Artist: Walt Disney ( - )
Artworks in Museum Collections: (64)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Walt Disney.

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Walt Disney Studio Fantasia: Mme. Upanova and Fruit opaque watercolor on celluloid 1940
Museum of Fine Arts -
©Yousuf Karsh ; Yousuf Karsh, Canadian (born in Armenia) 1908 Walt Disney USA, 1956 Photograph,
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Thomas Eakins - Walt Whitman in Camden, New Jersey 1887 albumen print The Herbert F. Johnson Museum of Art American
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Walt Kuhn Portrait oil on canvas 1922
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S. J. Woolf Portrait of Walt Whitman Lithograph 19th - 20th century
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Thomas Johnson Portrait of Walt Whitman Etching 19th - 20th century
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Walt Kuhn Nude seated in a chair Lithograph 19th - 20th century
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James Henry Daugherty Walt Drawing 19th - 20th century
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James Henry Daugherty Walt Whitman Drawing 19th - 20th century
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Edward Gordon Craig Walt Whitman Wood engraving 19th - 20th century
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Jules Pascin Portrait of Walt Kuhn brush and black ink circa 1925
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Max Beerbohm Walt Whitman, Inciting the Bird of Freedom to Soar, seventh plate in the book The Poets* Corner (London: William Heinemann, 1904) lithograph 1904
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Walt Kuhn - Lancer 1939 oil on canvas Currier Museum of Art American
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Walt Kuhn - Dryad 1935 oil on canvas National Gallery of Art American
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Walt Kuhn - Pumpkins 1941 oil on canvas National Gallery of Art American
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Walt Kuhn - Zinnias 1933 oil on canvas National Gallery of Art American
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Walt Kuhn - Wisconsin 1936 oil on canvas National Gallery of Art American
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Walt Kuhn - Clown 1945 oil on canvas Memorial Art Gallery of the University of Rochester American
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Walt Kuhn - The White Cockade 1944 oil on canvas Fred Jones Jr. Museum of Art at The University of Oklahoma American
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Walt Kuhn - The White Clown 1929 oil on canvas National Gallery of Art American
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Walt Kuhn - The Tragic Comedians c. 1916 oil on canvas Hirshhorn Museum American
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Walt Kuhn - Har and Hunting Boots 1926 oil on canvas National Gallery of Art American
Museum of Fine Arts -
Thomas Eakins, American, 1844-1916 Walt Whitman about 1887 Oil on panel 13.97 x 13.33 cm
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Walt Kuhn - Green Apples and Scoop 1939 oil on canvas National Gallery of Art American
J. Paul Getty Museum -
Black Child with Hands Crossed
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Beth Van Hoesen Walt Badger color lithograph 1982
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Antonio Frasconi Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (bunch of flowers), and third image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (head), and seventh image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (standing man), and eighth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (bunch of flowers), and third image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (head), and seventh image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (standing man), and eighth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi A Whitman Portrait ([New York: Spiral Press, 1960])~ book with 17 woodcuts and 1 color woodcut on Goyu paper, including the colophon page 1960
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Antonio Frasconi Untitled (Whitman as an old man), seventeenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) color woodcut 1960
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Antonio Frasconi Untitled (Whitman in profile), fourteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman with two children), thirteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman seated), fifteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (close up of face), sixteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled(floral symbol), colophon page in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman as an old man), seventeenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) color woodcut 1960
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Antonio Frasconi Untitled (Whitman with two children), thirteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman in profile), fourteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman seated), fifteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (close up of face), sixteenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled(floral symbol), colophon page in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (partial face), and sixth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (bearded face), eleventh image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (bearded face), eleventh image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (partial face), and sixth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (half-length portrait), twelfth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (half-length portrait), twelfth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (oval portrait), and ninth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut on Goyu paper 1960
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Antonio Frasconi A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) book with 17 woodcuts and 1 color woodcut on Goyu paper, including the colophon page 1960
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Antonio Frasconi Untitled (oval portrait), and ninth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut on Goyu paper 1960
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Antonio Frasconi Untitled (Whitman seated under trees), double page and tenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman seated under trees), double page and tenth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman's face), opposite title page and andfourth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960
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Antonio Frasconi Untitled (Whitman's face), opposite title page and andfourth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960]) woodcut 1960

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Disney

Andy Warhol Museum: The Architecture of Reassurance - Designing the Disney Theme Parks
The - Disney - Factory: An Interactive Room A special interactive room adjacent to the exhibition ...
Helsinki City Art Museum: Duck lithographs - Marko Leppala's collection
Carl Barks made his career first at the Disney studios and, from 1942, as a cartoonist for Western Publishing which had a license to publish Disney comics. In the early 1940s Donald Duck was still a lazy, incoherently quacking hothead. Barks...
Andy Warhol Museum: Andy Warhol Museum's Community Forums On line

WHERE DOES LIFE IMITATE DISNEYNULL July 26 - August 29 Moderated by Anna Couey, Telecommunications Artist Where Does Life Imitate DisneyNULL From planned housing and suburban malls to virtual worlds of the fu...
Design Museum, at University of California, Davis: Reality to Fantasy: The Evolution of Theme Park Design
Theme park attractions begin with a mythology, or established story, and are designed around that theme, with enhancements that involve theatrical design; graphics; interior and architectural design; mechanical engineering; even marketing and adve...
University of Texas Medical Branch: Born in the Spirit
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Leigh Yawkey Woodson Art Museum: From Mickey to the Grinch: Art of the Animated Film
Among the nearly 160 works comprising the exhibition, all drawn from the collection of animator George Nicholas (1910-1996), are animation cels, animation and concept drawings, and model sheets – the all-important prototypes that ensured each char...
Contemporary Arts Center: My Reality: The Culture of Anime
The work in the show explores anime's slick conventions, such as futuristic technology, cyborgs, fantastical creatures and post-apocalyptic landscapes, as well as such themes as changing gender roles and the explosion of consumerism. My ...
Museum of Glass, International Center for Contemporary Art: My Reality: Contemporary Art and the Culture of Japanese Animation
My Reality features the work of Japanese artists Taro Chiezo, Mika Kato, Mariko Mori, Mr. (Masakatu Iwamoto), Takashi Murakami, Yoshitomo Nara, Momoyo Torimitsu and Kenji Yanobe, and the Korean artist Lee Bul. These artists merge their primary inf...
Hibel Museum of Art: HibelFest 2000 - Fabulous*Fun*Fantasy
Over 500 framed and more than 2,000 unframed art works will be on exhibit to Hibel followers and members of the public. These art works will include oil paintings, original lithographs, serigraphs, giclees, multimedia, art dolls, and fragmen...
Auckland Art Gallery: Tooth and Claw: An A to Z of Animals in Art
The exhibition has sections devoted to themes of Animals in History (this includes religious and classical examples), Town and Country Animals, The Bull Ring, Call of the Wild, The Pavilion (Indian miniatures and Japanese ukiyo-e prints from...
Colville Place Gallery: Visiting American Artist 1st time in UK Laurence Garte
On the brink of the 21st century we are faced with a different criteria for living. Our society is all about Consumption, GM Foods, Petroleum, The Media, Television. Just how much more can we absorb, consume or digestNULL  Today we are living in a...
Museum of Contemporary Art, Downtown: The Sorcerer's Apprentice: Collaborative Sculptural Installation by Alexis Smith and Amy Gerstler
The title of the exhibition comes from an ancient tale of magic and hubris, which was adapted by the Brothers Grimm in the 19th century, and entered American popular culture in 1940 when Walt Disney Studios turned Paul Dukas symphony of the sa...
Centre for Contemporary Photography: Parallel Worlds: Works by Lisa Crowley, Megan Dunn, Sean kerr, Maddie Leach, Ella Bella Moonshine Reed, Jono Rotman
Their practices reflect a look both outwards to mass media and popular visual information and inward to subjects and ideas of personal and idiosyncratic interest. These new works implying seemingly objective representations or popular archetypes ...
California Palace of the Legion of Honor: Wayne Thiebaud: A Paintings Retrospective
Often associated with the so-called Pop Art movement of the 1960s, Thiebaud is perhaps best known for his wry yet carefully studied still-lifes of commonplace objects, such as cakes...
Bayly Art Museum: Beyond the Vanishing Point: Media and Myth in America Photographs by Warren Neidich
Section I - Camp O.J. - presents a site-specific installation of large-scale color photographs depicting the media circus that literally surrounded the O. J. Simpson trial. Beautiful, mythic, and surreally mad, these photographs, ...
Cafe Gallery Project: Destiny Manifest Eden's End: Cathy Ward and Eric Wright
Manifest destiny was a term first expressed by John L. O'Sullivan and used to describe the belief of the 1840's in the inevitable territorial expansion of the United States: .... and that claim is by the right of our manifest destiny to over spr...
Design Museum, at University of California, Davis: Design for Stage and Screen: The Worlds of John Iacovelli
Iacovelli won his Emmy for the A&E broadcast version of the national tour and Broadway production of Peter Pan, starring Cathy Rigby. Last year, at age 41, he was awarded the L.A. Drama Critics Circle Award for Lifetime Achievement in Scenic Desi...
Organization of Black Designers: OBD DesigNation Conference 2001 Scheduled for Miami
DesigNation® has become the United Nations of Design Conferences. Bringing together Product, Advertising, Graphic, Broadcast, Fashion, Multimedia, Interior, and Architectural, designers from all over the Globe. A variety of corporate exhi...
City Gallery Wellington, 360-Michael Hirschfeld Gallery: Saskia Leek - Forget the dead you’ve left
This exhibition introduces Leek’s most recent work. The title Forget the dead you’ve left, taken from the Bob Dylan song ‘It’s all over now, Baby Blue’, alludes to a double meaning. While the painting and sculpture abandon specific references to t...
Pittsburgh Center for the Arts: Interior/Exterior Landscapes: Paintings by Doug Kinsey
"I refer to my images as 'Interior/Exterior Landscapes'. The central deep blue form will often call into mind the image of the human figure and/or forms found in geographical landscape. As a native of California I will often invoke an immense land...
Kunstverein Nuernberg: SUSTAINABLE PROPAGANDA: a project by Oliver Ressler
Since the 1992 Rio Summit at the latest, the ecological question has been articulated almost exclusively in terms of the world wide debate on sustainable development. The discourse flows from questions of modernization, down-sizing, efficiency,...
Fruitmarket Gallery: Inka Essenhigh: Large Scale Paintings and Intricate Drawings
The work unites and scatters influences in equal measure, such as Italian Renaissance iconography, Japanese Ukiyo-e prints, Persian miniatures and contemporary mythologies. The exhibition comprises nine large-scale paintings that demonstra...
De Vleeshal: We’ll slide down the surface of things…: Artificial Reality and Paintings by Frank Bauer, Arnout Killian, Glen Rubsamen, Herman Verkerk
How do we deal with reality becoming increasingly artificial? Victor Ward’s response is to remember a quasi-philosophical line from a song by U2 :‘We’ll slide down the surface of things…’ But generally this development is condoned, because it wo...
Ohio Art League: Babes in Toyland: An Exhibition of Fractured Fairy Tales and Misfit Toys
Fairy tales are introduced to children at a very particular time of life: when they are old enough to be aware of many of the wonderful aspects of the world and still believe in the fantastic discoveries yet to come. It is easy to introduce the no...
Bellevue Art Museum: Bounce / In Through the Out Door
Each of these artists are attracting national and international attention for their reinterpretation, discourse and deviation from current schools of thought. The exhibitions are organized by Power Plant, Toronto, Ontario. Philip Monk curated Boun...
ARTSPACE, Auckland: Bright Paradise: Tony De Lautour, Ian McDonald, Paul Morrison, Paul Seitsema
Curated by Allan Smith, Bright Paradise tracks narratives of exploration, discovery, travel, leisure, image collections and technologies within a matrix of loss and longing. The show includes around 30 artists, with 10 of these coming fro...
Guggenheim Museum: Frank Gehry, Architect: Retrospective Features Models, Plans, Drawings, Furniture, Photographs, and Video Footage, as well as Two Site-Specific Architectural Elements
Frank Gehry has raised the bar for architectural innovation, said Thomas Krens, Director, Solomon R. Guggenheim Foundation. He has accomplished this because of his openness to the concept of difference and radical juxtaposition. Place two unli...
Jessica Murray Projects: The Prince Project: Dust - by Bonnie Collura and Royale - by Mark Dean Veca
Bonnie Collura embarks on a new series of exhibitions called "The Prince Project." Collura's latest endeavor, comprised of sculptures, drawings and video, begins with the legend of the Golem. According to the story, the Golem is a magical creatu...
Museum of Contemporary Art: en pleine terre: Wandering between Landscape and Art, Spiral Jetty and Potsdamer Schrebergaerten
Photographs and a film on the making of the Spiral Jetty, conceived with great care by Robert Smith-son, testify to the realisation of a mind-boggling spiral of stones laid out in the salt lake, which the artist saw as the expression of the irra...
Deutsche Guggenheim: Douglas Gordon‘s The VANITY of Allegory
For The VANITY of Allegory, Gordon turned to the histories of art and film for his source material, appropriating existing works as so many readymades with which to articulate his theme. His installation — which houses its own cinema — includes lo...

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