Artist: William Bond ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Bond.

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William Bond George Romney 18th - 19th century
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William Bond John, Duke of Marlborough 18th - 19th century
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William Bond Richard Wilson, painter 18th - 19th century
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William Bond Mrs. Loraine Smith Color stipple engraving 18th - 19th century
Museum of Fine Arts -
Ernest Lee Major, American, 1864-1950 Marion Pond (Mrs. Kenneth Bacon Bond) 1903 Oil on canvas
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Francis Wheatley - Benjamin Bond Hopkins before 1791 oil on canvas The Fitzwilliam Museum British
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Nathan Bond 1815 Oil on panel 66.04 x 53.97 cm (26
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Mrs. Nathan Bond (Joanna Sigourney) 1815 Oil on panel 66.36 x
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William Bond "How I Love to Laugh_Never Was a Weeper", title page vignette in the book The Pleasures of Human Life by Hilari Benevolus & Co. (London: Longman, Hurst, Rees & Orme 1807) etching with hand coloring 1807
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William Bond "Alas, OH! OH! OH!, The Miseries of Human Life turned Topsy-Turvy, frontispiece in the book The Pleasures of Human Life by Hilari Benevolus & Co. (London: Longman, Hurst, Rees & Orme 1807) etching with hand coloring 1807
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Fred Richards Bond Street Etching 19th - 20th century
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Anonymous My Daddy Bought Me a Government Bond - World War I poster lithograph poster circa 1917 - 1918
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Thomas Rowlandson The Bond Street Batallion Etching with watercolor 1799
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Thomas Rowlandson Marriage of Doctor Dicky Bond Etching with watercolor 1820
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Thomas Rowlandson The Bond Street Servant's Registry watercolor 18th - 19th century
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Thomas Rowlandson A Bill of Fare for Bond Street Epicures !!! Etching with watercolor 1808
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George Cuitt Wanderings and Pencillings amongst the Ruins of the Olden Time (London: Nattali and Bond, 1855) book with etchings 1855
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Thomas Rowlandson A Bill Of Fare For Bond Street Epicures Etching with watercolor 18th - 19th century
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George Cuitt The Cloisters, Fountains Abbey, plate 8, at p. 6, in the book, Wanderings and Pencillings amongst the Ruins of the Olden Time (London: Nattali and Bond, 1855) etching 1855
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Joseph Sattler "Der Letzte Sprung des Todes - (Ein Meteor) - Le Dernier bond de la Mort (un MÈtÈore )," plate 10, in the book Ein Moderner Todtentanz (Berlin: J. A. Stargardt, 1894) Photogravure (color) on cream paper ca. 1894
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Charles V. Bond - Still Life: Fruit, Bird, and Dwarf Pear Tree 1856 oil on canvas National Gallery of Art American
J. Paul Getty Museum -
Madonna and Child
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Speaight London String Quartet photograph 1920
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
J. Paul Getty Museum -
Ludovic Halévy
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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Marcel Duchamp Obligation Montecarlo - Monte Carlo Bond Color lithograph with photograph 1938
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
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Adriaen Pynacker William of Orange (William III) Commemorative Plate polychrome tin - glazed earthenware 1690
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William Hancock Wilke William Andrew Clark, Jr. Drypoint 19th - 20th century
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William Nicholson Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The City, ninth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Faithorne How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Bond

Palette Gallery: Bryce Brown: A Newborn Captures the Heart
Capturing this relationship on canvas seemed a natural step as the majority of his work to date has featured figures. The Bay of Plenty artist has chosen a classical Greek-Italian style of line and colour for many of the paintings featured i...
Muckenthaler Cultural Center Foundation: The Artful DogTM
This unmatched tribute to the pooch is comprised of a vast array of works including ancient Asian and renaissance antiquities; paintings and prints; bronze and marble sculpture; decorative arts in china and porcelain; commercial and folk art; h...
SODA Gallery: Trisha Lambi: Lighting the Body
SODA Gallery Director and Curator says “the sharpness, technical proficiency and the intense light cast on the subject of the image truly captivates me in Trisha’s new work. The headless subjects create a mystery within the canvas – leaving inte...
Waterside Art Workers Ceramic Studio: Studio Space Available for Ceramic Artists
Space size: 4 metres x 5 metres approximately
Facilities:
small electric kiln. Fires to stoneware temperature. large electric kiln. Fires to earthenware temperatures.
3-phase power capable of connecting mor...
Circle Elephant Art: Ken Bracken: The Debris Paintings
The palette retains the specific qualities of the light found in Southern California that are the trademark of Bracken’s art, yet now the additional presence of texture and metallic pigment establishes a bond with the source of all the materia...
Escape Bar and Art: Holding Things Together: Borbonesa, Gemma Bruce, James Fergusson, Gary Foster, Alexe Dillworth
As we live our lives, each and every one of us accumulate a hoard of memories, both pleasant and otherwise. This vast store of recollections takes shape as our lives progress, and becomes a likeness of the way in which we live. Although highly ...
SODA Gallery: Atmosphere: Mark Rhodes
Rhodes continues "The primary motivation behind my landscape painting is to establish a bond between audiences and the environment. The exhibition seeks to achieve this through the exploration of the potentially profound impact that a landscape or...
Tate Gallery: TRACE The International Exhibition of the Liverpool Biennial of Contemporary Art
Trace at Tate Gallery Liverpool includes sculptural installations, photographs, paintings and video works. Photographers Vik Muniz and Miguel Rio Branco explore Brazilian city...
King County Washington Public Art Program: Call for Artists: Harborview Medical Center Ninth Avenue Streetscape
As part of the current Bond Program the campus is undergoing extensive seismic upgrades and construction over the next two to six years. Two new buildings will be constructed and significant improvements will be made to the campus streetscape and...
Architecture Foundation: Integrity: Building with Honesty
It will explore the concept of Anti-Facadism, a campaign against the retention of facades alone, in historic areas, which obscure new building schemes and which has been actively pursued for three years by Lord Rogers, Sir Richard MacCormac and...
Centre for Contemporary Photography: Art+Film: Australian Artists Responds to the Cinematic Experience

Art+Film features a range of emerging and established Australian artists, whose work responds to the cinematic experience, either through direct appropriation, stylistic reference or in-depth analysis of filmic materiality - its particular blend o...
Canberra Contemporary Art Space, Gorman House: Finola Jones: Artficially Reconstructed Habitats
It anthropomorphically looks at animal behaviour in unwilling confinement and human behaviour in willing confinement. The works are edited into the greater structure of mini-epics, or decontextualised fragments from within a greater narrative. The...
Delaware Art Museum: Marisol
In the 1950s, Marisol developed a technique for combining painting, drawing, stenciling, casting and carving with ready-made objects. Her enigmatic assemblages combine an appealing mixture of illusion and reality, crudeness and sophistication. Althou...
Gold Coast City Art Gallery: A Portrait of the Gold Coast: The Art of Betty Quelhurst
The time spent in Paris left a lasting impression on Quelhurst. Her genre scenes of people enjoying leisure time by the beach or in parks are filled with the air of Parisian street life. Her art is also a wonderful document of the Gold Coast when ...
Alberto Peolo: One-man Show by Danish Artist Thorsten Kirchhoff
The film Blow Up provided the impetus for three reproductions of shots that the main character took of a couple in a park, unaware that they were being photographed and three photogrammes which perfectly illustrate his unsuccessful sentimental rel...
Transition: Post Marks: Arabella Lee and Melanie Rose
The images depicted in the drawings are drawn from the multitude of diverse influences that confront contemporary artists everyday. Some are bizarre, some mundane, some personal and many are direct art references, contextualising the work of artis...
Centre for Contemporary Photography: 2004 Nikon Summer Salon: Open Entry Photomedia Exhibition
Celebrating the latest developments in photomedia practice, the Salon is an annual national event, now in its twelfth year. An open-entry exhibition and competition, the Salon is supported by leaders in the photographic industry and over $5500 wor...
Center of Contemporary Art: 'The Middle Way: Christchurch Meets Bangkok, Bangkok Meets Christchurch
'The Middle Way' in Thai Buddhist terms means: "Travelling the middle way, refuting the extremes and having tolerance for others" and for New Zealand/European artists this could mean, finding 'a type of middle ground'. The Thai artists invol...
A Gathering of the Tribes Gallery: Chris Twomey: OMNI SERIES, Art and Genetics in a Digital Age
"OMNI SERIES" refers to "Omphalus," another word for navel and in Greek mythology, a totem regarded as the center of the earth. "The umbilical cord, once the core of our existence/nourishment and our most profound human bond," says Twomey. ...
Institute for Modern Art: domestica
Artists Lise MacDermott, Annie Hogan and Jill Giles are presenting their individual works using domesticity as a central theme. Lise MacDermott is a painter, profiling her latest series of icons of Queensland architecture. Her 'handyman' approa...
Teylers Museum: ARTISTS IN THE ZOO: Drawings, paintings, sculptures of animals in ‘Artis’
Artis was founded in 1838, and ranks after those in London and Dublin as the third oldest zoo in Europe. From the very beginning, the Amsterdam zoological garden was an enormous stimulus for artists. Lured by a hitherto unparalleled variety of exo...
Tjanabi Restaurant: Lowanna: Work by Wayne Quilliam and Sasha Sarago
It was inevitable that Wayne and Sasha would combine to create what is being touted as a world first when they explore the mystical world of Aboriginal culture and it’s association with land and nature in a style that celebrates the beauty of thei...
Institute of Modern Art: 3 EXHIBITIONS......1 LOCATION
Since 1991, Indigenous artists Brenda L. Croft and Destiny Deacon have exhibited their work alongside one another in various exhibitions, strengthening a friendship which stems from early days in indigenous affairs, government and community or...
Whangarei Art Museum: Capital! Locating Tradition: Placing Ourselves - Art from the Victoria University of Wellington Collection
WAM director Scott Pothan approached the Adam Art Gallery with the idea of touring key works from the collection, dispersed throughout the campus to a first-time gathering outside Wellington. Detail: Richard Killeen Welcome to the South Pacific 1...
Centre for Contemporary Photography: Call for Artists: 2005 Kodak Autumn Salon
PRIZES EXCELLENCE IN PHOTOMEDIA - Kodak Professional 1400
Digital Photo Printer & Ektatherm Glossy Paper 50 pack $1,040
BEST PORTRAIT - Manfrotto tripod 190CL with a 141 RC Head $600
BEST STILL-LIFE ÒX Manfrotto tripod 190CL wit...
Centre for Contemporary Photography: 2003 Nikon Summer Salon
Featuring up to 200 artists, the Summer Salon is one of the largest open-entry photomedia exhibitions in Australia. The white walls of the gallery burst into colour during this event offering audiences the chance to view an outstanding, diverse ra...
Museum Gilardi, Forte Dei Marmi: Varda Carmeli: Homage to Rosalda
The intensity of her experiences created a synthesis which led to internal observation and process of creation. The spectrum and choice of Varda's colors is influenced by the materials and the ways they change over time: erosion,  rust , etc. The...
Plug In: Plug In Sells Out - Invest Online in Cultural Commodities
Whats on the auction block-
Bid on artworks by the following acclaimed artists: Stephen Andrews
Ivan Eyre
Lorri Millan
Dick Averns
Ken Gregory
George Bures Miller
Kathryn Bemrose
Al Hansen
...
Skirball Cultural Center: A Sweet Year: A Taste of the Jewish Holidays Works by Mark Podwal
At the Skirball, the exhibition will feature twenty of the original paintings that comprised the show at the Israel Museum and the book. In addition, ten works on paper created especially for the Skirball will be premiered. Throughout the fancif...
Bangladesh Shilpakala Academy: 9th Asian Art Biennale Bangladesh 1999
However, the picture cannot be entirely bleak because there are some clean, well-lighted areas in our civilization. One such area belongs to art and literature, music and dance, and all the other creative endeavours of human beings, which we colle...

Further Artwork and Information:

William Cranch Bond -- Encyclopædia Britannica
William Bond
Department of Botany, University of Cape Town
William Bond (1534 - 1593) Biography, Artwork Images, Exhibitions, Reviews
Descendents of William Bond: Second Generation
William Bond
Descendents of William Bond: Seventh Generation
Dallas TX Lawyer - William Bond
William Bond - Samson and Delilah
William Bond Papers : Container List

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