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Artist: Carlo Dolci (1616 - 1687)
Nationality: Italian
Movement: Baroque
Media: Painting
Influences:
Biography: Carlo Dolci first studied Florentine and Netherlandish painting under Jacopo Vignali at the age of nine. Because of his strict religious convictions, he painted primarily religious works. However, he was also an internationally known portrait and still-life artist. In these paintings, Dolci excelled in creating realistic-looking textiles, jewelry, and facial features. Agnolo Bronzino and Caravaggio’s chiaroscuro technique inspired his devotional works. Dolci also began a large studio in Florence, where his daughter was most likely a student.
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Carlo Dolci.
J. Paul Getty Museum
- St. Matthew Writing His Gospel
- Rafaello Morghen
La Poesie, after Carlo Dolci
Engraving
1827
- Carlo Dolci
Le Sommeil du Petit St. Jean ( the sleep of little St. Joan)..seventh plate of the book.... Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2
engraving and etching
17th century
- Carlo Dolci - The Adoration of the Kings 1649 oil on canvas The National Gallery, London Italian
- Carlo Dolci - The Flight into Egypt 17th century oil on canvas The Detroit Institute of Art Italian
- Carlo Dolci - Adoration of the Shepherds c. 1670 oil on canvas Cleveland Museum of Art Italian
- Carlo Dolci - Madonna and Child 1651 oil on canvas The Detroit Institute of Art Italian
- Carlo Dolci - The penitent Magdalene n.d. oil on canvas The Fitzwilliam Museum Italian J. Paul Getty Museum
- Portrait of a Girl
- Carlo Dolci
St. CÈcile...thirty eighth plate in the book... [Title in Russian and French] Imperatorskaya Ermitazhnaya Galereya ä GalÈrie ImpÈriale de l'Ermitage (Saint Petersburg: Gohier Desfontaines, 1847)
Color Lithograph
17th centu
- Carlo Dolci - The Virgin and Child with Flowers after 1642 oil on canvas The National Gallery, London Italian
- Carlo Dolci - St. Andrew Praying before his Martyrdom 1643 oil on canvas Birmingham Museums and Art Gallery Italian
- Carlo Dolci - Sir John Finch F.R.S., F.R.C.P. 1626-1682 1665-1670 oil on canvas The Fitzwilliam Museum Italian
- Carlo Dolci - Sir Thomas Baines, F.R.S., F.R.C.P. 1622-1681 1665-1670 oil on canvas The Fitzwilliam Museum Italian
- William French
St. Caecilie
engraving
19th century
- Sir Robert Strange
Sapho (sic)
Engraving
18th century
- Fr. Lehmann
Sic Deus in Dolore Pro Nobis
Steel engraving
19th century
- Claude Monet - Monte Carlo vu de Roquebrune (Monte Carlo Seen from Roquebrune) 1884 oil on canvas Portland Museum of Art French Museum of Fine Arts
- Carlo Dolci, Italian (Florentine), 1616-1686 David with the Head of Goliath 1680 Oil on canvas
- Carlo Saraceni
The Rest on the Flight to Egypt, after Carlo Saraceni
Engraving
17th century
- Hilaire-Germain-Edgar Degas - Carlo Pellegrini c. 1876-1877 oil on laid paper The National Gallery, London French
- Francesco Bartolozzi
Portrait of Carlo Cignani, after Carlo Maratta
Etching and engraving
1768
- Carlo Faucci
Bacchanalian Group
ENG
1768
- Carlo Faucci
St. Andrew
ENG
18th century
- Carlo Faucci
The Offering
ENG
18th century
- Carlo Faucci
The Birth of the Virgin
ENG
18th century
- Pierre Auguste Renoir - View From Cap Martin of Monte Carlo c. 1884 oil on canvas Corcoran Gallery of Art French
- Carlo Faucci
Quadro di Pompeo Battoni
ENG
18th century
- Carlo Faucci
Saint (seated, skull and book on lap)
ENG
18th century
- Antonio d'Enrico - Adoration of the Shepherds with Saints Francis and Carlo Borromeo c. 1628 oil on canvas Los Angeles County Museum of Art Italian
- Carlo Bonavia
Ruins near Naples
Graphite and wash on laid paper
18th century
- Carlo Bonavia
View of the Promontory of Miseno
Graphite and wash on laid paper
mid 18th century
- Carlo Pellegrini
[Portrait]
drypoint
1881
- Giralamo Ferroni
Jael and Barak Beholding Sisera, after Carlo Maratta
Engraving
1705
- Carlo Cignani
Charity
oil on canvas
17th - 18th century
- Carlo Pestrini
L'Innocenza, after Raphael
Engraving
1809
- Carlo Bonavia
View of the Bridge of Caligula at Pozzuoli
Graphite and wash on laid paper
circa 18th century
- Carlo Bonavia
Tempio di Nettuno a Pozzuoli (Temple of Neptune at Pozzuoli)
Graphite and wash on laid paper
mid 18th century
- Carlo Pellegrini (Ape)
*The Bells* (Sir Henry Irving)
19th century
- Pietro Aquila
The Guardian Angel, after Carlo Maratta
etching and engraving
17th century
- Carlo Antonio Porporati
Garde a Vous!
Engraving
1970
- Carlo Lasinio
Luna
Engraving
18 - 19th century
- Carlo Pellegrini (Ape)
*The Junior Ambassor* (Benjamin Disraeli)
19th century
- Carlo Cesio (or Carlo Cesius)
Jupiter and Juno
Etching
circa 17th century
- Carlo Antonio Porporati
Marie Antoinette
18th - 19th century
- Thomas Trotter
Carlo Denina
18th - 19th century
- Carlo Antonio Porporati
Le Coucher, after a painting by J. Van Loo, 1650
Engraving
18th - 19th century
- Carlo Gregori
Apollo
etching
18th - 19th century
- Carlo Lasinio
Lute Player
Color mezzotint
circa 1785
- Carlo Antonio Porporati
[Niccolo Frichignono]
Engraving
18th - 19th century
- Carlo Brisighella Eismann
Mountain Landscape
Black chalk, gray and ochre washes, and opaque watercolor over graphite on green-brown wove paper
19th century
- Carlo Gregori
St. Adrianus
engraving and etching
18th - 19th century
- Carlo Gregori
Vir Consularis
etching and engraving
18th - 19th century
- Carlo Cesio (or Carlo Cesius)
Moderation, after Annibale Carracci from the Farnese Gallery Panels
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Fortitude, after Annibale Carracci from the Farnese Gallery Panels
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Charity, after Annibale Carracci from the Farnese Gallery Panels
Etching
17th century
- Antonio Baratta
Frontispiece for Opere di Carlo Goldoni, after Novelli
Engraving
1761
- Antonio Baratta
Moliere, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
L'Adulatore, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Carlo Gregori
St. Natalia
engraving and etching
18th - 19th century
- Carlo Cesio (or Carlo Cesius)
Jupiter and Juno, from the series The Farnese Gallery
Etching
1657
- Carlo Ponti
Venezia, Chiesa Salute
Albumen print
circa 1860 - 1870
- Carlo Ponti
Venezia, Basilica San Marco
Albumen print
circa 1860 - 1870
- Carlo Cesio (or Carlo Cesius)
Diana and Pan, after Annibale Carracci, pl.4 from the series The Farnese Gallery
Etching
1675
- Carlo Pellegrini (Ape)
Statesmen No. 11 - The Duke of Argyll from Vanity Fair, April 17, 1869
Lithograph
1869
- Carlo Dilmazzo Carra
I Saltimbanchi (The Mountebanks), no. 3 from the Fourth Bauhaus Portfolio
Lithograph
1922
- Louis Felix de la Rue
Portrait of Salvator Rosa (1615-1673), (after Carlo Maratta )
etching
18th century
- Carlo Cesio (or Carlo Cesius)
La Giustizia, from the series Galeria nel Palazzo Farnese...
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
The Lovers Venus and Anchises, pl. I from the series The Farnese Gallery
Etching
1657
- Carlo Cesio (or Carlo Cesius)
Diana Embracing Endymion, pl. II from the series The Farnese Gallery
Etching
1657
- Carlo Cesio (or Carlo Cesius)
The Lovers Venus and Anchises, pl. I from the series The Farnese Gallery
Etching
1657
- Antonio Baratta
Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Carlo Ponti
Venezia, Piazza San Marco
Albumen print
circa 1860 - 1870
- Carlo Cesio (or Carlo Cesius)
Polyphemus and Galatea,after Annibale Carracci, pl.7 from the series The Farnese Gallery
Etching
1675
- Carlo Cesio (or Carlo Cesius)
Apollo and Hyacinthus, after Annibale Carracci, pl.21 from the series The Farnese Gallery
Etching
1675
- Carlo Cesio (or Carlo Cesius)
The Fall of Icarus, from the Farnese Gallery Panels after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A Girl With A Unicorn, from the Farnese Gallery Panels after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Hercules Playing a Tambourine with Iole,, from the series The Farnese Gallery
Etching
1657
- Carlo Pellegrini (Ape)
Statesmen No. 66 - Count von Bismarck - Schoenausen from Vanity Fair October 15, 1870
Lithograph
1870
- Carlo Antonio Porporati
Prima mors, primi parentes, primus luctus, after A. V. Werff
Engraving
1776
- Carlo Cesio (or Carlo Cesius)
The Martyrdom of Saint Andrew, after Guido Reni's painting in S. Gregorio Magno al Celio
Etching
17th century
- Carlo Antonio Porporati
Il Bagno di Leda (Leda's bath), after Correggio
Engraving
18th century
- Carlo Cesio (or Carlo Cesius)
Hercules Liberating Prometheus, from the Farnese Gallery Panels after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Hercules Fighting the Dragon, from the Farnese Gallery Panels after Annibale Carracci
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino
Etching
17th century
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Further Artwork and Information:
Carlo Dolci Online
CATHOLIC ENCYCLOPEDIA: Carlo Dolci
DOLCI, Carlo
Carlo Dolci (Getty Museum)
Carlo Dolci (1616 - 1687) Biography, Artwork Images, Exhibitions, Reviews
Recherche-Assistent
Wikipedia: Carlo Dolci
Carlo Dolci - Wikipedia
Carlo Dolci Flowers
Carlo Dolci
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Last updated and links verified on: Monday October 10/05/09 06:31:41 AM
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