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Artist: Ludovico Carracci (1555 - 1619)
Nationality: Italian
Movement: Baroque
Media: Painting, Drawing
Influences:
Biography: One of the oldest of the Carracci family, Ludovico may have inspired the artists to develop their style that shifted Italian painting away from Mannerism. At their school, the Accademia degli Incamminati, the Carracci’s trained most of the later Bolognese painters such as Domenichino and Guernico. They also influenced these younger painters to draw form life and emphasize realistic form. When Agnostino and Annibale left for Rome at the end of the sixteenth century, Ludovico ran the academy single-handedly.
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Ludovico Carracci.
- Giuseppe Maria Mitelli
Aeneas departs for the Battle, plate 5 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pal
- Giuseppe Maria Mitelli
Aeneas offers a Sacrifice to Apollo, plate 8 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
- Giuseppe Maria Mitelli
The Shadow of Creusa Appears to Aeneas, plate 7 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
- Giuseppe Maria Mitelli
Venus leading Aeneas out of the Flames, plate 4 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
- Giuseppe Maria Mitelli
The Trojans Taking Sinon Prisoner, plate 1 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
- Giuseppe Maria Mitelli
The Wooden Horse entering Troy, plate 2 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pa
- Andrea Le Jeune Scacciati
The Entombment of Christ, after Ludovico Carracci, from the series Disegni originali d'eccelenti pittori...
Etching in green ink
18th century
- Ludovico Carracci
The Adoration of the Magi, after Ludovico Carracci's painting in Santa Maria della Piogga, Bologna
Etching and engraving
16 - 17th century
- Ludovico Carracci
The Adoration of the Magi, after Ludovico Carracci's painting in Santa Maria della Piogga, Bologna
Etching and engraving
16 - 17th century
- Flaminio Torri
Madonna and Child in Glory with St. Francis and St. Jerome, after the painting by Ludovico Carracci, The Madonna degli Scalzi in the Pinacoteca Nazionale, Bologna
Engraving
17th century
- Giovanni Battista Coriolano
The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna
Etching (with some engraving?)
17th century
- Multiple Artists
Original Designs of the Most Celebrated Masters ä in His Majesty*s Collection (London: G. and W. Nicholä, 1812). BOUND WITH: Engravings from the Original Designs of Annibale, Agostino, and Ludovico Caracci, in His Majesty*s C
- Ludovico Carracci
The Holy Family Under an Arch
Engraving
1585 - 1590
- Giuseppe Maria Mitelli
Polyphemus pursuing Aeneas' Fleet, plate12 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
- Giuseppe Maria Mitelli
Aeneas and his Family Fleeing Troy, plate 6 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
- Giuseppe Maria Mitelli
The Trojans Sacrifice Bulls to Neptune, plate 9 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
- Ludovico Carracci
Madonna and Child with St. John
Engraving and drypoint (possibly on tin rather than copper)
circa 1602 - 1604
- Giuseppe Maria Mitelli
Frontispiece of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna
Engraving
- Giuseppe Maria Mitelli
Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
- Giuseppe Maria Mitelli
Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli
Aeneas and his Companions Combat the Harpies, plate 10 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Car
- Giuseppe Maria Mitelli
The Greeks dragging Cassandra out of the Temple, plate 3 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
- Giuseppe Maria Mitelli
Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Ann The Metropolitan Museum of Art
- The Lamentation, ca. 1582 Ludovico Carracci (Italian, Bolognese, 1555-1619)Oil on canvas; 37 1/2 x 68
- Carlo Antonio Pisarri
Allegorical Scene after Lodovico Carracci
Etching and engraving
18th century
- Ludovico Carracci - The Marriage of the Virgin c. 1590 oil on copper The National Gallery, London Italian
- Ludovico Carracci - Susannah and the Elders 1616 oil on canvas The National Gallery, London Italian
- Ludovico Carracci - The Agony in the Garden c. 1590 oil on canvas The National Gallery, London Italian J. Paul Getty Museum
- St. Sebastian Thrown into the Cloaca Maxima
- Ludovico Carracci - The Vision of Saint Francis c. 1583-1586 oil on canvas The National Gallery, London Italian
- Giacomo Maria Giovannini
St. Sebastian, after Lodovico Carracci
Engraving
17 - 18th century J. Paul Getty Museum
- Cupid Overpowering Pan The Metropolitan Museum of Art
- The Adoration of the Shepherds with Saint Catherine of Alexandria, 1599 Cigoli (Ludovico Cardi) (Italian,
- Francesco Brizio
The Virgin and Child in a Landscape, after Agostino Carracci
Engraving
1595 The Metropolitan Museum of Art
- The Holy Family with Angels, possibly ca. 1700 Sebastiano Ricci (Italian, Venetian, 1659-1734)Oil on canvas;
- F. Torond
Landscape, after Annibale Carracci
Etching
19th century
- Cornelis Bloemaert
Virgin and Child, caressing a lamb
Engraving
17th century
- Agostino Carracci
Piet, after an etching by Annibale Carracci, Christ of Caprarola
Engraving
1598
- Francesco Brizio
Mary Magdalen
engraving
1600 J. Paul Getty Museum
- Kneeling Figure
- Francesco Brizio
The Holy Family Near a Fountain
engraving
16th - 17th century
- Francesco Brizio
The Holy Family Returning from Egypt
engraving
circa 1610
- Agostino Carracci
Copy of the engraving by Agostino Carracci, Orpheus and Euridice
Engraving
17th century
- Francesco Bartolozzi
Portrait Of Annibale Carracci, after Annibale Carracci
Etching
circa 1764
- Agostino Carracci
copy after the engraving by Agostino Carracci, Orpheus and Eurydice
Engraving
16th - 17th century
- Agostino Carracci
copy after the engraving by Agostino Carracci, A Satyr Approaching a Sleeping Nymph
Engraving
17th century
- Francesco Brizio
St. Roch Interceding for the Divine Protection of a Donor. After Parmagianino
engraving
16th - 17th century
- Fr. Paria
The Communion of St. Jerome, after Agostino Carracci
Etching
17th century
- Agostino Carracci
copy after the engraving by Agostino Carracci, Venus or Galatea Supported by Dolphins
Engraving
circa 17th century
- Agostino Carracci
Portrait of Titian
Etching
1587
- Annibale Carracci
Copy in reverse after the etching by Annibale Carracci, the Christ of Caprarola
Engraving
16 - 17th century
- Agostino Carracci
The Three Graces
Engraving
1590 - 1600
- Carlo Antonio Pisarri
Bacchus, after Annibale Carracci
Etching and engraving
18th century
- Francesco Villamena
Bacchus Given Wine, after Annibale Carracci
Engraving
17th century
- Agostino Carracci
Portrait of Pope Innocent IX
Engraving
1591
- Agostino Carracci
The Holy Family
Engraving
1597
- Agostino Carracci
St Jerome
Engraving
1602
- Agostino Carracci
Piet
Engraving
1582
- Agostino Carracci
St. Jerome
Engraving
circa 1602
- Agostino Carracci
Andromeda
Engraving
circa 1590 - 1595
- Agostino Carracci
Christ and the Samaritan Woman
Engraving
1580
- Agostino Carracci
Satyr Whipping a Nymph
Engraving
1590 - 1600
- Cesare Fantetti
Charity, after a copy by Trudon after Annibale Carracci
Engraving
17 - 18th century
- Flaminio Torri
Cupid and Pan, after Agostino Carracci
Engraving
circa 1660
- Annibale Carracci
copy in reverse after the etching by Annibale Carracci, the Madonna della Scodella
etching and engraving
early 17th century
- Agostino Carracci
St. John the Baptist, from the series Santini
Engraving
1581
- Agostino Carracci
Andromeda (or, Hesion)
Engraving
circa 1590 - 1595
- Agostino Carracci
A Headpiece in the Form of a Fan
Engraving
circa 1589 - 1595
- Agostino Carracci
St. Catherine of Alexandria
Engraving
circa 1581
- Agostino Carracci
St. Francis Receiving the Stigmata
Engraving
1586
- Agostino Carracci
Omnia Vincit Amor
Engraving
1599
- Carlo Cesio (or Carlo Cesius)
Frontispiece for the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Dedication for the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Andromeda Bound to a Rock, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century
- Agostino Carracci
The Harmony of the Spheres, after Bernardo Buontalenti
Engraving
1589 - 1592
- Agostino Carracci
Venus or Galatea Supported by Dolphins
Engraving
circa 1590 - 1595
- Carlo Cesio (or Carlo Cesius)
The Triumph of Galatea, pl.9 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Bacchus and Ariadne, pl. 13 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century J. Paul Getty Museum
- Four Studies of Heads
- Agostino Carracci
The Virgin Protecting Members of a Confraternity
Engraving
circa 1582
- Agostino Carracci
Academic Nude
Red chalk and white chalk on laid paper
16th century
- Agostino Carracci
Tobias and the Angel, after the drawing by Raffaellino da Reggio now in the Uffizi
engraving
1581
- Antonio Tempesta
Il Coraggioso Ruggiero, La Bella Bradamante, from Ludovico Ariosto's Orlando Furioso
Etching
16th century
- Agostino Carracci
Saint Jerome, after Francesco Vanni
Engraving
circa 1595
- Carlo Cesio (or Carlo Cesius)
Aurora Abducting Cephalus, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Andromeda Bound to a Rock, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Salmacis and Hermaphrodite; Cupid and Pan, pl. 14 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci
Etching
17th century
- Agostino Carracci
Venus Punishing Profane Love, from the Lascivie
Engraving
circa 1590 - 1595
- Agostino Carracci
Mars Driven Away from Peace and Abundance by Minerva, after Tintoretto
Engraving
1589
- Agostino Carracci
Portrait of Titian, after a painting by Titian in the Staatliche Museum, Berlin
Engraving
1587
- Agostino Carracci
Madonna and Child Seated on a Crescent Moon, after Jacopo Ligozzi
Engraving
1589
- Antonio Tempesta
L'Amoroso Angelica, Il Bellissimo Medoro from Ludovico Ariosto's Orlando Furioso
Etching
late 16th century
- Agostino Carracci
Mercury and the Three Graces, after Tintoretto's painting in the Palazzo Ducale, Venice
Engraving
1589
- Agostino Carracci
St. Francis Consoled by the Musical Angel, after Francesco Vanni
Engraving
1595
Artnews Articles and Exhibition Information: (9) Click on any of the links below to read about artnews or exhibitions related to Carracci
Metropolitan Museum of Art: The Birth of Baroque: The Carracci at the Metropolitan This exhibition of the Metropolitan's important group of paintings,
drawings, and prints by the Carracci features
Ludovico's Lamentation (1528), recently purchased by the Museum and
described by Metropolitan Director Philippe de Montebello a...
Detroit Institute of Art: Little Treasures : Northern and Italian Paintings of the 16th and 17th Centuries. Included are little-known works associated with Correggio, Annibale Carracci and Pietro da
Cortona as well as a number of Dutch paintings including two associated with Rembrandt.
Several of the exhibited pictures are paint...
National Gallery of Art: The Drawings of Annibale Carracci The exhibition is made possible by Republic National Bank of New York, and Safra Republic Holdings
S.A., Luxembourg.
Annibale Carracci is justly celebrated for his na...
San Diego Museum of Art: Master Drawings from the Collection of Alfred Moir Included are fine examples by Annibale Carracci, Pietro da Cortona, Luca Giordano, Giovanni Battista Tiepolo, Francesco Solimena, Salvator Rosa, Abraham Bloemaert, and Simon Vouet.
The exhibition presents a selection of works from the personal...
Montreal Museum of Fine Art: Italian Masterpieces From Raphael To Tiepolo The works range in scale from intimate devotional paintings and portraits to state commissions, monumental altarpieces and mythological paintings. Italian Masterpieces from Raphael to Tiepolo will offer the public an unprecedented opportunity to e...
Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...
Art Gallery of New South Wales: Old Master Drawings from the Albertina, Vienna While extensive restoration at the Albertina is undertaken, the Art Gallery of New South Wales is delighted to have the opportunity to exhibit a glorious pageant of 100 works that reflect the breadth and quality of Duke Albert’s original collectio...
Bayly Art Museum: Virgins, Gods, Saints and Lovers: Strangeness and Style in Mannerist Prints The term mannerism refers to works that show certain stylistic
tendencies such as the use of geometric forms, deformation or
elongation of figures, exaggerated gestures, strange lighting and
perspectives, and evocative atmosphere. The diverse s...
Fogg Art Museum, Harvard: Works from Renaissance to 20th-Century Highlight How Artists and their Workshops Used Both Sides of the Sheet
The unusual display allows viewers to trace the creative process as an artist sketched from one side of the sheet to the other, to see how works were copied by assistants in Renaissance workshops, and to understand the increasing shift toward a co...
Further Artwork and Information:
CARRACCI, Lodovico
Ludovico Carracci
Ludovico Carracci
Ludovico Carracci
Ludovico Carracci
Ludovico Carracci
Biografía - Carracci, Ludovico
Disegno
Ludovico Carracci
Ludovico Carracci
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