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Artist: Sir William Emerson ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sir William Emerson.

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Charles Christian Nahl Mary Ellis Emerson as a Child oil on canvas 1858
J. Paul Getty Museum -
Gathering Water Lilies
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Peter Van Valkenburgh Ralph Waldo Emerson lithograph 1938
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Henry Wolf Portrait of Dr. Emerson 1895
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Peter Henry Emerson Gunner Working up to Fowl, Plate Nineteen of Life and Landscape on the Norfolk Broads Platinum print 1886
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Henry Wolf Portrait of Professor Emerson wood engraving 1897
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Henry Emerson Tuttle Cock Grouse drypoint 19th - 20th century
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Henry Emerson Tuttle Head of Sharp-shinned Hawk drypoint 19th - 20th century
The Minneapolis Institute of Arts -
Artist: Peter Henry Emerson Title: Gathering Waterlilies Date: 1886 Medium: platinum print Dimensions: H.7-7/8 x
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Casper Emerson Help Them Keep Your War Savings Pledge - World War I Poster lithograph poster circa 1917 - 1918
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Peter Henry Emerson The Last Gate Hand pulled gravure print from glass negative 1895
Museum of Fine Arts -
James Abbott McNeill Whistler, American (active England), 1834-1903 Annie Haden 1860 Drypoint Platemark: 34.9 x
The Minneapolis Institute of Arts -
Artist: William Merritt Chase Title: The Patrician Date: 1875 Medium: oil on canvas Dimensions: H.21-3/4
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Peter Henry Emerson - Poling the Marsh Hay 1886 platinum print The Royal Photographic Society English
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Peter Henry Emerson - Rowing Home the Schoof-Stuff 1886 platinum print Cleveland Museum of Art British
Museum of Fine Arts -
Peter Henry Emerson, English, 1856-1936 A Ruined Water Mill about 1886 Photograph, platinum print Image/Sheet:
Museum of Fine Arts -
Edgar Degas, French, 1834-1917 Little Fourteen-Year-Old Dancer France, original model 1878-81, cast after 1921 Bronze,
Museum of Fine Arts -
Paul Signac, French, 1863-1935 Bourg St. Andéol about 1926 Grahite pencil and watercolor Sight: 27
Museum of Fine Arts -
Mary Stevenson Cassatt, American, 1844-1926 Afternoon tea party, La tasse de thé, 1891 Afternoon Tea
Museum of Fine Arts -
Mary Stevenson Cassatt, American, 1844-1926 The Letter (La Lettre) 1890-91 Drypoint and aquatint in color,
The Minneapolis Institute of Arts -
Artist: Hampshire Pottery Title: Inkwell with lid Date: 20th century Medium: earthenware Dimensions: H.4 x
The Minneapolis Institute of Arts -
Artist: Robert Koehler Title: Prosit! Date: 1886 Medium: graphite on tan wove paper Dimensions: H.12
Museum of Fine Arts -
Mary Stevenson Cassatt, American, 1844-1926 Gathering Fruit about 1893 Color drypoint and aquatint printed from
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Nathan Oliveira Emerson Site II soft ground etching 1979
Museum of Fine Arts -
Mary Stevenson Cassatt, American, 1844-1926 The Fitting (L"Essayage) 1890-91 Drypoint and aquatint in color on
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Nathan Oliveira Emerson Site I soft ground and spit bite etching 1979
Museum of Fine Arts -
Unidentified artist, Belgian, fourth quarter 18th century Two Women in a Kitchen Oil on canvas
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
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Adriaen Pynacker William of Orange (William III) Commemorative Plate polychrome tin - glazed earthenware 1690
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William Hancock Wilke William Andrew Clark, Jr. Drypoint 19th - 20th century
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William Nicholson Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The City, ninth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Faithorne Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Emerson


Thomas Erben Gallery: Sarah Emerson: Do the Collapse
Her colorful, yet muted paintings combine a variety of visual references ranging from dead bucks, barren trees, to pop inspired abstract elements. The images occupy the entire surface, which is rendered flatly, not unlike camouflage patterning. ...

Minneapolis Institute of Arts: Photogravure: Photographs in Ink
Photographers who have used this process include P. H. Emerson, Alfred Stieglitz, Edward S. Curtis, Paul Strand, Lee Friedlander, and Bernice Ficek-Swenson. This exhibition features about 75 photogravures, ...

Fogg Art Museum, Harvard: A Curious and Ingenious Art: Reflections on Daguerreotypes at Harvard
Daguerreotypy, invented in 1839 by the Frenchman Louis Jacques Mandé Daguerre, was a method of capturing an image projected by a camera obscura onto silver-coated copper plates. In this process, the plates were sensitized with iodine vapor, expose...

Pennsylvania Academy of Fine Art: American Modern, 1925-1940: Design For A New Age
Tracing the rise of the American decorative aesthetic through the work of 50 celebrated masters of design, the exhibition features objects that have come to symbolize life in America in the 1920s and 30s. The exhibition is organized by The Metropo...

Museum of Modern Art, Oxford: Ed Ruscha: Paintings, Drawings and Books 1961-2001
When I began painting, all my paintings were of words which were guttural utterances like Smash, Boss, Eat.  Those words were like flowers in a vase; I just happened to paint words like someone else paints flowers.  Ed Ruscha Ed Ruscha has t...

Smithsonian American Art Museum and the Renwick Gallery: Winners of the Smithsonian American Art Museums New Media-New Century Award Announced
We are thrilled to award this prize to three outstanding artists, said Elizabeth Broun, the Smithsonian American Art Museum's Margaret and Terry Stent Director. Remaining on the cutting edge where art meets technology has always been o...

Appleton Museum of Art: American Impressions: An Arcadian Vision, Paintings from the Akron Art Museum
They often employed European impressionistic techniques to convey pastoral beauty, rather than embracing the bustle and pollution of their industrializing nation. They painted tranquil landscapes and dreamy portraits of women, aiming to fulfill t...

Wadsworth Atheneum Museum of Art: Marsden Hartley: First Retrospective in over 20 Years
Widely acknowledged as the greatest of the early American modernists, Marsden Hartley (1877-1943) belonged to a circle of artists promoted by photographer and gallery owner Alfred Stieglitz that included Georgia O’Keeffe, John Marin, Arthur Dove, ...

Los Angeles County Museum of Art: Exhibition Reveals Lee Krasner’s Crucial Contributions to Modern Art
Organized by Independent Curators International, this revealing exhibition demonstrates Krasner’s lifelong refusal to settle on a single style with which to express her artistic and personal concerns, and examines her position as one of the most...

Further Artwork and Information:

Sir William Emerson (1856 - 1936) Biography, Artwork Images, Exhibitions, Reviews
EMERSON, Sir William, autographs, letters, documents, manuscripts
William Emerson, The designer of Victoria Memorial Hall, Calcutta.
History of the Victoria Memorial Hall, Calcutta, India
William Emerson - Wikipedia, the free encyclopedia
Which company built the Gateway of India?
Emersons Earliest Interest In India
Sir William Osler, Baronet (www.whonamedit.com)
Graves Scientific Papers
Famous Artists - Index

 

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