Artist: Agostino Carracci (1557 - 1602)
Nationality: Italian
Movement: Baroque
Media: Painting,Drawing
Influences:

Biography:
A member of the Carracci family that consisted of a long line of artists, Agnostino was no exception. He was a talented engraver and teacher. He also created drawings of the human body with so much accuracy that engravings produced from them were used as teaching tools two hundred years after their production. In 1582, the Carracci founded the Accademia degli Incamminati (Academy of the Initiated.) It soon became the most popular teaching academy in Bologna. They taught Mannerist ideas and emphasized drawing from life. In 1597, Agnostino moved to Rome to live and work with his brother Annibale on the Farnese Gallery frescoes. After an argument in 1600, Agnostino moved to Parma to work on another commission for the Farnese family and died there in two years later.

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Agostino Carracci.

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Fr. Paria The Communion of St. Jerome, after Agostino Carracci Etching 17th century
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Giuseppe Maria Mitelli Aeneas departs for the Battle, plate 5 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pal
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Flaminio Torri Cupid and Pan, after Agostino Carracci Engraving circa 1660
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Giuseppe Maria Mitelli The Shadow of Creusa Appears to Aeneas, plate 7 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
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Giuseppe Maria Mitelli Venus leading Aeneas out of the Flames, plate 4 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Giuseppe Maria Mitelli Aeneas offers a Sacrifice to Apollo, plate 8 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Agostino Carracci Copy of the engraving by Agostino Carracci, Orpheus and Euridice Engraving 17th century
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Giuseppe Maria Mitelli The Trojans Taking Sinon Prisoner, plate 1 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Giuseppe Maria Mitelli The Wooden Horse entering Troy, plate 2 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pa
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Agostino Carracci copy after the engraving by Agostino Carracci, Orpheus and Eurydice Engraving 16th - 17th century
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Agostino Carracci copy after the engraving by Agostino Carracci, A Satyr Approaching a Sleeping Nymph Engraving 17th century
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Agostino Carracci copy after the engraving by Agostino Carracci, Venus or Galatea Supported by Dolphins Engraving circa 17th century
J. Paul Getty Museum -
Kneeling Figure
J. Paul Getty Museum -
Cupid Overpowering Pan
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Giuseppe Maria Mitelli Polyphemus pursuing Aeneas' Fleet, plate12 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Giuseppe Maria Mitelli Aeneas and his Family Fleeing Troy, plate 6 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli The Trojans Sacrifice Bulls to Neptune, plate 9 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Agostino Carracci Piet‡, after an etching by Annibale Carracci, Christ of Caprarola Engraving 1598
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Giuseppe Maria Mitelli Frontispiece of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna Engraving
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
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Giuseppe Maria Mitelli Aeneas and his Companions Combat the Harpies, plate 10 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Car
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Francesco Brizio The Virgin and Child in a Landscape, after Agostino Carracci Engraving 1595
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Giuseppe Maria Mitelli The Greeks dragging Cassandra out of the Temple, plate 3 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
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Multiple Artists Original Designs of the Most Celebrated Masters ä in His Majesty*s Collection (London: G. and W. Nicholä, 1812). BOUND WITH: Engravings from the Original Designs of Annibale, Agostino, and Ludovico Caracci, in His Majesty*s C
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Agostino Carracci Portrait of Titian Etching 1587
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Agostino Carracci The Three Graces Engraving 1590 - 1600
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Agostino Carracci Portrait of Pope Innocent IX Engraving 1591
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Agostino Carracci The Holy Family Engraving 1597
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Agostino Carracci St Jerome Engraving 1602
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Agostino Carracci Piet‡ Engraving 1582
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Agostino Carracci St. Jerome Engraving circa 1602
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Agostino Carracci Christ and the Samaritan Woman Engraving 1580
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Agostino Carracci Andromeda Engraving circa 1590 - 1595
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Agostino Carracci Satyr Whipping a Nymph Engraving 1590 - 1600
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Annibale Carracci Copy in reverse after the etching by Annibale Carracci, the Christ of Caprarola Engraving 16 - 17th century
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Agostino Carracci St. John the Baptist, from the series Santini Engraving 1581
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Agostino Carracci Andromeda (or, Hesion) Engraving circa 1590 - 1595
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Agostino Carracci A Headpiece in the Form of a Fan Engraving circa 1589 - 1595
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Agostino Carracci St. Francis Receiving the Stigmata Engraving 1586
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Agostino Carracci St. Catherine of Alexandria Engraving circa 1581
J. Paul Getty Museum -
Triton Blowing a Conch Shell
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Agostino Carracci Omnia Vincit Amor Engraving 1599
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Agostino Carracci The Harmony of the Spheres, after Bernardo Buontalenti Engraving 1589 - 1592
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Agostino Carracci Venus or Galatea Supported by Dolphins Engraving circa 1590 - 1595
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Annibale Carracci copy in reverse after the etching by Annibale Carracci, the Madonna della Scodella etching and engraving early 17th century
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Agostino Carracci The Virgin Protecting Members of a Confraternity Engraving circa 1582
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Agostino Carracci Academic Nude Red chalk and white chalk on laid paper 16th century
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Agostino Carracci Tobias and the Angel, after the drawing by Raffaellino da Reggio now in the Uffizi engraving 1581
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Agostino Carracci Saint Jerome, after Francesco Vanni Engraving circa 1595
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Annibale Carracci Madonna of the Swallow Engraving 1587
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Annibale Carracci The Crowning with Thorns Etching 1606
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Agostino Carracci Venus Punishing Profane Love, from the Lascivie Engraving circa 1590 - 1595
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Agostino Carracci Mars Driven Away from Peace and Abundance by Minerva, after Tintoretto Engraving 1589
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Giuseppe Maria Mitelli Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Ann
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Agostino Carracci Portrait of Titian, after a painting by Titian in the Staatliche Museum, Berlin Engraving 1587
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Agostino Carracci Madonna and Child Seated on a Crescent Moon, after Jacopo Ligozzi Engraving 1589
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Agostino Carracci Mercury and the Three Graces, after Tintoretto's painting in the Palazzo Ducale, Venice Engraving 1589
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Agostino Carracci St. Francis Consoled by the Musical Angel, after Francesco Vanni Engraving 1595
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Agostino Carracci Venus Black chalk on laid paper mounted to a heavier sheet 16th - 17th century
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Annibale Carracci Madonna della Soadella etching 16th century
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Annibale Carracci The Holy Family Etching and engraving 1590
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Annibale Carracci Ganymede and eagle etching 16th - 17th century
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Annibale Carracci Christ Crowned with Thorns Etching 1606
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Annibale Carracci Christ of Caprarola etching, engraving, and drypoint 1597
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Annibale Carracci Adoration of the Shepherds Etching and engraving circa 1606
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Agostino Carracci The Madonna Appearing to St. Jerome, after a painting by Tintoretto (Accademia, Venice) Engraving 1588
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Annibale Carracci A Toilette pen and brown ink over graphite 16th - 17th century
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Agostino Carracci Ecce Homo, after a painting by Correggio (National Gallery, London) Engraving 1587
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Agostino Carracci The Mystic Marriage of St. Catherine, after the painting by Veronese for the church of S. Caterina, Venice Engraving 1582
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Annibale Carracci St. John in the Wilderness pen and brown ink and wash 16th - 17th century
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Annibale Carracci Venus and Cupid black chalk 16th - 17th century
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Annibale Carracci The Holy Family with St. John the Baptist etching and engraving 1590
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Annibale Carracci Standing Figure Red chalk on laid paper 16th - 17th century
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Annibale Carracci Blind Fiddler pen and brown ink over black chalk 16th - 17th century
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Annibale Carracci Susanna and the Elders Etching and engraving circa 1590 - 1595
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Annibale Carracci Saint Jerome in the Wilderness Etching with Engraving circa 1591
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Annibale Carracci Piet‡ (the Christ of Caprarola) Etching with engraving and drypoint 1597
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Annibale Carracci Madonna and Child with Saint pen and brown ink and wash over graphite 16th - 17th century
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Annibale Carracci Seated Figure Black chalk on laid paper 16th - 17th century
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Agostino Carracci Holy Family with SS. Catherine and Anthony Abbot, after the altarpiece by Veronese for S. Francesco della Vigna, Venice Engraving 1582
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Annibale Carracci Madonna and Child With SS. Elizabeth and John the Baptist Etching and engraving 1606
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Annibale Carracci St. Francis in Prayer, from the book Scuola Perfecta Engraving 17th century
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Annibale Carracci Landscape Black chalk on laid paper mounted to heavier sheet 17th century
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Agostino Carracci Ascension of St. Paul the Hermit (?) r:Pen and brown ink and brown wash over black chalk with red chalk squaring on laid paper mounted on heavier sheet 16th - 17th century
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Agostino Carracci Holy Family with Sts. John the Baptist, Catherine, and Anthony Abbot, after the painting by Veronese in San Francesco della Vigna, Venice Engraving 1582
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Annibale Carracci Lute Player pen and brown ink on laid paper mounted to heavier sheet late 16th century
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Annibale Carracci Baptism Pen and brown ink over black chalk on laid paper mounted on heavier sheet 17th century
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Agostino Carracci Apollo and the Python, after Bernardo Buontalenti's stage design for the third intermezzo of the festivities for the marriage of Ferdinando I de' Medici and Christine of Lorraine Engraving and etching circa 1589
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Annibale Carracci Study for St. John Decapitated Black challk and charcoal on laid papermounted to a heavier shet 16th century
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Agostino Carracci - A Woman borne off by a Sea God c. 1599 charcoal and white c The National Gallery, London Italian
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Agostino Carracci - Madonna and Child 1580-1600 ink, pencil, chalk Arkansas Arts Center Italian
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Annibale Carracci Recto:Bacchanalian Figures~Verso:Figure Studies r:Pen and brown ink over black chalk on laid paperv: Black chalk late 17th century
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Annibale Carracci Female Satyr Pen and brown ink with line of black chalk along margins on fadedblue laid paper mounted to a heavier sheet early 17th century

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Carracci

Metropolitan Museum of Art: The Birth of Baroque: The Carracci at the Metropolitan
This exhibition of the Metropolitan's important group of paintings, drawings, and prints by the Carracci features Ludovico's Lamentation (1528), recently purchased by the Museum and described by Metropolitan Director Philippe de Montebello a...
Detroit Institute of Art: Little Treasures : Northern and Italian Paintings of the 16th and 17th Centuries.
Included are little-known works associated with Correggio, Annibale Carracci and Pietro da Cortona as well as a number of Dutch paintings including two associated with Rembrandt. Several of the exhibited pictures are paint...
National Gallery of Art: The Drawings of Annibale Carracci
The exhibition is made possible by Republic National Bank of New York, and Safra Republic Holdings S.A., Luxembourg. Annibale Carracci is justly celebrated for his na...
San Diego Museum of Art: Master Drawings from the Collection of Alfred Moir
Included are fine examples by Annibale Carracci, Pietro da Cortona, Luca Giordano, Giovanni Battista Tiepolo, Francesco Solimena, Salvator Rosa, Abraham Bloemaert, and Simon Vouet. The exhibition presents a selection of works from the personal...
Montreal Museum of Fine Art: Italian Masterpieces From Raphael To Tiepolo
The works range in scale from intimate devotional paintings and portraits to state commissions, monumental altarpieces and mythological paintings. Italian Masterpieces from Raphael to Tiepolo will offer the public an unprecedented opportunity to e...
Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints
The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...
Art Gallery of New South Wales: Old Master Drawings from the Albertina, Vienna
While extensive restoration at the Albertina is undertaken, the Art Gallery of New South Wales is delighted to have the opportunity to exhibit a glorious pageant of 100 works that reflect the breadth and quality of Duke Albert’s original collectio...
Bayly Art Museum: Virgins, Gods, Saints and Lovers: Strangeness and Style in Mannerist Prints
The term mannerism refers to works that show certain stylistic tendencies such as the use of geometric forms, deformation or elongation of figures, exaggerated gestures, strange lighting and perspectives, and evocative atmosphere. The diverse s...
Fogg Art Museum, Harvard: Works from Renaissance to 20th-Century Highlight How Artists and their Workshops Used Both Sides of the Sheet
The unusual display allows viewers to trace the creative process as an artist sketched from one side of the sheet to the other, to see how works were copied by assistants in Renaissance workshops, and to understand the increasing shift toward a co...

Further Artwork and Information:

LAmour Toujours
Agostino Carracci Online
WebMuseum: Carracci
CARRACCI, Agostino
- Great Books -
Agostino Carracci (Getty Museum)
Recherche-Assistent
Wikipedia: Agostino Carracci
CATHOLIC ENCYCLOPEDIA: Carracci
Agostino Carracci - AMAM
Agostino Carracci

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