Artist: Edward William Cooke (1811 - 1880)
Nationality: British
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Edward William Cooke.

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William Bernard Cooke Ilfracombe North Devon 1818
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William Bernard Cooke Source of The Tamer and Torridge 1816
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Edward Francis Finden Men of War at Spithead, plate opposite page 98 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
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Edward Francis Finden Yarmouth, Norfolk, plate opposite page 160 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie
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William John Cooke The City of Nahun. Himalaya Mountains. 18th - 19th century
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Edward Francis Finden Entrance to Portsmouth Harbour, plate opposite page 95 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Wil
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William Finden Ramsgate, plate opposite page 116 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Edward Francis Finden View from the Saluting Platform, Portsmouth, plate opposite page 103 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descr
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William Bernard Cooke Caernarvon Castle, North Wales wood engraving 18th - 19th century
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William Finden Gosport, Flag Ship Saluting, plate opposite page 108 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beat
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William Finden Rigging Hulk and Frigate, Portsmouth, plate opposite page 96 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Will
The Metropolitan Museum of Art -
Mrs. Bryan Cooke (Frances Puleston, 1765-1818), ca. 1787-91 George Romney (British, 1734-1802)Oil on canvas; 50
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George Cooke Gateway 18th - 19th century
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Joseph Mallord William Turner Cover sheet of River Scenery, by Turner and Girtin, with Descritions 1827
Museum of Fine Arts -
George Cooke, English, 1781-1834 Engraved by William James Bennett, American (born in England), 1787-1844 West
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Joseph Mallord William Turner Cover sheet of River Scenery, by Turner and Girtin, with Descritions 1827
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William Edward Frost, A.R.A. The Sea Nymph ET 19th century
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Cooke and Leconte View of Sacramento City lithograph mid 19th century
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Edward Francis Finden William Harrison Ainsworth 18th - 19th century
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T. Cooke Cataract of the Bantry River in Ireland 18th - 19th century
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William Morris Hunt - Portrait of Edward Wheelwright 1857 oil on canvas Los Angeles County Museum of Art American
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William Holl (the Younger) Edward Matthew Ward, R.A. 19th century
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Meditation, Jay Cooke Park, Minnesota Date: 1973 Medium: gelatin silver
Museum of Fine Arts -
After Joseph Mallord William Turner, English, 1775-1851 George Cooke, English, 1781-1834 Edinburgh from the Calton
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Edward Francis Finden The Dead Sea engraving 1843
The Minneapolis Institute of Arts -
Artist: Will M. Agar Title: Jay Cooke State Park Date: 1989 Medium: gelatin silver print
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Portrait of William Keith, William Edward Dassonville (United States, 1879 - 1957)  (Artist), circa 1923, Gelatin-silver bromide print
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Edward Scriven William Harvey 18th - 19th century
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William Sharp Edward Long 18th - 19th century
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Edward Francis Finden Brixham, plate opposite page 111 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
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Edward Francis Finden Valley of the Brook Kedron engraving 1834
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Woman’s Evening Dress, Cooke Gowns  (Manufacturer), circa 1916, Baroque pearl and sequin embroidery on silk chiffon
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William Ridley Sir Edward Hughes, Admiral of the Blue Squadron 18th - 19th century
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Edward Hicks - The Grave of William Penn c. 1847-1848 oil on canvas National Gallery of Art American
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William Freeman Edward Courtney, Earl of Devonshire 17th century
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Edward Anthony William Henry Seward (1801-1872) carbon print 19th century
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William Ridley Edward Vernon, Esquire, Admiral of the White Squadron 18th - 19th century
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Portrait of Edward Wheelwright, William Morris Hunt (United States, Vermont, Brattleboro, 1824 - 1879) , 1857, Oil on canvas
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William Wynne Ryland Eleanora and Edward I stipple engraving 18th century
Museum of Fine Arts -
Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Fountain of Trevi, Rome Oil on canvas 50.2 x
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Edward Borein A Bronc Etching 19th - 20th century
Museum of Fine Arts -
William Morris Hunt, American, 1824-1879 Priscilla about 1873 Oil on canvas 61.28 x 38.73 cm
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Edward Borein The Trail Boss Etching 19th - 20th century
Museum of Fine Arts -
Marked by William Cripps, free 1738– died in 1766 Two Chafing Dishes London, England England,
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The Boston Salt, Edward Rowland  (Manufacturer), 1600, Silver gilt
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Portrait de Monsieur Edward Gordon Craig by STRANG William
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Paul Revere 1813 Oil on panel 71.75 x 57.15 cm (28
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Portrait of Edward VI, Guillim Scrots  (Artist), circa 1551, Oil on panel
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Edward Borein Sioux Scouts, Montana Etching 19th - 20th century
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Edward Francis Finden Weymouth, plate opposite page 130 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
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Edward Francis Finden Cromer, plate opposite page 162 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
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Edward Francis Finden Brighton, plate opposite page 151 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
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Edward Francis Finden Chatham, plate opposite page 123 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
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Edward Francis Finden Southampton, Hants., plate opposite page 147 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatt
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Edward Francis Finden Hastings, plate opposite page 128 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
The Metropolitan Museum of Art -
Edward Miles (1752-1828), 1785 Sir William Beechey (British, 1753-1839)Oil on canvas; 11 7/8 x 9
Museum of Fine Arts -
William Morris Hunt, American, 1824-1879 Sheep about 1853 Oil on canvas 21.59 x 38.1 cm
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Edward John Roberts The Light House, Aberdeen, plate opposite page 27 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
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Edward Francis Finden Folkestone, Kent, plate opposite page 129 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Edward Francis Finden Harwich, Essex, plate opposite page 159 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,

Artnews Articles and Exhibition Information: (23)
Click on any of the links below to read about artnews or exhibitions related to Cooke

Tatar Gallery: Jim Cooke and Sylvie Readman
Inspired by his upbringing in the English town of Coventry, Jim Cooke shifts his focus in a new collection of works at the Tatar Gallery from his usual fascination with monuments of Arcadian beauty to those of a more personal Arcadia – his own chi...
South London Gallery: Nigel Cooke: A Portrait of Everything
A underlying theme in `A Portrait of Everything‚ is the tendency of the human imagination to provide objects with personalities. Inspired by the way in which inanimate objects to come to life in children‚s stories, Cooke's paintings are lent a dar...
Irish Museum of Modern Art: Shifting Ground: Selected Works of Irish Art 1950 - 2000
Working closely with the Museum, the selectors have identified works which, for them, were key in each of the past five decades, taking account of works already in IMMA's Collection. Works are ...
Museum of Contemporary Art, Sydney: Bridget Riley: 1960 to Present
"No painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley." - Robert Melville, The New Statesman, 1970. Included in this exhibition is a selection of the artist‚s dynamic black and white "dazzle" paintings, whi...
Iziko-SA National Gallery: Singing the Real : Contemporary Irish Art
Barrie Cooke and Dorothy Cross incorporate the natural sciences of biology and chemistry as they explore issues of pollution and behaviour that tacitly address the impoverishment of the spirit in the contemporary relationship to the land. Grace We...
Cairns Regional Gallery: Kangaroo and Map: An Advertisement for Australia
In 1911 the Postmaster-General’s Department issued an invitation to skilled artists to submit competitive designs for a postage stamp that would represent the newly formed Federation of Australia. Over 1,000 designs were entered in the compe...
Studio of Richard Wood: Andalusian International Artists Group
Members of the Andalusian International Artists Group are:
Margit Björklund - Sweden
Leila Selmo - Finland
Auli Suvanto - Finland
Brian Reifer - British
Pixie Glore - USA
Roger Backwell - British
Chris Hyde - British
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Peabody Essex Museum: The Endurance: Art at latitude 74 degrees south
His fingers cracked and bled in a freezing darkroom. He scaled icy peaks and towering masts in search of a unique perspective. He stripped off the insulating warmth of gloves and hat to operate more efficiently. He nearly blinded himself...
Kettle's Yard Gallery, University of Cambridge: Fred Sandback: Sculptures and Drawings
Distinctively, Sandback developed a way of working that dispensed with the mass and weight of materials, and ultimately used acrylic yarn, sometimes multi-coloured, stretched across architectural space. He made sculptures whose factual existen...
Dia Center for the Arts: Bridget Riley: Reconnaissance
Bridget Riley: Reconnaissance, installed on the fourth floor of Dia's exhibition facility at 548 West 22nd Street, will focus on key paintings from the 1960s and 1970s by this British artist. Riley's paintings fuse space, light, and drawing in a...
Crawford Municipal Art Gallery: 0044 Contemporary Irish Artists in Britain
The artists are: Kathy Prendergast, Daphne Wright, Paul Seawright, Andre Stitt, Cecily Brennan, John Carson, Anne Carlisle, Maud Cotter, Liadin Cooke, John Gibbons, Frances Hegarty, Siobhan Hapaska, Andrew Kearney, Mo Whit...
Dia:Beacon: A Field of Vision: Paintings from the 1980s by Agnes Martin
“A Field of Vision” focuses on an exceptionally productive decade in Martin’s career. During the 1980s, she experimented to an unprecedented degree with the boundaries of geometric abstraction. Living again in New Mexico, where she had first sett...
The British Museum: The Apocalypse
This exhibition, together with the associated publication, will examine the pictorial tradition it engendered as represented principally by illuminated ma...
Erna Hecey Gallery at le Creux de l’enfer, Centre d'art contemporain: Lili Dujourie
The artist’s use of clay for the first time signals her interest in rethinking the question of sculpture today, after minimalism, formalism and abstraction: clay is a kind of return to the essence of things, the primal ‘stuff’ of creation, a fresh...
Art Gallery of Ontario: Rodney Graham: A Little Thought
This first major North American tour of works by Rodney Graham is jointly organized by the Art Gallery of Ontario, The Museum of Contemporary Art, Los Angeles, and the Vancouver Art Gallery. Graham’s works have been widely shown throughout Canada ...
Dia:Beacon: Agnes Martin: Homage to [a] Life: Paintings 1990–2004
“Homage to [a] Life” features works from the prolific years in Martin’s late career. Exploring both horizontal and vertical fields, Martin remained dedicated to pushing the formal possibilities of her luminous compositions. Adopting a smaller, fiv...
Guggenheim Museum, Berlin: Neo Rauch: Paintings and Drawings
Almost a decade has passed since the Deutsche Bank's art team encountered Neo Rauch and his work for the first time. Although his early works are certainly impressive, his present oeuvre is more figurative and on a grander scale, his use of forms ...
Penny McCall Foundation: Ordway Prize: The Most Generous Iinternational Art Prizes in the World
The 2005 winners were selected from among six finalists nominated by a distinguished panel of artists, curators, writers, museum professionals, scholars, philanthropists, and leaders in the field of contemporary art, all of whom were invited by Ms...
New Art Gallery, Walsall: Bloomberg New Contemporaries 2007
New Contemporaries always provides a great opportunity for the public to see a rich and dynamic selection of work by an emerging generation of artists. As an annual event first established over fifty years ago, New Contemporaries is recognised as ...
Irish Museum of Modern Art: James Coleman: Lapsus Exposure, 1992-94
James Coleman is widely regarded as having a uniquely influential role in a range of media that dominate large areas of current art practice. For more than 30 years he has used the photograph, the projected film still, the transparency, the slide ...
Dia:Beacon: Dia's Andy: Through the Lens of Patronage
A special publication, which takes Warhol's Interview magazine as a model, contextualizes the exhibition with images and facsimiles of published texts related to the works on view. Public programs include screenings of the artist's early films and...
Oakland Museum of California: Made in Oakland: The Furniture of Garry Knox Bennett
The exhibition features more than 80 pieces of furniture created from unique combinations of unexpected materials. These range from large-scale cabinets and trestle tables to playful clocks and ingenious lamps, and are accompanied by 60 smaller pi...
Temple Bar Gallery and Studios: The Square Root fo Drawing
Traditionally, drawing was regarded as an integral part of training for any painter or sculptor. Its close association with preparation however, meant that for a long time drawing was regarded as secondary to the ‘established’ arts of painting and...

Further Artwork and Information:

Edward William Cooke Online
Edward William Cooke Art Images
Edward William Cooke (1811-1880)
William Cooke BISCUIT TINS DOLPHIN, TRACY
Cooke, Edward William; Oil on Canvas, signed, Moored Fishing Boat. [p4a.com, ltd.]
COOKE
Ackermann & Johnson: Inventory Catalogue Art Images
Edward William COOKE Art Auction Sales and Market Information by artprice.com
WIRKSWORTH-Parish Records 1608-1899-Parish Registers
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