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Artist: Patricia Friel ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Patricia Friel.
- Patricia Friel
Four Birds
Lithograph
20th century
- Donald Roller Wilson
Patricia in the Temple
Color lithograph
1984
- Patricia Rodriguez
Goldweight with raised "X" design
brass
20th century
- William Theophilus Brown
Patricia, number 20 of the portfolio Twenty Etchings by Theophilus Brown
Etching printed in Brown
1984
- Patricia Rodriguez
(one calendar of twelve serigraph images- mujer india, November 1975)
screenprint
1975
- S. Patricia Benson
Native American #4
Embossed relief, intaglio etching, made from lucite plate
20th century
- S. Patricia Benson
American Indian #6
embossed relief, intaglio color etching made from lucite plate~
1972
- S. Patricia Benson
American Indian #10
embossed relief, intaglio color print made from lucite plate
1972
- Patricia Tobacco Forrester
Magnolia and Sky (One of four panels)
watercolor
1979
- Patricia Tobacco Forrester
Magnolia and Sky (One of four panels)
watercolor
1979
- Patricia Tobacco Forrester
Magnolia and Sky (One of four panels)
watercolor
1979
- Patricia Tobacco Forrester
Magnolia and Sky (One of four panels)
watercolor
1979
- Patricia Tobacco Forrester
Streaming Cypresses
Etching
circa 1968
- Patricia Tobacco Forrester
Won't You Come into My Parlor?
Etching
20th century
- Patricia Tobacco Forrester
Irises in a Landscape
watercolor on white wove paper
1979
- Ali Amonikoyi
Storage jar
ceramic
circa 1875 - 1900
- Patricia Rodriguez
Goldweight with raised "X" design
brass
20th century
- Patricia Rodriguez
Goldweight with raised "X" design
brass
20th century
- Anonymous
Untitled
albumen print
19th century
- Shunsho
[Man with anchor]
color woodcut
18th century
- Shunsho
[Man with sword]
color woodcut
18th century
- Shunsho
Nakamura Nakazo I
color woodcut
1772 - 1776
- Katsushika Taito II
Full Moon at the Monkey Bridge
color woodcut
1830 - 1836
- Katsukawa Shunko
Nakamura Nakazo as a nobleman in peasant disguise
color woodcut
1775 - 1780
- Katsukawa Shunko
Ichitawa Tamizo as a lion dancer with butterflies
color woodcut
1775 - 1785
- Shunsen
Jurojin before a mirror
color woodcut
1805 - 1815
- Eisen
The Settsu Tama River
color woodcut
18th - 19th century
- Shunsho
Otami Hiroji II as a samuri in night rain
color woodcut
1770 - 1772
- Katsukawa Shunko
Otani Tomoemon or Hiroji II as Kononami Gentota as a samuri in night rain
color woodcut
1775 - 1785
- Kitagawa Utamaro
Soshi anai komachi
color woodcut
1802 - 1804
- Buncho
The Actor Arashi Hinaji and Three Startled Men in the Audience
color woodcut
1768 - 1771
- Jacques Callot
St. Patricia,Virgin, August 25; Sts. Secundus and Alexander, Martyrs, August 26; St. Cesarius, Bishop, August 27; St.Augustine, Doctor, August 28; seventy-fifth plate from the book, Les IMAGES DE TOUS/LES SAINCTS ET SAINTES /DE L*ANN
- Utamaro II
[Takigawa of Ogiya]
color woodcut
1806 - 1808
- Hiroshige II
Snow at the Yushima Tenjin Shrine - From: 36 Views of the Eastern Capitol
color woodcut
1862
- Eisen
No. 2 (Ni) from the series Popular Indigo Clothing (Ryuko ai shitate)
color woodcut
circa 1828 - 1835
- Bryan Hunt
Falls with Bend
Etching , aquatint (kind?), and drypoint
1979
- Bryan Hunt
Straight Fall
Etching and aquatint (WHAT KINDS?), and drypoint
1979
- Buncho
The actor Segawa Kikunojo II as Young Woman Holding a Flute
color woodcut
1770 - 1772
- Bryan Hunt
Untitled, pl. 2, from the set, Ghosts
Drypoint and soft ground etching
1978 The Metropolitan Museum of Art
- Chair of Renyseneb, ca. 1450 B.C.E.; mid-Dynasty 18; New Kingdom EgyptianEbony, ivory; H. 35 in.
- Hiroshige II
Cherry Trees at Night by the Sumida River in Tokyo (Toto sumidagawa yozakura)
color woodcut
1862
- Bryan Hunt
Untitled, pl, 1, from the set, Ghosts
Drypoint, soft ground etching, and etching
1978
- Kitagawa Utamaro
[Cherry blossom in a vase shaped like Ebisu holding a basket]
color woodcut
1806 - 1815
- Bryan Hunt
Untitled, pl. 3, from the set, Ghosts
Soap ground etching with scraping, and aquatint
1978
- Bryan Hunt
Untitled, pl. 4, from the set, Ghosts
Drypoint, soft ground etching, and aquatint
1978
- Eizan
Four Women on a Beach at Dawn Gathering Pails of Brine
color woodcut diptych, probably two panels of a triptych
circa 1805 - 1810
- Chiang Su
Lotus Blossoms
opaque watercolor on silk mounted to paper support
18th century
- Chiang Su
Quince Blossoms
opaque watercolor on silk mounted to paper support
18th century
- Bryan Hunt
Untitled, pl. 3, from the portfolio, Five Falls
Etching, drypoint, soap ground aquatint, and aquatint
1978
- Bryan Hunt
Untitled, pl. 2, from the portfolio, Five Falls
Etching, drypoint, soap ground aquatint, and aquatint
1978
- Bryan Hunt
Untitled, pl. 5, from the portfolio, Five Falls
Etching, drypoint, soap ground aquatint, and aquatint
1978
- Bryan Hunt
Untitled, pl. 1, from the portfolio, Five Falls
Etching, drypoint, soap ground aquatint, and aquatint
1978
- Bryan Hunt
Untitled, pl. 6, from the portfolio, Five Falls
Etching, drypoint, soap ground aquatint, and aquatint
1978
- Bryan Hunt
State proof for Unitled, pl. 1, from the set, Ghosts
Drypoint, soft ground etching, and etching
1978
- Bryan Hunt
Untitled, pl. 4, from the portfolio, Five Falls
Etching, drypoint, soap ground aquatint, and aquatint004
1978
- Toyokuni
[Two women, one with a fan, and one with a book]
Color woodcut
18th - 19th century
- Utagawa Toyoharu
Edo fukagawa ohashi nakasu no zu
color woodcut
1770 - 1780
- Charles Martin
Les Cerises (Cherries) pl. XI from Modes et Manieres d'Aujourd Hui (Fashions and Manners of Today)
pochoir
1913
- Henri Gabriel Ibels
Les paveurs
Etching
19th - 20th century
- Eizan
The Courtesan Tsumeikuno (?) of the Okamotoya (Okamotoya uchi Tsumeikuno?), from the series three elegant Beauties (Furyu san bijin)
color woodcut, left panel of a triptych
circa 1815 - 1825
- Eishi
Courtesan Somenosuke of Matsubaya (Matsubaya no uchi somenosuke) from the series Picking Pine Shoots, a chapter from the Tale of Genji (Genji komatsubiki)
color woodcut
circa 1794 - 1796
- Eisen
The Ferry on the Toda River near Warabi, Station 3 on the Kisokaido (Warabi no eki todagawa watashi), from the series Sixty-nine Stations of the Kisokaido (Kisoji no eki)
color woodcut
circa 1835 - 1836
- Hiroshige II
Soto Beach in Mutsu Province (Oshu sotogahama), from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei)
color woodcut
1859
- Henri Gabriel Ibels
Au cirque published in L'estampe originale
Color lithograph
1893
- Hiroshige II
Night Rain at the Paulownia Grove at Akasaka (Akasaka kiribatake uchu yukei), no. 48a from the series One Hundred Views of Famous Places in Edo (Meisho edo hyakkei)
color woodcut
1859
- Eisen
View of Lake Suwa from Shiojiri Pass, Station 31 on the Kisokaido (Shiojiri toge suwa no kosui chobo), from the series Sixty-nine Stations of the Kisokaido (Kisoji no eki)
color woodcut
circa 1835 - 1836
- Bryan Hunt
Straight Falls
Hard ground etching, sugar lift aquatint, soap ground aquatint, and drypoint printed on Rives BFK paper
1979
- Bryan Hunt
Falls with Bend
Hard ground etching, sugar lift aquatint, soap ground aquatint, and drypoint printed on Rives BFK paper
1979
- Toyokuni
The actors Onoe Matsusuke I and Onoe Eisaburo as Daibutsu Bozu (right) and Issun Tokubei
color woodcut
1805 - 1810
- Nicolas Africano
Ceremonial Food Pot, Kwam
Low-fired clay
20th century
- Toyokuni
The Actors Nakayama Tomisaburo and Onoe Matsusuke I as Denbei's Wife, Oyae, and Kaji no Ocho
color woodcut
1798 - 1800
- Hokkei
Number 2, Yamamba Watching Her Son Kintaro Shake Tengu from a Teee], left panel of a diptych Spring in the Mountains (Haru no yamamata)
color woodcut , left half of a double -size surimono diptych
circa 1825 - 1830
- Hokuju
Distant View of the Sea off Shinagawa from Atago Hill in the Eastern Capital (Toto shiba atagoyama embo shinagawa no umi). from an untitled series of western style landscapes
color woodcut
circa 1820 - 1830
- Kunisada
Two women in rain
color woodcut
1815 - 1825
- Claes Oldenburg
Working proof 6 for Colossal Teabags in City Square
Color spit bite aquatint, etching, softground etching and graphite
1976
- Kunisada
Memorial portrait of Hiroshige
color woodcut
1858 - 1859
- Philip Guston
Two Heads-Water
Black ink on wove paper
1976
- Mary Ann (Toots) Zynsky
Food Dish
Wood, pigment - lime
19thearly 20th century
- Hiroshige
Shirasuka - No.33 from Fifty-three stations of the Tokaido Road
color woodcut reproduction
18th - 19th century
- Hiroshige
Prince Genji and a Companion at Tago Bay
color woodcut triptych
1857
- Hiroshige
Ommayagashi, no. 105 in the series One Hundred Views of Famous Places in Edo (Meisho edo hyakkei)
color woodcut
1857
- Hiroshige
Annaka, no. 16 from the series Sixty-nine Stations of the Kisokaido
color woodcut
circa 1835 - 1840
- Hiroshige
Act 10 (Judamme) from the play Storehouse of Loyalty (Chushingura)
color woodcut
circa 1835 - 1836
- Hokusai
Chiryu, no. 40 from a series, Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1805 - 1810
- Hiroshige
Seki, no. 48 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Kegon Waterfall in Nikko (Nikko kegon no taki), from an unidentified series
color woodcut
circa 1851 - 1852
- Hiroshige
Untitled (Two Geese Flying Past Full Moon)
color woodcut
circa 1835 - 1836
- Hiroshige
Hara,no. 14 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Hamamatsu, no. 30 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Fujieda, no. 23 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Numazu, no. 13 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Hodogaya, no. 5 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Maisaka, no. 31 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Evening Bell at Mii Temple (Mii no bansho), from the series Eight Views of Omi Province (Omi hakkei)
color woodcut
circa 1833 - 1835
- Hiroshige
The Sakasai Ferry (Sakasai no watashi), no. 58 from the series One Hundred Views of Famous Places in Edo (Meisho edo hyakkei)
color woodcut
1857
- Hiroshige
Nihon Bridge in Edo (Toto nihombashi), from the series Ports of Japan (Nihon minato zukushi)
color woodcut
circa 1838 - 1842
- Hiroshige
Snow on the Sumida River (Sumidagawa yuki no kei), from a series of Famous Places in Edo (Edo meisho)
color woodcut
circa 1835 - 1836
- Hiroshige
Oi River near Kanaya (Kanaya oigawa), no. 25 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
- Hiroshige
Nihon Embankment and the Yoshiwara (Yoshiwara nihonzutsumi), no. 100 in the series One Hundred Views of Famous Places in Edo (Meisho edo hyakkei)
color woodcut
1857
- Hiroshige
Traveling at Night by Torchlight at Hakone (Hakone), no. 11 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)
color woodcut
circa 1850 - 1851
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Further Artwork and Information:
Amazon.co.uk: Books: Aspects of Personal Faith: Personality and Religion in Western and Eastern Traditions
CLASS
Four (1420 - 1481) Biography, Artwork Images, Exhibitions, Reviews
English Books > Religion & Beliefs > Religious Life & Practice > Index > World Retail Store
SignOnSanDiego.com > Sports -- Even nuns delight in this soap opera
Patricia MacLachlan ; Three Names, Thüringen- Handbuch 1920-1995.,
By Brian Friel Directed by Joe Dowling
I180: Angela FRIEL ( - )
Variety: TRANSLATIONS | KeepMedia
Descendants of Morris O
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