Artist: Pierre Carrier-belleuse (1851 - 1932)
Nationality: French
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pierre Carrier-Belleuse.

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MARIE CARRIER-BELLEUSE (1859) by CARRIER-BELLEUSE Albert Ernest
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PSYCHE ABANDONNEE (1872) by CARRIER DE BELLEUSE Albert Ernest ; CARRIER-BELLEUSE (dit)
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Vase avec décor de scènes d'enfants (2e moitié 19e siècle) by CARRIER de BELLEUSE Albert Ernest ; CARRIER-BELLEUSE (dit) ; VIEILLARD (éditeur)
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PORTRAIT DU PRESIDENT HENRI BRISSON (4e quart 19e siècle ; 1er quart 20e siècle) by CARRIER-BELLEUSE Pierre Gérard
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EMILE JEAN DESCHANEL, ENFANT (1913 EN) by CARRIER-BELLEUSE Pierre
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La mort de Psyché (1863) by CARRIER de BELLEUSE Albert Ernest ; CARRIER-BELLEUSE (dit)
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SATYRE ET NYMPHE (1875 entre ; 1877 et) by CARRIER-BELLEUSE Albert Ernest
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Between Two Loves, Albert-Ernest Carrier-Belleuse (Flanders, Bréda, 1824 - 1887) , 1867, Marble
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Benjamin Louis Auguste Damman M. Carrier Belleuse 19th century
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ALBERT CARRIER-BELLEUSE (1882) by RODIN Auguste ; MONTAGUTELLI (fondeur)
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Rubens (2e moitié 19e siècle) by CARRIER-BELLEUSE Albert Ernest
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Carrier-Belleuse, Nadar (Gaspard-Félix Tournachon) (France, 1820 - 1910) , 1876-1884, Woodburytype
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JEUNE FEMME AU CHAPEAU ORNE D'EPIS DE BLE (1865 vers) by CARRIER-BELLEUSE Albert Ernest
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PORTRAIT DE CARRIER-BELLEUSE (1882 vers) by RODIN Auguste
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Louis Carrier-Belleuse Scene on the Brittany Coast oil on canvas 19th - 20th century
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Esquisse d'un monument : aigle abritant sous ses ailes une jeune femme nue (1883 en) by CARRIER-BELLEUSE Pierre Gérard
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TORCHERE A LA COURONNE (1873) by CARRIER-BELLEUSE Albert Ernest
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HEBE ET L'AIGLE DE JUPITER (1858) by CARRIER-BELLEUSE Albert Ernest
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HEBE ENDORMIE (1869) by CARRIER-BELLEUSE Albert Ernest
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LA BONNE MERE (1855 entre ; 1860 et) by CARRIER-BELLEUSE Albert Ernest
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Buste de femme (2e moitié 19e siècle) by CARRIER-BELLEUSE Albert Ernest
The Minneapolis Institute of Arts -
Artist: Albert-Ernest Carrier-Belleuse Title: Pair of torchères Date: about 1862 Medium: silver plated bronze Dimensions:
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Portrait of the Actress Aimée-Olympe Desclée (1836-1874), Albert-Ernest Carrier-Belleuse (Flanders, Bréda, 1824 - 1887) , circa 1874, Terracotta
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Fantasy Bust, Albert-Ernest Carrier-Belleuse (Flanders, Bréda, 1824 - 1887) , circa 1865-1870, Terracotta on wood socle
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Projet de tombeau (1756 en) by PAJOU Augustin
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Statue du Grand Condé pour l'Ecole Supérieure de Guerre (1894) by anonyme ; CARRIER-BELLEUSE Louis Robert (?, d'après)
J. Paul Getty Museum -
Model for a Monument to Alexandre Dumas père
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Console du grand salon de l'hôtel de Païva (1864 entre ; 1865 et) by CARRIER-BELLEUSE Albert Ernest ; DALOU Aimé Jules ; MANGUIN Pierre (exécutant)
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Albert-Ernest Carrier-Belleuse - Orpheus early 1860's bronze Cleveland Museum of Art French
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LA BACCHANTE (1863) by CARRIER-BELLEUSE Albert Ernest
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Albert-Ernest Carrier-Belleuse - Portrait Bust c. 1865 terracotta Cleveland Museum of Art French
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Albert-Ernest Carrier-Belleuse - Cupid and Psyche c. 1870 bronze with marble b Cleveland Museum of Art French
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La Russie (3e quart 19e siècle) by CARRIER-BELLEUSE Albert Ernest
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TORCHERE AU TAMBOURIN (1872 vers) by CARRIER-BELLEUSE Albert Ernest
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Plaque commémorative de la statue d'Alexandre Dumas de Carrier-Belleuse (1902) by DELINGE Jules (graveur)
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Plume originale de la statue d'Alexandre Dumas en bronze (1884) by CARRIER DE BELLEUSE Albert Ernest, CARRIER-BELLEUSE (dit) ; DURENNE Antoine (fondeur)
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Albert-Ernest Carrier-Belleuse - Putti Representing Earth and Water 1865 terracotta Cleveland Museum of Art French
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Moulage en plâtre de la tête et du col de la statue d'Alexandre Dumas père (1939 avant) by CARRIER DE BELLEUSE Albert Ernest, CARRIER-BELLEUSE (dit, d'après) ; BERTON
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Maquette de la statue d'Alexandre Dumas (1884 vers) by CARRIER DE BELLEUSE Albert Ernest, CARRIER-BELLEUSE (dit)
Museum of Fine Arts -
Unidentified artist, French, 19th century Bacchante (after a marble bust by Carrier-Belleuse) Oil on canvas
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Portrait de femme, à mi-corps, de face (19e siècle) by CARRIER Joseph Auguste
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393 - Villers-Cotterêts - La Statue et la Place Alexandre-Dumas (1er quart 20e siècle) by anonyme (photographe) ; RISSE (libraire, éditeur)
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Portrait de femme (1844 en) by CARRIER Joseph Auguste
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VILLERS-COTTERÊTS (Aisne) - Statue d'Alexandre Dumas (1914 expédié en) by anonyme (photographe) ; LECUYER (éditeur, imprimeur)
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Villers-Cotterêts - Statue d'Alexandre Dumas (1906 expédié en) by anonyme (photographe) ; NATEN A (éditeur)
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Portrait d'homme (19e siècle) by CARRIER Joseph Auguste ; HORST Nikolaus van der (inspiré par)
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Portrait d'une jeune femme, la tête de face, le corps de trois quarts (19e siècle) by CARRIER Joseph Auguste
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Portrait de vieillard chauve (1839 en) by CARRIER Joseph Auguste
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Portrait de jeune femme, le buste vêtu d'une robe rouge (1822 en) by CARRIER Joseph Auguste
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Portrait de jeune homme, en buste, de face (19e siècle) by CARRIER Joseph Auguste
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Pierre Gabriel Berthault Napoleanic War Series I: Noyades dans la Loire, Par Ordre de Feroce Carrier, 1793 18th - 19th century
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Portrait de jeune fille, à mi-corps, de face (19e siècle) by CARRIER Joseph Auguste
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Portrait de Quatremère de Quincy (1834 en) by DAVID Pierre Jean
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Woman Playing a ’Viola da Gamba’, Hippolyte Boulenger faiencerie  (Manufacturer), circa 1880-1890 (?), Glazed ceramic with wood-and-horsehair bow
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Howard Hack Model of papoose and carrier leather, cloth and bead 19th century
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Howard Hack Model of papoose carrier wood, cloth, leather and beads 20th century
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Portrait d'une vieille femme, en buste, la tête enveloppée d'une coiffe (19e siècle) by CARRIER Joseph Auguste
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Fritz Rumpf Carrier of a Judas Puppet in Mexico Aquatint 1930
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Carl Wilhelm Weisbrodt Jeanot, the lantern carrier 18th - 19th century
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Covered Tea Carrier, Anonymous , 19th century, Red lacquer with gold leaves, grasses, and flowers

Artnews Articles and Exhibition Information: (26)
Click on any of the links below to read about artnews or exhibitions related to Carrier-Belleuse

Carnegie Museum of Art: Associated Artists of Pittsburgh 91st Annual Exhibition
David Carrier, professor of philosophy at Carnegie Mellon University and art critic for Art in America, Burlington Magazine, and Artforum, among other publications, is juror for the 2001 show. Carrier viewed over 500 slides submitted by 158 a...
Bonner David Galleries: The Dream Carrier : Max Hammond
Hammond is venturing in a new direction with a few pieces in his latest collection with inclusion of abstract figures into his vibrant works. These figures bring even more intrigue and depth into his layered colors and hidden details. Bonner Dav...
Carrier Gallery: Italia Panoramica: Photographs by Peter Sramek
Historical sites in Italy have drawn visitors for centuries, primarily because these places are evidence of a cultural history which underlies modern Western society. People have wished to feel connected to this heritage and the stones themselves ...
Abilities Art Festival: Call for Artists: EXPOSED – An International Juried Photographic Exhibition by Artists with Disabilities
“EXPOSED” will present varying interpretations and representations of images depicted by photographic artists with disabilities. Images of joy, sorrow, triumph, contemplation, defiance, wonder and/or other interpretations of life’s dramas and co...
Dayton Art Institute: RODIN: Sculpture from the Iris and B. Gerald Cantor Collection
At the height of his career, Auguste Rodin (1840-1917) was considered to be the greatest sculptor since Michelangelo. His genius lay in his ability to liberate both his subject matter and his style from 19th century artistic conventions through ...
Andy Warhol Museum: The Arts of Jean Cocteau
The Cocteau exhibition at The Warhol will reflect the far-ranging nature of Cocteau's work, including artworks, archival material, films, ...
Don O’Melveny Gallery: Double Over-Head III: Summer Group Show
Among the artists in the exhibition is absolutearts.com Premiere Portfolio Member, Edem Elesh. Elesh has been a Member since 2003. Edem states about his work, "My work is autobiographical in nature. I am interested in examining the miracle of...
Alliance Française: The Colour Black: Photographic Exhibition by Leading Aboriginal Artist Wayne Quilliam
http://www.absolutearts.com/portfolios/q/qphotography/>Quilliam, renowned for his bold colours and striking angles when photographing Indigenous Australia said, my people have alw...
Jendela Gallery: Clang. A Self-Portrait
In Sleeping, the first of the series, BeOn becomes a traffic-stopper, of people and vehicles. Defiantly falling asleep in the path of danger, BeOn waves a valiant but futile flag for people slow down their frantic pace of life in Singapore. ...
Wiener Secession, Vereinigung Bildender Künstler: Rita McBride, Secession Tower
McBride's technique can best be compared to transformation and alienation. She assumes that the material of an object is in itself a carrier of meaning. Ignoring the seemingly obvious coupling of form, function and material, Rita McBride works wi...
JohnGordon Gallery: John Dahlsen: New Assemblages and Prints
‘These prints on canvas are a relatively new frontier for me, I have been working on perfecting this technique over the past two years with photographers and printers,’ said Dahlsen. ‘I have to say that the prints for this exhibition have really h...
Philadelphia Art Alliance: Douglas A. Kinsey: Blue Cairns
Doug approaches the development of his imagery with an expressed Zen-like economy. The strong subtle spiritual component remains as the most compelling attitude seen in his work. This abiding stillness expressed in the dark blue forms can at times...
Milwaukee Art Museum: Nothing But Nudes: Selections from the Permanent Collection
he exhibition Nothing But Nudes: Selections from the Permanent Collection reveals not only the many roles of the nude in art but also the depth of the museum's holdings. Including works from all media painting and sculpture, w...
Fred R. Kline Gallery: Call to Artists: Second Annual National Drawing Exhibition
Slide Entries and Fee Slides (3) must be 35 mm, 2" x 2", no glass, to fit standard slide projector. Slides must be clearly marked with "top", "front", and the artist's name, title of work, medium, and number as listed on the entry card. Maxim...
FUEL Collection: Doug Kinsey and Koosuke Ikeda in Two Exhibitions
As a young man Douglas A. Kinsey had the great good fortune to work and study under two of Canada’s more notable color-field minimalists Jean Goguen and Guido Molinari while attending what is now known as Concordia University in Montreal, Quebec, ...
Trianon Gallery: Elsewhere: Works by 8 Artists Explore Landscape
There is the representation of landscape through other means, other modes of cultural performance. There is landscape as a concrete, geographic reality. There is also landscape as conceptual domain, the matrix of ways in which landscape is though,...
Gallery 49: John Dahlsen: Renewed
The title of the show, "Renewed" gives away what the viewer comes to see - the transformation of thousands of pieces of trash into abstract wall assemblages, sculptures, suspended installations and photographs. Drawing on a vocabulary of fo...
Dangerous Curve: Sterven Simon: Road
For the past 25 years, he’s been using repurposed materials. Several of his solar-powered sculptures are permanently installed internationally. Lately, Simon has immersed himself in the highly labor-intensive culling of Queen Palm flower stems f...
Albury Regional Art Gallery: Call for Entries - Albury Art Prize 2002, Works on Paper
DIARY OF EVENTS Entry forms to be lodged at the Albury Regional Art Gallery by July 15.

Finished art work to be delivered to the Albury Regional Art Gallery, 546 Dean Street by August 18.

Opening of the 2002 Fleming Muntz Albury Art P...
Forte de S. Joao: The First International Canvas Competition: The Colors of Age
Doug Kinsey states about his work: "When looking at my work the viewer should consider them as configurations of spiritual geography. In this manner I refer to them as, “Interior/Exterior Landscapes. "The primary blue shape will refer to...
Maine Artists Space, Danforth Gallery: CALL FOR ENTRIES - Drawing the New Millennium: The Challenge of Media and Idea to the Nature of Drawing
Organizer:
Maine Artists Space, 34 Danforth Street, Portland, Maine, 04101, Member of the National Association of Artists Organizations since 1988. For more information see www.maineartistspace.org The Curators:
Elizabeth Finch, C...
Armory Art Center: Call for Entries: October International Competition 2001
Eligibility The October Competition is open to global participation. All artists over the age of 18 working in any medium are eligible. All work must be original and must have been completed in the last two years (1999 or later). The Art ...
Orange County Center for Contemporary Art: Call for Artists: Animal Magnetism - An all media national juried exhibition
Animals, real and imaginary. We fear them, pamper them, tame them, trap them, eat them, lobby on their behalf, experiment on them, strut them as status symbols, and exterminate them. How do contemporary artists represent them? From the caves...
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University: Uncommon Legacies: Native American Art from the Peabody Essex Museum
Uncommon Legacies is arranged in five thematic groupings: "Nations Within"; "Pacific Coast Traders"; "The Interior Wilderness: Outposts, Explores, and Sojourners"; "The Interior Wilderness: Missionaries"; and "South American Adventurers." Each...
Albury Regional Art Gallery: Call for Artists: National Photographic Purchase Award
THE NATIONAL PHOTOGRAPHIC PURCHASE AWARD The National Photographic Purchase Award began in 1983 after the Committee of Management decided to make the collection of Australian Photography a major part of the collection Gael Newton and Helen ...
Broward County Public Art and Design Program: Sound / Light / Multimedia Artworks for Pedestrian Bridges at the Fort Lauderdale/Hollywood International Airport
Agency: Aviation Department The Fort Lauderdale/Hollywood International Airport is designated A Place for People, and facilitates the belief that a modern airport serving millions can still be civilized. From its 9,000 ft. main runway, nonsto...

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