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Artist: Max Bill (1908 - 1994)
Nationality: Swiss
Movement:
Media: Painting, Scupture
Influences:
Biography: Max Bill studied at the Bauhaus from 1927 to 1929 before returning to his native Switzerland and settling in Zurich. He worked in many mediums and attempted to unify them in his work. Bill is remembered primarily for his stone and metal sculptures which he deemed “Concrete Art.” Bill was a prolific architect, designing his own house in Zurich among other buildings. He also co-founded and designed the College of Design in Ulm, where he was the head of the architecture and produce design departments from 1951 to 1957.
Artworks in Museum Collections: (40) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Max Bill.
- James Henry Beard - The Long Bill 1840 oil on cavnas Cincinnati Art Museum American
- Thomas Hart Benton - Preparing the Bill 1934 oil on canvas The Maier Museum of Art American Fine Arts Museum of San Francisco
- Max Bill, Variation 13, 1938 Fine Arts Museum of San Francisco
- Anonymous, Bill Jones, 1913
- Gilbert Stuart - John Bill Ricketts 1795-1799 oil on canvas National Gallery of Art American Fine Arts Museum of San Francisco
- Thomas Rowlandson, Opinions on the Divorce Bill !!, 1800 Fine Arts Museum of San Francisco
- William Gropper, A New Bill, 19th - 20th century Fine Arts Museum of San Francisco
- Mary Cassatt, Bill Lying on his Mother"s Lap, circa 1889 Fine Arts Museum of San Francisco
- Churchill Ettinger, Dropping Broad-Bill, 1937 Fine Arts Museum of San Francisco
- Judy Raffael, Bill (Portrait of William T. Wiley), 1976 Fine Arts Museum of San Francisco
- Mary Cassatt, Nurse and Baby Bill, No. 2, circa 1889 Fine Arts Museum of San Francisco
- Thomas Rowlandson, Dr. Syntax Disputing His Bill with the Landlady, 1809 Fine Arts Museum of San Francisco
- Thomas Rowlandson, A Bill of Fare for Bond Street Epicures !!!, 1808 Fine Arts Museum of San Francisco
- Thomas Nast, "Bill Passed Providing For Two New Military Posts", 1876 Fine Arts Museum of San Francisco
- James Henry Daugherty, Buffalo Bill, 19th - 20th century Fine Arts Museum of San Francisco
- James Henry Daugherty, Bill Woodward, 19th - 20th century Fine Arts Museum of San Francisco
- Roland Clark, Broad Bill"s Flight, 19th - 20th century Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (22) Sam the Sham and the Pharaohs; The Sit-Ins, Fillmore Auditorium, 8/10/66, 1966 Fine Arts Museum of San Francisco
- Bonnie MacLean, Bill Graham Presents (86) Donovan, Cow Palace, 9/22/67, 1967 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (6) New Generation; Jay Walkers, Fillmore Auditorium, 5/13-14/66, 1966 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (12) Them; New Tweedy Brothers, Fillmore Auditorium, 6/23/66, 1966 Fine Arts Museum of San Francisco
- Lee Conklin, Bill Graham Presents (173) Santana; Youngbloods, Fillmore West, 5/15-18/69, 1969 Fine Arts Museum of San Francisco
- Thomas Rowlandson, A Bill Of Fare For Bond Street Epicures, 18th - 19th century Fine Arts Museum of San Francisco
- Lee Conklin, Bill Graham Presents (126) Albert King; Ten Years After, Fillmore Auditorium, 6/25-30/68, 1968 Fine Arts Museum of San Francisco
- Jim Blashfield, Bill Graham Presents (82) The Byrds; Loading Zone, Fillmore Auditorium, 9/7-9/9/67, 1967 The Minneapolis Institute of Arts
- Artist: Bill Brandt Title: La Seine à Neuilly, Vu de la Grande Tatte (à Gauche) Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (20) THEM; Sons of Champlin, 7/29-30/66, Fillmore Auditorium, 1966 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (21) Love; Everpresent Fullness, 8/5-6/66, Fillmore Auditorium, 1966 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (5) Jefferson Airplane; Jay Walkers, Fillmore Auditorium, 5/6-7/66, 1966 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (13) Lenny Bruce; Mothers, Fillmore Auditorium, 6/24-25/66, 1966 Fine Arts Museum of San Francisco
- Lee Conklin, Bill Graham Presents (134) Steppenwolf; Grateful Dead, Fillmore West, 8/27-9/1/68, 1968 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (50) Blues Project; Mothers Fillmore Auditorium, 2/17-19/67, 1967 Fine Arts Museum of San Francisco
- Norman Orr, Bill Graham Presents (264) Cold Blood; Boz Scaggs, Fillmore West, 12/31/70-1/3/71, 1970 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (15) Turtles; Oxford Circle, Fillmore Auditorium, 7/6/66, 1966 Fine Arts Museum of San Francisco
- Wes Wilson, Bill Graham Presents (16) Mindbenders; Chocolate Watchboard, Fillmore Auditorium, 7/8-9/66, 1966 Fine Arts Museum of San Francisco
- Bonnie MacLean, Bill Graham Presents (75) Yardbirds; Doors, Fillmore Auditorium, 7/25-30/67, 1967 Fine Arts Museum of San Francisco
- Greg Irons, Bill Graham Presents (193) Chuck Berry; Aum, Fillmore West, 9/25-28/69, 1969 Fine Arts Museum of San Francisco
- Norman Orr, Bill Graham Presents (268) Hot Tuna; Allman Brothers, Fillmore West, 1/28-31/71, 1970 Fine Arts Museum of San Francisco
- Norman Orr, Bill Graham Presents (269) B.B. King; Ballin" Jack, Fillmore West, 2/4-7/71, 1971 Fine Arts Museum of San Francisco
- Randy Tuten, Bill Graham Presents (169)The Band; Sons of Champlin, Winterland, 4/17-19/69, 1969
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Bill
Victoria and Albert Museum: Bill Brandt: A Centenary Retrospective Brandt's best-known work documents the vivid social contrasts in Britain during the World Wars. He also photographed the landscapes of 'Literary Britain' and a pantheon of great artists and writers, as well as creating his outstanding series 'Per...
San Francisco Museum of Modern Art: Bill Viola ...
Detroit Institute of Art: BILL VIOLA Viola’s single channel works have been distributed and
broadcast around the world. The installation Nine Attempts to Achieve Immortality
is a highlight, along with the premier of his latest work, Eternal Return.
Bil...
The Art Institute of Chicago: Bill Voila Bill Viola is organized by the Whitney Museum of American Art and curated by David A. Ross and Peter Sellars.
The Chicago presentation of Bill Viola is curated by James Rondeau, as...
National Endowment for the Humanities: NEH CONGRESSIONAL UPDATE
In other Capitol Hill matters important to the Endowment's interests,
earlier this week the Senate's Committee on Health, Education, Labor, and
Pensions approved seven Presidential nominees for the National Council on
the Humanities. It is h...
National Assembly of State Arts Agencies: SENATE PASSES FUNDING BILL WITH ARTS INCREASE; CONFERENCE FOLLOWS The measure goes now to a House-Senate conference committee, scheduled to begin on
Monday, September 27, to reconcile the Senate's proposed increases with level funding
for
National Assembly of State Arts Agencies: SENATE BEGINS NEA MONEY DEBATE -- DEFEATS MOTION TO ELIMINATE ARTS DOLLARS Following the action endorsing federal spending on the arts, the Senate put aside the
Interior money bill and turned its attention to the final House-Senate agreement on tax
cut legislation. It ...
Museum of the City of NewYork: Renewing a Block and the Spirit of Its People: Photographs of Carmel Hill, Harlem by Bill
Foley Foley has also skillfully captured the change in attitudes among the block’s
residents, a transformation from despair to hope, pride in accomplishment, and the spirit
necessary to make it t...
American Association of Museums: Senate Efforts to Increase Funding for IMLS, NEA, and NEH Please contact your Senators ASAP and urge them to support efforts to
increase funding for ALL THREE cultural agencies (IMLS, NEA, and NEH) during
consideration of the Interior Appropriations bill (S. 1292). As always,
stress how funding from the...
California Museum of Photography: Suburbia: Photographs by Bill Owens Both an exhibition and a photographic book, Suburbia is one of the landmarks of New Topographic
photography. The 1972 volume was reissued in 1999 with additional captions by editor Robert Harshorn
Shimshak and an in...
Guggenheim Museum, Berlin: Bill Viola: Going Forth By Day Viola studied at Syracuse University in New York in the early 1970s, and his experimentation with electronic arts led him to produce works of sound art as well as video installation. Viola's early contact with Nam June Paik, David Tudor, and other...
National Gallery: Bill Viola: The Passions Artists and writers have long been preoccupied with the challenge of depicting and arousing emotion. In 2000 Bill Viola began to explore these forces in his work, drawing on the art of the past for inspiration. A departure from his room installati...
Beyond the Proscenium Productions: Wild Women Theatre Workshop Bill Ritch and Karen James will direct the workshop. Bill and Karen recently
collaborated on directing the Fair Oaks Civic Theatre's production of A
Christmas Carol. The workshop will be held on Tuesdays from 6:30 to 8:00 PM
from February 15...
Minneapolis Institute of Arts: Body Work: Photographs of Nudes Edward
Steichen, as a turn-of-the-century pictorialist, idealized
the nude, making evocative, soft-focus images.
Edward Weston, working after World War I, created
Modernist images of women, often emphasizing abstrac...
National Essembly of State Arts Agencies: NEA FUNDING BILL ON HOLD UNTIL SENATE DEBATE RESUMES IN
SEPTEMBER
Before adjournment, the issue of NEA funding came up in the form of an amendment,
sponsored by Sens. Robert Smith (R-NH) and John Ashcroft (R-MO), to eliminate all
money in the bill for the N...
Buffalo Bill Historical Center: Plains Indian Museum to Reopen
This nine-month renovation project is a comprehensive
reinterpretation of the Plains Indian Museum. The new Plains
Indian Museum will tell the significant story of the liv...
Aron Packer Gallery: Bill Gross: Monochrome These smart, playful works derive from Gross’s preoccupation with the
coexistence of abstract and representational art. While his compositions
have identifiable elements, such as text from a meat packing company’s sign,
the influence of mid-cen...
Christchurch Art Gallery Te Puna o Waiwhetu: 51Degrees South Gallery Director Tony Preston commented that the Tait Electronics Gallery is dedicated to Antarctic themes and the unique connection between the region and the city of Christchurch, long a starting point for Antarctic exploration and adventure.
...
Tacoma Art Museum: Bill Viola: Something Above, Beyond, Below, Beneath In The Reflecting Pool, Viola employs the reflection of the pool as a device for perceiving the world. In it a man emerges from a forest and stops by a body of water. He jumps and time stops while he is left suspended in the air. All movement seen...
NEA, NEH: House Narrowly Defeats Move to Increase NEA/NEH Funds While the NEA/NEH amendment was defeated, the close vote was a positive
development moving Congress away from debating the agencies' survival to
restoring them to more healthy levels of funding (historic highs for the
agencies were $179.5 million ...
National Gallery of Canada: Bill Seaman: Red Dice The videotape upon which the Red Dice installation is built was shot in June 1997 at several
natural and industrial sites in the Ottawa area. The mechanical loom, the mill, the player piano,
these recurrent images belong to another century yet...
Sheffield Galleries and Museum Trust, Graves Art Gallery: Aspects of Architecture Aspects of Architecture will be displayed in four sections: Making the
Record, Construction, Looking in Detail and Architecture as Art. The images
on display will range from Stonehenge, the Millennium Dome and the
construction of the Paris Oper...
Canessa Gallery: Bill Jehle: Fountain Paintings Series Jehle's paintings contain two elements--field and figure--that retain suggestion, opticality and emotion. The eye delights to see the intricate images advance or recede depending on the light and viewing position. The artist has employed little t...
Stephen Cohen Gallery: NY NY: Vintage Photographs From The Photo League and The New York School work by Lida Moser, Joe Schwartz, Erika Stone and Bill Witt The work that Photo League members Moser, Schwartz, Stone and Witt produced is beautiful, textured and disturbing. These artists worked during tough times; the effects of the depression were everywhere evident, fascism was on the rise in Europe, l...
Buffalo Bill Historical Center: John James Audubon in the West: The Last Expedition - Mammals of North America Curator of the Whitney Gallery of Western Art Sarah Boehme explains, John James Audubon is associated with artistic images of birds, with conservation issues, and with geographic locations of the Deep South. He doesn't immediately spring to mind ...
Whangarei Art Museum: Capital! Locating Tradition: Placing Ourselves - Art from the Victoria University of Wellington Collection WAM director Scott Pothan approached the Adam Art Gallery with the idea of touring key works from the collection, dispersed throughout the campus to a first-time gathering outside Wellington.
Detail: Richard Killeen Welcome to the South Pacific 1...
Mobius, Fort Point Cultural Coalition: Industrial Inspiration: Images of the Old Northern Ave. Bridge Each of the photographers examine the role of the Old Northern Avenue
Bridge played in the city's rail and port development as well as the
aesthetic value of this turn of the century industrial infrastructure. The
opening reception will be hel...
Victoria and Albert Museum: Close Encounters of the Art Kind: Work By Tania Kovats, Langlands and Bell, Sarah Lucas, Keir Smith, Richard Wilson, Bill Woodrow Close Encounters of the Art Kind is devised by the innovative curator/artist, Colin Painter. Pioneering projects at the National Gallery (At Home with Constable's Cornfield, 1996) and Tate Britain (At Home With Art, 1999-2000) built on Painter's y...
Autry Museum of Western Heritage: Buffalo Bill's Wild West Exhibits include an original 1867 Deadwood Stagecoach, bought by Buffalo Bill for $1,800 in 1911 and used during a
scene from the show The Attack on the Deadwood Stage, in which audience members participated as cowboys.
Annie Oakley's gold-plate...
Australian Center for Photography: The Liminal Body: an exhibition of the work of Jon Baturin (Can), Farrell and Parkin (Aus), Sue Fox (UK), Dieter Huber (Ost), Bill Jacobson (USA) and Diana Thorneycroft (Can). This exhibition will explore the bacchic obverse of the apollonian Olympic
paradigm - looking to other equally (perhaps more) human limits. The body on the
brink of life/death; well...
Further Artwork and Information:
die stiftungen max
Max Bill art gallery, color of light
bill-stiftung / max, binia +jakob bill-stiftung
Max Bill - max bill by Junghans - 027570300 von almanus - axcent - casio - danish design - junghans - regent
Grafos Verlag - Max Bill: Biographische Daten
JUNGHANS CENTER - max bill Uhren
Max Bill
Junghans Uhren GmbH
Max Bill - Epitonic.com: Hi Quality Free and Legal MP3 Music
XXIV Bienal - Max Bill
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John William Waterhouse
The Awakening of Adonis
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Last updated and links verified on: Thursday December 12/27/07 03:30:48 PM
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