peter Busa - Mariner's Bell 1962 oil on canvas Minneapolis Institute of Arts American
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Thomas Gainsborough - Ralph Bell 1772-74 oil on canvas North Carolina Museum of Art British
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Gian Girolamo Grandi - Hand Bell n.d. bronze The Frick Collection Italian
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Thomas Robert Way Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) book with 24 lithographs 1896
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Edward Bell Delicate Embarrassment or The Rival Friends Color aquatint 18th century
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Edward Bell Mutual Confidence, or the Sentimental Friends Color aquatint 18th century
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Thomas Robert Way Plate 11 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 12 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 2 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 14 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 15 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 10 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 9 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 8 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 6 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 5 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 4 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 1 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 3 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 16 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 17 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 29 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 28 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 27 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 26 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 24 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 23 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 13 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 22 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 21 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 25 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 18 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 19 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 7 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Plate 20 in the book The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) lithograph 1903
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Thomas Robert Way Barnard's Inn, plate 13 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way Staple Inn, plate 11 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1894
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Thomas Robert Way Staple Inn, plate 12 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1894
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Thomas Robert Way Lincoln's Inn Gateway, plate 10 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way Clifford's Inn Hall, plate 18 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Strand Lane, plate 23 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way House in Houndsditch, plate2 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way OldSquare, Lincoln's Inn, plate 17 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Westminster School, plate 15 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Triity Almshouses, plate 7 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Neville's Court, plate 17 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way Buckingham Street, plate 21 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
The Metropolitan Museum of Art -
Ghanti (Hand Bell), second half of the 19th century Northern IndiaBrass; H. 12 in. (30.5
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Thomas Robert Way Fetter Lane, plate 15 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1894
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Hans Holbein the younger The Dance of Death (London: George Bell & Sons, 1892) book with 51wood engravings on Japanese vellum paper including 6 pages with text illustrations 1892
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Thomas Robert Way Entrance Gate of the Charterhouse, plate 10 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way The Greycoat Hospital, Westminster, plate 13 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way The Bluecoat School, Westminster, plate 14 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Middle Temple Lane, plate 7 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way St. John's Gate, Clerkenwell, plate 19 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Great Ormond Street, plate 20 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Holborn and Leather Lane, plate 22 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) book with 24 lithographs and uncounted map, publisher's and printer's emblems; 1897
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Thomas Robert Way Old Manor House, Bermondsey, plate 24 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Field Court, Gray's Inn, plate 16 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Old Houses in the Mile End Road, plate 9 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Royal Mint Street, plate 6 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Cloth Fair, Smithfield, plate 20 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way Arch Row, Lincoln's Inn Fields, plate 9 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way High Street, Borough, plate 22 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way The"Queen's Head", Borough, plate 24 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way Church of St. Ethelburga, Bishopsgate, plate 1 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Saracen's Head, Aldgate, plate 3 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Whiechapel High Street, plate 5 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way The "Rising Sun" in Wych Street, plate 5 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1894
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Thomas Robert Way Back Court, St. Bartholomew's, plate 19 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1893
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Thomas Robert Way White Horse Yard, plate 16 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1893
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Thomas Robert Way Fore Street, Cripplegate, plate 21 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1893
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Thomas Robert Way St. Bartholomew's Entrance Gate, Smithfield, plate 18 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way The Vine Tavern, Mile End Road, plate 8 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way Christ's Hospital, the Great Hall, plate 12 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way South Side of Wych Street, plate 4 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1893
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Thomas Robert Way South Side of Holywell Street, plate 3 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1893
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Thomas Robert Way Houses on the South Side of the Strand, plate 2 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1893
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Thomas Robert Way Houses on the North Side of the Strand, frontispiece and plate 1 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1894
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Thomas Robert Way Nell Gwyn's House, Drury Lane, plate 6 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way Butchers' Shops, Aldgate High Street, plate 4 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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Thomas Robert Way South Side of Great Queen Street, plate 8 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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Thomas Robert Way Christ*s Hospital, The Entrance Doorway], frontispiece and plate 11 in the book Later Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1897) lithograph 1897
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William Bell Teaspoon silver 1816
The Metropolitan Museum of Art -
Ceramic Horn, 19th century Unknown MakerFranceGlazed pottery; L. perpendicular to bell 17 in. (43.3 cm);
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Thomas Robert Way The Ancient Halls of the City Guilds by Philip Norman (London: George Bell and Sons, 1903) book with 29 full page lithographs and additional rproductive images in theh text 1903
The Minneapolis Institute of Arts -
Artist: artist unknown Title: Ritual bell Date: late 6th century B.C. - 5th century B.C.
J. Paul Getty Museum -
Perched Rock, Rocker Creek, Arizona
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Unidentified artist The Anatomy and Philosophy of Expression As Connected with the Fine Arts by Charles Bell, 4th ed. (London: John Murray, 1847) book with engravings 1847

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Bell

Bell-Roberts Art Gallery: Comics Brew
'Comics Brew' presents a show of original comic artwork by T. Ott and Kalonji from Switzerland, Stassen from Belgium and Rabaté from France, with Karlien de Villiers, ND Mazin, Brendon Bell-Roberts and the Igubu Collective. The Comics Brew catalog...
Bell-Roberts Art Gallery: Matthew Hindley: Surrender
"Informed by media reportage, individual experience and a developing personal iconography of metaphorical characters, these scenarios are rendered as encoded fictions or metaphors of trauma, couched in a "pop style." "Central to both his two...
Bell-Roberts Art Gallery: Kevin Brand: 50+
The exhibition uses a repetition of an image that is never seen from the same perspective simultaneously: so although the work is a marked shift from his focussed „issue based‰ earlier concerns, the repetition alludes to his prior use of pixillati...
Experimental Art Foundation: Architectural Optics
THROW: two projected characters (a male and female) become moving targets as the audience is invited to throw soft satin balls aiming at them. The participants gradually discover that what had seemed at first like an easy task is rather challengin...
Jewish Federation/ Bell Family Gallery: Art and Artifice: Photographic Portraits by Strauss-Peyton
From the turn of the 20th century through the Roaring 20's, Strauss-Peyton's innovative techniques and dramatic results found favor with both world leaders and fashionable trend-setters. The most famous celebrities of that era, including Fanny Br...
Bell-Roberts Art Gallery: 10 Years 100 Artists: Art in a Democratic South Africa
The new premises at 89 Bree Street (between Shortmarket and Hout Streets) was originally built in 1752. The space is elegant and spacious , with a touch of old world charm about it. The gallery will now be situated on two floors and a roof top gar...
Jewish Federation/ Bell Family Gallery: Israel in Crisis Exhibit: 20 Years of Israeli Art, 1980-2000
"I wanted viewers to see that Israeli artists handle difficult subject matter and are not afraid to lift up rocks and see the underside," stated Michael Hittleman.  "The works are all about politics, discomfort with society, uneasy feelings, dread...
Bell-Roberts Art Gallery: Picnic: A Summer Show - Curated by Andrew Lamprecht
Artists included in the exhibition are Usha Seejarim, Kathryn Smith, Doreen Southwood, Kevin Brand, Matthew Hindley, Ed Young, Christian Nerf, Sanell Aggenbach, Geoff Grundlingh, Zen Marie, Vuyisa Nyamende and Cameron Platter, Brett Murray, and Sv...
Huntington Library, Art Collections, & Botanical Gardens: THE ART OF BLOOMSBURY
Works by Bell, Fry, and Grant will be complemented by those of their contemporaries, such as Henry Lamb, Walter Sickert, Dora Carrington and William Roberts, and by the great continental modernist painters they admired, notably Picasso, Derain, a...
Bell-Roberts Art Gallery: Sanell Aggenbach: Fool's Gold
Exploration and heritage are the underlining concepts, while illusions, fallacies and forgeries are presented to confuse perceptions of reality. The painted works interpret the uncertainty and fear that captured the sailor’s imagination when embar...
Bell-Roberts Art Gallery: Doreen Southwood: The Swimmer
It is a space where oppression and depression which are continually swept under the carpet in favour of a more acceptable outward appearance. Doreen details the pathologies and symptoms that attend this denial. Symptom relieving drugs domestic cra...
Irish Museum of Modern Art: Langlands and Bell: The House of Osama Bin Laden
Using a still and a digital video camera, Langlands & Bell recorded visits to ISAF HQ (the multi-national task force in Kabul led by the Turks at that time), the American airbase at Bagram, a murder trial at the Supreme Court in Kabul, the site of...
Physics Room: Dear Victoria: Victoria Bell and Victoria Edwards
Victorias Bell and Edwards reinforce this by saying, ‘Ideas and process became cyclic with motifs reappearing in various mediums. Recurring forms drawn from the collaborative process have been identified and cross-referenced within the work, while...
Bell-Roberts Art Gallery: Kevin Brand: An Exhibition of Paintings Entitled 4x4
He has always felt free to move from one medium or process to another and, as such, painting is not that radical a departure. Where his ‘Balm of Banal’ series saw him create a series of assemblages made from ‘everyday’ items such as eggboxes and b...
Bell-Roberts Art Gallery: Threads: Gina Waldman AND Lost and Found: Isolde Krams

ARTIST STATEMENT: GINA WALDMAN “The image of a tapestry is so domestic and in some ways banal, but so many interesting things happen on their surfaces. The front side of the tapestry is like a paint by number; perfect and seamless, whereas the ...
Victoria and Albert Museum: Close Encounters of the Art Kind: Work By Tania Kovats, Langlands and Bell, Sarah Lucas, Keir Smith, Richard Wilson, Bill Woodrow
Close Encounters of the Art Kind is devised by the innovative curator/artist, Colin Painter. Pioneering projects at the National Gallery (At Home with Constable's Cornfield, 1996) and Tate Britain (At Home With Art, 1999-2000) built on Painter's y...
Bell-Roberts Art Gallery: Pierre Crocquet: On Africa Time
Text is included to complement the images. It is in the form of quotes from the people photographed and descriptions of the context in which they were photographed. It also contains the interpretations and perceptions of the photographer. The imag...
Bell-Roberts Art Gallery: Cameron Platter: Life is Very Interesting
It features all the tried and tested themes of love and revenge, temptation and crookery, megalomania and obscene excess in the war between good and evil in contemporary South Africa. It promises to be an action-packed spectacle of crime and punis...
Bell-Roberts Art Gallery: Doreen Southwood: Nothing Really Matters
Doreen is an Afrikaans speaking white female in her late twenties. Her work deals largely with issues of obsession and mental illness, striving to find the perfect balance between fear and love, order and chaos. She questions identity while dealin...
Yale Center for British Art: The Art of Bloomsbury
The Yale Center for British Art is the final stop for this exhibition that includes masterpiece paintings from the collections of the Tate Gallery, the National Portrait Gallery (L...
Bell-Roberts Art Gallery: Giovanni Agresti Fiumara: Capetonians©
“Many people are anxious when they’re about to be photographed: not because they fear, as primitives do, being violated but because they fear the camera’s disapproval. People want the idealized image: a photograph of themselves looking their best....
Bell-Roberts Art Gallery: Women: Bongi Bengu
By aligning myself with this line of thinking as my forebears, I am searching to define my own identity. I ask myself questions relating to womanís sense of power or powerlessness. The mural decorations can be viewed as openings or invitations t...
I. Wolk Gallery: Mitchell Johnson: New Paintings
This show will feature more than 25 new pieces ranging from painterly figure compositions reminiscent of David Park and the Bay Area Figurative Tradition to bucolic scenes of Italy and California. Johnson’s particular use of color and gesture sho...
Shoreditch Tabernacle Hall: Art That Makes You Curious: Works by Eleven Artists
ART THAT MAKES YOU CURIOUS provides the opportunity to explore the diversity of artists in a space that echoes with unusual and unexpected vibrations, captivating the imagination and encouraging the viewer to explore the personal interactions with...
Atlanta College of Art, Woodruff Arts Center: Tony Gray: The New Black is Black
Starring the resplendently Afro-ed Panthers in their bell-bottomed glory, the collages capture the flair and un-self-conscious enthusiasm of teen bedroom walls — the homemade stage-set of American adolescence — circa 1973. Patterning nostalgia ...
Tacoma Art Museum: Clearly Brilliant: A Decade of Pilchuck Glass School's Emerging Artists in Residence
The artists represented in Clearly Brilliant bring many themes and unique approaches to their work. Some artists make reference to objects you would see in everyday li...
Tate Britian: James Gillray: The Art of Caricature
This exhibition sets out to re-examine Gillrays art, through a selection of the finest impressions of his caricatures, almost all of which are examples of the hand-colouring applied at the time they were produced, alongside a...
Bell-Roberts Art Gallery: Grime: Conceptualised and curated by Retha Erasmus
The same group of artists are asked to participate with two replacements. As was the case with CLEAN the basic premise of GRIME falls on producing colourless art works. In this case artists are requested to produce works of art that are mainly/ ...
Bell-Roberts Art Gallery: Spot the Dog: A Sculpture-based Installation by Raymond Smith
The age old discipline of manipulating clay provides the ideal material to capture the essence in character, touch and feel of each breed. After ageing and firing the once wet clay becomes stone which cannot be altered. In this work limited editio...
Bell-Roberts Art Gallery: Guy Tillim: Departure -  Photographic Exhibition and Book Launch
His photographs also formed the basis of the exhibition and book Amulets and Dreams: War Youth and Changing Africa (Pretoria) 2002 which was exhibited at the launch of African Union, Durban, July 2002. More recently he was selected, among 100 phot...

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