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Artist: Wilson Alwyn Bentley ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Wilson Alwyn Bentley.
- Untitled, Wilson Alwyn Bentley (United States, 1865 - 1931) (Artist), circa 1920, Gelatin-silver print
- Wilson Alwyn Bentley
Snowflake, March 12, 1888, Jericho, Vermont
toned gelatin silver print
1888
- The Great White Peak (No.2), Edgar Alwyn Payne (United States, Missouri, Washburn, 1882 - 1947) (Artist), 1924, Oil on canvas
- Arthur Pond
Dr. John (?) Bentley
18th century
- Alfred Bentley
The Firth of Forth
Drypoint
19th century
- Alfred Bentley
Wayfarers
Dry point
19th century
- Alfred Bentley
The Charm of the Valley
Drypoint
19th century
- Alfred Bentley
The Mantle of the Highlands
Drypoint
19th century
- Alfred Bentley
Hill Pastures
Dry point
19th century
- Alfred Bentley
Ramparts of Carcassone
Dry point
19th century
- Joseph Clayton Bentley
The Castle of Coningsburgh
1837
- Alfred Bentley
The end of the Downs Amberley
Etching and drypoint
19th century
- Alfred Bentley
Morlaix, Brittany
Dry point
19th century
- Alfred Bentley
St. Benezet Bridge in Avignon
Dry point
19th century
- Charles Bentley
The Chteau Rouge at Calais
watercolor over graphite on wove paper
circa 1823
- Edgar Alwyn Payne - The Great White Peak (No. 2) 1924 oil on canvas Los Angeles County Museum of Art American
- John Leech
One Hundred and Seventy Designs and Etchings (London: Richard Bentley, 1865), 2 vols. in 1
book with etchings
1865
- Edward Lear
Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
book with 22 lithographs
1852
- Portrait Plaque Depicting Benjamin Franklin, Wedgwood & Bentley (England, 1769 - 1780) , circa 1775-1779, Stoneware, black basalt
- Portrait Plaque Depicting William Penn, Wedgwood & Bentley (England, 1769 - 1780) , circa 1775-1779, Stoneware, black basalt
- Edward Lear
19Z opposite page 238 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Multiple Artists
The Beauties of the Court of King Charles the Second (London: published for Henry Colburn by Richard Bentley, 1833)
book with engravings
1833
- Edward Lear
Venosa, plate 21 opposite page 258 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Ragnara, plate 14 opposite page 174 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Scilla, plate 15 opposite page 176 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Pentedatilo, plate 16 opposite page 190 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Map of Basilicata..., plate 17 opposite page 209 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Canalo, plate 11 opposite page 140 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Palmi, plate 13 opposite page 172 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
San Giorgio, plate 12 opposite page 156 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Reggio, plate2 opposite page6 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Bova, plate 3 opposite page 36 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Palizzi, plate 4 opposite page 48 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Gioisa, plate 10 opposite page 130 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Stilo, plate 9 opposite page 110 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Rocella, plate 8 opposite page 104 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Gerace, plate 7 opposite page 92 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Map of Calabria Ulteriore Prima, first plate and frontispiece in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Forests of Pietrapennata, plate 5 opposite page 56 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Castel del Monte, plate 20 opposite page 250 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
S. Maria di Polsi, plate 6 opposite page 76 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
Convent of Monte Vergine, plate 18 opposite page 214 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Edward Lear
San Michele di Monte Voltore, plate 20 opposie page 268 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852)
lithograph
1852
- Robert Wilson
Cream pot
silver
circa 1830
- Robert Wilson
Teapot
silver
circa 1830
- Gilbert Stuart - Wilson Cary Nicholas c. 1805 oil on canvas Cleveland Museum of Art American
- Joseph Clayton Bentley
Bath, plate opposite page 57 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Londo
- Joseph Clayton Bentley
The "Westminster" and "Claudine", Ashore near Margate, plate opposite page 143 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot
- Ambassador Lane Wilson “fixes” the problem, 1914–15 (El embajador Lane Wilson “arregla” el conflicto, 1914–15), Leopoldo Méndez (Mexico, Mexico City, 1902 - 1969) , 1947, Linoleum cut Museum of Fine Arts
- Marked by Benjamin Bentley, first mark entered 1698 Trencher Salt London, England England, (London), 1699-1700
- Douglas Fenn Wilson
Upstream Passage
watercolor
1973
- Wilson Burrows
RCA II
Screenprint
1982
- FRERE ET SOEUR (1873 avant ; ?) by BEECHEY Sir William
- Bryan Wilson
Aleutian Geese
casein on canvas
1965
- Harvey Breverman
Study of John Wilson
lithograph
1973 The Metropolitan Museum of Art
- Marshall Orme Wilson (1860-1926), 1894 Léon Bonnat (French, 1833-1922)Oil on canvas; 58 1/2 x 40
- Girl’s Bonnet, M. B. Wilson (Maker), circa 1880, Silk velvet
- W.G. Jackman
John Wilson
19th century
- Donald Roller Wilson
And One Was Very Hot and One Was Very Not
Color lithograph with embossing
1985
- Donald Roller Wilson
Patricia in the Temple
Color lithograph
1984
Artnews Articles and Exhibition Information: (6) Click on any of the links below to read about artnews or exhibitions related to Bentley
Fine Arts Gallery, Bentley College: Intervals Works from this project are on exhibition at the Fine Arts Gallery, Bentley College, Waltham, MA. December 8th,
1999 through January 27th, 2000. ...
ASU Art Museum: MOULTHROP GENERATIONS: Turned Wood Vessels by Ed, Philip, and Matt Moulthrop The ASU Art Museum has a long history of presenting and collecting contemporary turned wood, beginning with the landmark gift of the Edward “Bud” Jacobson collection in 1989. Wood turning refers to the use of a lathe to make three-dimensional rou...
Stiftung Wilhelm Lehmbruck Museum: POP CARS. America – Europe The Lehmbruck Museum project will be the result of in-depth research, and will present groups of work on the topic from the Gottfried Schultz VW collection, the BMW Car Collection (Warhol), the DaimlerChrysler Collection (Cars by Warhol), the ADAC (G...
First Street Gallery: THE CURIOUS LINE: PAINTINGS AND WORKS ON PAPER BY ETHEL LEBENKOFF AND KAREN SULLIVAN Lebenkoff and Sullivan both have a strong emphasis on line in their painted
and drawn subjects, which imparts a sense of intimacy and immediacy to
their art. The two artists both approach their subjects through the
invention of forms, atmosp...
Los Angeles Center For Digital Art: Mary Bates Neubauer: New Work The surfaces and translucency of the sculptural and virtual artworks give
them properties of inner life and animation despite their digitally
archived nature, pointing out qualities of inherent spirituality, tactile
beauty, and luminosity. W...
Delaware Art Museum: An American Century of Photography: From Dry-plate to Digital, The Hallmark Photographic Collection
Further Artwork and Information:
Wilson Alwyn Bentley
Alibris: Bentley W A Wilson Alwyn
Yahoo! Directory Wilson A. Bentley
The Bentley Collection
Wilson Bentley, The Snowflake Man, by DUNCAN C. BLANCHARD
Wilson Bentley Newsletter
photography : The Snowflake Man: A Biography of Wilson A. Bentley
Jerry Kindall: Wilson Bentley
To Jericho and Back: April 29, 2003
Yahoo! Canada Directory > Wilson A. Bentley
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