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Artist: Antonio Carracci (1583 - 1618)
Nationality: Italian
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Antonio Carracci.

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Carlo Antonio Pisarri Bacchus, after Annibale Carracci Etching and engraving 18th century
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Carlo Antonio Pisarri Allegorical Scene after Lodovico Carracci Etching and engraving 18th century
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La Fuite en Egypte (1er quart 17e siècle) by CARRACCI Antonio
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La fuite en Egypte by CARRACCI Antonio (d'après)
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La fuite en Egypte (1er quart 17e siècle) by CARRACCI Antonio
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Figures dans un paysage vallonné, traversé d'une rivière (1er quart 17e siècle) by CARRACCI Antonio
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Demi-figure d'homme nu, de dos, pointant le bras droit en avant (1er quart 17e siècle) by CARRACCI Antonio (attribué à)
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Figures dans un paysage vallonné, traversé d'une rivière by CARRACCI Antonio (d'après)
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Dans un bois, saint moine adorant une Vierge à l'Enfant sur un piédestal (1er quart 17e siècle) by CARRACCI Antonio
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Anges (1ère moitié 16e siècle) by ALLEGRI Antonio (école) ; CARRACCI Ludovico (inspiré par)
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Dans un paysage avec un phare, des hommes dépouillant une figure (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI Annibale
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Sémiramis à qui un guerrier vient annoncer la révolte de son peuple (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI Ludovico
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Paysage de plaine, avec des montagnes au loin (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI Annibale
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Agostino Carracci Ecce Homo, after a painting by Correggio (National Gallery, London) Engraving 1587
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Ange en buste de profil (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI Annibale
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Vue de village sur le bord d'une rivière, un berger et son troupeau (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI Annibale
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Plusieurs enfants jouant ensemble dans un paysage (1671) by CARRACCI l'un des
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Sainte Marguerite foulant le démon (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI l'un des (attribué à)
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L'Annonciation : la Vierge à genoux devant un prie Dieu (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI école des
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L'impératrice Hélène fait déterrer les Croix (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI école des
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Translation de la Santa Casa à Lorette (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI école des
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Une femme avec un enfant assise au pied de deux arbres à forme humaine (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI école des
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L'Adoration des bergers (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI école des
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Apparition de la Vierge et de l'Enfant à un saint pape (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI l'un des (attribué à)
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F. Torond Landscape, after Annibale Carracci Etching 19th century
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Paysage avec Tobie et l'archange Raphaël (1671) by ZAMPIERI Domenico (d'après)
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Un religieux donnant la bénédiction deux enfants paralysés (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI l'un des (attribué à)
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Antonio Montauti Antonio Magliabechi 17th - 18th century
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La Vierge à l'Enfant avec le petit saint Jean (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI école des
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Agostino Carracci Piet‡, after an etching by Annibale Carracci, Christ of Caprarola Engraving 1598
J. Paul Getty Museum -
Kneeling Figure
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Giuseppe Maria Mitelli Aeneas departs for the Battle, plate 5 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pal
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Giuseppe Maria Mitelli The Shadow of Creusa Appears to Aeneas, plate 7 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
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Giuseppe Maria Mitelli Venus leading Aeneas out of the Flames, plate 4 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Giuseppe Maria Mitelli Aeneas offers a Sacrifice to Apollo, plate 8 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli The Trojans Taking Sinon Prisoner, plate 1 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Giuseppe Maria Mitelli The Wooden Horse entering Troy, plate 2 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pa
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Homme debout, drapé, vu de profil, tourné vers la gauche (1er quart 17e siècle) by CARRACCI Antonio
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Agostino Carracci Copy of the engraving by Agostino Carracci, Orpheus and Euridice Engraving 17th century
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Francesco Bartolozzi Portrait Of Annibale Carracci, after Annibale Carracci Etching circa 1764
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Agostino Carracci copy after the engraving by Agostino Carracci, Orpheus and Eurydice Engraving 16th - 17th century
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Agostino Carracci copy after the engraving by Agostino Carracci, A Satyr Approaching a Sleeping Nymph Engraving 17th century
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Scène de la vie de saint Dominique (1793) by TITO Santi di
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Fr. Paria The Communion of St. Jerome, after Agostino Carracci Etching 17th century
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Homme debout, tourné vers la gauche, coiffé d'un chapeau (4e quart 16e siècle ; 1er quart 17e siècle) by POCCETTI Bernardino
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Agostino Carracci copy after the engraving by Agostino Carracci, Venus or Galatea Supported by Dolphins Engraving circa 17th century
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Pordenone (Giovanni Antonio de Sacchis) St. Joseph Being Expelled from the Temple Engraving mid 16th century
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Un cheval en liberté, couché à terre et vu de profil (4e quart 16e siècle) by CARRACCI Agostino
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Antonio Visentini Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal... Etching 1735
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Bal champêtre (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI Annibale
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Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
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Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
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Jeune homme penché, tendant les bras (4e quart 16e siècle) by CARRACCI Agostino
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Titre d'ouvrage orné du portrait d'Annibale Carracci (1671) by CARRACCI Annibale (d'après)
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Ornement autour du portrait d'A. Carracci (4e quart 16e siècle ; 1er quart 17e siècle) by CARRACCI Annibale
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Gioan Antonio Lorenzini The Holy Family Etching 17th - 18th century
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Giuseppe Maria Mitelli Aeneas and his Family Fleeing Troy, plate 6 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli Polyphemus pursuing Aeneas' Fleet, plate12 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Saint François à genoux devant un crucifix (1583 vers ; 1586 vers) by CARRACCI Ludovico
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Giuseppe Maria Mitelli The Trojans Sacrifice Bulls to Neptune, plate 9 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Carracci


Metropolitan Museum of Art: The Birth of Baroque: The Carracci at the Metropolitan
This exhibition of the Metropolitan's important group of paintings, drawings, and prints by the Carracci features Ludovico's Lamentation (1528), recently purchased by the Museum and described by Metropolitan Director Philippe de Montebello a...

Detroit Institute of Art: Little Treasures : Northern and Italian Paintings of the 16th and 17th Centuries.
Included are little-known works associated with Correggio, Annibale Carracci and Pietro da Cortona as well as a number of Dutch paintings including two associated with Rembrandt. Several of the exhibited pictures are paint...

National Gallery of Art: The Drawings of Annibale Carracci
The exhibition is made possible by Republic National Bank of New York, and Safra Republic Holdings S.A., Luxembourg. Annibale Carracci is justly celebrated for his na...

San Diego Museum of Art: Master Drawings from the Collection of Alfred Moir
Included are fine examples by Annibale Carracci, Pietro da Cortona, Luca Giordano, Giovanni Battista Tiepolo, Francesco Solimena, Salvator Rosa, Abraham Bloemaert, and Simon Vouet. The exhibition presents a selection of works from the personal...

Montreal Museum of Fine Art: Italian Masterpieces From Raphael To Tiepolo
The works range in scale from intimate devotional paintings and portraits to state commissions, monumental altarpieces and mythological paintings. Italian Masterpieces from Raphael to Tiepolo will offer the public an unprecedented opportunity to e...

Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints
The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...

Art Gallery of New South Wales: Old Master Drawings from the Albertina, Vienna
While extensive restoration at the Albertina is undertaken, the Art Gallery of New South Wales is delighted to have the opportunity to exhibit a glorious pageant of 100 works that reflect the breadth and quality of Duke Albert’s original collectio...

Bayly Art Museum: Virgins, Gods, Saints and Lovers: Strangeness and Style in Mannerist Prints
The term mannerism refers to works that show certain stylistic tendencies such as the use of geometric forms, deformation or elongation of figures, exaggerated gestures, strange lighting and perspectives, and evocative atmosphere. The diverse s...

Fogg Art Museum, Harvard: Works from Renaissance to 20th-Century Highlight How Artists and their Workshops Used Both Sides of the Sheet
The unusual display allows viewers to trace the creative process as an artist sketched from one side of the sheet to the other, to see how works were copied by assistants in Renaissance workshops, and to understand the increasing shift toward a co...

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