Artist: Emilio Sala Y Frances (1850 - 1910)
Nationality: Spanish
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Emilio Sala y Frances.

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Woman’s Sunglasses, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1963, Plastic
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Emilio Amero Fiesta lithograph 20th century
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Woman’s Headband, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1965, Silk jersey
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Woman’s Cape, Emilio Pucci (Italy, Emilia, 1914 - 1992) , 1965-1966, Cotton terry cloth
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Woman’s Blouse, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1960, Printed silk georgette
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Woman’s Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1960s, Printed silk jersey
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Woman’s Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1965, Printed silk jersey
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Woman’s Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1965, Printed silk jersey
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Woman’s Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1960s, Printed silk jersey
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Woman’s Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , 1969-1970, Printed silk jersey
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Emilio Amero Where? (Displaced Persons Mexican Mother with Two Children) lithograph 20th century
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Woman’s Panel Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , 1965-1970, Cotton terry cloth
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Woman’s Evening Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1965, Printed silk jersey
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Woman’s Evening Dress, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1965, Printed silk jersey
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Woman’s Two-piece Pantsuit, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1960s, Printed cotton
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Woman’s Hostess Pajamas, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1972, Printed silk georgette
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Woman’s Two-piece Pantsuit, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1960s, Printed silk jersey
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Luigi Rossini The Ruins of the Baths of Paolo Emilio at Trajan's Forum Etching 1822
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Woman’s Tunic and Pants, Emilio Pucci (Italy, Emilia, 1914 - 1992) , 1970, Silk
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Woman’s Evening Ensemble, Emilio Pucci (Italy, Emilia, 1914 - 1992) , circa 1965, Printed silk organza, silk chiffon lining
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Emilio Beauchy Cano Sevilla. Puerta del Perdon. Cathedral ( Mercy Gate of the Cathedral at Seville) Albumen print from glass negative circa 1882
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Emilio Ortiz Harriet 2013, thirteenth plate in the portfolio, 21 Estampadores de Colombia, Mexico y Venezuela (21 Printmakers of Colombia, Mexico and Venezuela) etching 1972
Museum of Fine Arts -
Emilio Pucci, Italian, 1914-1978 Woman"s pantsuit Italy, (Florence), late 1960s Printed silk jersey Center back
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William Hogarth - Frances Arnold 1738-1740 oil on canvas The Fitzwilliam Museum British
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Thomas Gainsborough - The Hon. Frances Duncombe c. 1777 oil on canvas The Frick Collection British
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Emilio Sanchez-Perrier - Landscape near Guillena n.d. oil on panel Memorial Art Gallery of the University of Rochester Spanish
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Emilio Cruz - The Dance 1962 oil on paper mounted Smithsonian American Art Museum American
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Joshua Reynolds - Lady Frances Warren 1759 oil on canvas Kimbell Art Museum English
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Frances A. Atwell Quilt, Album/Christmas Cross/Chimney Sweep cotton 1850
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Francesco Maestosi - Sala dell'Iliade in the Pitti Palace, Florence c. 1870 oil on canvas Minneapolis Institute of Arts Italian
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Sala, Chaz  (Artist), 2003, Silkscreen and pochoir
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Giovanni Antonio Guardi - The Sala grande of the Ridotto, Palazzo Dandolo, S. Moise 1765 oil on canvas The Fitzwilliam Museum Italian
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Vue du lac de Côme prise à Sala (1825 en) by BARBOT Prosper
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Chapelle au bord d'une route, à La Sala (1826 en) by BARBOT Prosper
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Emilio Cruz - Figurative Compostion #7 1965 oil on canvas Smithsonian American Art Museum American
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Elizabeth Frances Batty Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) book with 60 engravings 1820
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Sir Peter Lely - Portrait of Anne, first wife of Sir Frances Warre n.d. oil on canvas Mead Art Museum, Amherst College Dutch
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Frances F. Palmer "Wooding Up" on the Mississippi Lithograph with hand coloring 1863
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Frances F. Palmer The Farmers Home - Harvest Lithograph with hand coloring 1864
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Frances F. Palmer American Farm Scenes. No. 1. from a set of 4 Lithograph with hand coloring 1853
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Elizabeth Frances Batty Venice, opposite page 166 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Rapallo, opposite page 37 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty La Riccia, opposite page 123 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Florence, opposite page 44 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Pisa, opposite page 39 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Bay of Genoa, opposite page 34 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Coliseum, opposite page 75 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
Museum of Fine Arts -
Emilio Sanchez-Perrier, Spanish, 1855-1907 Fishing on the Bank of the Oise, Pontoise Oil on panel
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Frederick R. Spencer - Frances Ludlum Morris (Mrs. Robert Morris) oil on canvas National Gallery of Art American
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Elizabeth Frances Batty Untitled title page vignette in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Pass of Bramante, opposite page 5 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lago d'Agnano, opposite page 153 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Arch of Janus, opposite page 87 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lake Avenue, opposite page 155 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle of St. Angelo, opposite page 83 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Genoa, Lighthouse, opposite page 20 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View from the Chiaja, opposite page 143 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from the Mole, opposite page 141 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Village of Simplon, opposite page 194 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820

Artnews Articles and Exhibition Information: (40)
Click on any of the links below to read about artnews or exhibitions related to Frances

Michael Commerford Gallery: Frances Fussell: Resent Paintings
The artist was born in Holland and came to Australia with her parents. Fussell was an art teacher with the Education Department after completing a full time art course and subsequently worked as a ...
Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints
The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...
: U.S. Writer Wins WWII Art Suit
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Centauri Arts: Schedule Available: Summer Retreats for Fine Artists and Creative Writers
Course include:
Exploring the Visual Metaphor - 22 July to 28 July 2001
Examine the manner in which a single metaphor or idea can germinate into divergent works of art. Participants select and work with an idea or object which has perso...
Bartley Nees Project: Monique Jansen, Esther Leigh and Sara Hughes
Their paintings, which show a delight in process, explore the effect, affect and impact of repetitive patterns. Entering the territory of op art and even pop art they are at once ethereal and sensual, transparent and dense, serious and light-he...
Frances Lehman Loeb Art Center, Vassar College: The Photography of John Gutmann: Culture Shock

Gutmann trained a skeptical and amused European eye upon the vibrant American urban scene, employing a graphic sophistication he had absorbed from the innovative photojournals of 1920s Weimar Germany. >From the Great Depression to the Wor...
Frances Lehman Loeb Art Center, Vassar College: From Manet to Picasso: Impressionist and Post-Impressionist Prints and Drawings
Prints and drawings ranging from the time of Edouard Manet in mid-century to the early Picasso at the end of the century comprise this survey of works by some of the most well known artists of the time. Impressionists in the exhibition include Ed...
Dahesh Museum of Art: Gerome and Goupil: Art and Enterprise
The widespread dissemination of Goupils prints made Gérôme into a national celebrity, ...
Carnegie Museum of Art: Landscapes of Retrospection: The Magoon Collection of British Drawings and Prints,1739-1860
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NSA Gallery: Icons: A Group Exhibition
Andrew states that I chose ‘Icons’ as the theme of the exhibition, because icons offer interesting visual potential for the merging of symbolism with design. Icons tend to be compact and ‘loaded’ images and can range from traditional symbols of th...
Auckland Art Gallery: Face to Face: Self portraits by New Zealand artists
The images in Face to Face contradict the common viewer expectation that self portraits should present at the very least, a visual likeness of the artist. Works such as Frances Hodgkins’ Self Portrait Still Life c.1935 demonstrate that a ...
Duncan Miller Gallery: Two French Masters: Edouard Boubat and Jean-Philippe Charbonnier
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Montgomery Museum of Fine Arts: Voices Rising: Alabama Women at the Millennium
Alabama is the fifteenth state to mount such an exhibition. After opening in Washington in the summer of 2000, an expanded version of the exhibition will travel throughout the state of Alabama. Featured artists include Pinky Bass, Fairhope; ...
Wayne County Council for Arts, History & Humanities: Wayne County - The Artists Among Us Exhibition
Secondly, Artists Among Us is an extraordinary ARTnership featuring collaborations between visual artists, poets and musicians. Here's how it works: top Wayne County poets and musicians will perform works inspired by the juried artworks during...
Ico Gallery: The Birth of Right And Left
View more of Viktor Chernilevsky's work in his portfolio: http://www.absolutearts.com/portfolios/v/vchernilev. Jeffrey Gougeon's work can be seen at
Frances Lehman Loeb Art Center, Vassar College: Summer Reading: The Recreation of Language in Twentieth-Century Art
Drawn from the collections of the Loeb Art Center and 14 public and private sources, this international survey unites paintings, photographs, prints, drawings, collages, books and book-objects, poet-artist collaborations, and more by over 50 ar...
Art Institute of Chicago: focus: Magnus von Plessen
Painted on small canvases, portraits, scenes of daily activities, simple actions and architectural views sometimes appear from a monochrome background, and other times dissolve into it. His economical and direct expressions are virtual lexicons of...
MoMA QNS: Masterworks of German Expressionism
Also featured are works by artists active after World War I, such as Max Beckmann and Käthe Kollwitz, who found that the bold, graphic use of black-and-white printmaking perfectly suited their stark, socially critical imagery. Printmaking was of c...
Textile Museum of Canada: e-textiles: Work of 11 Prominent Artists from Canada, the United States, Australia and Japan.
Participating artists are Junichi Arai (Japan); Lia Cook (USA); Frances Dorsey (Canada); Emily DuBois (USA); Laura Foster Nicholson (USA); Ruth Scheuing (Canada); Cynthia Schira (USA); Liz Williamson (Australia); Hideo Yamakuchi (Japan); and B...
Parsons Exhition Center: Drawing in the Present Tense
This show is based on a series of simple observations about the drawing process. The creative process itself often has its origins in drawing. In this view, drawing comes about from a succession of traces, impulses and sensations that form an end...
Kunsthalle Basel: Personal Plans: Twelve Current Positions in the Genre of Drawing
Works included are by: Rita Ackermann (born 1968, Budapest/New York), Anna Ammadio (born 1963, Basel), Edgar Arceneaux (born 1972, Los Angeles), Thomas Baumann (born 1967, Vienna), Annelise Coste (born 1973, France/Zurich), and Andro Wekua (bo...
University Art Museum, California State University, Long Beach: Carrie Mae Weems: The Hampton Project
The installation is comprised of large hanging scrims, original and historical photographs and reproductions, and lyrical audio recordings. Images from The Hampton Album, rare, original photographs by Frances Benjamin Johnston (1864-1952)—one of t...
National Gallery of Australia: 2004: Emerging Trends in Contemporary Australian Art
2004 - unbounded by media or thematic parameters - shows how artists, crafts workers, game-designers, networked media creators, architects and moving image makers are confronting rapid change in new and old media. It draws individual artists into...
Aron Packer Gallery: Natural History: Group Show
Aron Packer Gallery is pleased to present a small survey of some of the artists working in relation to this genre locally, nationally, and internationally. The gallery transforms into a curiosity cabinet of its own, finding connections and relati...
Art Institute of Chicago: focus: Roni Horn
For Roni Horn's focus exhibition, the artist will present an installation of photo-lithographs from the series Still Water (1999-present), an on-going, poetic study of the Thames River that was inspired by the artist's interest in the visual and l...
Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Carnegie Museum of Art: Masters of American Drawings and Watercolors, Foundations of the Collection, 1904–1922
John W. Beatty, who served as Carnegie Museum of Art’s first director from 1896 to 1922, was the driving force behind the acquisition of nearly 200 drawings and watercolors by an array of prominent American artists of the period. With the end of B...
ARTSPACE, Auckland: TIFFANY'S KYOTO A MAJOR JIM SPEERS PROJECT
A few years back Speers explained nothing by describing his works as neither ordinary objects passing themselves off as art, nor works of art passing themselves off as everyday things. Since then he has cemented his position as a key figure i...
National Gallery of Victoria: Seeing the Centre: The Art of Albert Namatjira 1902 – 1959
"As traditional custodian for the land he painted - the Western Aranda country in central Australia - Namatjira's personal and spiritual attachment flows through every work. "It is hard for anyone to view these works without sensing the powerful ...
Plus Ultra Gallery: Jennifer Dalton: Getting to Know the Neighbors
Having been dubbed the "superego" of the art world1 and, more recently, "the art world's private cardiologist"(2) for her installations and multimedia work that catalog and deconstruct the marketing and critiquing systems of contemporary art, Dalt...
Virginia Museum of Fine Art: Celebrating Art Nouveau: The Kreuzer Collection
“Their efforts produced the greatest collection of its kind in the world,” says Dr. Michael Brand, the museum’s director. “This new acquisition expands the scope of the museum’s already renowned collection of Art Nouveau decorative arts, est...
San Diego Museum of Art: Frederick Carl Frieseke: The Evolution of an American Impressionist
Organized by the Telfair Museum of Art in Savannah, Georgia, and guest curated by Nicholas Kilmer, Frieseke’s grandson, this traveling retrospective is the largest and most comprehensive exhibition of Frieseke’s work ever assembled, consisting of ...
Frances Lehman Loeb Art Center, Vassar College: Humanizing Landscapes: Geography, Culture and the Magoon Collection
Magoons collection of over 4,000 works by contemporary English and American artists, including such major Hudson River School painters as Frederic Edwin Church, Sanford Robinson Gifford and Asher B. Durand, immediately became an integral part...
Te Papa: More of the National Art Collection Displayed at Te Papa
Past Presents showcases the range of art held in the national collection – everything from old favourites such as the well-known portrait of Mrs Humphrey Devereux by eighteenth-century American artist John Singleton Copley, through to the latest ...
Rooseum Center for Contemporary Art: Creeping Revolution 2: Bas Jan Ader (NL), Sture Johannesson (S), Silke Otto-Knapp (D), Mathilde Rosier (F), Wilhelm Sasnal (PL), Lily van der Stokker (NL), Frances Stark (US)
However, any idea that this is a return to a reactionary position must be dismissed. It is a case of maintaining both social and personal change (even revolution) as equally significant aims for contemporary art. To define the work in the exhibiti...
National Gallery of Victoria: Peter Booth: Human / Nature
Booth was born in Sheffield, England, in November, 1940. The Booth family migrated to Australia in 1957, and settled in Altona. He worked in the steel mills alongside his father until he went to the National Gallery School in 1962 to study paintin...
Christchurch Art Gallery Te Puna o Waiwhetu: A Unique Journey through the Extraordinary Career of Jeffrey Harris
“Lost loves, charged encounters and moments of high emotion are among the best-known subjects of this Dunedin-based painter.” Since his last survey exhibition at the Dunedin Public Art Gallery in 1981, however, Harris has pushed toward new t...
Narborough Hall: John Piper to Exhibit
Born in 1903 in Epsom and educated at the Richmond School of Art and the Royal College of Art, John Piper was one of the most versatile artists of the century. His career spanned over seven decades until his death in 1992. Especially famous...
Crawford Municipal Art Gallery: 0044 Contemporary Irish Artists in Britain
The artists are: Kathy Prendergast, Daphne Wright, Paul Seawright, Andre Stitt, Cecily Brennan, John Carson, Anne Carlisle, Maud Cotter, Liadin Cooke, John Gibbons, Frances Hegarty, Siobhan Hapaska, Andrew Kearney, Mo Whit...
Texas Fine Arts Association at Jones Center for Contemporary Art: Glow: Aspects of Light in Contemporary American Art
Light, which makes vision possible, has always been a component of visual art, although in certain periods light has been more significant than in others. The tenebrism of Caravaggio and de la Tour, for example, represents the use of light in the...

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