Artist: Louis Joseph Gustave Fuchs ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Louis Joseph Gustave Fuchs.

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Louis Joseph Gustave Fuchs St. Francisco of Assisi Lithograph 19th - 20th century
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Ernst Fuchs Emanuel Etching 20th century
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Ernst Fuchs Hiob (Job) Etching and aquatint 1963
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Gustave DorÈ Joseph, dit Leschalopier, illustration no. 291 on page 365 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Adam Fuchs The Entombment of Christ Engraving 16th - 17th century
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Adam Fuchs Cupid riding on a Dolphin Engraving 16th - 17th century
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Ernst Fuchs Mutter Konigin (Mother and Child) (half length) Drypoint 1961
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Multiple Artists Richard Wagner in der Karikatur by Ernst Kreowski and Eduard Fuchs (Berlin: B. Behr, [1907]) Book with 7 black and white inserted reproductions and 223 black and white reproductions in text 1907
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M. Huber Manuel des curieux et des amateurs de l*art by M. Huber and C.C. H. Rost(Paris: Fuchs, 1797), vols. 1 and 2 in 1 vol. book with text only 1797
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Gustave DorÈ Untitled, text page illustration on page 279 in the book, Oeuvres de Rabelais (Paris: Garnier FrËres, 1873), vol. 1 Wood engraving 19th century
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Gustave DorÈ Joseph, Surnamed Leschalopier, illustration no. 292 on page 389 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1
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Gustave DorÈ Fables de La Fontaine avec les Dessins de Gustave DorÈ 1868
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Gustave DorÈ Oeuvres de Rabelais (Paris: Garnier FrËres, 1873), vol. 1 book with 30 inserted wood engravings, 407 wood engravings in text 1873
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Gustave DorÈ La dive Bouteille, for Book V, ch. XLV, opposite page 316 in the book, Oeuvres de Rabelais (Paris: Garnier FrËres, 1873), vol. 2 Wood engraving 19th century
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Gustave DorÈ L'eschelette, illustration no. 286 on page 360 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Compositon et Dessin de Gustave DorÈ - Magazine Illustration wood engraving 19th century
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Gustave DorÈ Portrait of FranÁois Rabelais, opposite title page in the book, Oeuvres de Rabelais (Paris: Garnier FrËres, 1873), vol. 1 Wood engraving 19th century
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Gustave DorÈ Plus d'espoir de salut, illustration no. 310 on page 410 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Le Roy chez l'orphebvre, illustration no. 75 on page 85 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ DÈpart des myres, illustration no. 214 on page 269 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Visite ‡ madame ImpÈria, illustration no. 21 on page 19 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ DÈclaration d'amour, illustration no. 155 on page 179 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Les ioyes de la solitude, illustration no. 416 on page 601 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ CholËre du connestable, illustration no. 133 on page 149 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Ung tendre teste-‡-teste, illustration no. 154 on page 178 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ L'amour dans le bois , illustration no 413 on page 598 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Sorevers, maistres myres, illustration no. 210 on page 267 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Resveries dans les tours, illustration no. 316 on page 417 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Le chastel du bonhomme Bruyn, illustration no. 28 on page 28 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ HiÈrosme induict en tentaion, illustration no. 305 on page 395 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Les Chardons De La Manche Lithograph 19th century
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Gustave DorÈ Le Lion Etching 19th century
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Gustave DorÈ The army of angels engraving 19th century
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Gustave DorÈ Victims of Love terra cotta 19th century
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Gustave DorÈ illustration from Tennyson Lithograph 19th century
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Gustave DorÈ Les hespailliers de la Nauf lanterniËre amenerent le Physetere liÈ en terre de l*isle prochaine..., for Book IV, ch. XXXV, opposite title page in the book, Oeuvres de Rabelais (Paris: Garnier FrËres, 1873), vol. 2 Wo
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Gustave DorÈ Louis the Eleventh, illustration no. 108 on page 131 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]) wood
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Gustave DorÈ Defile dans la Sierra Morena Lithograph 19th century
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Gustave DorÈ The Vintage Vase (Poeme de la Vigne) bronze 1877 - 1878
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Gustave Marie Greux Chaise a Porteur du Temps de Louis XV 19th - 20th century
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Gustave DorÈ Spain (London: Bickers & Son, 1881) book with wood engravings 1881
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Gustave DorÈ ...Ou bien alloient voir les garses d*entour, & petits banquets parmy, collations & arriËre collations, for Book I, ch. XXII, opposite page 69 in the book, Oeuvres de Rabelais (Paris: Garnier FrËres, 1873), vol. 1 W
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Gustave DorÈ Ung contre six, illustration no. 368 on page 529 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Les assidus, illustration no. 408 on page 586 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ PriËre sur ung mort, illustration no. 365 on page 523 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Arachnide, illustration no. 268 on page 340 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ L'espouse dÈÁue, illustration no. 151 on page 175 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Chevalier dit Jaufre au cadavre, il m'est cruel..., opposite page 1 in the book )Les Aventures du Chevalier Jaufre et de la belle Brunissende translated by Mary Lafon (Paris: Librairie Nouvelle, 1856) wood engraving 1856
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Gustave DorÈ Le bon vieil abbÈ, illustration no. 63 on page 73 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Ung esclandre, illustration no.171 on page 204 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ BillevesÈes, illustration no. 185 on page 235 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Lsa fin du roman, illustration no. 332 on page 464 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Consultation, illustration no. 198 on page 259 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Le curÈ d'Azay, illustration no. 168 on page 201 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Parlementaires, illustration no. 224 on page 279 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Magistrat, illustration no. 221 on page 275 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ ApothÈose (Fin), illustration no. 423 on page 615 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Il mit pied ‡ terreet s'efforÁa de la retirer avec le croc de sa lance, opposite page 114 in the book Les Aventures du Chevalier Jaufre et de la belle Brunissende translated by Mary Lafon (Paris: Librairie Nouvelle, 1856) w
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Gustave DorÈ Les ieux de la Morisque, illustration no. 287 on page 362 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Le cavalier enclouÈ, illustration no. 68 on page 79 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Ung coup mortel, illustration no.156 on page 180 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ SecrËtes recommandations, illustration no. 391 on page 560 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855)+ wood engraving 1855
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Gustave DorÈ Je vous laisse ‡ penser le soulas et la joie qu'il y eut ce jour-la au ch‚teau, opposite page 96 in the book Les Aventures du Chevalier Jaufre et de la belle Brunissende translated by Mary Lafon (Paris: Librairie Nouvelle,
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Gustave DorÈ Un resguard sur la vie d'icy-bas, illustration no. 288 on page 363 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Vilain homme, illustration no. 152 on page 176 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Humble requeste, illustration no. 232 on page 294 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Poignant dÈsespoir, illustration no.169 on page 203 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Instans de dÈlire, illustration no. 160 on page 192 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Soouvenirs del'anticque, illustration no. 220 on page 273 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Dires incongrus, illustration no. 401 on page 574 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Le vieulx taincturier, illustration no. 172 on page 204 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ *Je croy, dist Pantagruel, que toutes ames intellectives sont exemptes des citeaux de Atropos*, for Book IV, ch. XXVII, opposite page 87 in the book, Oeuvres de Rabelais (Paris: Garnier FrËres, 1873), vol. 2 Wood engraving 19
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Gustave DorÈ Jaufre arrivait avec les doux donzelles dans un contrÈe dÈlicieuse..., opposite page 121 in the book Les Aventures du Chevalier Jaufre et de la belle Brunissende translated by Mary Lafon (Paris: Librairie Nouvelle, 1856) woo
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Joseph Pennell The Falls by Day Lithograph 1912
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Joseph Pennell Polperro #2 Lithograph 1897
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Gustave DorÈ The Raven (New York: Harper & Brothers, 1884) book with wood engravings 1884
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Gustave DorÈ Et la vent en passant efface jusqu'audernier dÈbrisde l'oeuvre magique, opposite page32 in the book Les Aventures du Chevalier Jaufre et de la belle Brunissende translated by Mary Lafon (Paris: Librairie Nouvelle, 1856) wood engr
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Gustave DorÈ Die heilige Schrift (Stuttgart: Eduard Hallberger, [ca. 1880]), vol. 2 book with wood engravings 1880
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Gustave DorÈ *Pourquoy? dist Gargantua, ilz sont bons tout ce mois.* Et, tirant le bourdon, ensemble enleva le pellerin & le mangeoit trËs bien., , for Book I, ch. XXXVIII, opposite page 116 in the book, Oeuvres de Rabelais (Paris: Garni
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Gustave DorÈ Bataille en champ clos, illustration no. 275 on page 349 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Joseph Pennell Zaandam, No. 2 Lithograph 1897
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Gustave DorÈ Le salut du moyne Amador, illustration no. 339 on page 472 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ ApothÈose de la gentille chastelaine, illustration no. 361 on page 513 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Encores ung petit prebstre, illustration no. 174 on page 209 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Bossu pour toute sa vie..., illustration no.173 on page 205 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Le mau-cinge s'excuse de sa cholËre, illustration no. 100 on page 117 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Souffreteux, gens de poine, illustration no. 308 on page 406 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Le rire du dict prevost, illustration no.328 on page 456 in the book Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Gustave DorÈ Ce bon Petit iusticiard, illustration no. 329 on page in the book 457Les contes drolatiques by HonorÈ de Balzac. 5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855) wood engraving 1855
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Joseph Pennell Fourth Avenue Lithograph 1910
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Joseph Pennell The Collier Lithograph 1917
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Joseph Pennell Castle on a Hill etching 1899
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Joseph Pennell Mist Over the Thames Aquatint 1894
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Joseph Pennell Temple at Paestum Lithograph 1913
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Joseph Pennell Four-Story House. Etching 1904
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Joseph Pennell Zaandam, No. 1 Lithograph 1897
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Joseph Pennell The Cut from Culebra Lithograph 1912
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Joseph Pennell Outside Schiedam Lithograph 1897
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Joseph Pennell Taking the Big Gun Away Lithograph 1916
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Joseph Pennell St. Clement Danes. Etching 1906

Artnews Articles and Exhibition Information: (17)
Click on any of the links below to read about artnews or exhibitions related to Fuchs

Stedelijk Museum: Up to now = Tot zo ver
The presentation which is being assembled at the moment by departing director Rudi Fuchs and a number of the Museum's curators will include all of the disciplines in the collection. The emphasis lies on the postwar period, although many familiar (...
Rice University Art Gallery: CHECK IT OUT
The festive opening reception will take place on Thursday, April 27th beginning at 5:30 PM at the Rice Gallery. At 6:00 PM the Rice Players and Rice Dance Theatre will perform outside on the Gallery Plaza, followed by the awards ceremony in Rice ...
Museum of Glass, International Center for Contemporary Art: Glass of the Avant-Garde: From Vienna Secession to Bauhaus
Glass of the Avant-Garde: From Vienna Secession to Bauhaus, The Torsten Bröhan Collection from the Museo Nacional de Artes Decorativas, Madrid, Ministerio de Educación, Cultura y Deporte Secretaría de Estado de Cultura, España is presented under...
Orange Regional Art Gallery: Visionary Art: Curated by Damian Michaels
All of the artwork exhibited in the show will be from The Collection Art Visionary - 30 to 35 artists representing over 12 countries. A catalogue is available through the gallery as well as through Art Visionary...
Stedelijk Museum: Karel Appel - pastorale chiaroscuro
Since his first exhibition (Young Painters, 1946) the Stedelijk Museum has closely followed the Appel's career and regularly organised exhibitions of his current work. The present exhibition stands in this tradition. An large proportion of t...
Kentucky Museum of Arts and Design: The Body Adorned: Art for the Body
Participating artists from Kentucky and across the U.S. include Bonnie Aitken, Clara Ines Arana, Stephanie Lindsey, Robin L. Bergman, Bonnie Blincoe, Elisa Bongfeldt, Jamison Brumm, Karen Chu, Sandra Clark, Terri L. Corkhill, Lisa and Scott Cylind...
Art 34 Basel: Art 34 Basel: High Quality Art at Modest Prices
Art Basel is the world’s largest and most important marketplace for contemporary art and the classics of the 20th century. Here, every current form of artistic expression can be seen and purchased. The repertoire stretches from paintings, drawings...
Sprengel Museum: Esther Shalev-Gerz: Geht Dein Bild mich an- Does Your Image Reflect Me- Est-ce que ton image me regarde-
Her installation forces the viewer to reflect on what remains as traces of history and the hidden histories and fates contained in everyday existence, the image of a city and the landscape. "History is like a text in...
Ketterer Kunst: And the Moral of the Story...Lovis Corinth's Lithographs Depicting the Fable of Reinecke Fuchs are the Highlights of the Auction - Modern Art on Paper
Very colourful is a Komposition mit Figurengruppe (Composition with a group of figures) by Adolf Hölzel, which is depicted on the cover of the catalogue. The pastel by the teacher of important artists such as Willy Baumeister, Oskar Schlemmer and ...
Williamsburg Art and Historical Center: Call for Artists: Brave Destiny
"Reason, honor and the limitless bounds of our own imaginations compels us now to do what others can only admire! Unhindered by the mortal flesh, the mind can visit realms which the body cannot. In that we are like Gods. That is our own 'brave des...
Auckland Art Gallery: Colin McCahon: A Question of Faith
The selection shows how McCahon sought to give visual representation to these existential issues of the human condition by using and modernising the Western Judeo-Christian artistic tradition.The exhibition, which is free to the public, feature...
City Gallery Wellington, 360-Michael Hirschfeld Gallery: Colin McCahon: A Question of Faith
A Question of Faith arrives in Wellington direct from the prestigious Stedelijk Museum Amsterdam, where large audiences experienced the New Zealand artist's work, often for the first time. "We are very proud that City Gallery Wellington is the ...
Stedelijk Museum: Eye Infection: Work by Robert Crumb, Mike Kelley, Jim Nutt, Peter Saul and H.C. Westermann
Unlike Gerrit Komrij, Harry Mulisch and Queen Beatrix, who were invited to present their choice from the Stedelijk's collection, Braun has devised a free exhibition concept. He wanted to introduce in Holland a so far neglected movement in Ame...
Stedelijk Museum: Colin McCahon: A Question of Faith
Colin McCahon can be called the Van Gogh of Australasia. He is the first important painter in that part of the world. Particularly since his death his activities as a teacher and museum curator have also becom...
Stedelijk Museum: Conceptual Art (1965_1975) from Dutch and Belgian Collections
Between 1965 and 1975 there was an international network of well-known and lesser known conceptually -- oriented artists, whose work and actions have been important to and characteristic of this art movement. The works shown at the Stedelijk...
Sprengel Musuem: How you look at it: 20th-century Photography
The exhibition How you look at it. 20th-century Photography offers a chance to take stock. It starts by showing how photography has greatly increased in popularity in recent years, mainly obvious by its growing presence in museums w...
Williamsburg Art and Historical Center: Call for Artists: The Miltonian Paradise Lost Convention and Juried Competition for Artists, Writers, Composers, Choreographers and Thinkers
In 1997 Lindall produced the "Charles Gatewood Retrospective" which electrified Williamsburg and stopped the trains across the Williamsburg Bridge so gawkers could view the spectacle. In 1999 he produced "Apocalypse 1999" with its morgue va...

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