Artist: Paul Fischer (1860 - 1935)
Nationality: Danish
Movement:
Media: Painting
Influences:


Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Paul Fischer.

Fine Arts Museum of San Francisco -
F. Fischer, Seated Man with a broom, 20th century
Fine Arts Museum of San Francisco -
Hans Fischer, Flowers and Grasses, 20th century
Fine Arts Museum of San Francisco -
Lovis Corinth, Winter am Walchensee (Hotel Fischer), 1924
Fine Arts Museum of San Francisco -
Otto Fischer, Head of an old man, 19th - 20th century
Fine Arts Museum of San Francisco -
Otto Fischer, Gewitterstimmung (Thunder clouds), 1896
Fine Arts Museum of San Francisco -
Otto Fischer, Great Mountains, 19th - 20th century
Fine Arts Museum of San Francisco -
Otto Fischer, Waltersdorf (Landscape), 19th - 20th century
Fine Arts Museum of San Francisco -
Edward Fischer, Jean-Baptiste Monnoyer, (after G. Kneller), 18th century
Fine Arts Museum of San Francisco -
Alfred Kubin, [Die Fischer], sixteenth plate in the book Die Bl‰tter mit dem Tod (Berlin: Bruno Cassirer, 1918), 1918
Fine Arts Museum of San Francisco -
Blanding Sloan, Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Title page in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [123] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [41] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [113] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [89] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untiled, on page [70] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [25] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [18] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page 21 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [16] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [143] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [139] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [73] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [133] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [118] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, on page [47] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untiled, opposite page [14] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, vignette on page [108] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, vignette on page [93] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled (Mr. Bailey), on page [60] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, vignette on page 59 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, vignette on page 82 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, 81 Theatre, vignette on page 62 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, page following title page in the book )Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Museum of Fine Arts -
Irma Fischer, Hungarian Sewing sampler Hungary, about 1885 Cotton plain weave embroidered with silk 26
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, end piece vignette on page 69 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Johann Christoph Weigel, Der Fischer, plate 83 from the book Etwas f¸r Alle ä Stands- Ambts- Bewerbs-Persohnenäby Father Abraham ý Santa Clara (Nuremberg: Christoph Weigel, [1699]), 1699
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, head piece vignette for Baltimore on page 127 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, Untitled, head piece vignette for Norfolk, Va. on page 109 in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932
Fine Arts Museum of San Francisco -
Blanding Sloan, "Ah Sho Wish Ah Was Back in Birmingham", head piece vignette for B irmingham on page[49] in the book Way Down South by Clarence Muse and David Arlen , woodcuts by Blanding Sloan (Hollywood, CA: David Graham Fischer, [1932]), 1932

Artnews Articles and Exhibition Information: (21)
Click on any of the links below to read about artnews or exhibitions related to Fischer

Gallery 400, University of Illinois at Chicago: Marc Fischer: Paper Trails (Going Through Your Garbage)
Fischer's project is the first of six in Gallery 400's fall series "At the Edge" initiated to present new works that are difficult to show in commercial spaces, that extend a working artistís practice, and/or push the boundaries of art experime...
De/light me!: CALL FOR PAPERS AND ILLUSTRATIONS
We are interested into the following line of topics, left open for both textual and visual contributions; mental delightment ____________ overtheoretising ____________ forgotten theory ____________ authoring theory ____________ undead au...
Museum of Contemporary Art, Tucson: New! With Anti-Oxidants
...
Haus der Kunst: Grand Art Exhibition 2005
Besides renowned, accomplished sculptors such as Lothar Fischer, Otto Herbert Hajek, Joseph Michael Neustifter, Hans Peter Reuter, Michael Schoenholtz, Voré and Rudolf Wachter, young artists from Germany and neighbouring European countries have...
Mountclair Art Museum: Paris 1900: The American School at the Universal Exposition
Works of art exhibited in Paris have been lent by museums across the United States and Europe, including Whistler's Symphony in White No. 2 from the Tate Gallery ...
Art Forum Berlin: Art Forum Berlin 2002 Presents Emerging Contemporary Art
Participants in this year’s fair include 150 galleries, from approximately 25 nations. Exhibition areas will allows visitors to view and interact with the work, presented by both established and up and coming galleries, including: the Galeria Helg...
Judy A Saslow Gallery: The Artists of Gugging
In 1981, Navratil founded "The Center for Art and Psychotherapy" where he invited many of these talented patients to live and work together in one house. In 1986, Navratil retired and Dr. Johann Feilacher became his successor. Dr. Feilacher chang...
Americas Society: GENEVIEVE CADIEUX
She presents each disparate subject in a similar format and with an equally intense emotional tenor, suggesting equivalencies and interrelationships among them. Their large scale, sparseness, and often tight, close-up framing give them an emotio...
New Mueum for Art and Design: Richard Artschwager. Up and Across
Characteristic is also the artist’s use of industrial materials, such as wood veneers, patterned melamine and hardboard. Artschwager often uses the hardboard reverse as a support for painting, giving the images a specific look and feel. A further ...
Camden Arts Centre: Pioneer American Conceptual Artist Douglas Huebler
Many of the works are self-portraits and photographs documenting personal activities (following the sound of bird-calls in Central Park), photographs of friends and family (the artist Bernd Becher pulling faces), or photographs of strangers in cit...
Northern Illinois University Art Gallery in Chicago: Doppelganger
Doppelganger, scheduled January 12 through March 10, 2001, focuses on explicit modes of artistic production that subvert the supposition of 'originality' in the fine art realm. Of particular interest is the method by which this exhibiti...
Haunch of Venison: Richard Long: The Time of Space
Since the mid-sixties Long has taken a radical approach to nature by expanding the potential scale of art through the medium of walking in the landscape. This exhibition reflects the global range of his work, from the Sahara to Scotland to Mong...
Kunsthalle Wien, Museumsquartier: Sculpture: Precarious Realism between the Melancholy and the Comical
The sculptures show what is human and everyday, and at the same time observe the disappearance and dissolution of the ordinary in its transitions from the human/animal/organic to the machine
tool
like or architectural. The sculptures’ character ...
Kunsthalle Bielefeld: Edvard Munch. 1912 in Germany
Born in Norway in 1863, Munch moved in 1909 to a secluded spot in Kragorø on the southern coast of Norway, where he found his quietest studio so far since his temporary studio in Hvitsten on the Oslo Fjord. His apprenticeship and journeyman years ...
Centro Galego de Arte Contemporanea: Compostela: Lars Arrhenius, Gabriele Basilico, Roland Fischer, Gunther Forg, Ruben Ramos Balsa, Humberto Rivas, Lorna Simpson, Montserrat Soto, Beat Streuli, Peter Wüthrich
Lars Arrhenius, Gabriele Basilico, Roland Fischer, Günther Förg, Rubén Ramos Balsa, Humberto Rivas, Lorna Simpson, Montserrat Soto, Beat Streuli and Peter Wüthrich were invited by Miguel Fernández-Cid, Head of the CGAC and curator of...
Bauhaus Dessau Foundation: Call for Artists: 2nd trimester of the IV. Bauhaus Kolleg Dot.City
The goal is to deconstruct the differentiation between public and private/physical and virtual respectively. They believe that there are overlapping calls for a new definition of urbanism as well as for new strategies to program urban processes. ...
Smart Museum of Art: Critical Mass
* Training: They usually hold degrees from art schools and many also teach or administrate at cultural institutions. * Sensibilities: They pursue an ethical, self-reflective practice and are committed to social engagement. They conside...
Palm Beach Institute of Contemporary Art: I Feel Mysterious Today: 25 International Emerging and Established Contemporary Artists
I feel mysterious today both emphasizes and reflects a current sensibility that gives privelage to allusive and subjective modes of expression over the more direct and strident political positioning characteristic of art celebrated in the globalis...
Kunsthalle Wien, Museumsquartier: A Baroque Party
Modernity and, in particular, contemporary art, takes up on aesthetic concepts from the Baroque period rather than the 19th-century idea of the Gesamtkunstwerk, say exhibition curators Sabine Folie and Michael Glasmeier. For the exhibition, conte...
Biennale of Sydney 2002, International Festival of Contemporary Art: (The World May Be) Fantastic.
The 2002 exhibition invites you to view My Living Room is a Martian Base (Gilles Barbier, France), see Nixon in Chains (Jeffrey Vallance, USA), hear A Strange Message From Another Star (Veli Granö, Finland), experience the killing in the Muriel...
MASS MoCA: Fantastic: The Land of Milk, Honey, and Extraterrestrials
In Fantastic, opening March 8, 2003, MASS MoCA (Massachusetts Museum of Contemporary Art) showcases five contemporary artists - Miguel Calderón, Gregory Crewdson, Alicia Framis, Nils Norman, and artist collective Temporary Services who embrace...

Further Artwork and Information:

Paul Fischers homepage
Paul Fischer Luthier
Uni Dortmund, Informatik 2: Simon Fischer
Paul Fischer paintings.
Paul Fischer Online
Amazon.de: Suchergebnisse Bücher:
Paul Fischers homepage
Faculty Page: Paul E. Fischer
Paul Fischer _ Nancy - SoccerAge
Paul Fischer _ Nancy - SoccerAge

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