Artist: Felice Giani (1758 - 1823)
Nationality: Italian
Movement: Neoclassicism
Media: Painting
Influences:

Biography:
Felice Giani first studied in Bologna at the Accademia Clementina and the Accademia di San Luca from 1780 to 1783 under Pompeo Batoni. He was strongly influenced by Ancient Greek and Roman art, Michelangelo, Raphael, and other classicist artists. Giani worked on commissions for Napolean. He entered the Roman Accademia di San Luca and was elected to the Congregation of the Virtuosi of the Pantheon in 1819.

Artworks in Museum Collections: (62)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Felice Giani.

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Giulio Tomba The Studio of Francesco Rosaspina, after Felice Giani Engraving 1811
Museum of Fine Arts -
Felice Giani, Italian, 1760-1823 The Men of Ithaca Separated by Athena in the Guise of
J. Paul Getty Museum -
Allegory on the Life of Canova
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-15/16 x W.8-15/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-3/4 x W.11-1/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-1/2 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-3/8 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-5/16 x W.7-13/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-3/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-1/4 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-1/4 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-5/16 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-7/16 x W.11
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
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Francesco (Felice) Polanzani Ascension of the Virgin Mary etching 18th century
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William Strang Porta Felice, Palermo, Sicily drypoint 19th - 20th century
J. Paul Getty Museum -
Secundra Bagh Interior
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Francesco (Felice) Polanzani Old Woman Warming Her Hands at a Brazier, after Giuseppe Nogari Engraving (and etching?) 18th century
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Francesco (Felice) Polanzani Portrait of Giovanni Battista Piranesi, from the series Le Antichit‡ di Roma (The Antiquities of Rome) Etching 1750
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E. Gullan Island of Capri, twelfth plate opposite page 215 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
Museum of Fine Arts -
Felice Casorati, Italian, 1886-1966 A Student Oil on plywood panel 123.7 x 86.7 cm (48
Museum of Fine Arts -
Felice Casorati, Italian, 1886-1966 City Dwellers Oil on canvas 150.0 x 84.5 cm (59 1/16
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I. Girtin Map of the Country, Islands, & etc. in the Vicinity of Naples, third plate opposite page 1 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) etching with
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Felice Beato - Satsuma's envoys c. 1864-1867 hand painted albumen The Royal Photographic Society British
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Anonymous False title page ,opposite frontispiece and preceding the title page, second plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with add
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I. Girtin Plan of the Barracks, Theatres, &c. of Pompeji, fifth plate opposite page103 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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Anonymous A View near Naples, sixteenth plate opposite page 350 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring 1815
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Anonymous View of the Temple of Isis in Pompeji, sixth plate opposite page 107 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand c
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Anonymous View of the Gate and High Street of Pompeji, seventh plate opposite page 124 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional
J. Paul Getty Museum -
Head Quarter Staff, Pehtang Fort
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Thomas Rowlandson Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) Book with 18 color aquatints with additional hand coloring 1815
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Felice A. Beato - Girl Playing the Samisen n.d. hand tinted black an Smith College Museum of Art Italian
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Felice Torelli - Martyrdom of St. Peter Martyr c. 1727 oil on laid paper The Detroit Institute of Art Italian
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Thomas Rowlandson Sleeping TÍte ‡ TÍte, at a First visit of Don Luigi's, eleventh plate opposite page 195 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 18
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Giovanni Battista Piranesi Veduta del Castello dell'Acqua Felice (View of The Fontana dell'Acqua Felice) from Vedute di Roma (Views of Rome) Etching 1751
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Thomas Rowlandson Don Michele Getting Up the Ship's Side, thirteenth plate opposite page 323 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addi
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Thomas Rowlandson Don Michele Preparing for His Triumphal Expedition, seventeenth plate opposite page 366 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquat
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Thomas Rowlandson First frontispiece page preceding the title page, first plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand
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Thomas Rowlandson A Bacchanalian Scene at Don Luigi's Ball, fifteenth plate opposite page 346 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with add
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Thomas Rowlandson Don Luigi's Baggage Seized by Four Lazzaroni, fourth plate opposite page 4 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with ad
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Thomas Rowlandson Ancient Greek Paintings from Herculaeum, tenth plate opposite page 178 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addition
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Thomas Rowlandson Ancient Greek Paintings from Herculaneum, eighth plate opposite page 166 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additi
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Thomas Rowlandson The Letter Writer,eighteenth plate opposite page 375 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring
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Thomas Rowlandson Don Luigi's Ball, fourteenth plate opposite page 342 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring 1
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Felice A. Beato - Interior of Fort Immediately After Its Capture 1860 albumen print from w Cincinnati Art Museum British
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Thomas Rowlandson Don Luigi Meets Donna Anna in the Museum,ninth plate opposite page 176 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addition
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Marcantonio Raimondi The Martyrdom of St. Felice Engraving 15th - 16th century
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Pasquale Ottino The Entombment Etching and engraving 17
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Pasquale Ottino The Entombment Etching with some engraving 17
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Antonio Beato Bronze Statue of Dai-Bouts, near Kamakura Albumen print mounted to an album page circa 1867
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Antonio Beato Columns in the Hypostile Hall-Harnak, Upper Egypt albumen print ca. 1865 - 1869

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Giani

Florence Lynch Gallery: Paintings by Maria Morganti
While not apparent to the viewer, the layers have increased; and there remain strong monochromatic references. The structural dynamics of the paintings are more intriguing than ever; and continue to be read as a juxtaposing of form and color, ...
ccnoa: Convergence: Tiong Ang, Luisa Caldwell, Janet Echelman, Carlo Ferraris, Craig Fisher, Christa Maiwald, Maria Morganti, Linda Van Boven
Bringing new talent to the forefront and initiating relationships with emerging and established artists and creating a comprehensive dialogue between the works of local, national and international artists, Ms. Lynch, has worked as an independent c...

Further Artwork and Information:

Felice Giani (Getty Museum)
Felice Giani Online
Felice Giani 1758-1823
Felice Giani
Disegno
La Faenza di Felice Giani
felice giani
Felice Giani
Felice Giani - Exhibitions
Felice Giani Fine Art Artwork Images And Image Gallery

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