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Artist: Giuseppe Cades (1750 - 1799)
Nationality: Italian
Movement:
Media: Painting,Printmaking,Drawing
Influences:
Biography: Guiseppe Cades initially studied at Rome’s Accademia di San Luca. Not long after leaving in 1766 over a dispute with his master, Cades began receiving commissions for paintings done in his late Baroque style, influenced by Carlo Maratta. In the mid-1770’s, he made the acquaintance of Johann Heinrich Fuseli and was inspired by Mannerism, Renaissance, and ancient art. Cades painted subjects from religious history and Greek, Roman, and Italian Renaissance literature. He later traveled throughout Rome decorating the Roman palazzi and villas and creating paintings for churches and independent patrons. Cades joined the Academia di San Luca in the 1780’s.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Giuseppe Cades.
- Le Repos pendant la Fuite en Egypte (1762 en) by CADES Giuseppe J. Paul Getty Museum
- Tullia About to Ride Over Body
- Joseph expliquant les songes de Pharaon by CADES Giuseppe (attribué à )
- Orphée charmant les animaux (1970) by CADES Giuseppe
- Ulysse et Nestor venant chercher Achille sous la tente de Patrocle (1774 en) by CADES Giuseppe (attribué à ) J. Paul Getty Museum
- Coat of Arms of Rezzonico
- CORNELIE, MERE DES GRACQUES (1776) by CADES Giuseppe
- ACHILLE RETIRE SOUS SA TENTE AVEC PATROCLE, JOUANT DE LA LYRE ET SURPRIS PAR ULYSSE ET NESTOR (1782 vers) by CADES Giuseppe
- Autoportait (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe
- Giuseppe Maria Mitelli
Giocatori smafaroni (Gamesters), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Sig.ri amirativi (Amazed Gentlemen), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Non ho mai visto il piu* bello (I Have Never Seen Anyone More Handsome) , from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Conversacione considerabile (A Lot of Talking), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Sonatori sconcertati (Discordant Musicians), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Ballarina gentilissima ( Most Noble Ballerina), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Oche belle persÛne (Look at the Handsome One), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Accademici scontornati (Drawing Academy for the Untalented), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Giuseppe Maria Mitelli
Uberiaconi fumanti (Totally Drunk[not a literal translation]), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings
Engraving
1686
- Portrait de Monsieur Hanski (1810 entre ; 1850 et) by BEZZUOLI Giuseppe
- Giuseppe Angeli
Stations of the Cross - X
Engraving
1778
- A la Gare (4e quart 19e siècle ; 1er quart 20e siècle) by RICCI Giuseppe
- Francesco (Felice) Polanzani
Old Woman Warming Her Hands at a Brazier, after Giuseppe Nogari
Engraving (and etching?)
18th century
- Giuseppe Maria Mitelli
Zuog dal cacciator (Game of the Hunter)
1699
- Madonna in Prayer, Giuseppe Dala (1788 - 1860) (Artist), Engraving
- Giuseppe Mazzini (19e siècle) by anonyme
- Giuseppe Cadenasso
Eucalypti
oil on burlap
19th - 20th century
- Giuseppe Santomaso
La Finestra (The Window)
color lithograph from four stones
1952
- Paysage avec un torrent se déversant entre des rochers by PORTA Giuseppe
- Paysage de montagnes et de collines boisées et de petites maisons by PORTA Giuseppe
- Les trois Parques by PORTA Giuseppe
- Arabesques formées d'animaux, figures, fleurs, ornements (1770 en) by MANNOCCHI Giuseppe
- Giuseppe Piamontini
Jupiter and Ganymede
bronze
early 18th century The Minneapolis Institute of Arts
- Artist: after Giuseppe Chiari and San Micheles Workshop Title: St. Joseph and the Christ Child
- Tête d'homme, vue de face, coiffé d'un bonnet (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- L'Amour sur une draperie (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- Quatre anges portant la croix (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- Jeune homme à demi nu, montrant quelque chose sur la droite by PASSERI Giuseppe (attribué à )
- Figure d'un satyre, vue de face (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- Giuseppe Rosaspina
Thetis
Engraving
circa 1805
- Etude de trois anges, d'un tronc et d'une jambe (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe
- Tête d'enfant (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- Déploration du christ (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- Plusieurs figures s'adressent à un personnage assis sous un baldaquin by CESARI D'ARPINO Giuseppe (d'après)
- Giuseppe Maria Mitelli
Questo que tiene la canella in mano Ë il famoso Gianin da Capugnano (The One Holding the Little Cane [i.e. Chalk Holder} in His Hand is the Famous Gianin from Capugnano), from an unnumbered set of twelve caricatures engraved b The Minneapolis Institute of Arts
- Artist: Giuseppe Galli Bibiena Title: Decorative Drawing Date: 18th century Medium: pen and ink with The Minneapolis Institute of Arts
- Artist: Giuseppe Antonio Petrini Title: Study of Two Figures Date: 18th century Medium: red and
- Saint Jerome, Giuseppe Maria Mazza (Italy, Bologna, 1653 - 1741) (Artist), 1676, Terracotta
- Saint debout et appuyé sur un bâton (1er quart 17e siècle) by anonyme
- Giuseppe Lante
The Descent from the Cross-Stazione XIII from La Via Crucis
Etching with engraving
1778
- Rentrée d'un troupeau à la bergerie, de nuit (18e siècle) by ZOCCHI Giuseppe (attribué à )
- Saint George, Giuseppe Scolari (Italy, Vicenza, 1530 - 1607) (Artist), Woodcut and wood-engraving J. Paul Getty Museum
- Studies of Figures: Apotheosis
- Minerve debout, vue de face tenant sa lance et son bouclier (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- Jacob Matharu
Portrait of Cavalier Giuseppe Cesare d'Arpino, (after Everard Quirinus)
engraving
1606
- Ashford Brothers and Company
Giuseppe Garibaldi (1807- 1882)
albumen print
19th century
- Présentation de Jésus au Temple (1575 vers) by PORTA Giuseppe
- L'Apôtre Pierre debout, tenant un livre, et, de la main gauche, les clés (4e quart 16e siècle ; 1ère moitié 17e siècle) by CESARI D'ARPINO Giuseppe (cercle de)
- Deux jeune bergers allument un feu pendant la nuit (18e siècle) by ZOCCHI Giuseppe (attribué à )
- Giuseppe Baroni
Allegorical Figure of a Woman
engraving
early 18th century
- Joseph and Potiphar’s Wife, Giuseppe Camerata (Italy, Vallombrosa, 1718 - 1803) (Artist), no date, Engraving
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Further Artwork and Information:
Giuseppe Cades (Getty Museum)
Giuseppe Cades Online
Giuseppe Cades
Giuseppe Cades
Disegno
Giuseppe Cades / Rape of Lucretia / 1795
Giuseppe Cades Artworks and Fine Art at arthistorynet.com
Giuseppe Cades / Portrait of a Lady with an Elaborate Cartouche / 1785
Cades Giuseppe
Crispian Riley-Smith - Enlarge Pictures for - Giuseppe Cades
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