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Artist: Virginie Demont-breton (1859 - 1935)
Nationality: French
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Virginie Demont-Breton.

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Virginie Demont-Breton (1926) by LESIEUX Augustin
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Jeune femme portant un enfant (4e quart 19e siècle ; 1er quart 20e siècle) by DEMONT-BRETON Virginie Elodie
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TETE DE FEMME (1857) by BRETON Jules
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ENVIRONS DE DOUAI (1885) by DEMONT Edmond
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PLANTATION D'UN CALVAIRE (ESQUISSE) (1858) by BRETON Jules
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BUSTE DE MLLE ADRIENNE DEMONT (1873) by HOUSSIN Edouard ; manufacture nationale de Sèvres (manufacture)
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JEUNE FILLE PORTANT UNE BANNIERE (1858 vers) by BRETON Jules
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Marais, coucher de soleil (2e moitié 19e siècle ; 1er quart 20e siècle) by DEMONT Adrien
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Adrien Demont (1926) by LESIEUX Augustin
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George Demont Otis Mount Tamalpais Woodcut 1937
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George Demont Otis Indian House no. 6 Drypoint 1938
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Appius Claudius et Virginie (4e quart 17e siècle) by anonyme
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George Demont Otis Untitled monotype 19th - 20th century
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Paysage (1ère moitié 20e siècle) by DEMONT Adrien Louis
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La Mort de Virginie (2e moitié 18e siècle ; 1er quart 19e siècle) by DOYEN Gabriel François
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NAUFRAGE DE VIRGINIE (titre inscrit) (1806 entre ; 1814 et) by NOEL Frères (éditeur, ?)
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Le naufrage de Virginie (19e siècle) by AUBRY-LECOMTE Hyacinthe ; PRUD'HON Pierre Paul (inspiré par)
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HISTOIRE DE PAUL ET VIRGINIE. (titre inscrit) (1874 entre ; 1877 et) by PELLERIN (imprimeur, éditeur)
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ENFANCE DE PAUL ET VIRGINIE.ADOLESCENCE DE PAUL ET VIRGINIE (titre inscrit) (1828 entre ; 1837 et) by Fleuret (graveur) ; Castiaux Jean-Baptiste (éditeur, libraire) ; Blocquel Simon François (imprimeur)
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Fumeur de pipe breton (1920 vers) by HENRIOT (faïencerie)
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HISTOIRE DE PAUL ET VIRGINIE (titre inscrit) (3e quart 19e siècle) by PINOT & SAGAIRE (imprimeur, éditeur)
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Paysage avec deux chaumières (4e quart 19e siècle ; 1er quart 20e siècle) by DEMONT Adrien Louis
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NUDUS IN NUDA TERRA (1ère moitié 20e siècle) by DEMONT Adrien
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Breton (4e quart 19e siècle) by PORQUIER-BEAU (faïencerie)
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HISTOIRE DE PAUL ET VIRGINIE (titre inscrit) (1860 entre ; 1872 et) by PINOT & SAGAIRE (imprimeur, libraire, éditeur)
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ADOLESCENCE DE PAUL ET VIRGINIE. (titre inscrit) (1830 entre ; 1835 et) by Julienne (éditeur)
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MADAME SCHUFFENECKER NEE VIRGINIE LANCON (V.1856-APRES 1918) (1877 vers ; ?) by GAUGUIN Paul
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Odilon Redon - Breton Village c. 1890 oil on canvas National Gallery of Art French
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Portrait de Mme Virginie Déjazet (1798-1875), comédienne (3e quart 19e siècle) by anonyme
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Paysan breton au livre (1ère moitié 19e siècle) by COLOMB F
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Paul soutenant Virginie (1862) by CARPEAUX Jean-Baptiste
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LE CHANT DU ROSSIGNOL (1894) by BRETON Emile
The Metropolitan Museum of Art -
A Peasant Girl Knitting, 1873 Jules Breton (French, 1827-1906)Oil on canvas; 22 5/8 x 18
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Jeune homme et jeune femme assis sur le sol : Paul et Virginie (19e siècle) by anonyme
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ETUDE FAITE A SANTES (4e quart 19e siècle) by BRETON Emile
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Emile Bernard - Breton Woman and Haystacks c. 1890 oil on pulpwood boar Ackland Art Museum French
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L'allée des Lombeaux (4e quart 18e siècle ; 1ère moitié 19e siècle) by ISABEY Jean-Baptiste
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TROIS SCENES DE L'HISTOIRE DE VIRGINIE (4e quart 15e siècle) by LIPPI Filippino
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Mort de Virginie (titre inscrit) (1849 entre ; 1867 et) by FAIENCERIES DE CREIL & MONTEREAU (auteur du modèle, auteur du décor)
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Noce bretonne (1858) by DARJOU Alfred
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Paul Gavarni Fourberies De Femmes. Virginie! Maman! ... Lithograph 19th century
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Anonymous Fariboles:-Vois-tu Virginie...faut viser au coeur...toujour au coeur lithograph 19th century
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Virginie Dejazet (1867) by GILL André (dit), GOSSET DE GUINES Louis Alexandre (caricaturiste) ; MARCHANDEAU (graveur)
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PAUL ET VIRGINIE (titre inscrit) (1809 entre ; 1837 et) by Castiaux Jean-Baptiste (éditeur, libraire) ; Blocquel Simon François (imprimeur)
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DIX GROUPES DE FEMME ET ENFANTS (1880 avant ; ?) by RODIN Auguste
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PORTRAIT DE LUCILLE VIRGINIE LE GUILLOU (1840) by DELACROIX Eugène
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Pardon à Ploaré (1850 vers) by CARADEC Louis
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Paul et Virginie retrouvés par le chien fidèle (titre inscrit) (1849 entre ; 1867 et) by FAIENCERIES DE CREIL & MONTEREAU (auteur du modèle, auteur du décor)
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SAINTE VIRGINIE (titre inscrit) (1833 vers) by Picard Alphonse (éditeur)
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Mendiante bretonne (1920 vers) by HENRIOT (faïencerie)
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Anonymous Le Quart de Monde:J'ai pris un petit verre et Virginie deux, je crois... lithograph 19th century
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1er ACTE / PAUL ET VIRGINIE (titre inscrit) (1876 entre ; 1890 et) by BOGNARD (éditeur)
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Paul et Virginie rapportés chez leurs parents (titre inscrit) (1849 entre ; 1867 et) by FAIENCERIES DE CREIL & MONTEREAU (auteur du modèle, auteur du décor)
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PAYSAGE A CERNAY (ESQUISSE) (1865) by BRETON Emile
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La maison de James Madison à Montpellier, Virginie (1818) by HYDE DE NEUVILLE Baronne
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Homme de Plabennec (1850 vers) by CARADEC Louis
The Metropolitan Museum of Art -
The Weeders, 1868 Jules Breton (French, 1827-1906)Oil on canvas; 28 1/8 x 50 1/4 in.
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Fête bretonne (1850 vers) by CARADEC Louis
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Paul et Virginie rapportés chez leurs parents (titre inscrit) (1849 entre ; 1867 et) by FAIENCERIES DE CREIL & MONTEREAU (auteur du modèle, auteur du décor)
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VILLAGE BRETON (1919 AVANT) by DAYOT Magdeleine A

Artnews Articles and Exhibition Information: (17)
Click on any of the links below to read about artnews or exhibitions related to Demont-Breton


Menil Collection: Yves Tanguy Retrospective
Tanguy succeeded, more than any other Surrealist painter, in creating a tangible but inexplicable reality of the unreal atmospher...

Gemeentemuseum Den Haag: The Time of Degas
The display revolves around Edgar Degas, the odd-man-out of the Impressionist movement. The breadth of his taste is demonstrated by his appreciation both of the Classicism of Ingres and of the free handling of paint and use of colour in Delacroix'...

Christchurch Art Gallery Te Puna o Waiwhetu: 51Degrees South
Gallery Director Tony Preston commented that the Tait Electronics Gallery is dedicated to Antarctic themes and the unique connection between the region and the city of Christchurch, long a starting point for Antarctic exploration and adventure. ...

Museum of Modern Art: The Dream of Utopia/Utopia of the Dream
One extreme was defined by the pure abstractions of painters such as Piet Mondrian and Kazimir Malevich, who sought the systematic restructuring of reality through emphasis on the logic of form. For example, the spare black and white ...

National Academy: Surrealism USA: Between 1930 and 1950
One of the most revolutionary artistic and intellectual movements of the twentieth century, Surrealism still exerts a strong appeal today, more than fifty years after its heyday. The profound influence that this world of fantasy and dream had on a...

Centre de Cultura Contemporania de Barcelona: Paris and The Surrealists
The Centre de Cultura Contemporània de Barcelona presents the exhibition PARIS AND THE SURREALISTS, curated by the art historian and critic Victoria Combalía, which will run in Gallery 2 of the CCCB from 17 February to 22 May 2005. The exhibition ...

Leslie Sacks Fine Art: Shane Guffogg: Communion
Guffogg’s imagery exists within the classical Western illusion of three dimensional space as opposed to being presented primarily on the surface of the painting which the critic and champion of abstract expressionism, Clement Greenberg, referred t...

Frederick R. Weisman Art Museum: Jimmy Ernst: Transcending the Surreal
This retrospective exhibition features over 35 major paintings. It covers five decades of his art and looks at how he absorbed and transcended Surrealism to create his own unique mode of abstract painting. Jimmy Ernst’s paintings were influenced...

Art Gallery of New South Wales: Belle-Ile: Monet, Russell and Matisse in Brittany
Today, its population of 4,000 predominantly survive on tourism and fishing. The natural ...

Art Institute of Chicago: Pioneer of the 'Decisive Moment' Henri Cartier-Bresson Celebrated
From a young age, Henri Cartier-Bresson (1908-2004) was fully immersed in the active cultural life of Paris. Originally trained as a painter by his uncle and then apprenticed with the artist André Lhote, he was also an avid reader who found his wa...

Queens Museum of Art: Joan Jonas: Five Works
Joan Jonas (b. 1936) is one of the most important women artists to emerge from the late 1960s and 1970s. Working in New York as a sculptor, by 1968 she moved into what was then considered new territory – mixing performance with props and mediated ...

M + B: Les Jeunes Talents: Nine Southern California Art Students Return from France
“This invitation to France is an opportunity to promote emerging young American talents and to strengthen our partnership with universities,” says Alain Belais, Cultural Attaché at the Consulate General of France in Los Angeles. “Thanks to the par...

Jewish Museum: ALIAS MAN RAY : THE ART OF REINVENTION
The Jewish Museum will present Alias Man Ray: The Art of Reinvention from November 15, 2009 through March 14, 2010, a major exhibition considering how the artist‚s life and career were shaped by his turn-of-the-century American Jewish immigrant ex...

Bergen Art Museum: Anxiety and Desire. Surrealism in Scandinavia 1930-1950
The Scandinavian Surrealists were eccentric and individualistic, their art received criticism and alienation in their home countries. They personally knew, exhibited internationally with and were inspired by S.Dali, P.Klee, V.Kandinsky, M.Ernst as...

Christie's Auction House: The Indestructible, Unfathomable and Timeless World of Latin American Art
The London sale will consist of eight dramatic paintings featuring the history of the Mexican Conquest, which are to be auctioned as part of Christie’s Old Master Pictures sale on December 17. Considered to be the most important Colonial paintings ev...

Riflemaker: Voodoo - Hoochie-Coochie and the Creative Spirit
Throughout the exhibition, the idea of Voodoo practise – initiation and possession particularly - is used as a metaphor for the spiritual heights considered essential to the creative process - a need to fire up the spirit, get your Mojo working, g...

Fruitmarket Gallery: After Image: Simryn Gill, Ana Mendieta, Cindy Sherman and Francesca Woodman
After Image features UK premieres of work from Cindy Sherman’s Masks series, 1996, and Simryn Gill’s Dalam, 2001 and Vegetation, 1999, alongside the most substantial showing to date of the defining works of Ana Mendieta and Francesca Woodman (b...

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