Artist: Andrea Bonaiuti Da Firenze (1343 - 1377)
Nationality: Italian
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Andrea Bonaiuti da Firenze.

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Moine assis tenant un livre sur ses genoux (2e quart 19e siècle ; 3e quart 19e siècle) by FLANDRIN Hippolyte ; ANDREA da Firenze (inspiré par)
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Personnage assis tenant un livre sur ses genoux (1835 en) by FLANDRIN Hippolyte ; ANDREA da Firenze (inspiré par)
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L'Astronomie et Ptolémée (1824 en) by COROT Jean-Baptiste Camille ; ANDREA da Firenze (inspiré par)
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Personnage assis, tenant un grand livre sous le bras gauche (2e quart 19e siècle ; 3e quart 19e siècle) by FLANDRIN Hippolyte ; ANDREA da Firenze (inspiré par)
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La Foi by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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Giorgio de Chirico - Florentine Still Life (Balcone a Firenze) c. 1923 oil on canvas Memorial Art Gallery of the University of Rochester Italian
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La Justice by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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Personnage barbu tenant un glaive et esquisse d'autres figures (1835 en) by FLANDRIN Hippolyte ; ANDREA da Firenze (inspiré par)
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Salomé dansant devant Hérode by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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Le maître de la vigne récompensant ses ouvriers by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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La Décollation de saint Jean-Baptiste by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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La Visitation by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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La Naissance de saint Jean-Baptiste by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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Andrea Sabbatini (Andrea da Salerno) Two Saints Pen and brown ink on laid paper mounted to a heavier sheet 16th century
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Etude d'enfant nu, vu en buste et priant (1ère moitié 16e siècle) by SARTO Andrea del
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Andrea Zittel - A-Z Escape Vehicle: Customized by Andrea Zittel 1996 Exterior: steel, ins The Museum of Modern Art American
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Trois études de jambe (1850) by SARTO Andrea del
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Enfant nu, courant, les bras ouverts : un ange (?) (1ère moitié 16e siècle) by SARTO Andrea del (école)
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Salomé apportant à Hérode la tête de saint Jean-Baptiste by ZUCCARO Federico ; SARTO Andrea del (inspiré par)
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Messe de San Andrea Corsini (1683 vers) by FOGGINI Giovanni Battista
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Homme nu, de trois quarts, de dos, à mi-jambe (1ère moitié 16e siècle) by SARTO Andrea del
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Domenico Corvi - The Glorification of Andrea Doria c. 1750 oil on canvas Minneapolis Institute of Arts Italian
The Minneapolis Institute of Arts -
Artist: Andrea Vicentino (Andrea Michelli) Title: Alexius Comnenus Appearing Before The Doge Date: 16th century
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Titian - Doge Andrea Gritti 1546-1548 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
Portrait of a Man Andrea del Sarto (Andrea d"Agnolo) (Italian, Florentine, 1486-1530)Oil on canvas, transferred
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Tête d'homme de profil, regardant vers le haut (1ère moitié 16e siècle) by SARTO Andrea del
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Jeune homme debout, tenant un livre (1ère moitié 16e siècle) by SARTO Andrea del
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Etude de jambes (1850) by SARTO Andrea del
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Monument à Andrea Doria by ZUCCARO Federico
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Christ mort (1ère moitié 16e siècle) by SARTO Andrea del
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Une main gauche retenant une draperie (1ère moitié 16e siècle) by SARTO Andrea del
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Etude de main (1ère moitié 16e siècle) by SARTO Andrea del
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Traits (1ère moitié 16e siècle) by SARTO Andrea del
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Etude de deux mains gauche jointes (1ère moitié 16e siècle) by SARTO Andrea del
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Tête d'homme chauve et barbu, de profil vers la gauche (1ère moitié 16e siècle) by SARTO Andrea del
The Metropolitan Museum of Art -
Head of the Madonna, fragment Andrea del Sarto (Andrea d"Agnolo) (Italian, Florentine, 1486-1530)Oil on wood;
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Francesco Guardi - Forte S. Andrea Del Lido, Venice 1760-1770 oil on canvas The Fitzwilliam Museum Italian
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Vincenzo Catena - Portrait of the Doge, Andrea Gritti 1523-31 oil on canvas The National Gallery, London Italian
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LA CRUCIFIXION (1503) by BARTOLO Andrea di, SOLARIO Andrea (dit)
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La Circoncision by SCHIAVONE Andrea ; SCHIAVONE Andrea (inspiré par)
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Andrea Andreani The Captives chiaroscuro woodcut in four blocks 1598
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Bras et mains jointes, une main tenant un pain (1850) by SARTO Andrea del
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Cinq études de main (1850) by SARTO Andrea del
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Etude pour une tête de saint François (1ère moitié 16e siècle) by SARTO Andrea del
The Metropolitan Museum of Art -
The Marriage of Cupid and Psyche Andrea Schiavone (Andrea Medulich or Meldolla) (Italian, Venetian, 1522?–1563)Oil
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Groupe de cinq femmes dansant en ronde (1793) by BOSCOLI Andrea
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Rauschenberg, Firenze, Forte Di Belvedere, Robert Rauschenberg (United States, Texas, Port Arthur, 1925 - 2008-05-12) , 1976, Offset lithograph
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Lorenzo Loli The Holy Family, after Giovanni Andrea Sirani Etching 17th century
The Metropolitan Museum of Art -
I quattro libri dell"architettura di Andrea Palladio . . ., 1570 Author: Andrea Palladio (Andrea
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SAINTE URSULE MARTYRE (1ère moitié 16e siècle) by BRESCIANINO Andrea del (atelier), PICCINELLI Andrea (atelier)
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LA MUSE EUTERPE ; UNE FEMME JOUANT DE LA FLUTE (1629 entre ; 1681 et) by CERRINI Giovanni Domenico
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LA CHARITE (1518) by Andrea D'AGNOLO DI FRANCESCO, ANDREA DEL SARTO (dit)
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Pietà avec saint Jean-Baptiste et saint Pierre (?) (1ère moitié 16e siècle) by SARTO Andrea del
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Andrea Andreani Virtue, after Jacopo Ligozzi Chiaroscuro woodcut printed in brown and ochres from 3 blocks 1585
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Madonna and Child with Saints Elizabeth and John the Baptist, Andrea Meldolla (called Andrea Schiavone) (Italy, Dalmatia, circa 1510 - 1563)  (Artist), Brush and brown wash on beige prepared paper
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Tête d'homme de profil (1ère moitié 16e siècle) by SARTO Andrea del
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Andrea Andreani The Christian Hero chiaroscuro woodcut 16 - 17th century
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Paysage de forêt by SACCHI Andrea (attribué à)
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LA VIERGE, L'ENFANT JESUS, SAINTE ELISABETH ET LE PETIT SAINT JEAN (1er quart 16e siècle) by ANDREA D'AGNOLO di Francesco, ANDREA DEL SARTO (dit)
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Saint Georges d'après Andrea Mantegna (2e moitié 19e siècle) by MOREAU Gustave ; MANTEGNA Andrea (d'après)

Artnews Articles and Exhibition Information: (7)
Click on any of the links below to read about artnews or exhibitions related to Firenze

Rebecca Ibel Gallery: Carl Palazzolo: Dopo Firenze
An extremely deft painter, Palazzolo almost obsessively reworks a collection of images, some from everyday objects such as fruit, Polaroids or body parts, and others from paintings including The Daughters of Edward D. Boit by John Sin...
Irish Museum of Modern Art: Unlikely Sculpture: Hatforms by Philip Treacy
Treacy's work is clearly part of the fashion world but his 'unlikely' sculptures also cross the boundary into visual art. This project is the first time that the sculptural qualities of these forms will be explored in ...
Figaro Gallery: Generations of Art: From Abstraction to Realism - Matthew Bates and Stephen Bates
Matthew Bates was born in Washington, D.C. in 1970 to an artistic family. At 18, Matthew left Washington to go to art school in San Francisco at the Academy of Art College. While there he learned many techniques in drawing, painting, and design. ...
Universita degli Studi di Firenze: Cris Orfescu NanoArt at Italian Week of Science
Principal themes to be discussed during this event are:
1. The scientific imaginary and aesthetics of contemporary art in growing up knowledge economy.
2. The development of nanoscience and new forms of artistic fruition in contemporary ...
Biennale Internazionale dell’Arte Contemporanea: Over One Hundred Portfolio Member Artists Participate in The Florence Biennale
We are enthused that the Biennales jury searched through the absolutearts.com Portfolios for quality work by artists around the world. As they selected nearly one hundred artists qualified and willing to participate, this is proof of our success a...
Sala Barna: Richard Solstjarna to Exhibit During April
In his compositions we can assign enter to the abstractionism, but we must set, place in evidence that RICHARD SOLSTJARNA has know give at the work a original voice, "his" voice, rich of emotional tension, sincere and passionate. It shrinks fr...
Targetti Art Light Collection: Call to Artists: SECOND EDITION OF THE TARGETTI ART LIGHT AWARD DEDICATED TO YOUNG ARTISTS
ART. 3 ART WORKS

All works of art must be unpublished (meaning neither previously exhibited at shows nor published in printed editions). Artificial light must be used as the essential component of the work and every type of lighting tech...

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