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Artist: William Elliot ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Elliot.
- William Elliot
Teaspoon
silver
1821
- John Wollaston
Elizabeth North Plumstead (later Mrs. William Elliot)
oil on canvas
circa 1758
- Charles Loring Elliot - William Sidney Mount c. 1850 oil on canvas National Gallery of Art American The Metropolitan Museum of Art
- William Scott-Elliot (1811-1901), 1815-16 Sir Henry Raeburn (Scottish, 1756-1823)Oil on canvas; 47 3/8 x 36
- Charles Willson Peale - Mrs. Thomas Elliot (Mary Chew) 1787 oil on canvas Chrysler Museum of Art American
- Elliot & Fry
Portrait of Edvard Grieg
photograph
early 20th century
- Elliot and Fry
Alfred Tennyson, 1st Baron (1809-1892)
albumen print
19th century
- Rauschenberg, Douglas Elliot Gallery, Robert Rauschenberg (United States, Texas, Port Arthur, 1925 - 2008-05-12) , 1983, Offset lithograph The Metropolitan Museum of Art
- The Proposal, 1872 Adolphe-William Bouguereau (French, 1825-1905)Oil on canvas; 64 3/8 x 44 in. (163.5
- Costume Design: Cass Elliot, Boyd Clopton (United States, 1935 - 1989) , 1969, Gouache on paper, mounted on cardboard matte, with cloth swatch attached
- Lillian Elliot - Wheat 1988 tules, bark, linen Arkansas Arts Center American
- Charles Loring Elliot - Tompkins Matteson c. 1840 oil on canvas Cleveland Museum of Art American
- Elliot Erwitt - New York City 1974 c. 1985 gelatin silver print Hofstra Museum American
- Charles Loring Elliot - Captain Warren Delano c. 1852 oil on canvas National Gallery of Art American Museum of Fine Arts
- Amulet in the form of a vulture Near Eastern, Iranian, Elamite Early Dynastic Period, 3150-3050 Museum of Fine Arts
- Amulet in the form of a vulture Near Eastern, Iranian, Elamite Early Dynastic Period, 3050-2950 Museum of Fine Arts
- Unidentified artist, British, 3rd quarter 17th century Portrait of a Man (said to be John Museum of Fine Arts
- Votive boat Sardinian Archaic Period 675–650 B.C. Bronze Height x length: 8.5 x 16.5 cm
- Samuel William Reynolds, Senior
William, Youngest Son of Lord William Russell
Mezzotint
18th - 19th century
- Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner (Artist), circa 1760-1780, Silver
- Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner (Artist), circa 1760-1780, Silver
- William Faithorne
The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
Book with 9 etchings with engraving
1662
- William Henry Watt
William Lourdsworth
19th century
- William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
- Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
- William Nicholson
London Types (London: William Heinemann, 1898)
book with color plates
1898 Museum of Fine Arts
- Unidentified artist, Italian (Apulian), 14th century Virgin and Child with Saints Christopher, Augustine, Stephen, John
- William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
- William Nicholson
An Almanac of Twelve Sports (London: William Heinemann, 1898)
book with color plates
1898
- William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
- William Nicholson
Kensington, second plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
The Tower, third plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
- Adriaen Pynacker
William of Orange (William III) Commemorative Plate
polychrome tin - glazed earthenware
1690
- William Hancock Wilke
William Andrew Clark, Jr.
Drypoint
19th - 20th century
- The Hon. William Monson and His Wife, Ann Debonnaire, Arthur William Devis (England, 1762 - 1822) (Artist), circa 1786
- William Nicholson
Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
The City, ninth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Faithorne
Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Faithorne
How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Faithorne
How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Faithorne
Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
Artnews Articles and Exhibition Information: (13) Click on any of the links below to read about artnews or exhibitions related to Elliot
White Mountain Academy of the Arts: Wide Variety Summer School Programs Offered White Mountain Academy of the Arts is a unique, post-secondary educational
centre evolving on the leading edge of the international visual arts community. They
offer students an intimate and innovative alternative to conventional art
educ...
Wasmer Gallery at Ursuline
College: PATRICK CORRIGAN AND ELLIOTT FAYE: PHOTOGRAPHS ...
White Mountain Academy of the Arts: Wide Variety Summer School Programs Offered White Mountain Academy of the Arts is a unique, post-secondary
educational centre evolving on the leading edge of the international
visual arts community. They offer students an intimate and innovative
alternative to conventional art e...
BAT Centre: DIROZOULOU The project was coordinated by Marisa Fick-Jordaan and the Bat Shop in
association with the French Institute of South Africa and Association
Francaise d' Action Artistique / Ministry of French Foreign Affairs. The
exhibition will travel from th...
Mission 17: By Any Means UnNecessary: First Annual Juried Exhibition The questions continue - What are the politics of work and play? Is free-time good for nothing more than "vacation"? If art is defined by purposelessness, is it merely frivolous? What do we need? Mission 17 has invited artists to submit work t...
Gibbes Museum of Art: Ancestry and Innovation : African American Art from the American Folk Art Museum Comprising nine quilts and nearly thirty works of art in various media, Ancestry & Innovation includes paintings by an elder generation of creators, such as David Butler, Sam Doyle, Bessie Harvey and Clementine Hunter; works by contemporary master...
Wexner Center for the Arts: Julie Taymor: Playing with Fire The magnitude of Taymor's creative vision will be captured through
large-scale installations featuring scenic elements, puppets, masks, and
costumes designed by the artist and her collaborators. V...
La Petite Mort Gallery: RIDE ME / The Art of Urban Transport In artfully, delicious ways La Petite Mort in union with local and not so local artist is bringing the environment, custom design and the beat of urban culture to a pavement near you. From August 1st to August 31st 2008 La Petite Mort will be fea...
Leigh Yawkey Woodson Art Museum: Birds in Art: Lifts Off in Annual Salute to All Things Avian This year the answer can be found in 124 different works created by artists who explore the world of birds as a rich mother lode for satisfying their imagination and observational skills. They investigate color and form, shape and pattern, realism...
Hang: Edges: Between Chaos and Stillness, Paintings by Connie Noyes Part of what has made Ms. Noyes’ painting so appealing is the texture, form and color that draws the eye into each work. Noyes begins by covering the canvas with layers of thick gesso and then a layer of sludge. "Sludge" is the waste of past paint...
Art Ireland: Ireland's Largest Visual Arts Event of the Year "Thanks to its variety of exhibits and democratic nature, Art Ireland is playing an important role in breaking down many of the prejudices and pretensions surrounding the visual arts scene. One of our great strengths is that with so many artists o...
Smithsonian National Museum of American Art and its Renwick Gallery: Smithsonian’s American Art Museum and National Portrait Gallery
Announce Upcoming Renovation
Praised by Walt Whitman as the noblest of Washington buildings, this landmark is, in the eyes of many, the finest example of Greek Revival architecture in the United States. Begun in 1836 and completed in 1867, it was the fourth major federal buil...
Brooklyn Museum of Art: Hip-Hop Nation: Roots, Rhymes, and Rage
Hip-Hop Nation will showcase clothing and accessories worn by artists
such as Afrika Bambaataa, Run-DMC, The Beastie Boys, Salt N' Pepa, Tupac
Shakur, Puff Daddy, Eminem, and Missy Ell...
Further Artwork and Information:
William Elliot (1941 - ) Biography, Artwork Images, Exhibitions, Reviews
William J. Elliot, Moscow Forestry Sciences Laboratory
William Elliot
William Elliot Griffis
William J. Elliot
Portrait of William Elliot Johnson [picture] /
Portrait of [William] Elliot Johnson [picture] /
William Elliot Gamble
Welsh Fairy Tales by William Elliot Griffis
William & elliot
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