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Artist: Albert-ernest Carrier-belleuse (1824 - 1887)
Nationality: French
Movement:
Media: Sculpture
Influences:
Biography: Albert-Ernest Carrier-Belleuse trained as a goldsmith before entering the Ecole des Beaux-Arts in 1840 under the sponsorship of Pierre-Jean David d’Angers. He only stayed there for a short time before switching to the Petite Ecole to study decorative arts. Carrier-Belleuse worked in London from 1850 to 1855, designing ceramics and metalwork models for companies. Beginning in 1857, he exhibited large sculptures at the Salon and received medals and important commissions. From 1851 to 1870, Emperor Napoleon III hired him to work on the rebuilding of Paris. Carrier-Belleuse’s work incorporated a variety of styles and influences including naturalism, Realism, neo-Baroque, and Rococo. He employed many pupils such as Auguste Rodin in his large workshop that produced series, editions, and variations of his sculptures.
Artworks in Museum Collections: (40) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Albert-Ernest Carrier-Belleuse.
The Minneapolis Institute of Arts
- Artist: Albert-Ernest Carrier-Belleuse Title: Pair of torchères Date: about 1862 Medium: silver plated bronze Dimensions:
- Albert-Ernest Carrier-Belleuse - Orpheus early 1860's bronze Cleveland Museum of Art French J. Paul Getty Museum
- Model for a Monument to Alexandre Dumas père
- Albert-Ernest Carrier-Belleuse - Portrait Bust c. 1865 terracotta Cleveland Museum of Art French
- Albert-Ernest Carrier-Belleuse - Cupid and Psyche c. 1870 bronze with marble b Cleveland Museum of Art French
- Albert-Ernest Carrier-Belleuse - Putti Representing Earth and Water 1865 terracotta Cleveland Museum of Art French Fine Arts Museum of San Francisco
- Benjamin Louis Auguste Damman, M. Carrier Belleuse, 19th century Fine Arts Museum of San Francisco
- Louis Carrier-Belleuse, Scene on the Brittany Coast, 19th - 20th century Museum of Fine Arts
- Unidentified artist, French, 19th century Bacchante (after a marble bust by Carrier-Belleuse) Oil on canvas Fine Arts Museum of San Francisco
- Ernest Albert Cole, Pygmalion, 19th - 20th century Fine Arts Museum of San Francisco
- Ernest Albert Cole, Lovers, 19th - 20th century Fine Arts Museum of San Francisco
- Ernest Albert Cole, Four portrait heads, 19th - 20th century Fine Arts Museum of San Francisco
- Ernest Albert Cole, The artist"s father, 19th - 20th century Fine Arts Museum of San Francisco
- Ernest Albert Cole, Group of three heads, 19th - 20th century Fine Arts Museum of San Francisco
- Model of papoose carrier, 20th century Fine Arts Museum of San Francisco
- Model of papoose and carrier, 19th century Fine Arts Museum of San Francisco
- Fritz Rumpf, Carrier of a Judas Puppet in Mexico, 1930 Fine Arts Museum of San Francisco
- Carl Wilhelm Weisbrodt, Jeanot, the lantern carrier, 18th - 19th century Fine Arts Museum of San Francisco
- Ernest Haskell, Solitude, 19th - 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, Stacking Hay, 19th - 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, The Little Pine (Landscape), 19th - 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, Ship Building (Workmen), 19th - 20th century Fine Arts Museum of San Francisco
- Pierre Gabriel Berthault, Napoleanic War Series I: Noyades dans la Loire, Par Ordre de Feroce Carrier, 1793, 18th - 19th century Fine Arts Museum of San Francisco
- Stefano della Bella, A Flag Bearer and a Lance Carrier, from the series Recueil de diverses piËces trËs necessaires ý la fortification, 17th century
- Ernest Albert - Autumn Day, Connecticut n.d. Oil on canvas Florence Griswold Museum American Fine Arts Museum of San Francisco
- Ernest Haskell, Companions, 1920 Museum of Fine Arts
- Johannes Albert Neuhuys, Dutch, 1844-1914 Mid-day Meal Oil on panel 55.9 x 45.4 cm (22 Fine Arts Museum of San Francisco
- Gustave DorÈ , The Letter Carrier (Epilogue), illustration no. 421 on page 649 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 187 Fine Arts Museum of San Francisco
- Ernest Haskell, New Meadows Farms., ca. 1923 Fine Arts Museum of San Francisco
- Ernest Haskell, Carrying Place, 1923 Fine Arts Museum of San Francisco
- Ernest Haskell, Dromore Oaks, ca. 1924 Fine Arts Museum of San Francisco
- Ernest Haskell, Allequippa Poplars, 1913 Fine Arts Museum of San Francisco
- Ernest Haskell, Down by the Well, 1908 Fine Arts Museum of San Francisco
- Ernest Haskell, Haystack, ca. early 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, Little Arroyo, ca. early 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, Drying the Net, ca. early 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, Marin"s Oak, ca. early 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, Cameo (portrait of Emma Haskell), 1922 Fine Arts Museum of San Francisco
- Ernest Haskell, Idle Cove, ca. early 20th century Fine Arts Museum of San Francisco
- Ernest Haskell, Where Duels were Fought, ca. early 20th century
Artnews Articles and Exhibition Information: (19) Click on any of the links below to read about artnews or exhibitions related to Carrier-Belleuse
Carnegie Museum of Art: Associated Artists of Pittsburgh 91st Annual Exhibition
David Carrier, professor of philosophy at Carnegie Mellon University and art
critic for Art in America, Burlington Magazine, and Artforum, among other
publications, is juror for the 2001 show. Carrier viewed over 500 slides
submitted by 158 a...
Carrier Gallery: Italia Panoramica: Photographs by Peter Sramek Historical sites in Italy have drawn visitors for centuries, primarily because these places are evidence of a cultural history which underlies modern Western society. People have wished to feel connected to this heritage and the stones themselves ...
Dayton Art Institute: RODIN: Sculpture from the Iris and B. Gerald Cantor Collection At the height of his career, Auguste Rodin (1840-1917) was considered to be the greatest sculptor since Michelangelo. His genius
lay in his ability to liberate both his subject matter and his style from 19th century artistic conventions through ...
Andy Warhol Museum: The Arts of Jean Cocteau The Cocteau exhibition at The Warhol will reflect the far-ranging
nature of Cocteau's work, including artworks, archival material, films,
...
Alliance Française: The Colour Black: Photographic Exhibition by Leading Aboriginal Artist Wayne Quilliam http://www.absolutearts.com/portfolios/q/qphotography/>Quilliam, renowned for his bold colours and striking angles when photographing Indigenous Australia said, my people have alw...
Jendela Gallery: Clang. A Self-Portrait In Sleeping, the first of the series, BeOn becomes a traffic-stopper, of people and vehicles. Defiantly falling asleep in the path of danger, BeOn waves a valiant but futile flag for people slow down their frantic pace of life in Singapore.
...
Wiener Secession, Vereinigung Bildender Künstler: Rita McBride, Secession Tower McBride's technique can best be compared to transformation and alienation. She assumes that the material of an object is in itself a
carrier of meaning. Ignoring the seemingly obvious coupling of form, function and material, Rita McBride works wi...
JohnGordon Gallery: John Dahlsen: New Assemblages and Prints ‘These prints on canvas are a relatively new frontier for me, I have been working on perfecting this technique over the past two years with photographers and printers,’ said Dahlsen. ‘I have to say that the prints for this exhibition have really h...
Milwaukee Art Museum: Nothing But Nudes: Selections from the Permanent Collection he exhibition Nothing But Nudes: Selections from the Permanent Collection reveals not only the many roles of the nude in art
but also the depth of the museum's holdings. Including works from all media painting and sculpture, w...
Fred R. Kline Gallery: Call to Artists: Second Annual National Drawing Exhibition Slide Entries and Fee
Slides (3) must be 35 mm, 2" x 2", no glass, to fit standard slide projector. Slides must be clearly marked with "top", "front", and the artist's name, title of work, medium, and number as listed on the entry card. Maxim...
Trianon Gallery: Elsewhere: Works by 8 Artists Explore Landscape There is the representation of landscape through other means, other modes of cultural performance. There is landscape as a concrete, geographic reality. There is also landscape as conceptual domain, the matrix of ways in which landscape is though,...
Gallery 49: John Dahlsen: Renewed The title of the show, "Renewed" gives away what the viewer comes to see - the transformation of thousands of pieces of trash into abstract wall assemblages, sculptures, suspended installations and photographs.
Drawing on a vocabulary of fo...
Dangerous Curve: Sterven Simon: Road For the past 25 years, he’s been using repurposed materials. Several of his solar-powered sculptures are permanently installed internationally. Lately, Simon has immersed himself in the highly labor-intensive culling of Queen Palm flower stems f...
Albury Regional Art Gallery: Call for Entries - Albury Art Prize 2002, Works on Paper DIARY OF EVENTS
Entry forms to be lodged at the Albury Regional Art Gallery by July 15.
Finished art work to be delivered to the Albury Regional Art Gallery, 546
Dean Street by August 18.
Opening of the 2002 Fleming Muntz Albury Art P...
Maine Artists Space, Danforth Gallery: CALL FOR ENTRIES - Drawing the New Millennium: The Challenge of Media and Idea to the Nature of Drawing Organizer:
Maine Artists Space, 34 Danforth Street, Portland, Maine, 04101, Member of the National Association of Artists Organizations since 1988. For more information see www.maineartistspace.org
The Curators:
Elizabeth Finch, C...
Armory Art Center: Call for Entries: October International Competition 2001 Eligibility
The October Competition is open to global participation. All artists over the age of 18 working in any medium are eligible. All work must be original and
must have been completed in the last two years (1999 or later). The Art ...
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University: Uncommon Legacies: Native American Art from the Peabody Essex Museum Uncommon Legacies is arranged in five thematic
groupings: "Nations Within"; "Pacific Coast Traders"; "The Interior
Wilderness: Outposts, Explores, and Sojourners"; "The Interior Wilderness:
Missionaries"; and "South American Adventurers." Each...
Albury Regional Art Gallery: Call for Artists: National Photographic Purchase Award THE NATIONAL PHOTOGRAPHIC PURCHASE AWARD
The National Photographic Purchase Award began in 1983 after the Committee
of Management decided to make the collection of Australian Photography a
major part of the collection
Gael Newton and Helen ...
Broward County Public Art and Design Program: Sound / Light / Multimedia Artworks for Pedestrian Bridges at the Fort Lauderdale/Hollywood International Airport Agency: Aviation Department
The Fort Lauderdale/Hollywood International Airport is designated A Place for People, and facilitates the
belief that a modern airport serving millions can still be civilized. From its 9,000 ft. main runway, nonsto...
Further Artwork and Information:
Albert-Ernest Carrier-Belleuse Online
Albert-Ernest Carrier-Belleuse (Getty Museum)
Albert-Ernest Carrier-Belleuse - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Albert-Ernest Carrier-Belleuse
CARRIER BELLEUSE ALBERT ERNEST Fine Art Artist: Artists art auction database
Grove Art Online
Albert-Ernest Carrier-Belleuse (1824-1887)
ARC :: Albert-Ernest Carrier-Belleuse (1824-1887) :: Page 1 of 1
Albert-Ernest Carrier-Belleuse / The Messiah / c. 1867
albert durer albert ernest carrier belleuse
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