Artist: Irene Chou ( - )
Artworks in Museum Collections: (76)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Irene Chou.

Museum of Fine Arts -
© Irene Chou ; Irene Chou, Chinese–Australian, Born in 1924 A Poetic Verse With Seven
Museum of Fine Arts -
© Irene Chou ; Irene Chou, Chinese–Australian, Born in 1924 Circles upon Circles Painting Australian
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Mark Rothko - Irene 1933 oil on canvas National Gallery of Art American
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Eugene Delacroix - St. Sebastian with St. Irene and Attendant 1858 oil on panel Los Angeles County Museum of Art French
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Hendrick ter Brugghen - Saint Sebastian Tended by Irene 1625 oil on canvas Allen Memorial Art Museum at Oberlin College Dutch
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Irene Zevon Untitled wood cut 1959
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Irene Perez Goldweight with box design brass 20th century
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Irene De Bohus Portrait of Modest‡ charcoal and colored chalks 1940
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AndrÈ Minaux La barque ÈchouÈe(The grounded boat), p. 55, from the book Prints from the Mourlot Press Color lithograph on Arches paper 1964
J. Paul Getty Museum -
Saint Sebastian Tended by Saint Irene
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Chou Tien-Chiu "Clearing Weather"; Two Flowers, leaves bend towards right, No.11 from the Volume on Orchids - from: The Treatise on Calligraphy and Painting of the Ten Bamboo Studio woodcut 16th century
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Irene Lagorio Magic Journey Screenprint 1956
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Chou Chih-Mien Old Flowering Branch(growing from right), No.6 from the Volume on Plums - from: The Treatise on Calligraphy and Painting of the Ten Bamboo Studio color woodcut 17th century
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Irene Rice Pereira The Lapis ([New York: George Wittenborn, 1957]) book with color plates 1957
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Irene Perez (one calendar of twelve serigraph images- Huicholes- "Alumbrando el pensamiento del Hombre", Mayo) screenprint 1975
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Antoine Louis Romanet Quel bonheur effroyable . . . from Irene, Act III, Scene 6 Engraving and etching 18th - 19th century
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Jean Michel Moreau the Younger Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
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Irene Lagorio Thank You Card Design collage of cutout shapes with ink,watercolor, and opaque watercolor circa mid 20th century
The Metropolitan Museum of Art -
A Cowherd on the Route du Chou, Pontoise, 1874 Camille Pissarro (French, 1830-1903)Oil on canvas;
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Lodovico Lana The Empress Irene Binding up the Wounds of St. Sebastian Etching circa 1643 - 1649
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Jean Michel Moreau the Younger Proof before the title of: Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
Museum of Fine Arts -
Drumstand: In the shape of two birds and two tigers Chinese Late Western Chou period,
The Metropolitan Museum of Art -
Jacket, ca. 1785 Frenchsilk, linen; L. at center back: 15 ¾ in. (40 cm).Purchase, Irene
Museum of Fine Arts -
Unknown Chou Kuei Ritual vessel Chinese Late Shang or Early Zhou dynasty, about 950 B.C.E.
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Corona Painter Amphoriskos terracotta 575 BC - 550 BC
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Adolphe Irene Guillon - Country Landscape 1882 ink Arkansas Arts Center French
J. Paul Getty Museum -
Tending to St. Sebastian
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Charles-Etienne Gaucher Couronnement de Voltaire sue le ThÈatre Francais, le 30 mars 1778, apres la sixieme reprÈsentation d'Irene (The Crowning of Voltaire on the stage of the ThÈatre Francais in Paris, after the sixth performance of Irene
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Shiko Munakata Head Woodcut 20th century
J. Paul Getty Museum -
Female Student with Beach Ball
Museum of Fine Arts -
Bernardo Strozzi, Italian (Genoese), 1581-1644 St. Sebastian Tended by St. Irene and Her Maid Oil
Museum of Fine Arts -
Bottle Vessel Chinese Song dynasty, 11th century China Ceramic 34.9 x 16.8 cm (13 3/4
The Minneapolis Institute of Arts -
Artist: Western Han dynasty Title: Equestrian Soldier Date: 2nd century B.C. Medium: earthenware with traces
The Minneapolis Institute of Arts -
Artist: artist unknown Title: Ritual bell Date: late 6th century B.C. - 5th century B.C.
The Metropolitan Museum of Art -
Suit, 1774-1792 French; Made Paris, Francesilk; a) L. at center back: 42 in. (106.7 cm).
The Metropolitan Museum of Art -
Robe à l"Anglaise, 1785-1787 Frenchsilk; (a) L. at center back 59 1/2 in. (151.1 cm);
The Minneapolis Institute of Arts -
Artist: Charles Francois Daubigny Title: The Dunes at Camiers Date: 1871 Medium: oil on canvas
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Adja Yunkers Untitled Color woodblock (red, black & white) 1952
Museum of Fine Arts -
Jar Vessel Chinese Song dynasty, 11th–12th century China Ceramic 21.1 x 19.3 cm (8 5/16
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Jacques Callot St.Luke, Evangelist, October 18; St.Lucian,Bishop and Martyr, October 19; St. Irene, Virgin and Martyr , October 20; St.Hilarion, Hermit, October 21; ninety-fourth plate from the book, Les IMAGES DE TOUS/LES SAINCTS ET SAINTES /DE L*ANN
The Minneapolis Institute of Arts -
Artist: Hsien Tao-ling Title: Gathering Herbs Date: 1612 Medium: ink and colors on paper; hanging
The Metropolitan Museum of Art -
Round Gown, ca. 1795 Italian; Made Naplessilk, linen; L. at center back: 57 ½ in.
Museum of Fine Arts -
Jar Vessel Chinese Song dynasty, 10th–13th century China ceramic 11.7 x 13. cm (4 5/8
The Minneapolis Institute of Arts -
Artist: Roy Lichtenstein Title: Brushstrokes Date: 1967 Medium: color screenprint Dimensions: H.22 x W.30 in.
The Minneapolis Institute of Arts -
Artist: Bangqiao Zheng Xie Title: Bamboo and Rocks Date: about 1760 Medium: ink on paper
Museum of Fine Arts -
Bowl (the character "Jen" [forbearance] in iron-brown on inside) Vessel Chinese Song dynasty, 12 -
Museum of Fine Arts -
Attributed to Zhao Yong, about 1289–about 1362 Portrait of Chan Master Gaofeng Yuanmiao (1238-95) Hanging
Museum of Fine Arts -
Formerly attributed to Zhou Wenju, Chinese, about 900–975 Child with His Pets in a Flower
Museum of Fine Arts -
Vase Chinese Northern Song dynasty, 11th century China Cizhou glazed stoneware with carved floral decoration
The Metropolitan Museum of Art -
Coat, ca. 1927 Designed by Gabrielle "Coco" Chanel (French, 1883-1971)French; Used Francesilk, metal; L. at
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Antonio Frasconi Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) Book with 19 linoleum cuts on Rives paper 1954
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Antonio Frasconi Double page illustration on the title page in the book, Twelve Fables of Aesop ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Half title page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, TheAmbitious Woman and the Fat Hen, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Crab in the Mouth of the Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Man Bitten by a Flea, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Gnat, the Lion, and the Spiderweb, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Flattered Raven and the Crafty Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Jackdaw with the Eclectic Plumage, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Untitled vignette (portrait of Aesop) on publisher's page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Fishrmean with the Stone in His Net, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Beekeeper Robbed and Stung, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
The Metropolitan Museum of Art -
Waistcoat, 1747; Rococo Textile designed by Anna Maria Garthwaite (English, 1690 - 1763); Textile manufactured

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Chou

National Palace Museum: Paintings of Children at Play through the Ages
Earlier, artists had depicted children in figure painting with a subsidiary role in a world dominated by adults. Even then, artists found that painting children presented enormous difficulties. They not o...
Jersey Galleries: Reconcilable Differences: Curated by Luis Formaiano and Alison A. Raimes
The history of Modern art has been the narrowing of horizons towards the individual viewpoint. Try to think about a chain of individuals, posting messages, and trying to be understood either by words or by artistic work. This is ARTLIVES... Cl...

Further Artwork and Information:

Irene Chou (1888 - 1978) Biography, Artwork Images, Exhibitions, Reviews
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