Artist: Michele Pace Del Campidoglio (1610 - 1670)
Nationality: Italian
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Michele Pace Del Campidoglio.

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Luigi Rossini Veduta di Campidoglio (View of the Campidoglio) Etching 1821
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Francesco Piranesi - View of Campidoglio Square 1750 etching Arkansas Arts Center Italian
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Nature morte avec tapis et fruits (3e quart 17e siècle) by CAMPIDOGLIO Michelangelo di (dit), PACE M (patronyme) (attribué à)
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Vue du Capitole by CRUYL Lieven
The Metropolitan Museum of Art -
Madonna and Child with the Infant Saint John the Baptist, probably late 1490s Michele da
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Domenico Veneziano - Portrait of Michele Olivieri c. 1440-55 tempera on panel Chrysler Museum of Art Italian
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Michele Demetrio Gortschakoff (19e siècle) by anonyme
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Vue prise au Campidoglio à Rome (2e quart 19e siècle ; 3e quart 19e siècle) by FLANDRIN Hippolyte
The Metropolitan Museum of Art -
The Man of Sorrows, ca. 1430 Michele Giambono (Michele Giovanni Bono) (Italian, Venetian, active 1420-62)Tempera
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Dainesi Il Campidoglio Lithograph 19th century
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Vue de San Michele in Bosco, à Bologne (17e siècle) by anonyme
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Vue de l'église San Michele in Bosco (17e siècle) by anonyme
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P. Ruga Veduta del Campidoglio sul Monte Capitolino... 1825
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Caprice architectural : la place du Capitole (17e siècle) by anonyme
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The Martyrdom of Saint Peter, Michele Lucchese (1529 - 1614)  (Artist), Engraving
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L'EGLISE DE SAN MICHELE PRES DE VENISE (1883 vers) by ROUART Henri
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Michele Benedetti Roman Charity St. Engraving circa 1796
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Michele Amodio Royal Palace, Naples Albumen print circa 1870
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Michele Amodio Royal Palace, Naples Albumen print circa 1870
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Martyre de sainte Cécile (17e siècle) by anonyme
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Tiburce et sa femme recevant la visite de l'ange (17e siècle) by anonyme
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A. Verico Chiesa e Piazza S. Michele, Lucca, 1825 color etching 1825
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Joseph Nash Convent of St. Michele and the Island of Murano Lithograph 1843
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Etude du torse du centaure du Capitole (1er quart 17e siècle) by anonyme
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Roi parthe prisonnier (16e siècle) by anonyme
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The Grand Canal Between San Simone Piccolo and Santa Chiara, Michele Marieschi (Italy, Vallombrosa, 1710 - 1743)  (Artist), circa 1740-1741, Etching
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Giuseppe Vasi View of the Campidoglio, pl. 80 from the series Magnificenze di Roma etching circa 1747 - 1761
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Saint Augustin guérissant les estropiés by ROBUSTI Jacopo (d'après)
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Michele Pollman Ferandell Proceeding Right-Gray, Standstill Red Color etching diptych on Gampi silk tissue paper, folded 1983
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Gaetano Cottafavi Campidoglio, eleventh plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837) Etching and engraving 19th century
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Sainte Cécile (1671) by BRIZIO Francesco
The Metropolitan Museum of Art -
Harpsichord, ca. 1675 Made by Michele TodiniRome, ItalyWood, various materials; L. of inner instrument 8
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Edward Lear San Michele di Monte Voltore, plate 20 opposie page 268 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852) lithograph 1852
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Scène de la vie de Saint Benoît (18e siècle) by NATOIRE Charles Joseph ; RENI Guido (inspiré par)
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Jeune tunisienne à la jarre (1er quart 20e siècle) by CORTEGIANI Michele
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Untitled (A-D), Pace Prints  (Artist), 1997, Four woodcuts
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Untitled (A-D), Pace Prints  (Artist), 1997, Four woodcuts
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Etude de la statue équestre de Marc-Aurèle (2e quart 19e siècle ; 3e quart 19e siècle) by CHASSERIAU Théodore
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Apollon sur son char (4e quart 18e siècle ; 1er quart 19e siècle) by DAVID Jacques Louis
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Groupe de personnage sur la place du Capitole, à Rome (1er quart 19e siècle) by anonyme
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La Clémence de Scipion (4e quart 17e siècle ; 1er quart 18e siècle) by ROCCA Michele, PARMIGIANINO le Jeune (dit)
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Tête de cheval harnaché, de profil vers la droite (2e quart 19e siècle ; 3e quart 19e siècle) by CHASSERIAU Théodore
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La Clémence de Scipion (4e quart 17e siècle ; 1er quart 18e siècle) by ROCCA Michele, PARMIGIANINO le Jeune (dit)
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Champs cultivé à Sidi Bou Saïd (Tunisie) (1er quart 20e siècle) by CORTEGIANI Michele
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La marquise de Brancacio (1848) by ALBANESI Michele
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Paysage avec rencontre galante près d'une fabrique (1ère moitié 18e siècle) by PAGANO Michele
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Michele Giambono - Saint Peter c. 1445-1450 tempera on panel National Gallery of Art Italian
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Frise : Triomphe d'Ariane by MICHELE DA LUCCA
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LA FLAGELLATION ET LA CRUCIFIXION DE SAINT ANDRE (2e quart 15e siècle ; 3e quart 15e siècle) by MICHELE di Matteo
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Groupe de personnages sous une tente, sur les escaliers du Capitole, à Rome (1er quart 19e siècle) by anonyme
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Frise : enfants jouant avec une louve et une lionne by MICHELE DA LUCCA
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Frise : sept amours montés sur des chevaux marins by MICHELE DA LUCCA
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Tête antique, de profil, à droite (2e quart 19e siècle ; 3e quart 19e siècle) by CHASSERIAU Théodore
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LA DEPLORATION DU CHRIST AVEC SAINT FRANCOIS EMBRASSANT LA CROIX (1425 vers) by MICHELE di Matteo
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La marquise de Brancacio, dame d'honneur sicilienne de l'archiduchesse Marie-Clémentine princesse de Salerne (1831) by ALBANESI Michele
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Iohann Daniel Herz (Hertz) "L"amble" The single step pace. 17th - 18th century
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Cristofano di Michele Martini (Il Robetta) Adoration of the Magi, after the painting Adoration of the Magi (1496) by Filippino Lippi Engraving circa 1496
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Statue de Jules César dans la cour du Capitole ; reprise des pieds (1er quart 19e siècle) by anonyme
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Les Femmes lascives ou La Tentation de saint Benoît (1671) by RENI Guido (d'après) ; CARRACCI Ludovico (inspiré par)
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L'ENTREE DU GRAND CANAL ET L'EGLISE DE LA SALUTE A VENISE (1er quart 18e siècle) by MARIESCHI Michele

Artnews Articles and Exhibition Information: (1)
Click on any of the links below to read about artnews or exhibitions related to Campidoglio

Carnegie Museum of Art: Out of the Ordinary: The Architecture and Design of Robert Venturi, Denise Scott Brown and Associates
Venturi Scott Brown and Associates (VSBA) is known for combining design elements in unexpected ways-an approach that has spurred some to include Robert Venturi and Denise Scott Brown among the founders of architectural Post modernism. Though t...

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