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Artist: Charles William Day ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Charles William Day.
- Mather Brown - Master Charles William Park 1785-90 oil on canvas The Detroit Institute of Art American
- Charles William Cain
Peterhead, Scotland
Drypoint
19th - 20th century
- Charles Turner
The Reverand William Vincent, Dean of Westminster
mezzotint
1811
- William Strang
Portrait of Charles Mackan, Comedian
etching
1888
- Charles William Taylor
Before Burford
ET
19th - 20th century
- Charles William Sherborn
Dante Gabriel Rossetti
Etching
1890
- William Charles Frederick Gillam
Mission Dolores. San Francisco. California
Etching
1923
- Charles William Taylor
Corn in Essex
engraving
19th - 20th century
- Charles William Cain
The Hunter
drypoint
19th - 20th century
- Charles William Cain
Curiousity
19th - 20th century
- Charles William Sherborn
Bookplate for Francis Seymour Haden
Etching
1880
- Charles William Cain
The Hunter
19th - 20th century
- William Finden
Charles Lamb
18th - 19th century
- William Marshall
Portrait of Charles I
Engraving
17th century
- Charles Frederick William Mielatz
Woodland Water Source.
1898
- Charles Frederick William Mielatz
Woodland Water Source
1898
- William Charles Frederick Gillam
Monarchs
Monotype
1933
- William Charles Frederick Gillam
Low Tide
Monotype
1933
- Charles Frederick William Mielatz
Fresh Pond
Lithograph
1898
- Charles William Cain
The Buddha
Drypoint
19th - 20th century
- Charles William Cain
Arabian Girl
19th - 20th century
- Charles Frederick William Mielatz
Fresh Pond
color plate
1898
- William Charles Frederick Gillam
Mallard
Drypoint
1930
- William Walcot
King Charles in Whitehall
Etching
19th - 20th century
- Charles Wilson Peale - General William North 1785 oil on canvas The Detroit Institute of Art American
- Charles Loring Elliot - William Sidney Mount c. 1850 oil on canvas National Gallery of Art American
- Charles Frederick William Mielatz
Colonial Residence
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook.
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook.
19th - 20th century
- Charles Frederick William Mielatz
Colonial Residence.
19th - 20th century
- Charles Frederick William Mielatz
Fresh Pond.
19th - 20th century
- William Charles Frederick Gillam
Land Marks
Monotype
1933
- William Charles Frederick Gillam
Monterey Cypress
Monotype
1933
- William Charles Frederick Gillam
Monterey Cypress
Monotype
1932
- Charles Frederick William Mielatz
The path to the Lake
Etching and drypoint
1898
- Charles Frederick William Mielatz
The path to the Lake
Etching and drypoint
1898
- Charles Frederick William Mielatz
The path to the Lake
Wash drawing
1898
- William Charles Frederick Gillam
The Triple Doorways
Etching
1922
- Charles William Sherborn
Bookplate for Francis Seymour Haden
Etching with annotations in black and red ink
1880
- William Charles Frederick Gillam
Mallard Duck
Drypoint
1930
- William Charles Frederick Gillam
The Carp
Etching
ca. 1920 - 1925
- William Charles Frederick Gillam
Well Hooked
Etching
ca. 1920 - 1925
- William Charles Frederick Gillam
"China Town" San Francisco
Etching
1923
- William Charles Frederick Gillam
"Doorway" Museum. San Francisco
Etching
1923
- Charles I. Grignion
William Duke of Cumberland
18th - 19th century
- Charles William Day
Great Cone of Mt. Etna, June 29,1838
watercolor
19th century
- William Strang
Portrait of Charles Cotton, Esq. - Illustrations to Compleat Angler Winchester ed.
etching
19th - 20th century
- William Faithorne
Portrait of Emperor Charles V
engraving
17th century
- William Charles Wilson
Measure for Measure, Act II, Scene IV
18th - 19th century
- William Charles Wilson
Measure For Measure, Act 4, Scene 2.
18th - 19th century
- William Charles Wilson
Measure for Measure, Act IV, Scene II
18th - 19th century
- William Charles Frederick Gillam
Ely Cathedral. England
Etching
ca. 1900 - 1910
- Charles Frederick William Mielatz
Woodland Water Source
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Lithograph
1898
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Lithograph
1898
- Charles Howard Hodges
Portrait of Mrs. William Hope, of Amsterdam
Mezzotint
18th - 19th century
- William Charles Frederick Gillam
Trout - Salmo Fario
Etching
1923
- William Charles Frederick Gillam
The Cloister, Gloucester
Etching
ca. 1900 - 1920
- Charles Bestland
European magazine, William Julius Mickle, Esquire
18th - 19th century The Metropolitan Museum of Art
- Mrs. William Tennant (Mary Wylde, died 1798), 1780s Thomas Gainsborough (British, 1727-1788)Oil on canvas; 49
- William Page - Portrait of Senator Charles Sumner 1874 oil on canvas Los Angeles County Museum of Art American
- William Charles Frederick Gillam
The Old Hulk, Sausalito
Etching
ca. 1921 - 1930
- William Charles Wilson
Shakespeare: As You Like It. Act IV, Scene III
Colored engraving
18th - 19th century
- William Charles Frederick Gillam
Launching the FishingSmack, Brighton Beach
Etching
ca. 1920
- William Charles Frederick Gillam
Ely Cathedral, England
etching
19th - 20th century
- William Faithorne
Portrait of Charles XII, King of Sweden
Mezzotint
17th century
- William Charles Frederick Gillam
Chartres Cathedral, France
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Etching and drypoint
1898
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Pencil drawing
1898
- William Charles Frederick Gillam
Windmill, Visitacion Valley, California
Etching
1924
- Charles William Sherborn
Bookplate for Francis Seymour Haden
Etching (with central area for portrait missing or cut out)
1880
- William Charles Frederick Gillam
"Fish Traps" Sausalito
Etching
ca. 1920 - 1930
- William Charles Frederick Gillam
Doorway, M.H. de Young Memorial Museum, San Francisco
etching
1923
- William Wynne Ryland
Portrait of Charles Rogers
Mezzotint
18th century
- William Charles Frederick Gillam
Launching the Fishing Boat
etching
19th - 20th century
- William Charles Frederick Gillam
Solitude (Monterey Cypress)
Etching
19th - 20th century
- William Charles Frederick Gillam
Fishermans Wharf, Monterey, California
Etching
ca. 1920 - 1940
- William Charles Frederick Gillam
Tower of Mission El Carmel/ San Carlos Borromeo
Etching
1928
- William Charles Frederick Gillam
Olympic Club. Lake Side San Francisco
Etching
ca. 1920 - 1930
- William Charles Frederick Gillam
Tripple [sic] Doorway, "Memorial Museum" San Francisco
Etching
1923
- Cham (AmÈdÈe Charles Henri de NoÈ)
Celebrites Charivariques: Mr. William Rogers dentiste de la Cour
Lithograph
19th century
- William Ridley
Charles Edmund Nugent, Esquire, Rear Admiral of the Blue Squadron
18th - 19th century
- Charles William Smith
Four Cocks
Color linoleum cut
circa 1935
- Charles Frederick William Mielatz
Georgian type Mansion in wide lawn with old trees
Etching, drypoint
1898
- William Henry Egleton
Children of The Lady Elizabeth & Charles Scrace Dickins, Esq.
19th century
- James Charles Armytage
Maryport, plate opposite page 53 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
- James Charles Armytage
Holyhead, plate opposite page 101 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Alloney, plate opposite page 62 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
- James Charles Armytage
Beaumaris, plate opposite page 82 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Blackpool, plate opposite page 78 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Swansea Bay, plate opposite 127 page of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
- Charles Frederick William Mielatz
Campus and group of unidentified college bldgs
Etching, drypoint
19th - 20th century
- James Charles Armytage
The Walls of Southampton, plate opposite page 133 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Charles Armytage
The Mersey at Liverpool, plate opposite page 118 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Charles Armytage
Blackpool Sands, plate opposite page 80 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
- James Charles Armytage
Conway Castle, plate opposite page 69 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
- James Charles Armytage
Conway Quay, plate opposite page 70 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D Museum of Fine Arts
- Charles Sheeler, American, 1883-1965 Spring Interior 1927 Oil on canvas 76.2 x 63.82 cm (30
- Charles Willson Peale - William Smith and His Grandson, Robert Smith Williams 1788 oil on canvas Virginia Museum of Fine Arts American
- James Charles Armytage
Fort Penryn and Bangor, plate opposite page 76 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
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Further Artwork and Information:
Charles William Day
The Families from Little Waldingfield, Suffolk
William Day (1864 - 1933) Biography, Artwork Images, Exhibitions, Reviews
Wedding of William Day Smith and Annie Parker Harris
Lavenham Suffolk
Descendants of William Acy
Charles W. Scribner
Charles William Bryan
The Families from Little Waldingfield, Suffolk
John Galsworthy
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Last updated and links verified on: Monday October 10/05/09 06:31:20 AM
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