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Artist: John Constable (1776 - 1837)
Nationality: British
Movement: Romanticism
Media: Painting
Influences:
Biography: British landscape painter, John Constable was born and raised in Suffolk, England. Although at the beginning of his career, landscape painting was a low paid and disrespected career, Constable chose that path despite the indignation of his family and friends. He married Maria Bicknell in 1816 and supported her by painting portraits. His real interest however was in painting the landscape of his birthplace, an agricultural and therefore unpopular region for landscape subjects. After creating a series of six-foot wide landscapes, Constable was granted membership of the Royal Academy and won a gold medal at the Paris Salon.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Constable.
- David Lucas
Spring, second plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1830
- Portrait d'Abraham Constable, frère de l'artiste (1924) by CONSTABLE John
- David Lucas
A Seabeach, eleventh plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1830
- David Lucas
A Mill, seventeenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1830
- David Lucas
Mill Stream, fifth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1831
- David Lucas
Old Sarum, fourteenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1830
- David Lucas
Stoke by Neyland, Suffolk, sixteenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1830
- David Lucas
Hadleigh Castle near the Nore, twenty-first plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1832
- David Lucas
A Dell. Helmingham Park.Suffolk., eighth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint, retouched by John Constable
1830
- David Lucas
John Constable
Mezzotint
1843
- David Lucas
Noon, fourth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1830
- David Lucas
A Summerland, fifteenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- David Lucas
A Heath, ninth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- David Lucas
Autumnal Sunset, third plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- David Lucas
List of the Engravings in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Printed text
circa 1832
- David Lucas
Yarmouth, Norfolk, tenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1832
- David Lucas
Weymouth Bay, Dorsetshire, eighteenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1830
- David Lucas
The Glebe Farm, twentieth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1832
- David Lucas
Summer Evening, seventh plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- David Lucas
Preliminary page (Introduction) in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Printed album page
1832
- David Lucas
Summer Morning, sixth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- David Lucas
Preliminary page (Title page) in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Printed album page
1830
- David Lucas
Summer AfternoonãAfter a Shower, nineteenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- David Lucas
A Lock on the Stour, Suffolk, thirteenth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- David Lucas
East Bergholt, Suffolk, frontispiece and first plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- Ciel (1ère moitié 19e siècle) by CONSTABLE John
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- David Lucas
Paper cover of the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Paper cover printed on blue paper
1830 - 1834
- Ciel (1ère moitié 19e siècle) by CONSTABLE John
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- Ciel (1ère moitié 19e siècle) by CONSTABLE John
- Arbres (1ère moitié 19e siècle) by CONSTABLE John
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- Arbre (1ère moitié 19e siècle) by CONSTABLE John
- Arbre (1ère moitié 19e siècle) by CONSTABLE John
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- Un arbre (1ère moitié 19e siècle) by CONSTABLE John
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- Croquis (1ère moitié 19e siècle) by CONSTABLE John
- David Lucas
Hampstead Heath, Middlesex, vignette and twenty-second plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- David Lucas
River Stour, County of Suffolk, twelfth plate in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Mezzotint
1831
- Ciel (1ère moitié 19e siècle) by CONSTABLE John
- David Lucas
Preliminary page (page of verse) in the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Printed text page from album
1830 - 1832
- David Lucas
Front and back cover of the album, Various Subjects of Landscape, Characteristic of English Scenery (London: John Constable, 1830-[1832]
Cover for album of twenty-two mezzotints
circa 1832
- Toits et arbres (1ère moitié 19e siècle) by CONSTABLE John
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- Arbres (1ère moitié 19e siècle) by CONSTABLE John
- Croquis ; paysage (1ère moitié 19e siècle) by CONSTABLE John
- Esquisse d'un paysage (1ère moitié 19e siècle) by CONSTABLE John
- Paysage avec des arbres (1ère moitié 19e siècle) by CONSTABLE John
- Trois études de ciel (1ère moitié 19e siècle) by CONSTABLE John
- Paysage (1ère moitié 19e siècle) by CONSTABLE John
- Esquisse de paysage (1ère moitié 19e siècle) by CONSTABLE John
- Deux études de bateaux ; paysage (1ère moitié 19e siècle) by CONSTABLE John
- L'ARC-EN-CIEL (19e siècle) by anonyme ; CONSTABLE John (d'après)
- Fragment de feuillages d'arbre (1ère moitié 19e siècle) by CONSTABLE John
- David Lucas
The Lock
mezzotint
19th century
- Figures ; vaches ; étude d'arbres (1ère moitié 19e siècle) by CONSTABLE John
- Cinq paysages (1ère moitié 19e siècle) by CONSTABLE John
Artnews Articles and Exhibition Information: (17) Click on any of the links below to read about artnews or exhibitions related to Constable
Frick Collection: Constable's Salisbury Cathedral: Two Versions Reunited
Metropolitan Museum of Art: Romanticism and the School of Nature: Nineteenth-Century Drawings and
Paintings from the Karen B. Cohen Collection The Cohen collection represents several artists in depth; thus, the exhibition
features a varied range of work by such masters as Couture, Gericault, Daubigny,
...
Indianapolis Museum of Art: Museum Receives Major Old Master Collection The Clowes Collection, assembled in the 1930s, 40s and 50s
by George H. A. Clowes, is one of the finest private
collections of Old Master art ever formed in the Midwest,
said IMA director Bret Waller. The Clowes Collection
includes paintings ...
Cleveland Museum of Art: Voyage of Discovery: The Landscape Photograhs of Ray K. Metzker The show was beautifully selected by former Cleveland museum director Evan H. Turner, who also wrote for the accompanying catalogue an essay and chronology that investigates the evolution of Metzker’s photography and the influence of historical la...
Victoria and Albert Museum: Five New Painting Galleries to Open The V&A has remarkable collections of eighteenth and nineteenth century British landscape paintings and watercolours (the national collection of watercolours is held at the V&A). Three galleries will focus on the image of landscape in Britain as...
Tate Britian: Romantic Landscape: The Norwich School of Painters, 1803-1833 This group was strong but diverse. It was described as a school only because its leaders,
John Crome and John Sell Cotman, operated in Norwich as teachers and drawing
masters. Neither their own work, nor that of their pupils, displ...
Tate Gallery, Liverpool: Figurative Art at the End of the Century Many of these works have only just been
acquired by the Tate and are on show in Liverpool for the first
time. Together, they create a powerful spectacle and raise issues
...
Kettle's Yard Gallery, University of Cambridge: Alan Reynolds: 50 Years after the Royal College of Art A quest for structure and equilibrium has always been at the heart of Reynolds' work. His engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Samuel Palmer ...
BoMA, Bar of Modern Art: Walter King: Early 2000 Internal Scenarios Series His Columbus debut was at DooWac in the late 80's garnering King reviews in both the Dispatch and Dialogue Magazine. King‚s work has won awards from the Ohio Art League and State Fair Fine Arts exhibitions. He's exhibited in every faculty exhibit...
Gallery BC: True Blue Macquarie Stock: An Exciting Art Exhibition of the Heart The official opening of this exhibition will have special significance to the Macquarie electorate with the commissioned painting of Mr Henry Edwin [Ed] Smith being present for its first and only public exhibition. Ed was a direct descendant of Ja...
Towner Gallery: Landscape? New Definitions through the Contemporary Art Society The acquisitions have been made over a four-year period and are the direct result of the Towner’s inclusion in the prestigious £3.5 million Special Collection Scheme run by the Contemporary Art Society. The scheme enables 15 regional museums and g...
Marlborough Gallery: Francis Bacon: Paintings Marlborough’s show will consist of
nine works as follows: three quintessential triptychs dating from 1970, 1983 and 1986-87, each panel
measuring 78 x 58 inches; a rare 1957 painting of a pope, measuring 60 x 46
1/2 inches; Study for Self Portr...
Fogg Art Museum, Harvard: Under Cover: Artists' Sketchbooks The exhibition was organized by Miriam Stewart, Assistant Curator in the Department of
Drawings. “It’s almost as if we’re catching the artist unaware,” said Stewart. “In many cases,
these sketchbooks resemble a diary. One can follow the artists ...
Van Gogh Museum: American Beauty: Painting and Sculpture from The Detroit Institute of Arts, 1770-1920
Although the artists were familiar with and reacted to European art, they simultaneously developed their own individual style. To shed light on the various artistic currents the exhibition is organized around themes such as American Icons, Impress...
Glen Eira Arts Complex: Call to Artists: Travelling Scholarship for Australian and UK Citizens Artists are invited to submit works in competition for the A. M. E.
Bale Travelling Scholarship and Art Prizes which will be awarded on
the basis of entries submitted by each applicant in the field of
traditional realism and figurative art. Th...
Henry Art Gallery, University of Washington: Threshold: Byron Kim 1990-2004 For the past decade Byron Kim has maintained a steadfast commitment to exploring the potential content of abstract painting, drawing on post-war traditions of monochrome painting exemplified by Ad Reinhardt's black paintings and Brice Marden's wax...
Frick Collection: Masterpieces of European Painting from the Toledo Museum of Art While the collection of the Toledo Museum is considered encyclopedic, the works included in the exhibition will emphasize the period from the early Italian Renaissance to late nineteenth-century France. The selection will notably complement the h...
Further Artwork and Information:
WebMuseum: Constable, John
John Constable, English painter, master painter in the Romantic style
John Constable Online
John Constable - Olgas Gallery
CGFA- John Constable
John Constable biography
John Constable - Great Artists in History
Mark Hardens Artchive - John Constable
John Constable oil painting reproductions
John Constable prints from Barewalls
Search the Art History Database for artists, titles, media, year, and other indepth information:
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