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Artist: John Robert Cozens (1752 - 1797)
Nationality: British
Movement: English Landscape School
Media: Painting
Influences:
Biography: Son of the drawing master at Eton and watercolorist, John Robert Cozens studied under his father and developed a unique watercolor technique that was both impressionistic and atmospheric. Cozens traveled across Italy from 1776 to 1782 to gather source material for his landscapes and historical paintings. Deemed ‘the greatest genius that ever touched landscape’ by Constable, Cozens’s work often had a somber and depressed feel to it. This was most likely a result of his severe depression, the illness that inevitably caused his admittance to an insane asylum at the end of his life.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Robert Cozens.
- John Robert Cozens
Lake of Nemi
Watercolor on paper
1789
- John Robert Cozens
Palm Trees on a Mediterranean Bay
Soft ground etching and quatint, touched with wash by the artist
1789
- Robert Havell
Golden Eagle, pl. 181 from the portfolio John James Audubon. The Birds of America
engraving and aquatint with watercolor
1833
- John Dixon
An Incantation
Mezzotint
1773
- Robert Havell
Brazilian Caracara Eagle, pl. 161 from the portfolio John James Audubon. The Birds of America
engraving and aquatint with watercolor
1833
- Robert Campin - John the Baptist early 1410's oil and tempera on p Cleveland Museum of Art Netherlandish
- Robert Feke - Mrs. John Banister 1748 oil on canvas The Detroit Institute of Art American
- John Smith
The Right Honorable Sir Robert Clayton
Mezzotint
1618
- George Cruikshank
Sir John Falstaff, Knight, frontispiece and plate 1 in the bookThe Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- Robert Havell
Great Cinereous Owl, plate 351 from the portfolio John James Audubon. The Birds of America (London: the author, 1827-1839)
engraving and aquatint with watercolor
circa 1837
- Robert Havell
Whip-poor-will, pl. 82 from the portfolio John James Audubon. The Birds of America (London, the author: 1828-1839)
engraving and aquatint with watercolor
circa 1827 - 1838
- Agnes Jeffrey - Robert William Cunningham (1833-1841) and John George Cunningham (1835-1907) c. 1837 watercolor on paper Memorial Art Gallery of the University of Rochester American
- Robert Henri
Caricature Portrait of John Sloan
graphite on paper
circa early 20th century
- George Cruikshank
The Last Scene in the Life of Sir John Falstaff, plate 20 opposite page 196 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- George Cruikshank
Sir John Falstaff in the Buck-Basket, plate 15 opposite page 186 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- George Cruikshank
Sir John Falstaff and the Fairies at Herne's Oak, plate18 opposite page 192 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- Robert Hart
Sir John Ross
19th century
- George Cruikshank
Sir John Falstaff Arrested at the Suit of Mrs. Quickly, plate 8 opposite page 101 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- George Cruikshank
Sir John Falstaff by His Extraordinary Powers of Persuasion..., plate 9 opposite page 104 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- George Cruikshank
Sir John Falstaff Driving Pistol from His Presence, plate 10 opposite page 114 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- George Cruikshank
Sir John Falstaff Discovering that Mrs. Ford and Mrs. Page Have Been Making a Fool of Him, plate 19 opposite page 194 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1
- Robert Blyth
An Aga of the Janizaries
Etching
18th century
- Robert Blyth
Belisarius
Etching
18th century
- Robert Blyth
Banditti going out
Etching
18th century
- John L. Zeitter
Portrait of Robert Burns
Mezzotint
19th century
- John Singleton Copley - Robert "King" Hooper 1767 oil on canvas Pennsylvania Academy of the Fine Arts American
- George Cruikshank
Sir John Falstaff(at Justice Shallow's) Exercising His Wit and Judgment..., plate 11 opposite page 139 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
18
- George Cruikshank
Sir John Falstaff on a Visit to His Friend Page at Windsor, plate 14 opposite page 184 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- George Cruikshank
Sir John Falstaff Receiving a Most Unexpected Rebuke from King Henry the Fifth, plate 13 opposite page 178 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etchin
- George Cruikshank
Sir John Falstaff's Grand Maneuver at the Battle of Shrewsbury, plate 7 opposite page 89 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- Robert Hills
Sketches in Flanders and Holland (London: John Boothä, 1816)
book with aquatints
1816
- George Cruikshank
Sir John Falstaff, Disguised at "Mother Pratt", Cudgeled and Driven Out by Mr. Ford, plate 17 opposite page 190 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts,
- George Cruikshank
Pistol Informing Sir John Falstaff of the Death of Henry the Fourth, plate 12 opposite page 171 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
- Robert W. Vonnoh - Portrait of John Severinus Conway 1883 oil on canvas Florence Griswold Museum American
- Robert Blyth
Conversing with a Captive
Etching
18th century
- Robert Blyth
A ship in a storm
Etching
18th century
- Robert Blyth
To Sir William Forbes
Etching
18th century
- Robert Blyth
Banditti returning
Etching
18th century
- Robert Blyth
Soldiers Family
Etching
18th century
- Robert Blyth
Soldiers in a fight
Etching
18th century
- Robert Blyth
Rustick Dancers
Etching
18th century
- George Cruikshank
Sir John Falstaff Thrown into the Muddy Ditch Close by the Thames Side, plate 16 opposite page 188 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858 The Metropolitan Museum of Art
- Robert Shurlock (1779-1847), 1801 John Russell (British, 1745-1806)Pastel on paper, laid down on canvas; 23
- Robert Blyth
Nebuchadnezzar Recovering his Reason
Etching
18th century
- William John Hennessy
Child Sitting in a Field
charcoal on paper
1863
- John McNeil
Acrobats
black ink
1954
- John Keyes Sherwin
The Right Rev. Robert Lowth, Bishop of London
18th century
- Robert Henri
Ice Floe
oil on canvas
1902 The Metropolitan Museum of Art
- Mrs. Robert Shurlock (Henrietta Ann Jane Russell, 1775-1849) and Her Daughter Ann, 1801 John Russell Museum of Fine Arts
- John Singleton Copley, American, 1738-1815 Robert Hooper, Jr. about 1770 Oil on canvas 127.95 x The Metropolitan Museum of Art
- Henry Frederick (1594-1612), Prince of Wales, and Sir John Harington (1592-1614), 1603 Robert Peake the
- Cathedral of St. John the Divine, 100 Years, Robert Rauschenberg (United States, Texas, Port Arthur, 1925 - 2008-05-12) , 1993, Lithograph
- Robert Blyth
Caius Marius Sitting on the Ruins of Carthage
Etching
18th century
- George Cruikshank
The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
book with 20 etchings
1858
- Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt
- Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt
- Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt
- Man’s Homburg, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , circa 1960, Fur felt The Metropolitan Museum of Art
- Robert Shurlock (1779-1847) Attributed to John Russell (British, 1745-1806)Pastel on paper; 23 7/8 x 17
- Woman’s Modified Turban, John P. (Harberger) John (Germany, Munich, 3/14/1906 - 6/25/1993) , 1950, Silk
Artnews Articles and Exhibition Information: (1) Click on any of the links below to read about artnews or exhibitions related to Cozens
Tate Britian: Drawing Materials and Techniques: Works on Paper from the Oppe Collection 1700-1850 Rather than placing emphasis on the artist, or the subject and content of the drawings, the
exhibition looks closely at the materials and techniques used to create them. Most works
in the exhibition will be on display for t...
Further Artwork and Information:
John Robert Cozens Online
Recherche-Assistent
John Robert Cozens (1752 - 1797) Biography, Artwork Images, Exhibitions, Reviews
John Cozens - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
John Robert Cozens
JOHN ROBERT COZENS
Cozens, John Robert
John Robert Cozens
JOHN ROBERT COZENS
WIEM: Cozens John Robert
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Last updated and links verified on: Thursday May 05/19/11 03:02:48 PM
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