Artist: Sawrey Gilpin (1733 - 1807)
Nationality: British
Movement:
Media: Painting
Influences:

Biography:
Sawrey Gilpin first apprenticed under marine painter, Samuel Scott. Unlike his teacher, he preferred to paint large-scale animal subjects, particularly horses. He earned his reputation painting champion horse racers. Gilpin also produced some history paintings.

Artworks in Museum Collections: (49)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sawrey Gilpin.

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Scène de chasse au renard (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à) ; GILPIN Sawrey (inspiré par)
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Sawrey Gilpin - A Grey Arab n.d. oil on canvas The Fitzwilliam Museum British
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William Gilpin An Essay upon Prints by William Gilpin (London: J. Robson, 1768) book with text only 1768
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Unknown artist or artists Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1792) , vol. 1 (of 2) book with 24 aquatints with hand color
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Unknown artist or artists Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1792) , vol. 2 (of 2) book with 16 aquatints with hand color
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Unknown artist or artists Plate 6, after page 44 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 179
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Unknown artist or artists Plate 15, after page 180 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 17, Loch-Tay, after page 152 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. B
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Unknown artist or artists Plate 1, opposite page 16 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 13, afte r page 132 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 2, opposite page 13 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 2, opposite page 49 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 3, opposite page 19 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776..particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 24, opposite page 185 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire
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Unknown artist or artists Plate 23, opposite page 181 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 1, opposite page 3 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 7, opposite page 45 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 16, opposite page 181 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire
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Unknown artist or artists Plate 14, opposite page 155 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire
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Unknown artist or artists Plate 13, opposite page 107 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire
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Unknown artist or artists Plate 12, opposite page 101 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776..particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 11, opposite page 97 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 10, opposite page 95 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire
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Unknown artist or artists Plate 9, opposite page 79 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 8, opposite page 55 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 21, opposite page 177 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 19, opposite page 161 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 8, opposite page 73 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 4, opposite page 59 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 9, opposite page 81 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 10, opposite page 89 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 3, opposite page 52 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 17
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Unknown artist or artists Plate 12, opposite page 131 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 14, opposite page 133 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 15, opposite page 135 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 16, opposite page 151 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire
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Unknown artist or artists Plate 11, opposite page 125 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 5, opposite page 63 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 18, opposite page 153 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire,
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Unknown artist or artists Plate 7, opposite page 69 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London: R. Blamire, 1
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Unknown artist or artists Plate 6, Situation of Hopeton House, after page 68 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed
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Unknown artist or artists Plate 5,Firth of Clyde, opposite page 43 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (Londo
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Unknown artist or artists Plate 22, Situation of Inverary Castle, after page [179] in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin,
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Unknown artist or artists Plate 4, Loch Lomond, opposite page 23 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William Gilpin, 2nd ed. (London
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Unknown artist or artists Plate 20, opposite page 173 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland, 2nd ed. (London: R. Blamire, 1792) by Willi
Museum of Fine Arts -
Hank Gilpin, Born in 1946 Bench USA, Rhode Island, (Lincoln), 1999 Curly maple, walnut 45.72
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Laura Gilpin - Castillo, Chichen Itza 1932 gelatin silver print Cleveland Museum of Art American
Museum of Fine Arts -
Hank Gilpin, Born in 1946 Stool United States, Rhode Island, (LIncoln), 2000 Honey locust 68.58
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Laura Gilpin - Rain Drops on Lupin Leaves c. 1931 gum platinum print Saint Louis Art Museum American

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Gilpin

Auckland Art Gallery: Tooth and Claw: An A to Z of Animals in Art
The exhibition has sections devoted to themes of Animals in History (this includes religious and classical examples), Town and Country Animals, The Bull Ring, Call of the Wild, The Pavilion (Indian miniatures and Japanese ukiyo-e prints from...
Delaware Art Museum: An American Century of Photography: From Dry-plate to Digital, The Hallmark Photographic Collection

Further Artwork and Information:

Sawrey Gilpin Online
Recherche-Assistent
Sawrey Gilpin - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Sawrey Gilpin
Sawrey Gilpin Antique Equestrian & Canine Horse & Dog Paintings & Prints
Sawrey Gilpin (1733-1807), Painter of horses
Sawrey Gilpin (1733 - 1807) Biography, Artwork Images, Exhibitions, Reviews
artnet.com: Resource Library: Gilpin: (2) Sawrey Gilpin
Artwork from Sawrey Gilpin, R.A.
Sawrey Gilpin - Bay Hunter in Landscape

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