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Artist: C: CARRACCI
ALPHABETICAL ARTIST INDEX:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
- AnnibaleChrist of Caprarola, 1597
- AnnibaleMadonna della Soadella, 16th century
- AgostinoThe Mystic Marriage of St. Catherine, after the painting by Veronese for the church of S. Caterina, Venice, 1582
- AgostinoHoly Family with Sts. John the Baptist, Catherine, and Anthony Abbot, after the painting by Veronese in San Francesco della Vigna, Venice, 1582
- AgostinoEcce Homo, after a painting by Correggio (National Gallery, London), 1587
- AgostinoSt. Francis Receiving the Stigmata, 1586
- AgostinoThe Madonna Appearing to St. Jerome, after a painting by Tintoretto (Accademia, Venice), 1588
- AgostinoPortrait of Titian, after a painting by Titian in the Staatliche Museum, Berlin, 1587
- AgostinoMercury and the Three Graces, after Tintoretto"s painting in the Palazzo Ducale, Venice, 1589
- AgostinoMars Driven Away from Peace and Abundance by Minerva, after Tintoretto, 1589
- AgostinoThe Harmony of the Spheres, after Bernardo Buontalenti, 1589 - 1592
- AgostinoMadonna and Child Seated on a Crescent Moon, after Jacopo Ligozzi, 1589
- AgostinoSaint Jerome, after Francesco Vanni, circa 1595
- AgostinoSt. Francis Consoled by the Musical Angel, after Francesco Vanni, 1595
- AgostinoVenus Punishing Profane Love, from the Lascivie, circa 1590 - 1595
- AgostinoVenus or Galatea Supported by Dolphins, circa 1590 - 1595
- AgostinoAndromeda (or, Hesion), circa 1590 - 1595
- AgostinoAndromeda, circa 1590 - 1595
- AgostinoOmnia Vincit Amor, 1599
- AgostinoPietý, after an etching by Annibale Carracci, Christ of Caprarola, 1598
- AgostinoThe Holy Family, 1597
- AnnibaleThe Holy Family, 1590
- AgostinoA Headpiece in the Form of a Fan, circa 1589 - 1595
- AgostinoHoly Family with SS. Catherine and Anthony Abbot, after the altarpiece by Veronese for S. Francesco della Vigna, Venice, 1582
- LudovicoThe Holy Family Under an Arch, 1585 - 1590
- AnnibalePietý (the Christ of Caprarola), 1597
- AnnibaleStanding Figure, 16th - 17th century
- AnnibaleLute Player, late 16th century
- AnnibaleSaint Jerome in the Wilderness, circa 1591
- AnnibaleThe Holy Family with St. John the Baptist, 1590
- AnnibaleGanymede and eagle, 16th - 17th century
- AgostinoTobias and the Angel, after the drawing by Raffaellino da Reggio now in the Uffizi, 1581
- AnnibaleSusanna and the Elders, circa 1590 - 1595
- AgostinoApollo and the Python, after Bernardo Buontalenti"s stage design for the third intermezzo of the festivities for the marriage of Ferdinando I de" Medici and Christine of Lorraine, circa 1589
- AgostinoThe Three Graces, 1590 - 1600
- AgostinoSatyr Whipping a Nymph, 1590 - 1600
- Francesco Brizio, The Virgin and Child in a Landscape, after Agostino1595
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
- Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Ca
- Giuseppe Maria Mitelli, Man Subduing a Harpy , one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
- Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
- Giuseppe Maria Mitelli, Polyphemus pursuing Aeneas" Fleet, plate12 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino
- Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Ca
- Giuseppe Maria Mitelli, Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico,
- Giuseppe Maria Mitelli, Aeneas and his Companions Combat the Harpies, plate 10 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino
- Giuseppe Maria Mitelli, The Trojans Sacrifice Bulls to Neptune, plate 9 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
- Giuseppe Maria Mitelli, Aeneas offers a Sacrifice to Apollo, plate 8 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
- Giuseppe Maria Mitelli, Aeneas and his Family Fleeing Troy, plate 6 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
- Giuseppe Maria Mitelli, The Shadow of Creusa Appears to Aeneas, plate 7 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
- Giuseppe Maria Mitelli, Aeneas departs for the Battle, plate 5 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
- Giuseppe Maria Mitelli, Venus leading Aeneas out of the Flames, plate 4 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
- Giuseppe Maria Mitelli, The Greeks dragging Cassandra out of the Temple, plate 3 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostin
- Giuseppe Maria Mitelli, The Trojans Taking Sinon Prisoner, plate 1 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
- Giuseppe Maria Mitelli, The Wooden Horse entering Troy, plate 2 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
- Giuseppe Maria Mitelli, Frontispiece of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna, 1663
- Francesco Villamena, Bacchus Given Wine, after Annibale17th century
- Flaminio Torri, Madonna and Child in Glory with St. Francis and St. Jerome, after the painting by LudovicoThe Madonna degli Scalzi in the Pinacoteca Nazionale, Bologna, 17th century
- Flaminio Torri, Cupid and Pan, after Agostinocirca 1660
- Guido Reni, St. Roche Distributing Alms, after the painting by Annibale Carracci in Dresden, circa 1602
- Guido Reni, St. Roche Distributing Alms, after the painting by Annibale Carracci in Dresden, circa 1602
- Guido Reni, The Holy Family with St. Claire, after Annibale17th century
- Fr. Paria, The Communion of St. Jerome, after Agostino17th century
- Carlo Maratti, Christ and the Samaritan Woman at the Well, after a painting by Annibale Carracci in the SzÈpm¸vÈszeti M·zeum, Budapest, 1649
- Giovanni Francesco Grimaldi, Two Men on a Hillock, after Annibale17th century
- Giovanni Francesco Grimaldi, Landscape with Three Men Playing with Dice, after Annibale17th century
- Giovanni Francesco Grimaldi, Landscape with a Brick Factory, after Annibale17th century
- Giacomo Maria Giovannini, St. Sebastian, after Lodovico17 - 18th century
- Giovanni Battista Galestruzzi, Mercury Bringing the Golden Apple to Paris, after Annibale Carracci"s panel in the Farnese Gallery, 17th century
- Cesare Fantetti, Charity, after a copy by Trudon after Annibale17 - 18th century
- Giovanni Battista Coriolano, The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna, 17th century
- Carlo Cesio (or Carlo Cesius), The Triumph of Galatea, pl.9 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Andromeda Bound to a Rock, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Aurora Abducting Cephalus, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Perseus Turning His Enemies to Stone with the Head of Medusa, pl.12 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Salmacis and Hermaphrodite; Cupid and Pan, pl. 14 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Bacchus and Ariadne, pl. 13 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Leander Swimming Across the Hellespont to Hero; Pan Pursuing Syrinx, pl. 17 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Moderation, after Annibale Carracci from the Farnese Gallery Panels, 17th century
- Carlo Cesio (or Carlo Cesius), Fortitude, after Annibale Carracci from the Farnese Gallery Panels, 17th century
- Carlo Cesio (or Carlo Cesius), Charity, after Annibale Carracci from the Farnese Gallery Panels, 17th century
- Carlo Cesio (or Carlo Cesius), Hercules Liberating Prometheus, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), Minerva Teaching Prometheus to Animate the Statue, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), Mercury Giving a Lyre to Apollo, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), Juno Showing Diana Callisto as a Bear, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), Arion Carried to Safety on a Dolphin, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), The Fall of Icarus, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), Hercules Fighting the Dragon, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), Diana Discovering the Pregnancy of Callisto, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A plate from the Farnese Gallery Panels after Annibale Carracci"s designs for Domenichino, 17th century
- Carlo Cesio (or Carlo Cesius), A Girl With A Unicorn, from the Farnese Gallery Panels after Annibale17th century
- Carlo Cesio (or Carlo Cesius), Diana and Pan, after Annibalepl.4 from the series The Farnese Gallery, 1675
- Carlo Cesio (or Carlo Cesius), Polyphemus Throwing a Rock at His Rival, Acis,after Annibalepl. 8 from the series The Farnese Gallery, 1675
- Carlo Cesio (or Carlo Cesius), Ganymede Abducted by Jupiter"s Eagle, after Annibalepl.20 from the series The Farnese Gallery, 1675
- Carlo Cesio (or Carlo Cesius), Mercury Bringing the Golden Apple to Paris, after Annibalepl.3 from the series The Farnese Gallery, 1675
- Carlo Cesio (or Carlo Cesius), Apollo and Hyacinthus, after Annibalepl.21 from the series The Farnese Gallery, 1675
- Carlo Cesio (or Carlo Cesius), Dedication for the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Frontispiece for the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- Carlo Cesio (or Carlo Cesius), Polyphemus and Galatea,after Annibalepl.7 from the series The Farnese Gallery, 1675
- Carlo Cesio (or Carlo Cesius), Andromeda Bound to a Rock, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibaleafter Annibale Carracci, 17th century
- AnnibaleLandscape, 17th century
- AnnibaleFemale Satyr, early 17th century
- AnnibaleBaptism, 17th century
- AnnibaleRecto:Bacchanalian Figures
- Agostinocopy after the engraving by Agostino Carracci, A Satyr Approaching a Sleeping Nymph, 17th century
- Annibalecopy in reverse after the etching by Annibale Carracci, the Madonna della Scodella, early 17th century
- AgostinoCopy of the engraving by Agostino Carracci, Orpheus and Euridice, 17th century
- Agostinocopy after the engraving by Agostino Carracci, Venus or Galatea Supported by Dolphins, circa 17th century
- AgostinoSt. Jerome, circa 1602
- AnnibaleThe Crowning with Thorns, 1606
- AnnibaleAdoration of the Shepherds, circa 1606
- AnnibaleChrist Crowned with Thorns, 1606
- AnnibaleMadonna and Child With SS. Elizabeth and John the Baptist, 1606
- AgostinoSt Jerome, 1602
- LudovicoMadonna and Child with St. John, circa 1602 - 1604
- AnnibaleSt. Francis in Prayer, from the book Scuola Perfecta, 17th century
- Pietro Aquila, Hercules Deciding between Virtus and Voluptas, after AnnibaleDedication Page from the series Galeriae Farnesianae Icones Romae..., 17th century
- Pietro Aquila, Prudence and Justice with Two Victories, pl. 13 from the series Galeriae Farnesianae Icones Romae in Aedibus... after the frescoes by Annibale Carracci in the Farnese Palace, 17th century
- Pietro Aquila, Perseus Beheading Medusa, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
- Pietro Aquila, Palladis and the Sirens, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
- Pietro Aquila, Circe and Ulysses, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
- Pietro Aquila, Amphimomus and Anapus, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
- Pietro Aquila, Atlantus, after Annibale Carracci from the series Galeriae Farnesianae Icones Romae..., 17th century
- Guido Reni, Christ and the Samaritan Woman, after Annibale Carracci"s overdoor painting in the Palazzo Sampieri, Bologna (now in the Pinacoteca Nazionale, Bologna), 1595
- AnnibaleLa Nativite (The Nativity )...tenth plate of the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2, 16th - 17th century
- AnnibaleConcart Sur L"eau (concert on the water)...forty second plate in the book... Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2, 16th - 17th century
- FrancescoMystic Marriage of Saint Catherine, 16th - 17th century
- The Lamentation, ca. 1582 Ludovico Carracci (Italian, Bolognese, 1555-1619)Oil on canvas; 37 1/2 x 68
- Two Children Teasing a Cat, ca. 1590 Attributed to Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on
- The Burial of Christ, 1595 Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on copper; 17 1/4 x
- The Coronation of the Virgin, after 1595 Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on canvas; 46
- After AnnibaleItalian (Bolognese), 1560-1609 Landscape with Fortified Buildings and Moat late 16th–early 17th
- Follower of Carracci Landscape with two figures early 17th-mid 17th century Pen and brown and
- Jean-Honoré Fragonard, French, 1732-1806 After LodovicoItalian, 1555-1619 Ornamental Panels with Caryatids from the
- Giacomo Maria Giovannini, Italian, 1667 –1717 After LodovicoItalian, 1555-1619 Recto: Two Caryatid Groups
- Follower of LodovicoItalian, 1555-1619 Saint Raimondo da Pennaforte late 16th–early 17th century Pen
- After AgostinoItalian, 1557-1602 The Holy Family with St. Claire 18th century Red chalk
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Agostino Carracci
Angeli
Our Price: 11.00
Annibale Carracci
Nude Study of a Young Man
Our Price: 12.00
Annibale Carracci
Angeli (Detail)
Our Price: 13.00
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