Artist: Daniel Berger ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Daniel Berger.

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Daniel Berger Ludwig von Beausobre 18th - 19th century
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Daniel Berger Gotthilf Samuel Steinbart 18th - 19th century
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Daniel Berger Johann Esaias Silberschlag 18th - 19th century
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Head in Antique Style, Daniel Berger (Germany, Berlin, 1744 - 1824) , Etching
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Plate 7 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 8 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 9 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 10 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 6 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 4 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 3 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 2 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 12 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 11 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 1 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Illustrations to The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etchings
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 5 from The Deserter by Sedaine, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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The Story of Blaise Gaulard, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1775, Etching
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Plate 7 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 6 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 4 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 1 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 10 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 9 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching. laid down
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Plate 3 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 12 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 2 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Plate 8 for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etching, laid down
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Illustrations for Ariosto’s ’Orlando Furioso’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1772, Etchings, laid down
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Life and Adventures of the Knight Don Quixote de la Mancha, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1780, Etchings, laid down
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Plate 1 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 5 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 10 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 6 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 4 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 12 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 11 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Illustrations for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etchings, laid down
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Plate 2 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 9 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate 7 for Oliver Goldsmith’s ’The Vicar of Wakefield’, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1776, Etching, laid down
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Plate XIV from Life and Adventures of the Knight Don Quixote de la Mancha, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1780, Etching, laid down
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Plate XIX from Life and Adventures of the Knight Don Quixote de la Mancha, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1780, Etching, laid down
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Plate XV from Life and Adventures of the Knight Don Quixote de la Mancha, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1780, Etching, laid down
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Plate XVI from Life and Adventures of the Knight Don Quixote de la Mancha, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1780, Etching, laid down
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Plate XXI from Life and Adventures of the Knight Don Quixote de la Mancha, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1780, Etching, laid down
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Plate XX from Life and Adventures of the Knight Don Quixote de la Mancha, Daniel Berger (Germany, Berlin, 1744 - 1824) , 1780, Etching, laid down
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Heinrich der Grosse (titre d'origine) ; Henri le grand (titre traduit) (1771) by BERGER Daniel (graveur) ; BEROLINI (éditeur)

Artnews Articles and Exhibition Information: (22)
Click on any of the links below to read about artnews or exhibitions related to Berger

Cafe Gallery Project: Sybille Berger: New Paintings and Sketches
Berger creates sketches which she makes on canvas at a small scale before choosing each idea. These are displayed in the Long Gallery alongside major works in the Main Space to demonstrate the relationship between the development of the ideas for ...
Vangard Gallery: Collaborative Drawings: John Berger and Marisa Camino
He is one of the most internationally influential writers of the last fifty years, who has explored the relationships between the individual and society, culture and politics and experience and expression in a series of novels, book works, essays,...
Taharaa Fine Art: Marian Berger: AUDOBON REINCARNATED
Born in Limerick, Ireland, the daughter of a meteorologist, Marian spent her early childhood on Wake Island and Alaska where she acquired her father’s love of science, her mother’s artistic bent and her parents’ mutua...
Andy Warhol Museum: Adrian Piper
The Warhol will have the opportunity to present a traveling retrospective of Piper's work ...
Tucson Museum of Art: Kate Breakey: Small Deaths
Posing her subjects in the manner of an Old Master portrait, she then painstakingly paints her photographs in several layers of oils and colored pencils to bring out the details and colors of sensuous petals, brilliant plumage, reptilian skin, and...
newmuseum: Adrian Piper: A Retrospective, 1965 - 2000 and MEDI(t)Ations
MEDI(t)Ations, organized by independent curator Dara Meyers-Kingsley and distributed by Video Data Bank Chicago, compiles Piper's numerous works in video ...
Kroller-Muller Museum: Nature as Artifice: The New Dutch Landscape in Photography and Video Art
Several star photographers and video artists from the Netherlands and abroad show us this new landscape in a colourful and varied exhibition with beautiful black and white and colour photographs and intriguing video installations. They record new ...
Studio Museum in Harlem: Fred Wilson: Objects and Installations: 1979-2000
His oeuvre consisting of "mock" museum installations into which the artist places provocative and beautifully rendered objects, explore the question of how the museum consciously or unconsciously perpetuates racist beliefs and behavior. The exhib...
Saint Louis Art Museum: Action-Abstraction: Pollock, de Kooning and American Art, 1940–1976
Beginning in the 1940s, Pollock and de Kooning created paintings and sculptures that catapulted American art onto the international stage. In magazines as diverse as Partisan Review, The Nation, ARTnews and Vogue, Greenberg and Rosenberg wrote inc...
Art Institute of Chicago: In Sight: Contemporary Dutch Photography from the Collection of the Stedelijk Museum, Amsterdam
Alongside this core of seven photographers, the exhibition samples the work of others-especially those of the younger generation-who have shown themselves inspired anew through various genres and approaches such as the portrait, landscape, social ...
Workmens Cirle: A Shenere Velt Gallery: A Jewish Portrait Gallery: Questions of Seeing and Looking
Included works are by Laurel Paley, with her intriguing semi-abstractions, Lucille Dratler and Gabriella Karin, whose art is inspired by Holocaust survivorship, and Ilse Gordon, whose moody faces evoke pre-war Vienna and modern, intellectual Je...
Subject Matter Gallery: Collabro: Collaborations by over 68 Artists
The "Collabro" artists have teamed up in groups of two or more to create work all captured and connected in one gallery. Collaborative art pieces will have their artists revealed at the show opening. The show was curated by Poor Al and includes Jo...
Museum of New Art: Going Dutch: New Photography from the Netherlands
Transformation and mutation are some of the central themes in much of this work, depicting dynamic moments where time seems to have stopped still. Many of the photographs brought together in the museum exhibition GOING DUTCH were taken in b...
Workmens Cirle: Curating a Better World: Tenth Anniversary Show
Many artists-those shown here and others who appreciate the ongoing project-have expressed their eagerness to help the celebration and have generously donated works for our Tenth Anniversary Show. "Curating a Better World" will run from ...
Yale Center for British Art: Cooking the Books: Ron King and Circle Press
The Yale Center for British Art now holds a complete set of the works of Circle Press and is celebrating that event with the exhibition Cooking the Books: Ron King and Circle Press. The retrospective has been organized by Elisabeth Fairman, Curat...
Charles Allis Art Museum: Dreamscapes: Bridget Dobson Paintings
An intimate selection of works featuring Dobson‚s colorful and exuberant paintings of her European adventures, European Dreamscapes: Bridget Dobson Paintings, will be on view at Villa Terrace Decorative Arts Museum in conjunction with the Dream...
Pennsylvania Acadeny of Fine Art: Andy Warhol: Social Observer
Andy Warhol: Social Observer focuses on what the artist looked at, how he looked at those subjects and, in certain situations, how he himself was perceived by the society so inclined to keep its media trained on him. The exhibition is divi...
De Pont Foundation for Contemporary Art: Fiona Tan: Akte 1 - Film and Video Projects
In one of her letters from a correspondence with the well-known British art critic John Berger, Fiona Tan writes, “A certain blindness (...) is very desirable.” This appears to be a rather curious statement for someone who makes such sharp observa...
Fondazione Prada: Francesco Vezzoli
This work is directly inspired by one of Pasolini’s earliest films, Comizi d’Amore (Love Meetings, 1964), in which the director himself interviews some of the most prominent Italian intellectuals and movie stars, as well ordinary people, about the...
City Gallery Wellington: Telecom Prospect 2004: New Art New Zealand
From an 18 metre long glistening glitter carpet by Hamilton artist Mark Curtis to Ralph Hotere's White Drip: from a working ice-skating rink by Wellington artist Maddie Leach to a new interactive work by Ronnie van Hout, Telecom Prospect 2004 has ...
Fondazione Prada: Carsten Hoeller: Synchro System
The title of the exhibition >Synchro System< refers to the attempt to create an effect of synchronization between the works and the visitors, who follow what might be described as an experiential path. According to the artist, The premise of the...
Association for Visual Arts: Three Exhibitions by Fritha Langerman, Judy Moolenschot, Charl Graebe
In the main gallery, Black Boxes by Fritha Langerman is a floor piece consisting of 99 shoebox size units accompanied by a limited edition book of prints. It is intended that a new book be created for each venue in which the show is exhibited - in...

Further Artwork and Information:

Personal Page of Daniel Berger
Daniel Berger (1630 - 1693) Biography, Artwork Images, Exhibitions, Reviews
Daniel Bergers Site
Berger-Elektronik Industrie- und Mobilelektronik
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Daniel Berger
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Daniel Berger.de
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