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Artist: Abraham Cooper (1787 - 1868)
Nationality: British
Movement:
Media: Painting
Influences:


Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Abraham Cooper.

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Barnett Newman - Abraham 1949 oil on canvas The Museum of Modern Art American
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William Dunlap - Mrs. Thomas A. Cooper n.d. oil on canvas Cleveland Museum of Art American
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Jacopo Bassano - The Departure of Abraham late 16th centu oil on canvas The National Gallery, London Italian
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Daniel Chester French - Abraham Lincoln 1912 bronze The Art Institute of Chicago American
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Jan Polack - Abraham and the Three Angels c. 1500 oil on panel Los Angeles County Museum of Art German
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Ammi Phillips - Abraham Sleight 1823-25 oil on canvas Currier Museum of Art American
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Thomas Sully - Abraham Kintzing 1815 oil on canvas National Gallery of Art American
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Jan Polack - Abraham and the Three Angels c. 1500 oil on panel Los Angeles County Museum of Art German
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Peter Paul Rubens - The meeting of Abraham and Melchizedek c. 1625-1626 oil on panel The Fitzwilliam Museum Flemish
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Gaspard Dughet - Landscape with Abraham and Isaac c. 1660 oil on canvas The National Gallery, London French
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Sir Peter Paul Rubens - The Meeting of Abraham and Melchizedek c. 1626 oil on panel National Gallery of Art Flemish
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Anton Waterloo - Abraham Sending Away Hagar 1650 etching Arkansas Arts Center Dutch
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Rembrandt - Abraham Caressing Isaac c. 1637 etching Arkansas Arts Center Dutch
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Francesco Guardi - The Angels Appearing to Abraham 1750's oil on canvas Cleveland Museum of Art Italian
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Augustus Saint-Gaudens - Head of Abraham Lincoln c. 1923 bronze Delaware Art Museum
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Scarsellino - Landscape with Abraham and Isaac n.d. oil on canvas The Fitzwilliam Museum Italian
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Jan Punt Abraham, de Aartsvader, in XII boeken (Abraham the Patriarch, a poem in 12 books) (Rotterdam: Jan Daniel Beman, 1736) Book with 17engravings 1736
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Abraham Bosse Le Sculpteur engraving 1642
J. Paul Getty Museum -
Study for the Figure of Abraham
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Abraham Bosse One from the Set of Six Small Landscapes 17th century
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Abraham Bosse One from the Set of Six Small Landscapes 17th century
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Abraham Bosse One from the Set of Six Small Landscapes 17th century
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Abraham Bosse Pl. 19 for part 4 in the book, De la maniËre de graver ‡ l'eau forte et au burin by Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1645
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Abraham Bosse Pl. 4 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 14 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 13 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 5 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 12 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 11 in the book De la maniËre de graver ‡ l'eau forte et au burin ä by Abraham Bosse(Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 7 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse(Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 9 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 8 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 10 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl.15 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 20 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 2 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 3 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 21 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 18 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 17 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl.16 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Pl. 1 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Joshua Johnson - Mrs. Abraham White and Daughter Rose c. 1808-1809 oil on canvas Chrysler Museum of Art American
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Abraham Bosse Les Graveurs etching-engraving 1643
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Ezra Ames - Mrs. Abraham Van Santvoort of New York c. 1805 watercolor on ivory Smithsonian American Art Museum American
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Abraham Bosse TraitÈ de maniËres de graver äby Abraham Bosse (Paris: Pierre Aubo¸in and Charles Clousier, 1701) Book with 19 etchings with engraving 1645
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Abraham Bosse The Flute Player etching 17th century
J. Paul Getty Museum -
The Sacrifice of Isaac
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Abraham Bosse Les Graveurs etching-engraving 1643
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Domenichino - Abraham Leading Issac to Sacrifice 1602 oil on copper Kimbell Art Museum Italian
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Abraham Bosse Headpiece for part 3 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Headpiece for part 2 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse Dedication page in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse A Gentleman Singing 17th century
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Abraham Bosse Headpiece for part 4 in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
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Abraham Bosse The Shepherd, from Sheperds and Shepherdesses (set of 4) etching 17th century
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Abraham Bosse The Shepherdess, from Sheperds and Shepherdesses (set of 4) etching 17th century
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Abraham Bosse The Shepherdess, from Sheperds and Shepherdesses (set of 4) etching 17th century
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Abraham Bosse The Shepherd, from Sheperds and Shepherdesses (set of 4) etching 17th century
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Abraham Bosse The Engravers Workshop etching-engraving 1642
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Abraham Bosse Frontispiece and first plate in the book TraitÈ de maniËres de graver äby Abraham Bosse (Paris: Pierre Aubo¸in and Charles Clousier, 1701) etching and engraving 1645
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Pieter de Bailliu Illustrated title page in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Abraham Bosse A Woman singing etching 17th century
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Abraham Bosse Le pot au lait etching engraving 17th century
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Abraham Bosse The Woman Embroidering etching 17th century
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Abraham Bosse Frontispiece to Jacques Callot's "The Penitents" etching 1632
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Abraham Bosse Judith with the Head of Holofernes 17th century
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Abraham Bosse Frontispiece opposite the title page in the book De la maniËre de graver ‡ l'eau forte et au burin äby Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etching and engraving 1758
The Metropolitan Museum of Art -
Christ among the Doctors, 1668 Abraham Hondius (Dutch, 1625-1695)Oil on wood; 15 x 19 1/2
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Abraham Bosse Plate 3 , fifth plate opposite page 12 in the book TraitÈ de maniËres de graver äby Abraham Bosse (Paris: Pierre Aubo¸in and Charles Clousier, 1701) etching and engraving 1645
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Abraham Bosse L' impression en taille-douce etching-engraving 1642
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Jan Punt Abrahams zwaarste geloofsproeve (Abraham*s greatest Test of Faith), plate facing p. 224 in the book, Abraham de aartsvader, in XII boeken (Rotterdam: Jan Daniel Beman, 1736) Engraving 1745
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Abraham Bosse Plate1, third plate opposite page 4 in the book TraitÈ de maniËres de graver äby Abraham Bosse (Paris: Pierre Aubo¸in and Charles Clousier, 1701) etching and engraving 1645
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Abraham Bosse The vender of vinegar etching engraving 17th century
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Abraham Bosse The Forces of France etching-engraving 17th century
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Abraham Bosse ManiËre de jeter l*eau forte sur la planche (Method of pouring etching acid over the plate), pl. 6 in the book De la maniËre de graver ‡ l'eau forte et au burin by Abraham Bosse (Paris: Charles-Antoine Jombert, 1758) etchin
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Peter Van Valkenburgh Abraham Lincoln lithograph 1938
The Metropolitan Museum of Art -
Saada, the Wife of Abraham Benchimol, and Préciada, One of Their Daughters, 1832 Eugène Delacroix
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Hale Woodruff - Frederick Douglass and Abraham Lincoln Discussing Emancipation 1942-43 tempera on masonite Memorial Art Gallery of the University of Rochester American
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Pieter de Bailliu Illustration for Ovid( Giants II) opposite page 8 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Seneca (HerculesXXIV) opposite page 186 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Sidonius (Alpheus XXX) opposite page 234 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Ovid ( Deluge III) opposite page 16 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Homer (Tantalus LIV) opposite page 426 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Virgil ( Pyrrha IV) opposite page 26 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Hesiod (Pandora V) opposite page 34 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Ovid (Semele XII) opposite page 90 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Ovid (Syrinx XI) opposite page 82 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Ovid (Cygnus IX) opposite page 66 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Aeschylus (Enceladus VII) opposite page 50 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Nonnus (Andromeda XL) opposite page 314 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Homer (Sisyphus LVI) opposite page 442 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Hesiod (Prometheus VI) opposite page 42 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Tibullus (Ixion LV) opposite page 434 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Ovid ( Chaos I) after table of contents in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Hesiod (Bellerophon XLII) opposite pag 330 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for [Icarus] opposite page 266in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Ovid (Meleager XXI) opposite page 162 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration forOvid (Atlas XLI) opposite page 322 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676
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Pieter de Bailliu Illustration for Ovid (Orpheus LII) opposite page 410 in the book Tableaux du temple des muses by Michel de Marolles (Amsterdam: Abraham Wolfgank, 1676) engraving 1676

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Cooper


Cooper Union for the Advancement of Science and Art: Call for Aritsts: The Cooper Union School of Art Summer Residency Program
Application deadline
Friday, March 4, 2005 For more information and an application please visit our website: www.cooper.edu/artsummer On campus housing is available. Financial ...

Cooper Union for the Advancement of Science and Art: Exhibition of Works by Sculptor Franca Ghitti
Ghitti has been working with the theme of maps through an art since the 1960s and, by utilizing salvaged wooden planks, the bottoms of large barrels, iron cables and scraps of old notebooks, she tried to define a relationship between habita...

Haunch of Venison: Thomas Joshua Cooper: Point of No Return
Cooper’s most ambitious project is The World’s Edge – The Atlantic Basin Project, an epic endeavour begun in 1990 to map the extremities of the land and islands that surround the entire Atlantic Ocean. The Haunch of Venison exhibition, point of ...

Cooper Union for the Advancement of Science and Art: Call for Artists: Second Annual Summer Residency Program
Residents of The Cooper Union Summer Residency Program have the option of participating in a wide range of seminars and events, including critiques. A staff of master technicians, who are also practicing artists, provide valuable technical supp...

Siam Art Space: 1+2, a crappy exhibition in too many parts
Though 1+2 takes the style of silent, black and white films, it references many universal and contemporary themes such as domestic violence, love and hate and more recently the uncompromising struggle between Western and Arab cultures. 1+2 views...

Cooper-Hewitt National Design Museum: Solos: Future Shack
The second installment of Cooper-Hewitt's Solos exhibition series, which explores groundbreaking, innovative international and contemporary architecture and design works, spotlights FutureShack because it represents a departure from what we think ...

Philadelphia Museum of Art: Milton Glaser: Graphic Design
Born in 1929 in New York City, Mr. Glaser studied at The Cooper Union Art School and later, as a Fulbright Scholar, attended the Academy of Fine Arts, Bologna, Italy. Throughout a celebrated career, he has ...

Cooper-Hewitt National Design Museum: The Opulent Eye of Alexander Girard
His stores, showrooms, exhibitions, and houses introduced modern design to millions of Americans, while his restaurants dazzled the public with their theatricality. ...

Presentation House Gallery: TELEPHONES: CHRISTIAN MARCLAY
IMAGE:
Christian Marclay,
Telephones, 1995,
video still.
...

Victoria and Albert Museum: Inventing New Britain: The Victorian Vision 5
The exhibition will challenge perceptions of the Victorians. Paul Atterbury, curator of the exhibition, says: “The world of the Victorians relates to our world far more than...

Art Dealers Association of Greater Washington: Art At The Millenium: Part II
...

Neues Museum - Staatliches Museum für Kunst und Design in Nürnberg: Ladislav Sutnar: Designer in Two Worlds
Having immigrated to the United States in 1939, he continued to play a role as one of the foremost personalities in the Euro-American avant-garde. His futuristic vision paved the way for the development of today’s principles of information design....

New Museum of Contemporary Art: World Views Exhibition

The exhibition at the New Museum will include works by Simon Aldridge, Naomi Ben-Shahar, Monika Bravo, Laurie Halsey Brown, Justine Cooper, Lucky Debellevue, Carola Dertnig, Mahmoud Hamadani, Kara Hammond, Jeff Konigsberg, Motonobu Kurokawa, Ge...
Museum of Contemporary Photography: on View: Antonia Contro and Maurizio Pellegrin, David Ireland, Clement Cooper
Originally a painter, Chicago artist Antonia Contro creates intricate installations that explore themes of journey and transformation inspired by her own Venetian heritage. Using a SX-70 Polaroid camera, Contro creates both concrete and ethereal ...

Fogg Museum, Harvard: Philip Guston: A New Alphabet Brings Pivotal Group of Paintings Together for First Time
The exhibition is co-organized by Harry Cooper, associate curator of modern art at the Fogg Art Museum, and Joanna Weber, acting curator of European and contemporary art at the Yale Art Gallery, with the help of Laura Greengold, a recent graduate ...

Cooper-Hewitt, National Design Museum, Smithsonian Institution: The Work of Charles and Ray Eames: A Legacy of Invention
At a critical moment in American history, Charles (1907-1978) and Ray (1912-1988) Eames responded to emerging postwar consumer needs and demands with experimentation and an aesthetic approach that was a uniquely American interpretation of European...

Organization of Independent Artists: Patterned Behavior - Moku-Hanga: Japanese Waterbase Woodcuts by April Vollmer and Sarah Hauser
April Vollmer received an M.F.A. at Hunter College. In addition to a recent solo exhibit at A.I.R. Gallery, the artist has exhibited at the Islip Art Museum, Goddard Riverside Art Center, Dieu DonnÈ Papermill and other galleries nationally a...

Centre of Attention: Featuring...Curated by Pierre Coinde and Gary O'Dwyer
Al+Al
Oreet Ashery
estate of H.W Auden
Simeon Banner
Benedict Carpenter
Rosie Cooper
Greg Daville
Eveleigh and Evans
Nooshin Farhid
A.M. Hanson ('alexcalledsimon')
Jasper Joffe
Tina Keane
...

Kabat Wrobel Gallery: Paula Braswell and Dionne Simpson: Urban Decay
Paula Braswell holds an MFA from Florida State University. She has been showing her work in many galleries (public and commercial) across the USA and in Canada. Dionne Simpson's mixed media paintings explore an urbanscape in a contemporary ...

New Museum of Contemporary Art: World Views Open Studio Exhibition
New Museum Henry Luce III Director Lisa Phillips said: It is crucial for cultural institutions to work together now and we felt it was important to support a vital downtown arts institution in need. The exhibition at the New Museum will pres...

Virginia Historical Society: Robert Gwathmey: a Retrospective
Gwathmey developed a two-dimensional style that was uniquely his own. His paintings juxtapose primitive, carefully chosen shapes and angles against startling color, often outlined in black. In choosing color, Gwathmey sometimes arranged co...

Museum of Contemporary Art, San Diego: A Unique American Vision: The Paintings of Gregory Gillespie
Also on view are portraits, still-lifes, and devotional images that Gillespie calls shrines, which combine tour-de-fo...

ARTSCI'99:
BUCKY - a one-man performance
Through the powerful universal principles that Buckminster Fuller discovered and utilized during his lifetime, namely, Synergy, Precession, Ephemeralization, and Acceleration of Acceleration, we can explain and predict some of the fastest mutatin...

Esso Gallery: Francesco Simeti: NOW I KNOW MY ABC's
His patterns show images of conflict, crowds of people or military personnel engaged in non-natural disasters and the words are derived from a media-created language. The ability of Francesco Simeti to subvert a given system by using it's own l...

Busch-Reisinger Museum, Harvard: Mondrian: The Transatlantic Paintings
Drawing upon public and private collections in Europe and America, the exhibition will unite for the first time fifteen of Mondrian's seventeen transatlantic paintings, including works from the Museum of Modern Art, The Tate Modern, The Phillips C...

Rice Unversity Art Gallery: Untitled (Series No. 2): French Sound Artist Celeste Boursier-Mougenot
Boursier-Mougenot's installation at Rice Gallery will include three large inflatable swimming pools, each fitted with silent water pumps and filled with floating porcelain bowls of varying size and dimension. Caught in the current of the circula...

Art Gallery of South Australia: 2002 Adelaide Biennial - conVerge: where art and science meet
Each of the artists in the exhibition are actively engaged with scientific research at the beginning of the 21st century. The exhibition explores some of the fundamental issues facing modern Australia, through creative encounters with diverse syst...

Cleveland Center for Contemporary Art: Margaret Morton: The Tunnel
Residents dwell in continual darkness, constructing homes of cinder-block bunkers and freestanding hand-made structures in alcoves and on ledges. With sensitivity and compassion, Margaret Morton has chronicled the lives and living spaces of the tu...

Montclair Art Museum: Whitfield Lovell: Portrayals
Lovells work has been shown in solo exhibitions at the Andy Warhol Museum in Pittsburgh, the Southeastern Center for Contemporary Art in Winston-Salem, North Carolina and the Jersey City Museum.  Whitfield Lovell: Portrayals was organized by T...

Harvard University, Arthur M. Sackler Museum: Medardo Rosso: Second Impressions
Medardo Rosso: Second Impressions will focus on five sculptures spanning Rosso’s mature career. The works are Aetas aurea (The Golden Age), 1886–87; Grande rieuse (Large Laughing Woman), 1891; Bambino ebreo (Jewish Boy), c. 1892–93; Bookmaker, c. ...

Further Artwork and Information:

Abraham Cooper Online
Abraham Cooper
Abraham Cooper (1787-1868), Painter
Abraham Lincolns Cooper Union Address
Abraham Cooper Poster
Cooper Report
ABRAHAM COOPER
Abraham Cooper
I09426: Abraham Cooper (? - )
Abraham Cooper NORRIS

 

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