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Artist: Pietro Cavallini (1250 - 1330)
Nationality: Italian
Movement: Byzantine
Media: Painting
Influences:
Biography: Pietro Cavallini worked mostly in Rome as a painter and mosaic designer. He is credited with two mosaics, Life of the Virgin and Last Judgment, located in Rome. In 1308, he was summoned to Naples by Charles II of Anjou. According to the records of his son, Cavallini lived to 100 years.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Cavallini.
- Tommaso Piroli
The Crucifixion, after Pietro Cavallini
Etching and engraving
1825
- Pietro Cavallini
Jael and Tisseran
brown in wash andopaque watercolor over graphite
13th - 14th century
- Pietro Berrettini (Pietro da Cortona)
Daniel Freed from the Lion's Den, after Pietro da Cortona
Engraving
18th century The Minneapolis Institute of Arts
- Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
- Pietro Berrettini (Pietro da Cortona)
Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori...
Etching
18th century
- Pietro Berrettini (Pietro da Cortona)
Santa Bibiana refusing to sacrifice to pagan gods
Etching
1626
- Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
- St. Martina, Pietro Berrettini (called Pietro da (Italy, Cortona, 1596 - 1669) , circa 1635-1640, Oil on canvas
- CRUCIFIX ; LE PELICAN ; LA VIERGE ; SAINT JEAN L'EVANGELISTE (1ère moitié 15e siècle) by BONDONE Ambrogio (atelier), GIOTTO (dit) The Metropolitan Museum of Art
- The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro The Metropolitan Museum of Art
- The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
- Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
- Pietro Berrettini (Pietro da Cortona)
Ceiling of Palazzo Barberini
Engraving
16th - 17th century The Metropolitan Museum of Art
- Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
- Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
- Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian The Metropolitan Museum of Art
- The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
- G. Petrignani
St. Peter Delivered From Prison, after Pietro Testa
Etching
17th century
- AJAX (17e siècle) by MUTTONI Pietro, VECCHIA Pietro della (dit)
- Portrait de Pietro Paolo Melchiore (1615 en) by LEONI Ottavio Mario
- Pietro Ghigi
Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace
Etching-engraving
18th - 19th century The Metropolitan Museum of Art
- The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
- Pietro Berrettini (Pietro da Cortona)
Sacrifice of Iphigenia
Pen and brown ink and brown wash over traces of black chalk on laid paper
17th century
- Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian The Metropolitan Museum of Art
- The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19 The Metropolitan Museum of Art
- The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio) The Metropolitan Museum of Art
- The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
- Judith venant de tuer Holopherne (4e quart 17e siècle) by DELLA VECCHIA Pietro (dit), MUTTONI Pietro (patronyme)
- Pietro Testa ( il Lucchesino)
St. Catherine, after Pietro Testa
Etching
17th century
- Study of a Male Figure with Right Arm Raised, Pietro Berrettini (called Pietro da (Italy, Cortona, 1596 - 1669) , circa 1662-1665, Black and white chalk on bluish gray paper
- Pietro Testa ( il Lucchesino)
Mythological Scene with Bacchus and Persephone, after Pietro Testa
Etching
17th century
- Pietro Testa ( il Lucchesino)
Two Figures, after a drawing by Pietro Testa
Etching mounted to a heavier sheet
17th century Museum of Fine Arts
- Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
- Pietro Bonato
Three Young Women, after Canova
Engraving and etching
19th century The Metropolitan Museum of Art
- Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
- La Déploration du Christ by NEGRONI Pietro
- Pietro Longhi
Bal Masque
oil on canvas
18th century
- Stefano Mulinari
The Death of Dido, after Pietro Testa
Etching and engraving
18th century
- Figure assise, levant le bras droit et reprise de la tête à droite by BALDINI Pietro Paolo
- Le Christ aux outrages (2e moitié 17e siècle) by MUTTONI Pietro (école), DELLA VECCHIA Pietro (dit, école) ; CALLOT Jacques (d'après)
- LA TOUR PENCHEE DE SAN PIETRO A VENISE (2e quart 19e siècle ; 2e moitié 19e siècle) by ZIEM Félix The Metropolitan Museum of Art
- The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and The Metropolitan Museum of Art
- Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
- Partie gauche de la façade du tombeau de Jules II , à San Pietro in Vincoli by BUONARROTI Michelangelo (école)
- L'ange de l'Annonciation by VANNUCCI Pietro (école)
- Pietro Berrettini (Pietro da Cortona)
Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
- L'Ascension du Christ by VANNUCCI Pietro (école)
- San Pietro Ignéo Aldobrandini fait distribuer du grain au peuple (1806) by STRAET Jan van der
- Francesco Bartolozzi
Rachel Hiding the Idols of Laban, after Pietro da Cortona
Engraving in sepia ink
1765
- Enée voulant embrasser Anchise dans les Champs-Elysées (1793) by BALDINI Pietro Paolo
- Aracdes intérieures, stalles, plan de San Pietro à Pérouse (1ère moitié 19e siècle) by BARBOT Prosper
- Giovanni Girolamo Frezza
Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio
Engraving
1704
- Pietro Barboni
Teatro di Marcello...
1827
- Pietro Aquila
The Death of the Virgin, after G.M. Morandi
Engraving
17th century
- Croquis : des amours (1ère moitié 17e siècle) by TESTA Pietro (attribué à )
- Pietro Berrettini (Pietro da Cortona)
untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2
Engraving and etching
16th - 17th
- Pietro Berrettini (Pietro da Cortona)
untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Longhi
A Theatrical Performance
oil on canvas
18th century
- Pietro Salvatori
Il Violinista, after Raphael
Engraving
19th century
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Further Artwork and Information:
WebMuseum: Cavallini, Pietro
Pietro Cavallini Online
CAVALLINI, Pietro
Pietro Cavallini
Pietro Cavallini (1716 - 1799) Biography, Artwork Images, Exhibitions, Reviews
- Great Books -
Wikipedia: Pietro Cavallini
SestoAcuto - Pietro Cavallini - Indice
Pietro Cavallini - Indice
cavallini
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Last updated and links verified on: Thursday May 05/19/11 03:02:04 PM
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