Artist: Eric Gill (1882 - 1940)
Nationality: British
Movement:
Media: Sculpture
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Eric Gill.

-
Eric Gill The Plait (head of a girl) Wood engraving 1922
-
Desmond Chute Portrait of Eric Gill graphite on off-white wove paper 1926
-
Eric Gill Skaters, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.83: G. 90: ii/ii Engraving 1926
-
Eric Gill Eve from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.89: G. 100 Wood engraving 1926
-
Eric Gill Toilet, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.60: D. 225: wood engraving 1923
-
Eric Gill Mrs. Williams, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.61: D. 240: wood engraving 1924
-
Eric Gill Resurrection, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.15: D. 84: wood engraving 1917
-
Eric Gill Actor on Stage, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.56: D. 195: woodcut 1922
-
Eric Gill Animals All, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 8; D. 49; wood engraving 1916
-
Eric Gill The Purchaser, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 6; D. 39; wood engraving 1915
-
Eric Gill The Harem, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.72: G. 39: Wood engraving 1925
-
Eric Gill 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.80: G. 71: Mary Magdalen Wood engraving 1926
-
Eric Gill Last Judgment, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.31: D. 100: wood engraving 20th century
-
Eric Gill Carrying of the Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.81: G. 74: Wood engraving 1926
-
Eric Gill The Lion, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.43: D. 148: wood engraving 20th century
-
Eric Gill Dress, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.44 D. 155: wood engraving 20th century
-
Eric Gill The Plait, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.48: D. 166: wood engraving 20th century
-
Eric Gill Clare, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.49; D. 167: wood engraving 20th century
-
Eric Gill Slaughter of the Innocents, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed):pl. 2; D. 17; wood engraving 1914
-
Eric Gill Bookplate: Girl with Three Scallops, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.102: G. 209: Engraving 1927
-
Eric Gill Clothes for Dignity and Adornment from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 99: G. 200 Engraving 1927
-
Eric Gill Mother and Child, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.68: G. 15: wood engraving 1924
-
Eric Gill Madonna and Child, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.78: G. 63: ii/ii Wood engraving 1925
-
Eric Gill Woman with Balloons, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 90: G. 106: Wood engraving 1926
-
Eric Gill Ascension, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.32: D. 113: wood engraving 20th century
-
Eric Gill Hog and Wheat Sheaf, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 3; D. 29; wood engraving 1915
-
Eric Gill Chalice and Host, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.101: G. 207: Wood engraving 1927
-
Eric Gill Jesus Is Stripped, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.25: D. 95: wood engraving 1917
-
Eric Gill Crucifix, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.14: D. 83: wood engraving in sanguine 1917
-
Eric Gill Madonna and Child, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.37: D. 124: woodcut 20th century
-
Eric Gill All the Love Poems of Shakespeare (New York: privately printed for Sylvan Press, 1947) Book with ca. 175 reproductive illustrations 1947
-
Eric Gill The Tennis Player, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.52: D. 186: wood engraving 20th century
-
Eric Gill Girl in Bath, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.53: D. 187: 2nd bl. wood engraving 20th century
-
Eric Gill Mother and Child, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.54: D. 188: wood engraving 20th century
-
Eric Gill Jesus Falls the First Time, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.18: D. 88: wood engraving 1917
-
Eric Gill Jesus Receives His Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.17: D. 87: wood engraving 1917
-
Eric Gill Border: Our Lord on Tree, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 96: G. 181: Wood engraving 1927
-
Eric Gill Jesus is Nailed to the Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.26: D. 96: wood engraving 1917
-
Eric Gill 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 5; D. 35; Dumb-Driven Cattle wood engraving 1915
-
Eric Gill Jesus Meets Veronica, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.21: D. 91: wood engraving 1917
-
Eric Gill Jesus Falls the Second Time, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.22: D. 92: wood engraving 1917
-
Eric Gill Madonna and Child with Children, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.79: G. 64: ii/ii Wood engraving 1925
-
Eric Gill Body of Jesus Taken Down from the Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.28: D. 98: wood engraving 1917
-
Eric Gill Jesus Dies Upon the Cross, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.27: D. 97: wood engraving 1917
-
Eric Gill Self -portrait, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): frontis piece - G.214. wood engraving 1927
-
Eric Gill Our Lady of Lourdes, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.40: D. 137: wood engraving 20th century
-
Eric Gill Jesus Falls for the Third Time, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.24: D. 94: wood engraving 1917
-
Eric Gill Dress, 1860, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.45: D. 156: wood engraving 20th century
-
Eric Gill Girl in Bath, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.46; D. 165: 1st bl. wood engraving 20th century
-
Eric Gill Jesus Meets His Mother, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.19: D. 89: wood engraving 1917
-
Eric Gill Title page. G. 102. St. Thomas' Hands, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): wood engraving 1926
-
Eric Gill Portrait: Thomas Esmond Lowinsky, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.62: G. 5: wood engraving 1924
-
Eric Gill Christmas card: Nativity with Midwife..., from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 1; D.14; wood engraving 1913
-
Eric Gill 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.13: D. 79: Epiphany; D. 81: Palm Sunday; D. 82: Adam and Eve wood engraving 1917
-
Eric Gill Body of Jesus Laid in the Tomb, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.29: D. 99: wood engraving 1917
-
Eric Gill Jesus Speaks to the Women of Jerusalem, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.23: D. 93: wood engraving 1917
-
Eric Gill Spoil Bank Crucifix, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.38: D. 127: wood engraving 20th century
-
Eric Gill Christ and the Money Changers, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.36: D. 122: wood engraving 20th century
-
Eric Gill Christ and the money Changers, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl.35: D. 121: wood engraving 20th century
-
Eric Gill Title page: Troilus and Criseyde, from 72 unsigned prints on Japanese paper from a set of 80, issued as extra set for 80 copies of the book (numbered 1-80 and signed): pl. 97: G. 192: Wood engraving 1927

Artnews Articles and Exhibition Information: (22)
Click on any of the links below to read about artnews or exhibitions related to Gill

Art Gallery of New South Wales: Standing Still: Simryn Gill
Standing still was an ambitious undertaking. Gill travelled through Malaysia between 2000 and 2003 photographing debilitated buildings, deserted apartments, mansions and even mini towns. The series is reminiscent of Gill's other photographic table...
Art Gallery of New South Wales: Simryn Gill: Selected Work
The artist made this work in response to a question she asked herself; "In conceiving the work I had wondered what the 'inside' of a place might look like. Do lots of people held together by geography add up to the idea of a nation or single unifi...
EXPERIMENTAL ART FOUNDATION: SIMRYN GILL: NATURAL RESEMBLANCE, SOME RECENT PHOTO WORKS
Gill's explorations of the connections and complexities between systems of language, botany and geography are the basis for these enigmatic images. The works variously take their cues from the development of concepts of writing and nature; the his...
David Gill: Mattia Bonetti 2008 - New Work
Mattia Bonetti, who was born and educated in Switzerland but moved to Paris in 1973, has always used his training in textiles and applied art to come up with solutions across art and design practice. He has worked as a successful art photographer ...
Hamburger Bahnhof Museum: Face Up - Contemporary Art from Australia
The exhibition features 36 painting, video/DVD, photography and sculpture works, including a number of new commissions realised on site at the museum. Schmitz says : 'The exhibition is part proposition, part declaration. Beyond proffering a genera...
Institute of Modern Art, Brisbane: Your place or mine?: Fiona Foley and Simryn Gill
Fiona states, "It’s about putting Indigenous people up front in the world in every way – in fashion, in exhibitions, and in the gallery system." In the series "Badtjala Woman" & "Native Blood" Fiona directly addresses the way her ancestors...
Fruitmarket Gallery: After Image: Simryn Gill, Ana Mendieta, Cindy Sherman and Francesca Woodman
After Image features UK premieres of work from Cindy Sherman’s Masks series, 1996, and Simryn Gill’s Dalam, 2001 and Vegetation, 1999, alongside the most substantial showing to date of the defining works of Ana Mendieta and Francesca Woodman (b...
NSA Gallery: Icons: A Group Exhibition
Andrew states that I chose ‘Icons’ as the theme of the exhibition, because icons offer interesting visual potential for the merging of symbolism with design. Icons tend to be compact and ‘loaded’ images and can range from traditional symbols of th...
Monash University Museum of Art: People, Places + Ideas: Celebrating Four Decades of the Monash University Collection
Monash University began collecting art when it was founded in 1961. The Collection, which has always had a strong focus on contemporary art, has expanded over four decades to comprise over 1,200 works by more than 330 of Australia's most renow...
Parker Harris: Call for Artists: Northern Print Biennale 2009
The 2009 Print Awards is open to all British and International artists whose work, or elements of their practice, encounter print. Works in any medium will be considered and the award is not restricted to 2 or 3 dimensional work. Prizes include ...
Orleans House Gallery: Eloquent Visions: Outsider and Visionary Art
Eloquent Visions is again collaboration between Orleans House Gallery and the Henry Boxer Gallery in Richmond, the leading UK gallery of its kind. Henry Boxer, who co-curates the exhibition with Mark De Novellis states: "Over the last decade...
Kiasma, Museum of Contemporary Art: Widening Circle: 1990s International Acquisitions
Norwegian Mari Slaattelid, winner of the first prize in the Carnegie Art Award competition, employs different techniques to examine the dimensions of painting. Marko Vuokola's installation, displayed in the same room, suggests the ever wider field...
Transition: Chris Humphreys: Woodland Chicken World
Chinoiserie has an element of the homemade about it in its often misinformed imitation, giving it not only an element of the absurd but also an attitude towards borrowing and history, which is pertinent to Humphrey’s practice. Humphreys’ very con...
Gold Coast City Art Gallery: Shoot: Australian Photography from the Corrigan collection
Shoot! will be an exhibition to challenge ideas about photography and its role in visual arts practice. Gold Coast City Art Gallery Curator, Brett Adlington said, “Photographically the term ‘shoot’ implies an image that is hastily taken, in ...
Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio
The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...
Art Gallery of New South Wales: Unscripted: Language in Contemporary Art
Over the last two decades in Australia, the use of language in contemporary art has been integrated much more so than previously. Unscripted: language in contemporary art will bring together 22 works by some of Australia's most well-known co...
National Museums Liverpool: Call for Artists: John Moores 23 Exhibition of Contemporary Painting
Judges will be Contemporary Art Society director Gill Hedley, former John Moores prizewinner Callum Innes and Walker curator of fine art Ann Bukantas. The fourth and fifth judges have yet to be announced. Julian Treuherz, keeper of galleries, say...
Waikato Society of Arts: Waikato National Art Award, Summer 2005
Clay Bodvin's work was initially composed and rendered digitally for a limited-edition of inkjet prints and was the first of Bodvin’s work in 2004 to undergo a Maroflage-type process that transfers the digital image onto prepared panels. The proce...
University of Kentucky Art Museum: A Ceramic Continuum: Fifty Years of the Archie Bray Influence
The exhibition also includes work from the Foundation’s former resident directors—Rudy Autio, David Cornell, Ken Ferguson, Carol Roorbach, David Shaner, Kurt Weiser, and Peter Voulkos—as well as by Josh DeWeese, the current resident director. ...
Subject Matter Gallery: Collabro: Collaborations by over 68 Artists
The "Collabro" artists have teamed up in groups of two or more to create work all captured and connected in one gallery. Collaborative art pieces will have their artists revealed at the show opening. The show was curated by Poor Al and includes Jo...
Crow Collection of Asian Art: Western Tradition, Eastern Innovation: Contemporary Japanese Quilts
Quilting, which originated in Asia, was taken to Europe by Marco Polo and then brought to America by immigrants. It has since gone back to Japan thanks to the quilt revival that came with the Bicentennial of America. Japanese women who had come to...
Riffe Gallery: Coming of Age: Ohio Arts Council Fellowship Recipients
Coming of Age will be on display October 25, 2001 through January 6, 2002. The exhibition is the second in a series of four Riffe Gallery exhibitions that celebrates Ohio's diverse and talented artists as part of the YEAR OF THE ARTIST, July 2...

Further Artwork and Information:

Eric Gill
Eric Gill Online
DAVIDSON GALLERIES - Eric Gill
Eric Gill : MyFonts.com
Eric Gill : MyFonts
Eric Gill AUTOBIOGRAPHY
AnyBook4Less.com - Author: Eric Gill
HighBeam Research: Library Search: Results
Eric Gill
Eric Gill -- Encyclopædia Britannica

Search the Art History Database for artists, titles, media, year, and other indepth information: