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Artist: G: GIOVANNI
ALPHABETICAL ARTIST INDEX:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
- Giovanni Domenico Tiepolo, La Furlana, no. 31 from the series Divertimento per gli ragazzi (Entertainment for Children), circa 1800
- Giovanni Domenico Tiepolo, Punchinello"s Children Begging for Sweets, no. 17 from the series Divertimento per gli ragazzi (Entertainment for Children), circa 1800
- Gaetano Cottafavi, Basilica di S. Giovanni in Laterano, third plate in the book, Raccolta delle principali vedute di Roma e suoi contorni (Rome: Tommaso Cuccioni, 1837), 19th century
- Giovanni Folo, Echo, twenty-third plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)], 1814
- Giovanni Folo, Iris, twenty-second plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)], 1814
- Paul Troubetskoy, Bust of Giovanni Segantini, circa 1894
- Giovanni Boldini, The Misses Muriel and Consuelo Vanderbilt, 19th - 20th century
- Giovanni Boldini, Portrait of Mrs. Graham Fair Vanderbilt, 19th - 20th century
- Giovanni Boldini, Cafe Scene, circa 1887
- Giovanni Segantini, Landscape with Horses and Peasant Boy, 19th century
- Giovanni Segantini, Still Life with Vegetables, 1886
- Francesco Bartolozzi, A Miracle From The Life Of St. Francis, after Mannozi di San1748
- Christian Friedrich Boetius, Portrait of the painter Johannas (Giovanni Battista) Casanova, 18th century
- Giovanni Antonio da Brescia, Hercules and Antaeus, after Giovanni Antonio da Brescia"s engraving after Mantegna, circa 18 - 19th century
- Giovanni Battista Brustoloni, The Church of SS. Giovanni e Paolo, 18th century
- Giovanni Battista Brustoloni, The Piazza and Church of S. Giacomo in Rialto, after Moretti, 18th century
- Giovanni Battista Brustoloni, The Rialto Bridge, after Canaletto, 18th century
- Giovanni Battista Brustoloni, The Church of the Redeemer, at Night, after Canaletto, 18th century
- Giovanni Battista Brustoloni, The Biblioteca Marciana and the Beginning of the Grand Canal, after Canaletto, 18th century
- Giovanni Battista Brustoloni, The Doge Offers a Banquet, after Canaletto, 1766
- Giovanni Battista Brustoloni, The Cappuccine church of the Servites on the Fondamente Nuova, after Canaletto, 18th century
- Giovanni Battista Brustoloni, The Piazza S. Giacomo in Rialto, after Moretti, 18th century
- Giovanni Battista Brustoloni, The Piazza S. Marco, 18th century
- Giovanni Battista Brustoloni, The Piazza S. Marco, after Canaletto, 18th century
- Giovanni Battista Brustoloni, The Gateway to the Armory, 18th century
- Giovanni Battista Brustoloni, The Rialto, after Canaletto, 18th century
- Giovanni Battista Brustoloni, The Piazza and Church of S. Giacomo in Rialto, after Moretti, 18th century
- Giovanni Battista Brustoloni, The Church of S. Pietro in Castello, at Night, after Moretti, 18th century
- Giovanni Battista Brustoloni, Wells in the Courtyard of the Ducal Palace, after Canaletto, 18th century
- Giovanni Battista Brustoloni, View of the Bank Facing the Ducal Palace, after Canaletto, 18th century
- Giovanni Battista Brustoloni, The Bucentaro on Ascension Day, after Canaletto, 18th century
- Giovanni Battista Busiri, Classical Landscape, 18th century
- Canaletto (Giovanni Antonio Canal), Title plate from the series Vedute, circa 1735 - 1746
- Canaletto (Giovanni Antonio Canal), The Market at Dolo, mid 18th century
- Canaletto (Giovanni Antonio Canal), Landscape with A Woman at a Well, mid 18th century
- Canaletto (Giovanni Antonio Canal), Landscape with Tower and Two Ruined pillars, mid 18th century
- Canaletto (Giovanni Antonio Canal), Le Procuratie Niove et S. Zimian V., mid 18th century
- Canaletto (Giovanni Antonio Canal), The Terrace, mid 18th century
- Canaletto (Giovanni Antonio Canal), The Equestrian Monument, mid 18th century
- Canaletto (Giovanni Antonio Canal), Le Preson. V., mid 18th century
- Canaletto (Giovanni Antonio Canal), The Market on the Molo, mid 18th century
- Canaletto (Giovanni Antonio Canal), The Market on the Molo, mid 18th century
- Canaletto (Giovanni Antonio Canal), La Piera del Bando .V., mid 18th century
- Canaletto (Giovanni Antonio Canal), Imaginary View of Venice (undivided plate), from the series Vedute, 1741
- Canaletto (Giovanni Antonio Canal), Imaginary View of Padua, from the series Vedute, 1742
- Canaletto (Giovanni Antonio Canal), Prý della Valle (right half), mid 18th century
- Canaletto (Giovanni Antonio Canal), Le Porte del Dolo, from the series Vedute, circa 1735 - 1744
- Canaletto (Giovanni Antonio Canal), Ale Porte del Dolo, from the series Vedute, circa 1735 - 1744
- Canaletto (Giovanni Antonio Canal), Mestre, from the series Vedute, circa 1735 - 1744
- Canaletto (Giovanni Antonio Canal), Mestre, from the series Vedute, circa 1735 - 1744
- Canaletto (Giovanni Antonio Canal), Mestre, from the series Vedute, circa 1735 - 1744
- Canaletto (Giovanni Antonio Canal), La Torre di Malghera, 18th century
- Canaletto (Giovanni Antonio Canal), Landscape With Three Bridges, circa 1744 - 1746
- Canaletto (Giovanni Antonio Canal), The Market on the Molo, 18th century
- Giovanni Battista Canossa, Pilate and the Pharisees, 1706
- Giovanni Jacopo Caraglio, Hercules,after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Proserpina, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Vulcan, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Neptune, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Bacchus, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Saturn, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Ceres, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Mars, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Pluto, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Juno, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Giovanni Jacopo Caraglio, Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 1771
- Comte de Caylus (Anne-Claude-Philippe de TubiËres), Le S. Esprit descendant sur les apÙtres (The Holy Spirit Descending on the Apostles), after a drawing by Giovanni Battista Lenardi in the collection of M. Crozat, mid 18th century
- Giovanni-Battista Cecchi, Christ in Limbo, after Bronzino, 1777
- Giovanni-Battista Cecchi, Title page for series of the Life of St. John the Baptist, after the frescoes in the cloister of the Compagnia dello Scalzo by Andrea del Sarto, 1794
- Giovanni Battista Cipriani, Title Page, 18th century
- Giovanni Battista Cipriani, Seven Putti Representing the Arts, 1785
- Giovanni Battista Cipriani, Bust of John Milton, 1740
- Giovanni Battista Cipriani, John Milton, 1740
- Giovanni Battista Cipriani, John Milton, 1740
- Giovanni Battista Cipriani, John Milton, 18th century
- Giovanni Francesco Costa, Veduta verso il Taglio (View beside the Taglio), from the series Delle delizie del fiume Brenta (Some delights of the Brenta river), 1750
- Giovanni David, Le Marchand allant ý Rialto, plate 12 from the series Divers Portraits, 1775
- Giovanni Antonio Faldoni, Two Nude Shepherds, after Parmigianino, 1724
- Giovanni Girolamo Frezza, Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio, 1704
- Giovanni Girolamo Frezza, Marble Centaur, 1739
- Pietro Ghigi, Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace, 18th - 19th century
- Vincenzo Giaconi, Double portrait of Antonio Canova and Giovanni Martino dei Boni, 1796
- John Baptist Jackson, The Death of St. Peter Martyr, after the lost altarpiece by Titian for the church of SS. Giovanni e Paolo, Venice., 1739
- Giovanni Paolo Lasinio, Meeting of the Ministers etc. After Giangiacomo, 18th - 19th century
- Giovanni Pietro Ligarius, The Crucixion of St. Peter, 18th century
- Michiel Marieschi, Campo SS. Giovanni e Paolo, pl. 12 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice), 1741
- Giovanni Battista Nini, Seaport, 1740
- Giovanni Battista Nini, Winter Landscape, 1740
- Giovanni Battista Nini, Landscape with a river, 1740
- Giovanni Battista Nini, Wind-blown Landscape, 1740
- Giovanni Ottavianni, Venus Crowning Mars, after Guercino, 18th century
- Giovanni Ottavianni, Four Soldiers Fighting over a Female Prisoner, after Guercino, 18th century
- Giovanni Ottavianni, Jacob, 18th - 19th century
- Giovanni Ottavianni, Isaac, 18th - 19th century
- Ignacio Pavon, S. Giovanni Evangelista, after Domenichino, 18th - 19th century
- Giovanni Antonio Pellegrini, Recto:Sacrifice of Iphigenia
- Giovanni Battista Piazzetta, Diana and Endymion, 18th century
- Giovanni Domenico Picchianti, Portrait of a Servant Wearing a Cross, after Raphael, 18th century
- Giovanni Battista Piranesi, Veduta della Facciata della Basilica di S.Giovanni Laterano (View of the Facade of the Basilica of S. Giovanni Laterano) from the series Veduta di Roma, ca. 1760 - 1775
- Giovanni Battista Piranesi, Spaccato interno della Basilica di S. Paolo fuori della Mura (Internal View of the Basilica of S. Paolo fuori delle Mura), from the series Veduta di Roma, ca. 1760 - 1775
- Giovanni Battista Piranesi, Veduta della Basilica di Sta. Maria Maggiore con le due Fabbriche laterali di detta Basilica (View of teh Basilica of S. Maria maggior with its two flanking wings) from the series Veduta di Roma, ca. 1760 - 1775
- Giovanni Battista Piranesi, Veduta dell"Arco di Benevento nel regno di Napoli, 1778
- Giovanni Battista Piranesi, The Drawbridge, pl. VII from the series, Carceri (Prisons), circa 1761
- Giovanni Battista Piranesi, The Drawbridge, pl. VII from the series, Carceri (Prisons), 1749 - 1760
- Giovanni Battista Piranesi, Vase from the Dalton Collection, plate 66, Vol. II, from the series Vasi, candelabri, cippi, sarcophagi..., 1768
- Giovanni Battista Piranesi, Chimneypiece, plate 33, from the series Diverse maniere d"adornare i cammini, 1769
- Giovanni Battista Piranesi, Foro Antico Romano, pl. 14 from the series Prima parte di architettura e prospettive, 1743
- Giovanni Battista Piranesi, The Round Tower, plate III, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Smoking Fire, plate VI, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Giant Wheel, plate IX, from the series Carceri, 1761
- Giovanni Battista Piranesi, The Sawhorse, plate XII, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Pier with Chains, plate XVI, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Gothic Arch, plate XIV, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Well, plate XIII, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Arch with a Shell Ornament, plate XI, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, Prisoners on a Projecting Platform, plate X, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Giant Wheel, plate IX, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Staircase with Trophies, plate VIII, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Grand Piazza, plate IV, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Pier with a Lamp, plate XV, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, Title Plate, from the Series Carceri, 1749
- Giovanni Battista Piranesi, The Pier with Chains, plate XVI, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Pier With a Lamp, plate XV, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Gothic Arch, plate XIV, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Well, plate XIII, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Sawhorse, plate XII, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Arch with the Shell Ornament, plate XI, from the series Carceri, 1749
- Giovanni Battista Piranesi, Prisoners on a Projecting Platform, plate X, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Staircase with Trophies, plate VIII, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Lion Bas-Relief, plate V, from the series Carceri, 1761
- Giovanni Battista Piranesi, The Grand Piazza, plate IV, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Round Tower, plate III, from the series Carceri, 1749
- Giovanni Battista Piranesi, The Man on the Rack, plate II, from the series Carceri, 1761
- Giovanni Battista Piranesi, Title Page from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, TheTomb of Nero, from the series Grotteschi, 1747 - 1779
- Giovanni Battista Piranesi, The Smoking Fire, plate VI, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, Title page from Vedute di Roma (Views of Rome), 1748
- Giovanni Battista Piranesi, The Grand Piazza (A Lofty Arch with a Vista to an Arcade), pl. IV from the series Carceri, 1745 - 1750
- Giovanni Battista Piranesi, The Skeletons, from the series Grotteschi, circa 1747 - 1749
- Giovanni Battista Piranesi, The Triumphal Arch, from the series Grotteschi, circa 1745
- Giovanni Battista Piranesi, The Monumental Tablet, from the series Grotteschi, circa 1747 - 1749
- Giovanni Battista Piranesi, The Tomb of Nero, from the Grotteschi, circa 1745
- Giovanni Battista Piranesi, Studies of Soldiers, 18th century
- Giovanni Battista Piranesi, Views of Rome: Interior of Tomb of Santa Costanza , 1756
- Giovanni Battista Piranesi, Views of Rome: Pyramid of Caius Cestius , 1755
- Giovanni Battista Piranesi, Dedication page, pl. 2, from Antichitý romane de" tempi della repubblica, e de" primi imperatori disegnate ed incise da Giambattista Piranesi architetto veneziano(Roman antiquities from the time of the republic and the fi
- Giovanni Battista Piranesi, Veduta degli Avanzi di Fabbrica magnifica sepolcrale co"sue Rovine, 18th century
- Giovanni Battista Piranesi, Veduta del Pantheon d"Agrippa (View of the Pantheon of Agrippa) from Veduta di Roma (Views of Rome), 1761
- Giovanni Battista Piranesi, The Tomb of the Curatii, from the series Alcune vedute di Archi Trionfali, circa 1765
- Giovanni Battista Piranesi, Arco di Galieno, from Antichitý romane dei tempi della repubblica, 1748
- Giovanni Battista Piranesi, The Pier with a Lamp, plate XV from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Well, plate XIII, from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Sawhorse, plate XII from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Giant Wheel, plate IX from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Smoking Fire, pl. VI from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Round Tower, plate III from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, Title Page from the series Carceri, 1749 - 1760
- Giovanni Battista Piranesi, The Man on the Rack, plate II from the series Carceri, 1761
- Giovanni Battista Piranesi, Interior of the Temple of Neptune at Paestum (Plate XII of the Views of Paestum), 1778
- Giovanni Battista Piranesi, Altra veduta interna della Villa di Mecenate in Tivoli (Another view of the Villa of Myceanas in Tivoli) from Vedute di Roma (Views of Rome), 1764
- Giovanni Battista Piranesi, Veduta interna della Villa di Mecenate (Interior View of the Villa of Maecenas) from Vedute di Roma (Views of Rome), 1764
- Giovanni Battista Piranesi, Veduta del Tempio ottangolare di Minerva Medica (View of the octangular Temple of Minerva Medica) from Vedute di Roma (Views of Rome), 1764
- Giovanni Battista Piranesi, Altra Veduta degli avanzi del Pronao del Tempio della Concordia (Another view of the pronapse of the Temple of Peace) from Vedute di Roma (Views of Rome), 1774
- Giovanni Battista Piranesi, Veduta interna della Basilica di S. Pietro in Vaticano (Interior of the Basilica of S. Peter), 18th century
- Giovanni Battista Piranesi, Autre vue intÈrieur du College supposÈ des Anfictions..., 18th century
- Giovanni Battista Piranesi, Frontispiece to Volume II of Le Antichitý Romane, 1756
- Giovanni Battista Piranesi, Veduta del Ponte Rotto (View of the Ponte Rotto) from Le Antichitý Romane (The Antiquities of Rome), 1756
- Giovanni Battista Piranesi, Anfiteatro Flavio detto il Colosseo in Roma (Amphitheater of Flavio called the Colosseum in Rome), pl. 12, from Antichitý romane de" tempi della repubblica, e de" primi imperatori disegnate ed incise da Giambattista Piran
- Giovanni Battista Piranesi, Veduta di un Eliocamino (View of a Heliocaminus) from Vedute di Roma (Views of Rome), 1777
- Giovanni Battista Piranesi, Villa Panfili fuori di Porta S. Pancrazio (The Villa Pamphili outside of the Porta S. Pancrazio) from Vedute di Roma (Views of Rome), 1776
- Giovanni Battista Piranesi, The Colosseum, Bird"s-eye view (V. dell" anfiteatro Flavio detto il Colosseo), 1776
- Giovanni Battista Piranesi, Veduta della Facciata della Basilica di S. Giovanni Laterano (View of the faÁade of the basilica of St. John Lateran), from Vedute di Roma (Views of Rome), 1775
- Giovanni Battista Piranesi, Veduta dell"insigne Basilica Vaticana (View of the renowned Vatican Basilica) from the series Vedute di Roma (Views of Rome), 1775
- Giovanni Battista Piranesi, Veduta del Palazzo Farnese (View of the Palazzo Farnese) Vedute di Roma (Views of Rome), 1773
- Giovanni Battista Piranesi, Veduta del Tempio delle Camene (View of the Temple the Camenae) from the series Vedute di Roma (Views of Rome), 1773
- Giovanni Battista Piranesi, Veduta della Villa Estense in Tivoli (View of the Villa d"Este in Tivoli) from Vedute di Roma (Views of Rome), 1773
- Giovanni Battista Piranesi, Veduta della Piazza di Monte Cavallo (View of the Piazza Monte Cavallo) from Vedute di Roma (Views of Rome), 1773
- Giovanni Battista Piranesi, Veduta della Piazza di Monte Cavallo (View of the Piazza Monte Cavallo) from Vedute di Roma (Views of Rome), 1773
- Giovanni Battista Piranesi, Veduta interna della Basilica di S. Pietro vicino alla Tribuna (Interior view of the basilica of S. Peter near the tribune) from Vedute di Roma (Views of Rome), 1773
- Giovanni Battista Piranesi, The Small Waterfall and Rapids at Tivoli (V. della Cascatelle a Tivoli), 1769
- Giovanni Battista Piranesi, Hardrian"s Villa, the Canopus (Avanzi del Tempio del Dio Canopo nella Villa Adriana...), 1768
- Giovanni Battista Piranesi, Veduta della Villa del Card. Allessandro Albani (View of the Villa of Cardinal Alessandro Albani) from Vedute di Roma (Views of Rome), 1769
- Giovanni Battista Piranesi, Veduta interna della Basilica di S. Giovanni Laterano (View of the Interior of St. John lateran) from Vedute di Roma (Views of Rome), 1768
- Giovanni Battista Piranesi, Veduta interna della basilica di S. Maria Maggiore (View of the interior of the Basilica of Santa Maria Maggiore) from Vedute di Roma (Views of Rome), 1768
- Giovanni Battista Piranesi, Avanzi del Tempio detto di Apollo (Remains of the Temple of Apollo) from Vedute di Roma (Views of Rome), 1768
- Giovanni Battista Piranesi, Veduta interna dell"antico Tempio di Bacco (Interior of the ancient Temple of Bacchus) from Vedute di Roma (Views of Rome), 1767
- Giovanni Battista Piranesi, Veduta della Cascata di Tivoli (View of the Tivoli) from Vedute di Roma (Views of Rome), 1766
- Giovanni Battista Piranesi, Veduta del sepolcro di Pisone Liciniano su l"antica via Appia (View of the tomb of Pisone Liciniano on the ancient via Appia) from Vedute di Roma (Views of Rome), 1764
- Giovanni Battista Piranesi, Tempio antico vulgarmente detto della Salute (Ancient Temple popularly known as Temple of Salus) from Vedute di Roma (Views of Rome), 1763
- Giovanni Battista Piranesi, Veduta interna del Tempio della Tosse (Interior view of the Tempio della Tosse), 1764
- Giovanni Battista Piranesi, Veduta del Tempio detto della Tosse, 1763
- Giovanni Battista Piranesi, Arco di Settimio Severo (Arch of Septimus Severus), from Vedute di Roma (Views of Rome), 1758
- Giovanni Battista Piranesi, Avanzi della Villa di Mecenate a Tivoli costruita da travertina a opera incerta (The villa of Maecenas at Tivoli, made of travertine by an unknown person), from Vedute di Roma (Views of Rome), 1763
- Giovanni Battista Piranesi, Veduta del Pantheon d"Agrippa (View of the Pantheon of Agrippa) from Vedute di Roma (Views of Rome), 1761
- Giovanni Battista Piranesi, Colonna Antonina (Column of Marcus Aurelius), from Vedute di Roma (Views of Rome), 1758
- Giovanni Battista Piranesi, Veduta del Tempio di Antonino e Faustina (The Temple of Antoninus and Faustina) from Vedute di Roma (Views of Rome), 1758
- Giovanni Battista Piranesi, Veduta del Tempio di Bacco (View of the Temple of Bacchus) from Vedute di Roma (Views of Rome), 1758
- Giovanni Battista Piranesi, Veduta degli avanzi del Tablino della Casa Aurea di Nerone (View of the remains of the Tablinium of the Golden House of Nero) from Vedute di Roma (Views of Rome), 1757
- Giovanni Battista Piranesi, Veduta del Tempio di Cibele(View of the Temple of Cibele) from Vedute di Roma (Views of Rome), 1758
- Giovanni Battista Piranesi, Veduta interna del sepolcro di S. Costanza (Interior view of the tomb of Santa Costanza) from Vedute di Roma (Views of Rome), 1756
- Giovanni Battista Piranesi, Veduta del Sepolcro di Cajo Cestio, (View of the tomb of Caius) from Vedute di Roma (Views of Rome), 1755
- Giovanni Battista Piranesi, Veduta del Mausoleo d"Elio Adriano, ora chiamato Castello S. Angelo (View of Hadrian"s Tomb, today called the Castle Sant"Angelo) from Vedute di Roma (Views of Rome), 1754
- Giovanni Battista Piranesi, Veduta del Palazzo Odescalchi (View of the Palazzo Odescalchi) from Vedute di Roma (Views of Rome), 1753
- Giovanni Battista Piranesi, Veduta nella Via del Corso, del palazzo dell"Accademia istituita da Luigi XIV, Re di Francia (View of the Corso from the Academy begun by Louis XIV, King of France) from Vedute di Roma (Views of Rome), 1752
- Giovanni Battista Piranesi, Veduta della Gran Curia Innocenziana (View of the Curia Innocenziana, Palazzo di Montecitorio) from Vedute di Roma, 1752
- Giovanni Battista Piranesi, Veduta del Palazzo fabbricato sul Quirinale per le Segretarie de Brevi e della Sacra Consulta (View of the Palace built on the Quirinal for the Papal Secretaries) from Vedute di Roma (Views of Rome), 1749
- Giovanni Battista Piranesi, Veduta del Castello dell"Acqua Paola sul Monte Aureo (View of the Fontana Paola on the Janiculum Hill) from Vedute di Roma (Views of Rome), 1751
- Giovanni Battista Piranesi, Veduta del Castello dell"Acqua Felice (View of The Fontana dell"Acqua Felice) from Vedute di Roma (Views of Rome), 1751
- Giovanni Battista Piranesi, Veduta di Piazza Navona sopra le rovine del Circo Agonale (The Piazza Navona above the ruins of the circus Agonale), from the Vedute di Roma (Views of Rome), 1751
- Giovanni Battista Piranesi, Veduta della Piazza di Monte Cavallo (View of Piazza Monte Cavallo), from Vedute di Roma (Views of Rome), 1750
- Giovanni Battista Piranesi, Veduta.della Basilica di S. Sebastiano fuori delle mura di Roma, su la via Appia (View of the Basilica of S. Sebastian outside the walls of Rome, on the Via Appia) from Vedute di Roma (Views of Rome), 1750
- Giovanni Battista Piranesi, Veduta della Facciata di dietro della Basilica di S. Maria Maggiore( View of the rear faÁade of Sant Maria Maggiore) from Vedute di Roma (Views of Rome), circa 1749
- Giovanni Battista Piranesi, Spaccato interno della Basilica di S. Paolo fuori delle Mura (Interior space of the Basilica of St. Paul outside the walls), from the Veduta di Roma (Views of Rome), 1749
- Giovanni Battista Piranesi, Veduta dell" Esterno della Gran basilica di S. Pietro in Vaticano (St. Peter"s, from the Piazza della Sagrestia), from Vedute di Roma (Views of Rome), 1748
- Giovanni Battista Piranesi, Veduta interna della Basilica di S. Pietro in Vaticano (Interior view of the Basilica of S. Peter in the Vatican) from Vedute di Roma (Views of Rome), 1748
- Giovanni Battista Piranesi, Frontispiece with Statue of Minerva, from vol. II of Vedute di Roma (Views of Rome), circa 1748
- Giovanni Battista Piranesi, Title page from Vedute di Roma (Views of Rome), 1748
- Giovanni Battista Piranesi, The Tomb of the Metelli, plate XV from Volume III , Antichitý Romana, 1756
- Giovanni Battista Piranesi, The Villa d*Este at Tivoli from Vedute di Romana, circa 1773
- Giovanni Battista Piranesi, Piramide di C.Cestio, 18th century
- Giovanni Battista Piranesi, Veduta del Sepolchro di Pisone, 18th century
- Giovanni Battista Piranesi, Title Page to the second edition of the series, Carceri (Prisons), circa 1745 - 1750
- Giovanni Battista Piranesi, A View of Paul"s Fountain on Mount Gianicilo near Rome, 18th century
- Giovanni Battista Piranesi, Outside View of the Pantheon or Rotunda, 18th century
- Giovanni Battista Piranesi, The Campo Vaccino, 18th century
- Giovanni Battista Piranesi, St. Peter"s Church, 18th century
- Giovanni Battista Piranesi, Outside View of the Colosseum, 18th century
- Giovanni Battista Piranesi, The Colosseum, 18th century
- Giovanni Battista Piranesi, Veduta interna del Colosseo (Interior view of the Colosseum) from Vedute di Roma (Views of Rome), 1788
- Giovanni Battista Piranesi, Veduta interna del Panteon vulgarmente detto la Rotunda (Interior of the Pantheon commonly called the Rotunda) from Vedute di Roma (Views of Rome), 1768
- Giovanni Marco Pitteri, St. Philip, after a chalk drawing by Giovanni Battista Piazzetta, 1742
- Giovanni Marco Pitteri, S. Antonius Patavinus (St. Anthony of Padua), 18th century
- Giovanni Marco Pitteri, Portrait of Marco Pitteri, after Piazzetta, 18th century
- Giovanni Marco Pitteri, S. Antonius Monachorum in Oriente Patriarcha, 18th century
- Francesco (Felice) Polanzani, Portrait of Giovanni Battista Piranesi, from the series Le Antichitý di Roma (The Antiquities of Rome), 1750
- Ladislaus Rupp, Veduta Interna della Basilica di S. Giovanni..., 18th - 19th century
- Ladislaus Rupp, Veduta Esterna della Basilica di S. Giovanni..., 18th - 19th century
- Andrea Le Jeune Scacciati, The Flagellation (?), after Giovanni Battista Paggi, from the series Disegni originali d"eccelenti pittori..., 18th century
- Giovanni Domenico Tiepolo, Rest on the Flight into Egypt, 1753
- Giovanni Domenico Tiepolo, Christ"s face is wiped by St. Veronica, Station 6 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Battista Tiepolo, The Adoration of the Magi, published with prints from the series Scherzi di Fantasia (Playful Fantasies), circa 1740
- Giovanni Battista Tiepolo, Seated youth leaning against an urn, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, A Woman with her Arms in Chains and Four Other Figures, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, The Rider Standing Beside his Horse, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, A Woman with her Hands on a Vase, a Soldier and a Slave, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, The Astrologer and the Young Soldier, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, Death Giving an Audience, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, Standing Philosopher, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, A Nymph with a Small Satyr and Two Goats, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, Two Soldiers and Two Women, from the series Vari Capricci, 1785
- Giovanni Battista Tiepolo, Three Soldiers and a Boy, from the series Vari Capricci, 1785
- Giovanni Domenico Tiepolo, The Entombment, Station 14 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, The Deposition, Station 13 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, The Crucifixion, Station 12 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ is nailed to the Cross, Station 11 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ is stripped of his garments, Station 10 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ falls beneath the cross the third time, Station 9 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ consoles the weeping women, Station 8 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ falls beneath the cross for the second time, Station 7 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ is helped by Simon of Cyrene, Station 5 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ meets his mother, Station 4 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ falls beneath the cross for the first time, Station 3 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ receives the cross, Station 2 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Christ is condemned to death, Station 1 from the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Dedication Page, for the series Via Crucis (Stations of the Cross), 1749
- Giovanni Domenico Tiepolo, Young Moor, from Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
- Giovanni Domenico Tiepolo, Dedication Page from Book Two of Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
- Giovanni Domenico Tiepolo, Title Page from Book Two of Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, 1770
- Giovanni Battista Tiepolo, Cherub, circa 1740 - 1745
- Giovanni Battista Tiepolo, Adoration of the Magi, circa 1753
- Giovanni Domenico Tiepolo, Old Man with a Hat on his Forehead, from Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
- Giovanni Domenico Tiepolo, Old Man With A Beard from Raccolta di Teste numero trenta (Collection of Thirty Heads) by G.B. Tiepolo, circa 1770 - 1774
- Giovanni Domenico Tiepolo, Joseph Adoring the Child, from the series IdÈe Pittoresche sopra la fugga in Egitto...(Picturesque Ideas on the Flight into Egypt...), 1752
- Giovanni Domenico Tiepolo, Mercury Appearing to Aeneas in a Dream; after the fresco by Giovanni Battista Tiepolo in the Villa Valmarana, Vicenza, circa 1750
- Giovanni Domenico Tiepolo, A Man Seated and a Woman Carrying a Vase, after G.B.Tiepolo., 18th century
- Giovanni Domenico Tiepolo, Two Old Men, after G.B. Tiepolo, 18th century
- Giovanni Domenico Tiepolo, The Holy Family Under a Palm Tree, from the series IdÈe Pittoresche sopra la fugga in Egitto...(Picturesque Ideas on the Flight into Egypt...), 1753
- Giovanni Domenico Tiepolo, Venice Receiving the Homage of Neptune, after Giovanni Battista Tiepolo"s painting for the Ducal Palace in Venice, 18th - 19th century
- Giovanni Battista Tiepolo, Half-dressed Nymph with Two Children, Surrounded by Four Men, from the series Scherzi di Fantasia (Playful Fantasies), circa 1735 - 1758
- Giovanni Battista Tiepolo, Magician with Four Figures Near a Smoking Altar, from the series Scherzi di Fantasia (Playful Fantasies), circa 1735 - 1758
- Giovanni Domenico Tiepolo, Title Page, from the series of etchings by Giovanni Battista Tiepolo, Vari Capricci, 1785
- Giovanni Battista Tiepolo, Woman Resting her Hands on a Vase, circa early 18th century
- Giovanni Battista Tiepolo, The Standing Philosopher, circa 1747
- Giovanni Battista Tiepolo, Woman with arms enchained, circa 1743
- Giovanni Battista Tiepolo, Two Magicians and Two Boys, circa 1757
- Giovanni Battista Tiepolo, Scherzi: Shepherd with two Magicians, circa 1757
- Giovanni Domenico Tiepolo, The Final Station of the Cross - the Entombment, 1749
- Giovanni Domenico Tiepolo, St.Jerome Emiliani Distributing Food, circa mid 18th century
- Giovanni Domenico Tiepolo, The Flight into Egypt ( - the episode of the falling idols), 1753
- Giovanni Domenico Tiepolo, St.John the Baptist Preaching in the Wilderness, circa mid 18th century
- Giovanni Domenico Tiepolo, St.Anthony Abbot with the Virgin and St.George, circa 1755
- Giovanni Domenico Tiepolo, Armida Finds Rinaldo Asleep, circa 1770
- Giovanni Domenico Tiepolo, Portrait of the Artist"s Father, Giovanni Battista Tiepolo, circa 1775
- Giovanni Domenico Tiepolo, Self-Portrait, circa 1775
- Giovanni Domenico Tiepolo, Glory Crowning Virtue, 18th century
- Giovanni Domenico Tiepolo, Joseph Adoring the Child, while Two Angels Sing, from the series Flight into Egypt, 1752
- Giovanni Vendramini, Cries of London: Knives, Scissars and Razors to Grind, 18th - 19th century
- Giovanni Vendramini, Cries of London: Strawberrys Scarlet Strawberrys, 18th - 19th century
- Giovanni Vendramini, Cries of London: Hot Spice Gingerbread Smoking Hot, 18th - 19th century
- Giovanni Vendramini, Cries of London: Old chairs to mend, 18th - 19th century
- Giovanni Vendramini, Cries of London: Fresh Gathered Peas Young Hastings, 18th - 19th century
- Giovanni Vitalba, Death of a Saint, after Guercino, 18th century
- Giovanni Vitalba, The Guardian Angel, after Guercino, 18th century
- Giovanni Vitalba, A woman leaning her head on her left hand, after Guercino, 18th century
- Giovanni Vitalba, An old man leaning on his elbow, after Guercino, 18th century
- George Vivian, From the Gardens of S.S. Giovanni E Paolo, 18th - 19th century
- George Vivian, The Walls of Rome and Porta San18th - 19th century
- Giovanni Volpato , L"Astrologio, after a painting by Francesco Maggiotto, late 18th century
- Giovanni Volpato , Modestia et Vanitas (Modesty and Vanity), after Leonardo da Vinci, 18th century
- Giovanni Volpato , One of a Series of fourteen studies after frescoes, Statues and Architecture of the Galleria Farnese in Rome, 18th - 19th century
- Giovanni Volpato , Saint Leo the Pope and Attila, after the fresco by Raphael in the Vatican Stanze, 18th century
- Giovanni Volpato , The School of Athens, after the fresco by Raphael in the Vatican Stanze, 18th century
- Giovanni Battista Volpato, Il Fornajo(the Baker), after F. Maggiotto, 18th century
- Giovanni Volpato , Il Pentalajo (The Potseller), after F. Maggiotto, 18th century
- Giovanni Volpato , Modestia et Vanitas (Modesty and Vanity), after Leonardo da Vinci, 18th century
- Giovanni Volpato , Descent from the Cross, 18th - 19th century
- Francesco Zuccarelli, Women with a Censer, and a Man Addressing Them, after Giovanni di S.18th century
- Francesco Zuccarelli, The Return of the Holy Family from Egypt, after Giovanni di S.18th century
- Francesco Zuccherelli, Charity, after Giovanni di S. Giovanni (?), 1728
- Giovanni Domenico Tiepolo, River Gods, after Giovanni Battista Tiepolo, mid 18th century
- Giovanni Domenico Tiepolo, The Triumph of Hercules, after the painting in St. Petersburg, 18th century
- Giovanni Domenico Tiepolo, Frontispiece, for the series Via Crucis (Stations of the Cross), 1749
- Canaletto (Giovanni Antonio Canal), Recto: View of the Arch of Constantine and Environs, Rome
- Giovanni Battista Piazzetta, Bust of a Girl Holding an Apple, 18th century
- Giovanni Domenico Tiepolo, Head of an Old Man, circa 1770
- Giovanni Battista Tiepolo, Recto: Crucifixion
- Giovanni Battista Tiepolo, A Monk, 18th century
- Giovanni Domenico Tiepolo, Ascension of a Saint, late 18th century
- Giovanni Domenico Tiepolo, Old Man With A Beard from Raccolta di Teste numero trenta, Libro Primo (Collection of Thirty Heads), circa 1770 - 1774
- Giovanni Battista Pittoni, Descent from the Cross, circa 1750
- Giovanni Battista Tiepolo, The Empire of Flora, circa 1743
- Giovanni Battista Pittoni, Frame for "Descent from the Cross", circa 1750
- Giovanni Battista Paggi, Male Figure, late 16th century
- Giovanni Battista Paggi, Male Figure, late 16th century
- Giovanni Battista Paggi, Rape of Europa, late 16th century
- Giovanni Battista Naldini, Recto: St. Matthew and the Angel
- Giovanni Battista Trotti (Malosso), Angel of the Annunciation, late 16th century
- Christoffel Jegher, Bust of a Bearded Man (Doge Giovanni Cornaro), 16th - 17th century
- Giovanni Francesco Barbieri (Guercino) , Resurrection of Christ, 16th - 17th century
- Giovanni Nanni (Giovanni da Udine), Arabesque, 16th century
- Giovanni Nanni (Giovanni da Udine), Sphinx Studies, 16th century
- Giorgio Ghisi , The Vision of Ezekiel, after Giovanni Battista Bertani, 1554
- Giovanni Battista Franco, Diana Resting With Her Nymphs, 16th century
- Giovanni Battista Franco, The Holy Family on their Flight,Resting among the Ruins, 16th century
- Giovanni Battista Franco, Moses Drawing Water from the Rock, 16 - 17th century
- Giovanni Battista Franco, Roman Warrior Offering His Hand to a Young Woman, from the antique, 16th century
- Giovanni Battista Franco, Hercules Killing the Hydra of Lerna, 16th century
- Giovanni Battista Franco, The Angel Staying the Arm of Abraham, 16th century
- Giovanni Battista Franco, The Saviour carried to the Tomb, 16th century
- Giovanni Battista Franco, The Entombment, 16th century
- Giovanni Battista Franco, The Flagellation, 16th century
- Giovanni Battista Franco, The Deluge, 16th century
- Giovanni Battista Franco, Saint John the Baptist, 16th century
- Giovanni Battista Franco, Virgin and Child with St. John, 16th century
- Giovanni Battista Franco, Christ Among the Doctors, circa 1530 - 1540
- Giovanni Battista Franco, The Deluge, 16th century
- Giovanni Battista Franco, Moses Drawing Water from the Rock, 16th century
- Bernardo Daddi, Three Putti Playing With an Ostrich, from a tapestry design by Raphael (or Giovanni da Udine), 16th century
- Giovanni Pietro da Birago, Ornamental Panel: Nereid and Two Children Playing Musical Instruments, from a series of twelve ornamental panels, circa 1505 - 1515
- Giovanni Battista de Cavalieri , Martyrdom of St. Catherine, 16th - 17th century
- Giovanni Battista de Cavalieri , St. Paul the Apostle, 16th - 17th century
- Giovanni Battista de Cavalieri , Moses presenting the tablets of the law to the people, 16th - 17th century
- Giovanni Battista de Cavalieri , The Animals Leaving the Ark, after the fresco by Raphael in the Loggia of the Vatican, Rome, 16th century
- Giovanni Battista de Cavalieri , The Nativity, reverse copy of the engraving by Giorgio Ghisi (B. 3, L. 14)after the painting by Agnolo Bronzino now in the SzÈpm¸vÈszeti Museum, Budapest (no. 161), 1565
- Giovanni Battista de Cavalieri , Martyrdom of St. Peter, after the fresco by Michelangelo in the Capella Paolina, the Vatican, Rome, 16th century
- Giovanni Battista Castello, Madonna and Child Under a Tree, 16 - 17th century
- Giovanni Battista Catenaro, Apollo Surrounded by Putti, 16th - 17th century
- Giovanni Jacopo Caraglio, copy in reverse after Caraglio"s engraving Hercules Killing the Centaur Nessus, after Rosso Fiorentino, 16th century
- Giovanni Jacopo Caraglio, Cupid and Psyche, a reduced copy of Caraglio"s engraving after Perino del Vaga from The Loves of the Gods, 16th century
- Giovanni Jacopo Caraglio, The Adoration of the Shepherds, copy of the engraving by Caraglio after Parmigianino, 16th century
- Giovanni Jacopo Caraglio, Mars, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
- Giovanni Jacopo Caraglio, Venus, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
- Giovanni Jacopo Caraglio, Proserpina, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
- Giovanni Jacopo Caraglio, Ariadne, after Jacopo Caraglio"s engraving after Rosso Fiorentino, 16th century
- Giovanni Jacopo Caraglio, Marriage of the Virgin, after Parmigianino, 16th century
- Giovanni Jacopo Caraglio, Mars, pl. 9 from the series Mythological Gods and Goddesses after Rosso Fiorentino, retouched by Francisco Villamena, 16th century
- Giovanni Jacopo Caraglio, The Adoration of the Shepherds, after Parmigianino, 1526
- Giovanni Jacopo Caraglio, The Annunciation, after Raphael, 16th century
- Giovanni Jacopo Caraglio, Mars and Venus, after Gian Giacomo Caraglio"s engraving after Rosso Fiorentino, 1575
- Giovanni Jacopo Caraglio, Hercules Killing the Centaur Nessus, from The Labors of Hercules after Rosso Fiorentino, 16th century
- Giovanni Jacopo Caraglio, Jupiter, after Rosso Fiorentino, retouched by Francesco Villamena. From the series Mythological Gods and Goddesses, 16 - 17th century
- Giovanni Jacopo Caraglio, The Martyrdom of St. Peter and St. Paul, after Parmigianino, 16th century
- Giovanni Jacopo Caraglio, The Virgin and Child with St. Elizabeth and the Infant John the Baptist, after Raphael, 16th century
- Giovanni Jacopo Caraglio, Diogenes, after Parmigianino, 16th century
- Giovanni Jacopo Caraglio, The School of an Ancient Philospoher, after an unknown artist, 16th century
- Giovanni Jacopo Caraglio, Hercules Killing the Hydra of Lerna, 16th century
- Giovanni Jacopo Caraglio, [Hercules Fighting Centaurs], 16th century
- Giovanni Jacopo Caraglio, Pallas, 1526
- Giovanni Jacopo Caraglio, Hercules defeating the River God Achelous in the Form of a Bull, after Rosso Fiorentino, 16th century
- Giovanni Jacopo Caraglio, Pluto, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
- Giovanni Jacopo Caraglio, Opis, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
- Giovanni Jacopo Caraglio, Apollo, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
- Giovanni Jacopo Caraglio, Mercury, after Rosso Fiorentino, from the series Mythological Gods and Goddesses, late 16th century
- Giovanni Jacopo Caraglio, The Annunciation, after the lost painting by Titian, 16th century
- Giovanni Jacopo Caraglio, Battle Scene with a Shield and a Lance, 16th century
- Giovanni Antonio da Brescia, The Flagellation of Christ, 1509
- Giovanni Balducci, Circumcision of Christ, 16th century
- Giovanni Balducci, Recto:Figure of a Man
- Giovanni Balducci, Angel Musicians, 16th - 17th century
- Giovanni Baglione, Judith, 16th - 17th century
- Giovanni Baglione, St. Catherine, 16th - 17th century
- Giovanni Baglione, Recto: Angel Playing a Lute and Profile of a Child*s Face
- Giovanni Baglione, Group of Musicians, 16th - 17th century
- Giovanni Francesco Barbieri (Guercino) , Samson and the Honeycomb, circa 1657
- Giovanni Francesco Grimaldi, Landscape with Venus and Cupid, circa 1651
- Giovanni Battista Gaulli (Il Baciccio), The Adoration of the Lamb (Modello from the apse fresco in Il Gesu, Rome), circa 1680
- Giovanni Battista Mercati, Sepulcrum M. Mallorum Chiamato Capo di Bove (Tomb of M. Mallorum Called Head of Bove), pl. 52 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of R
- Giovanni Battista Mercati, The Colosseum, pl. 50 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma(Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Fuori del popolo a Mano Manco (Outside the [Porta] del Popolo to the River, pl. 51 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse (The Same[i.e.Amphitheater of the Coliseum]), pl. 49 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse (The Same[i.e.Amphitheater of the Coliseum]), pl. 47 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, The Colosseum, pl. 48 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Anfiteatro della Collizeo (Amphitheater of the Coliseum), pl. 46 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]), pl. 45 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, TheAntonine Baths, pl. 43 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]), pl. 44 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]), pl. 42 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Terme Antoniana (Antonine Baths), pl. 40 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse (The Same[ i.e.the Antonine Baths]),[ pl. 41] from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Pallazo Maggiore (Palazzo Maggiore), pl. 39 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesso (The Same [i.e. Below the Palazzo Maggiore]), pl. 37 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Palazzo Maggiore, pl. 38 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma(Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Sullo pallazo Maggiore (On the Palazzo Maggiore), pl. 36 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesso (The Same [i.e. the Palazzo Maggiore]), pl. 34 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Piaza che va a Scola greca (Piazza That Goes to the Greek School), pl. 35 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Pallazo Maggiore da Lontano (Palazzo Maggiore from a Distance), pl. 33 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Sotto Santa Sabina (Below S. Sabina), pl. 31 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Ponto resto di Santa Maria (Remains of the Santa Maria Bridge[ Ponte Rotto]), pl. 32 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 16
- Giovanni Battista Mercati, A St. Giorgio doux pagatano j Soldati Romani (At S. Giorgio, Where They Paid the Roman Soldiers), pl. 30 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited
- Giovanni Battista Mercati, Castelo St. Angelo (Castel Sant*Angelo), pl. 29 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Temple del sole d*Oreliano (Aurelian Temple of the Sun), pl. 27 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Porta di Cavalleggieri (Gate of the Light Cavalry), pl. 28 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Cartille [sic] del Cardinal di Fiorenza Leone XI (Courtyard of the Cardinal of Florence Leo XI), pl. 26 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited P
- Giovanni Battista Mercati, Collonna Antonina (Antonine Column), pl. 24 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, The Palazzo Madama, pl. 25 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Colonna Traiana (Trajan*s Column), pl. 23 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Pictio Santa Maria Nova (Depiction of Sant Maria Nuova), pl. 21 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Sotto St. Gioanne epoldo (Below SS. Giovanni e Paolo), pl. 22 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Tempio pace (Temple of Peace), pl. 20 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesso (The Same [i.e. Camp Vaccino]), pl. 18 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Verso la Consolatione (Towards [S. Maria della] Consolatione), pl. 19 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Dalla Saburra a Sta. Maria Magiore[sic] da j Zengari (From Saburra to S. Maria Maggiore from the Zengari), pl. 16 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uni
- Giovanni Battista Mercati, Listesso (The Same[(Near the Navicella Fountain]), pl. 15 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Veduta dall*anfiteatro a St Stefano Rotondo (View from the Amphitheater towards S. Stefano Rotondo), pl. 13 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabit
- Giovanni Battista Mercati, Presso alla Navicella (Near the Navicella [Fountain], pl. 14 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome)e, 1629
- Giovanni Battista Mercati, Near St. Peter"s in Chains, pl. 12 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse (The Same[i.e. Baths of Diocletian]), pl. 9 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Listesse Terme (The Same Baths), pl. 10 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Giovanni Battista Mercati, Tempio di Minerva Medica dila da Sta. Bibiana (Temple of Minerva Medica near Sta. Bibiana), pl. 4 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places
- Giovanni Battista Mercati, A Santa Agneze (At Santa Agneze), pl. 3 from the series Alcune vedute et prospettive di luoghi dishabitati di Roma (Some Views and Perspectives of the Uninhabited Places of Rome), 1629
- Canaletto (Giovanni Antonio Canal), Les Eaux-fortes de Canaletto (Venice: Daria Guarnati, [1945]), 17th - 18th century
- Canaletto (Giovanni Antonio Canal), Reproduction of the etching, Al Dolo, pl. 4 in the book, Les Eaux-fortes de Canaletto (Venice: Daria Guarnati, [1945]), 17th - 18th century
- Giovanni Battista Tiepolo, Head of a Young Man, 17th - 18th century
- Giovanni Battista della Rovere, Marriage of the Virgin, circa 1600
- Giovanni Francesco Barbieri (Guercino) , Kneeling Nun, circa 1630 - 1640
- Giovanni Francesco Barbieri (Guercino) , Saint John the Evangelist Meditating the Gospel, circa 1645 - 1650
- Giovanni Francesco Barbieri (Guercino) , Horses, study for the ceiling fresco Aurora (1621-1623) in the Casino Ludovisi, Rome, circa 1621
- Giovanni Francesco Grimaldi, Landscape, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Christ on the Cross Appearing to St. Bernard of Clairvaux, reverse study for the altarpiece in Santa Maria della Cella, Sampierdarena, circa 1645
- Giovanni Benedetto Castiglione (il Grechetto), Recto: Pastoral Landscape
- Giovanni Battista Volpato, The Prophet Daniel, after Michelangelo, 17th century
- Giovanni Battista Volpato, The Prophet Joel, after Michelangelo, 17th century
- Giovanni Battista Volpato, Mansuetudo, after Raphael, 17th - 18th century
- Francesco Villamena, A Mendicant (Giovanni Leonardo Geruso) with two Boys, 1600
- Giovanni Francesco Venturini, Diana and her Nymphs, after Domenichino, 17 - 18th century
- Giovanni Francesco Venturini, Cronos in a Niche, a Scene of Sacrifice and One of Triumph, after drawings by Galestruzzi from paintings by Polidoro da Caravaggio, 17th century
- Giovanni Francesco Venturini, Cascades of the River Anio at Tivoli, plate 14 from the series Le fontane del Giardino Estense in Tivoli (Fountains of the Este garden in Tivoli), circa 1684
- Giovanni Francesco Venturini, The Catedra Petri of Bernini (The throne of Peter by Bernini), plate 12 from the series Disegni di vari altari e cappelle nelle Chiese di Roma con le loro facciate, fianche, piante e misure (Drawings of altars and chapels in
- Giovanni Battista Vanni, Saint Surrounded by Seven Angels, after the painting by Correggio in the dome of the Parma cathedral, 17th century
- Giovanni Battista Vanni, The Martyrdom of St. Placid and His Sister St. Flavia, after the painting by Correggio for the Benedictine Church of St. John in Parma, 1638
- Giovanni Luigi Valesio, Cupid Punished By Venus, 17th century
- Giovanni Battista Tiepolo, The Banquet of Cleopatra, after G.B. Tiepolo"s fresco in the Palazzo Labia, Venice., 17th - 18th century
- Giovanni Cesare Testa, The Sacrament Administered to the Dying St. Gerome, after Domenichino, 17th century
- Giovanni Cesare Testa, Achilles on the back of the Centaur Chiron, 17th century
- Giovanni Lanfranco (Giovanni di Stefano), Jacob Returning to his Father Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Jacob Overhearing the Blessing of Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Jacob"s Dream, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Isaac, and Forbidding Him to Enter Egypt, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Abraham Welcoming the Three Angels, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Lot Leaving the City of Sodom, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Noah Offering a Sacrifice of Thanks to God, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Adam and Eve with Cain and Abel, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Eve Offering Adam the Forbidden Fruit, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Noah Building the Ark, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Expulsion of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Creation of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), The Creation of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Creation of the Animals, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Moses in a Burning Bush, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Joseph Relating His Dream to His Brothers, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Moses Receiving the Commandments on Mount Sinai, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Moses in the Form of a Column of Clouds, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Golden Calf Adored by the Israelites, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), Joshua Commanding the Sun and the Moon to Stand Still, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Fall of Jericho, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), David Anointed by Samuel, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Judgment of Solomon, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), David Returning to Jerusalem After Subjugating Syria, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Baptism of Christ, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Adoration of the Shepherds, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1607
- Giovanni Lanfranco (Giovanni di Stefano), The Adoration of the Magi, from the series after the frescoes by Raphael in the Vatican Loggia, 17th century
- Giovanni Lanfranco (Giovanni di Stefano), The Creation of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), The Creation of the Animals, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), The Expulsion of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Eve Offering Adam the Forbidden Fruit, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Adam and Eve With Cain and Abel, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Noah Offering a Sacrifice of Thanks to God, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Noah Building the Ark, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Lot Leaving the City of Sodom, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Abraham Welcoming the Three Angels, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), God Appearing to Isaac, and Forbidding Him to Enter Egypt, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Jacob"s Dream, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Jacob Overhearing the Blessing of Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Jacob Relating His Dreams to His Brothers, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Lanfranco (Giovanni di Stefano), Jacob Returning to His Father Isaac, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
- Giovanni Guiseppe Sole, The Sudarium, after Guido Reni, 17th century
- Giovanni Andrea Sirani, F. Philip of Ravenna, 17th century
- Giovanni Andrea Sirani, Fame, 17th century
- Giovanni Andrea Sirani, Judith with the Head of Holofernes, 17th century
- Giovanni Andrea Sirani, Apollo and Marsyas, 17th century
- Giovanni Andrea Sirani, Worship of the Golden Calf, 17th century
- Giovanni Domenico Rossi, Garden of the Illustrious Signore Mattei, 17th century
- Giovanni Domenico Rossi, Design and site of the Sumptuous Garden and Palace of the Grand Duke of Toscana, 17th century
- Giovanni Domenico Rossi, Garden of Belvedere with the Palace of the Pope in the Vatican, 17th century
- Giovanni Domenico Rossi, The Tomb of Urban VIII, after Gianlorenzo Bernini, 17th century
- Giovanni Jacopo Rossi (Giovanni Iacomo de Rubeis), The Deeds of Pope Alexander VII, 1655
- Giovanni Francesco Romanelli , Female Figure, 17th century
- Giovanni Andrea Podestý , Bacchus Meeting Ariadne on Naxos, after the painting by Titian for Alfonso I, Duke of Ferrara, now in the National Gallery, London, mid 17th century
- Giovanni Andrea Podestý , Bacchanal with Altar, Faun, and Silenus, 1640
- Giovanni Andrea Podestý , Allegory With Cupid and Putti, 1640
- Giovanni Andrea Podestý , Bacchus Meeting Ariadne on Naxos, after the painting by Titian for Alfonso, first Duke of Ferrara, circa mid 17th century
- Giovanni Andrea Podestý , Statue of Venus with Numerous Putti, after Titian, 1636
- Giovanni Andrea Podestý , Bacchanal, 1640
- Giovanni Andrea Podestý , Bacchanal With Bacchus and a Sleeping Woman, after Titian, 17th century
- Giovanni Andrea Podestý , Statue of Venus with Numerous Putti, after Titian, 1636
- Giovanni Battista Piranesi, Anticaglie presso il Ponte Palatino, 17th century
- Giovanni Battista Piranesi, Veduta Interna del Panteon d"Agrippa (Interior view of the Pantheon), 17th century
- Giovanni Battista Pasqualini, Venus and Adonis with Cupid, 1620
- Giovanni Battista Pasqualini, The Mystic Marriage of St. Catherine, after Guercino, 1626
- Giovanni Battista Pasqualini, Virgin and Child, after Guercino, 1621
- Giovanni Battista Pasqualini, St. Jerome tempted by a Female Demon, after Guercino, 1625
- Giovanni Battista Pasqualini, Virgin and Child to Whom an Angel Presents Fruit, after Guercino, 1620
- Giovanni Battista Pasqualini, The Betrayal and Arrest of Christ, 1621
- Giovanni Battista Pasqualini, David handing letter for Joab to Uriah, after Guercino, 1627
- Giovanni Battista Pasqualini, Virgin and Child with St. John the Baptist, after Guercino, 17th century
- Giovanni Paolo Pannini, The Inside of the Pantheon at Rome, 17th - 18th century
- Giovanni Battista Mercati, [Virgin and Child and Saint?], 1626
- Giovanni Battista Mercati, The Beheading of John the Baptist, 1626
- Giovanni Battista Mercati, The Baptism of Christ, 1627
- Giovanni Andrea Maglioli, Homage to Seneca after the painting by Peter Paul Rubens, 17th century
- Lorenzo Loli, The Holy Family, after Giovanni Andrea Sirani, 17th century
- Ottavio Leoni, Portrait of Giovanni Baglione, Painter, 1625
- Ottavio Leoni, Portrait of Giovanni Ciampoli, 1627
- Ottavio Leoni, Portrait of Giovanni Francesco Barbieri, called Guercino, 1623
- Giovanni Battista Salvi (il Sassoferrato), Head of a Woman, 17th century
- Giovanni Thysidio Guidi, Tobias and the Angel, 1628
- Giovanni Francesco Barbieri (Guercino) , The Holy Family With St. John, 17 - 18th century
- Giovanni Francesco Grimaldi, copy in reverse of Landscape with a Lute Player, after Titian, 17th century
- Giovanni Francesco Grimaldi, The Flight into Egypt, 17th century
- Giovanni Francesco Grimaldi, Landscape with a Column Shaft, 17th century
- Giovanni Francesco Grimaldi, Landscape with Two Fighting Goats, 17th century
- Giovanni Francesco Grimaldi, Landscape with Figures, ca. 1640
- Giovanni Francesco Grimaldi, Two Men on a Hillock, after Annibale Carracci, 17th century
- Giovanni Francesco Grimaldi, Landscape with Two Men Standing Near a Seated Man, 17th century
- Giovanni Francesco Grimaldi, Landscape with the Baptism of Christ in the Jordan, 17th century
- Giovanni Francesco Grimaldi, Two Boats, 17th century
- Giovanni Francesco Grimaldi, Landscape With a Horseman and Boys Playing Cards, 17th century
- Giovanni Francesco Grimaldi, Landscape with Three Men Standing Near a Seated Man, 17th century
- Giovanni Francesco Grimaldi, Hercules and Iole in a Garden, 17th century
- Giovanni Francesco Grimaldi, Landscape with Three Men Playing with Dice, after Annibale Carracci, 17th century
- Giovanni Francesco Grimaldi, Recto:River Scene
- Giovanni Francesco Grimaldi, Landscape with a Man Standing Near Two Seated Men, after Titian, 17th century
- Giovanni Francesco Grimaldi, Landscape with a Brick Factory, after Annibale Carracci, 17th century
- Giovanni Francesco Grimaldi, Landscape with a Lute Player, after Titian, 17th century
- Giovanni Francesco Grimaldi, Landscape with Three Men, after Titian, 17th century
- Giovanni Francesco Grimaldi, Landscape with Three Boys by a Brook, 17th century
- Giovanni Francesco Grimaldi, Landscape with Two Horsemen Entering a Small Fort, 17th century
- Giovanni Francesco Grimaldi, The Rest on the Flight into Egypt, 17th century
- Giovanni Mannozzi (Giovanni da San Giovanni), Recto:Putto Holding Banner
- Giovanni Battista Galestruzzi, Lycurgus and Numa Pompilius Giving the Laws to the Romans, from the series Subjects from Roman History, after Polidoro da Caravaggio, 17th century
- Giovanni Battista Galestruzzi, Niobe Adored on the Altar, from the series The History of Niobe after the fresco by Polidoro da Caravaggio for the faÁade of the Palazzo Milesi, Rome, 17th century
- Giovanni Battista Galestruzzi, Two Putti Supporting a Cartouche, frontispiece for the series Polidoro Invent: Opere di Polidoro da Caravaggio, 1658
- Giovanni Battista Galestruzzi, The Slaughter of Niobe"s Children, from the series The History of Niobe after the fresco by Polidoro da Caravaggio for the faÁade of the Palazzo Milesi, Rome, 17th century
- Giovanni Battista Galestruzzi, The Soldiers of Cyrus Tearing Apart the Army of Spardadise, from the series Subjects from Roman History, after Polidoro da Caravaggio, 17th century
- Giovanni Battista Galestruzzi, Mercury Bringing the Golden Apple to Paris, after Annibale Carracci"s panel in the Farnese Gallery, 17th century
- Giovanni Battista Galestruzzi, The Castration of Uranus, pl. 1 from the series Subjects from Roman History after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, 17th century
- Giovanni Battista Galestruzzi, Two Senators Speaking to the Vanquished Kings, pl. 6 from the series Subjects from Roman History after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, 17th century
- Giovanni Battista Galestruzzi, The Family of Darius at the Feet of Alexander, pl. 5 from the series Subjects from Roman History after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, 17th century
- Giovanni Battista Galestruzzi, Suppliants Taking Gifts to Niobe, after Polidoro da Caravaggio from The History of Niobe, 17th century
- Giovanni Battista Galestruzzi, Apollo and Diana Attacking Niobe"s Children, after Polidoro da Caravaggio from The History of Niobe, 17th century
- Giovanni Battista Galestruzzi, he Rape of the Sabine Women, after Polidoro da Caravaggio"s fresco on the faÁade of the Palazzo Milesi, Rome, from Subjects from Roman History, 17th century
- Giovanni Battista Galestruzzi, A Cuirass Between Pairs of Shields and Vases, plate 1 from the series of Antique War Trophies after Polidoro da Caravaggio"s faÁade for the Palazzo Milesi, Rome, circa 1658
- Giovanni Battista Galestruzzi, Procession of Suppliants, after Polidoro da Caravaggio from The History of Niobe, 17th century
- Giovanni Battista Galestruzzi, Bust of a Woman in a Niche between Two Vases, plate 3 from the series of Antique War Trophies after Polidoro da Caravaggio"s faÁade for the Palazzo Milesi, Rome, circa 1658
- Giovanni Girolamo Frezza, [Diana seated underneath a fountain], 17th - 18th century
- Giovanni Girolamo Frezza, A Harvesting Scene, 17th - 18th century
- Giovanni Girolamo Frezza, A Scene of Winemaking (Proverb, Chapter 3,V.10), 17th - 18th century
- Giovanni Girolamo Frezza, Anea Valva Sinistra Ianva Basilica Pisana (Tab.14), 17th - 18th century
- Giovanni Girolamo Frezza, Anea Valva Sinistra Ianva Basilica Pisana (Tab.13), 17th - 18th century
- Giovanni Girolamo Frezza, Pope Innocent XII, after Ludovicus David, engraved by Hubertus Vincent, 17th - 18th century
- Giovanni Girolamo Frezza, Anea Valva Sinistra Ianva Basilica Pisana (Tab.13), 17th - 18th century
- Giovanni Andrea de* Ferrari, Ecstasy of St. Mary Magdalen, 17th century
- Cesare Fantetti, Frontispiece with a Pedestal supporting the Coat of Arms of Agostino Chigi, a Farnese Prince, dedication page to Giovanni Battists Falda*s Le Fontane di Roma (Fountains of Rome), circa 1675
- Giovanni Battista Falda, The Fountain Above the Rustic Fountain at the Villa Aldobrandini, plate 10 from the series Le fontane delle ville di Frascati...(The fountains of the villas of Frascati...), circa 1675
- Giovanni Battista Falda, Fontana nella Piazza della Basilica di S. Maria Maggiore (Fountain in the Piazza of the church of Santa Maria Maggiore), pl. 9 from the series Le Fontane di Rome (Fountains of Rome), 1691
- Cornelis van Dalen The Elder, Portrait of Giovanni Boccaccio, 17th century
- Cornelis van Dalen The Elder, Portrait of Giovanni Boccaccio, 17th century
- Giovanni Battista Coriolano, The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Beheading of Saints, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Procession of Animals and Figures, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Laban Searching Jacob"s Baggage for Rachel"s Idols, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Young Shepherd on horseback, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Copy in reverse of Man With a Long Beard, Wearing a Headdress and Fur Cap, Facing Right, from the series Large Studies of heads in Oriental Headdress, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, circa 1650
- Giovanni Benedetto Castiglione (il Grechetto), Old Bearded Man Facing Left, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Man Looking to Front with Face in Shadow, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), The Festival of Pan, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), The Angel Arousing Joseph, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Raising of Lazarus, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Man Looking to Front with Face in Shadow, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), The Raising of Lazarus, circa 1647 - 1651
- Giovanni Benedetto Castiglione (il Grechetto), The Entry Into Noah"s Ark, circa 1650 - 1655
- Giovanni Benedetto Castiglione (il Grechetto), Pan Seated Near a Vase, circa 1645
- Giovanni Benedetto Castiglione (il Grechetto), Pan (or Marsyas) and Olympus, 1648
- Giovanni Benedetto Castiglione (il Grechetto), Nativity with God the Father and Angels, circa 1647
- Giovanni Benedetto Castiglione (il Grechetto), Circe With Companions of Ulysses Changed Into Animals, circa 1655
- Giovanni Benedetto Castiglione (il Grechetto), The Philosopher Diogenes Searching for an Honest Man, 1645 - 1647
- Giovanni Benedetto Castiglione (il Grechetto), Young Herdsman on Horseback, mid 17th century
- Giovanni Benedetto Castiglione (il Grechetto), The Genius of Giovanni Benedetto Castiglione, circa 1648
- Giovanni Benedetto Castiglione (il Grechetto), The Flight Into Egypt (?), 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Discovery of the Bodies of SS. Peter and Paul, 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Nativity with God the Father and Angels, circa 1647
- Giovanni Benedetto Castiglione (il Grechetto), Recto:Laban Seeking His Idols
- Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man With His Head Leaning Forward, Wearing a Skullcap, Facing Right, from the series Large Studies of heads in Oriental Headdress, late 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Man With a Moustache, Wearing a Fur Headdress, Facing Left, from the series Large Studies of heads in Oriental Headdress, late 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Plumed Fur Cap and a Scarf, from the series Large Studies of heads in Oriental Headdress, late 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Man with a Beard and Mustache, Wearing a Tassled Headdress, Facing Left, from the series Large Studies of heads in Oriental Headdress, late 17th century
- Giovanni Benedetto Castiglione (il Grechetto), A Satyr Seated Beside a Statue of Priapus (Satyr Seated at the Foot of a Term), circa 1645
- Giovanni Benedetto Castiglione (il Grechetto), Bearded Man Wearing a Cap Ornamented with Fur, Facing Right, from the series, Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Flock of Sheep Surrounding a Laden Donkey, late 17th century
- Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Old man Wearing a Turban Ornamented with Fur, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Eyes Lowered, Wearing a Cap Ornamented with Plumes, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Old Man Wearing a Turban Ornamented with Fur, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man Wearing Shoulder-Length Headdress, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Eyes Lowered, Wearing a Cap Ornamented with Plumes, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man Wearing a Plumed Turban, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man Wearing a Fur Headdress with a Headband, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Old Man Wearing a Fur Cap, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban and a Tie Fastened Around His Neck, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Head Lowered,Wearing a Turban, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man Wearing a Small Turban and a Tie Fastened Around His Neck, Facing Left, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Head Leaning Against His Shoulder, Wearing a Plumed Headdress, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man with His Head Leaning Against His Shoulder, Wearing a Plumed Headdress, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man Sounding a Trumpet, Wearing a Flat Cap, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Bearded Old Man, with Head and Eyes Lowered,Wearing a Turban Ornamented with Fur; Other Studies, Lightly Traced, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Man Sounding a Trumpet, Wearing a Flat Cap, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man Holding a Large Banderole, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man Holding a Large Banderole, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man Holding a Large Banderole, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man with a Long Beard, Wearing a Headdress and Fur Cap, Facing Right, from the series Large Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Young Woman Wearing a Plumed Turban, Facing Right, from the series Small Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Portrait of a Man with Beard and Mustache, Wearing a Cap with Large Plume (Portrait of G.L. Bernini?), circa 1645 - 1650
- Giovanni Benedetto Castiglione (il Grechetto), Man with a Mustache, Wearing a Fur Headdress, Facing Left, from the series Large Studies of Heads in Oriental Headdress, circa 1645 - 1650
- Canaletto (Giovanni Antonio Canal), Piazzetta with Campanile under Construction, 17th - 18th century
- Canaletto (Giovanni Antonio Canal), Landscape with Equestrian Statue, 17th - 18th century
- Giovanni Lorenzo Bernini, Design for a Church Altar, 17th century
- Giovanni Battista Benaschi, The Holy Family with Angels, after the painting by Giovanni Domenico Cerrini, 1652
- Sisto Badalocchio, A Bishop Ascending To Heaven Surrounded by Four Angels, from a series after Correggio"s decorations for the cupola of S. Giovanni Evangelista, Parma., circa 1620
- Pordenone (Giovanni Antonio de Sacchis), St. Joseph Being Expelled from the Temple, mid 16th century
- Giovanni Jacopo Rossi (Giovanni Iacomo de Rubeis), Villa Borghese, 16th - 17th century
- Adamo Scultori (Mantovano) , Madonna Nursing the Child, after the engraving by Giovanni Battista Scultori, circa 1560 - 1570
- Giovanni Battista Scultori (Mantovano), The Resurrection, after Giulio Romano, 1537
- Giovanni Battista Scultori (Mantovano), The River God Po and a Putto, 1538
- Giovanni da Siena, Abraham and Melchisedek, 16th century
- Giovanni Lanfranco (Giovanni di Stefano), Christ Expelling the Money Changers, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), Horse, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), (One of) Seven Hunting Pieces, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), Battlescene in the Life of Joannes de Medici, 16th - 17th century
- Jan van der Straet (Giovanni Stradano), A King receiving an envoy near battlefield, 16th - 17th century
- Giovanni Battista Zelotti, The Antique Sacrifice, 16th century
- Giovanni Battista Paggi, Christ Displaying the Sudarium, circa 1590 - 1599
- Giovanni Lanfranco (Giovanni di Stefano), Caryatid, 16th - 17th century
- Girolamo Porro, Giovanni Maria Visconti, Secondo Duca , opposite page 5 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with Funerali antichi by Thomaso Porcacchi
- Girolamo Porro, Giovanni Galeazzo Maria Sforza, Visconti Sesto Duca, on verso of page 11 in the book Sommario delle vite de* duchi di Milano, cosi Visconti, come Sforzeschi by Scipion Barbuo (Venice: Girolamo Porro, 1574); [bound with] Funerali antichi by
- Giovanni Francesco Barbieri (Guercino) , St, JÈrÙme...twenty fifth plate in thebook...[Title in Russian and French] Imperatorskaya Ermitazhnaya Galereya ä GalÈrie ImpÈriale de l"Ermitage (Saint Petersburg: Gohier Desfontaines, 1847), 16th - 17th centu
- Giovanni Francesco Barbieri (Guercino) , Martyre De St. Sebastien (The Martyrdom of Saint Sebastian)...forty eighth plate in the book... [Title in Russian and French] Imperatorskaya Ermitazhnaya Galereya ä GalÈrie ImpÈriale de l"Ermitage (Saint Petersb
- Giovanni Bologna, Astronomy, 16 - 17th century
- Giovanni Battista Carlone, St. Peter, 16th - 17th century
- Giovanni Battista Cima, Madonna and Child (The Quincy Shaw Madonna), circa 1504
- Giovanni Antonio Fasolo, Family Group Portrait, 16th century
- Giovanni Pedrini, or Giovanni Ricci Giampetrino, Saint Catherine, 16th - 17th century
- Giovanni Battista Moroni, Portrait of a Gentleman (traditionally called Giulio Gilardi), circa 1550
- Giovanni Battista Franco, Abraham and Melchizedek, 15th - 16th century
- Giovanni Battista Franco, Fortitude and Justice, 15th - 16th century
- Giovanni Battista Franco, Scipio Granting Clemency to the Prisoners, 15th - 16th century
- Giovanni Battista Franco, The Ark of the Covenant Placed Before the Philistines in the Temple of Dagon, 15th - 16th century
- Giovanni Battista Franco, A General Placing a Helmet on the Head of an Old Man, 15th - 16th century
- Giovanni Antonio Boltraffio, Portrait of a Man, 15th - 16th century
- Matteo diThe Crucifixion, circa 1490
- Matteo diThe Magi Before Herod, circa 1490
- Bartolomeo diThe Adoration of the Magi, circa 1490
- Giovanni di Marco (Giovanni dal Ponte), Madonna and Child with Angels, circa 1430
- Artist: Giovanni Di Marco (Giovanni Dal Ponte) Title: The Resurrection of Christ Date: 15th century
- Artist: Canaletto (Giovanni Antonio Canal) Title: Grand Canal from Palazzo Flangini to Palazzo Bembo Date:
- Artist: Guercino (Giovanni Francesco Barbieri) Title: Erminia and the Shepherds Date: 1648 - 1649 Medium:
- Artist: Giovanni Gioseffo dal Sole Title: Judith with the Head of Holofernes Date: 17th century
- Artist: Baciccio (Giovanni Battista Gaulli) Title: Diana the Huntress Date: about 1690 Medium: oil on
- Artist: Giovanni Domenico Ferretti Title: St. Philip Neri in Glory Date: 1731 Medium: oil on
- Artist: Fra Giovanni artist unknown Title: The Nativity Date: 15th century Medium: tempera on panel
- Artist: Il Grechetto (Giovanni Benedetto Castiglione) Title: The Immaculate Conception with Saint Francis and Anthony
- Artist: Giovanni Domenico Tiepolo Title: Head of a Philosopher Date: 1750 - 1760 Medium: oil
- Artist: attributed to Giovanni Battista Foggini Title: Jewelry Box Date: about 1700 - 1720 Medium:
- Artist: Giovanni Giardini da Forli Title: Holy Water Stoup Date: about 1720 Medium: silver, gilt
- Artist: Giambattista Tiepolo (Giovanni Battista Tiepolo) Title: The Head of Truth Date: about 1744 Medium:
- Artist: Giovanni Battista Foggini Title: Study for a Console Date: 17th century Medium: pen and
- Artist: Giovanni Battista Piranesi Title: View of the Flavian Amphiteatre Date: 18th century Medium: etching
- Artist: Giovanni Benedetto Castiglione Title: Noah and the Animals Entering the Ark Date: about 1650
- Artist: Giovanni Benedetto Castiglione Title: Theseus Finds His Father"s Weapons Date: 1648 Medium: etching Dimensions:
- Artist: Giovanni Battista Piranesi Title: The Lion Bas Reliefs, from The Prisons Series Date: 1761
- Artist: Giovanni Francesco Grimaldi Title: Landscape with Trees Date: 17th century Medium: pen and ink
- Artist: Giovanni Antonio Pellegrini Title: Allegory of America Date: 18th century Medium: pen and ink
- Artist: Circle of Giovanni Battista Piazzetta Title: A Boy and a Girl (Lovers) Date: 18th
- Artist: Giovanni Domenico Tiepolo Title: Education of the Spanish Infante, Luis of Parma Date: about
- Artist: Giovanni Benedetto Castiglione Title: The Raising of Lazarus Date: 17th century Medium: etching Dimensions:
- Artist: Pier-Leone Ghezzi Title: Caricature of Giovanni Battista Maini Date: 1749 Medium: pen and brown
- Artist: Giovanni Benedetto Castiglione Title: Discovery of the Bodies of Saint Peter and Saint Paul
- Artist: Giovanni Battista Piranesi Title: Great Piazza and Basilica of St. Peter"s from the "Le
- Artist: Giovanni Battista Piazzetta Title: Male Nude Date: 18th century Medium: black chalk heightened with
- Artist: Giovanni Benedetto Castiglione Title: Tobit Burying the Dead Date: about 1647 - 1665 Medium:
- Artist: attributed to Il Guercino (Giovanni Francesco Barbieri Guercino) Title: The Holy Family Date: 17th
- Artist: Il Guercino (Giovanni Francesco Barbieri Guercino) Title: Two Putti Covering a Cartouche on the
- Artist: Giovanni Benedetto Castiglione Title: Feast Before the Altar of the God Terminus Date: about
- Artist: Giovanni Baglione Title: Virgin and Child with Saints Date: about 1630 Medium: pen, dark
- Artist: Giovanni Benedetto Castiglione Title: Man Wearing a Plumed Fur Cap and Scarf Date: 1640
- Artist: Giovanni Battista Pittoni Title: Self Portrait Date: n.d. Medium: balck chalk, pencil, with a
- Artist: Giovanni Benedetto Castiglione Title: The Virgin Adoring the Child Date: 1655 Medium: etching Dimensions:
- Artist: Giovanni Benedetto Castiglione Title: The Nativity with God the Father and Angels Date: after
- Artist: Jean-Honoré Fragonard and after Giovanni-Battista Langetti Title: Saint Jerome in the desert Date: 18th
- Artist: Salviati (Francesco de" Rossi ) and Giovanni Stradano and Jan Rost and workshop Title:
- Youth Playing a Pipe for a Satyr, 1609-1664 Giovanni Benedetto Castiglione ("Il Grechetto") (Italian, b.
- Scalinata della Trinità dei Monti, ca. 1756-58 Made by Giovanni Paolo Pannini (Italian, b. Piacenza
- The Genius of Castiglione, ca. 1645-47, published 1648 Giovanni Benedetto Castiglione ("Il Grechetto") (Italian, b.
- Imaginary View of Venice (undivided plate), 1741 Canaletto (Giovanni Antonio Canal) (Italian, b. Venice 1697
- The Round Tower, plate 3 of Carceri, ca. 1749-60 Giovanni Battista Piranesi (Italian, b. Mogliano
- David, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
- Moses, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
- Noah, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
- Abraham, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
- An Episode from the Life of Saint Giovanni Gualberto Attributed to Niccolò di Pietro Gerini
- Madonna and Child with Donors, lunette, ca. 1365 Giovanni da Milano (Giovanni di Jacopo di
- Triton, 16th century (1560-70) By Giovanni Bologna (ca. 1529-1608)Italian (Florence); Made in Florence, ItalyBronze; H.
- Grand Prince Ferdinando de" Medici (1663-1713), Portrait Bust, 17th century (ca. 1683-85) Giovanni Battista Foggini
- The Creation of the World and the Expulsion from Paradise, 1445 Giovanni di Paolo (Italian
- The Coronation of the Virgin, ca. 1455 Giovanni di Paolo (Italian [Siena], ca. 1400-1482)Tempera on
- Bowl (Scodella), 1508 Workshop of (or painted by?) Giovanni Maria Vasaro (Italian [Castel Durante])Majolica; H.
- Trattato dell" arte della pittura, scultura et architetettura, 1585 Author: Giovanni Paolo Lomazzo (Italian, 1538-1600)Milan:
- Saint Sebastian Francesco Botticini (Francesco di Giovanni) (Italian, Florentine, born about 1446, died 1497)Tempera and
- Madonna and Child Enthroned with Saints and Angels Francesco Botticini (Francesco di Giovanni) (Italian, Florentine,
- The Trinity, lunette Bartolomeo di Giovanni (Italian, Florentine, active by 1488, died 1501)Tempera on wood;
- Madonna and Child, 1370s Paolo di Giovanni Fei (Italian, Sienese, active by 1369, died 1411)Tempera
- The Journey of the Magi, fragment Sassetta (Stefano di Giovanni) (Italian, Sienese, active by 1423,
- Madonna and Child with Angels, ca. 1445-50 Sassetta (Stefano di Giovanni) (Italian, Sienese, active by
- Saints Matthew and Francis, ca. 1436 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian,
- The Presentation of Christ in the Temple, predella panel, ca. 1440 Giovanni di Paolo (Giovanni
- Paradise, predella panel, ca. 1445 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese,
- Madonna and Child with Saints, polyptych, 1454 Giovanni di Paolo (Giovanni di Paolo di Grazia)
- Madonna and Child with Two Angels and a Donor, ca. 1445 Giovanni di Paolo (Giovanni
- The Adoration of the Magi Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese,
- The Miraculous Communion of Saint Catherine of Siena Giovanni di Paolo (Giovanni di Paolo di
- The Mystic Marriage of Saint Catherine of Siena, predella panel Giovanni di Paolo (Giovanni di
- Saint Catherine of Siena Exchanging Her Heart with Christ, predella panel Giovanni di Paolo (Giovanni
- Saints Catherine of Alexandria, Barbara, Agatha, and Margaret, pilasters of an altarpiece, after 1463
- Madonna and Child with Saints Jerome and Mary Magdalen Matteo di Giovanni di Bartolo (Italian,
- Madonna and Child and Six Saints, probably 1470s Workshop of Matteo di Giovanni di Bartolo
- The Legend of Cloelia, cassone panel, ca. 1480 Guidoccio di Giovanni Cozzarelli (Italian, Sienese, 1450-1516)Tempera
- Christ Presented to the People (Ecce Homo) Sodoma (Giovanni Antonio Bazzi) (Italian, Sienese, 1477-1549)Oil on
- The Man of Sorrows, ca. 1430 Michele Giambono (Michele Giovanni Bono) (Italian, Venetian, active 1420-62)Tempera
- Portrait of a Young Man, ca. 1470 Antonello da Messina (Antonello di Giovanni d"Antonio) (Italian,
- Christ Crowned with Thorns Antonello da Messina (Antonello di Giovanni d"Antonio) (Italian, Sicilian, born about
- Madonna Adoring the Sleeping Child, early 1460s Giovanni Bellini (Italian, Venetian, active by 1459, died
- Madonna and Child, ca. 1510 Workshop of Giovanni Bellini (Italian, Venetian, active by 1459, died
- Madonna and Child, probably late 1480s Giovanni Bellini (Italian, Venetian, active by 1459, died 1516)Oil
- Madonna and Child with Saints Giovanni Bellini and Workshop (Italian, Venetian, active by 1459, died
- The Circumcision, 1511 Workshop of Giovanni Bellini (Italian, Venetian, active by 1459, died 1516)Oil on
- Three Saints: Roch, Anthony Abbot, and Lucy, ca. 1513 Giovanni Battista Cima (Italian, Venetian, born
- Madonna and Child with Saints Francis and Clare, ca. 1510 Giovanni Battista Cima (Italian, Venetian,
- Bacchus and Ariadne Giovanni Antonio Pellegrini (Italian, Venetian, 1675-1741)Oil on canvas; 46 x 50 1/2
- Saint Christopher Carrying the Infant Christ Giovanni Battista Piazzetta (Italian, Venetian, 1682-1754)Oil on canvas; 28
- The Holy Family, probably ca. 1735 Giovanni Battista Pittoni (Italian, Venetian, 1687-1767)Oil on canvas; 32
- The Triumph of Marius, 1729 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; Irregular painted
- The Capture of Carthage, 1725-29 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; Irregular painted
- The Battle of Vercellae, 1725-29 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; Irregular painted
- The Glorification of the Barbaro Family, ceiling decoration, ca. 1750 Giovanni Battista Tiepolo (Italian, Venetian,
- The Investiture of Bishop Harold as Duke of Franconia, sketch, ca. 1751-52 Giovanni Battista Tiepolo
- Allegory of the Planets and Continents, sketch, 1752 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on
- Saint Thecla Praying for the Plague-Stricken, sketch, 1758-59 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on
- The Adoration of the Magi, sketch Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; 23
- The Apotheosis of the Spanish Monarchy, sketch for a ceiling painting Giovanni Battista Tiepolo (Italian,
- The Apotheosis of the Spanish Monarchy, sketch for a ceiling painting Giovanni Battista Tiepolo (Italian,
- The Chariot of Aurora Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas; 35 1/2 x
- A Female Allegorical Figure, grisaille, ca. 1740-50 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas,
- A Female Allegorical Figure, grisaille, 1740-50 Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil on canvas, gold
- Neptune and the Winds, sketch for a ceiling painting Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Oil
- Virtue and Abundance, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi
- Metaphysics, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
- Arithmetic, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
- Geometry, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
- Grammar, monochrome, 1740s Giovanni Battista Tiepolo and Workshop (Italian, Venetian, 1696-1770); and Girolamo Mengozzi (called
- Prudence, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred to canvas; Oval,
- A Virtue, Possibly Patriotism, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred
- Temperance, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred to canvas; Oval,
- Fortitude, grisaille, 1740s Workshop of Giovanni Battista Tiepolo (Italian, Venetian, 1696-1770)Fresco, transferred to canvas; Oval,
- Piazza San Marco, possibly late 1720s Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas;
- Venice: Santa Maria della Salute Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas; 18
- A Dance in the Country, ca. 1755 Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Oil on canvas;
- Europe, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
- America, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
- Asia, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
- Africa, monochrome overdoor Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Fresco, transferred to canvas; 32 1/4 x
- The Sacrifice of Isaac, mid-1750s Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Oil on canvas; 15 3/8
- Virtue and Nobility, ca. 1790-95 Giovanni Domenico Tiepolo (Italian, Venetian, 1727-1804)Oil on canvas; 21 x
- The Glorification of the Giustiniani Family, sketch for a ceiling painting, 1784-85 Giovanni Domenico Tiepolo
- Girl with Cherries, ca. 1494 Attributed to Giovanni Ambrogio de Predis (Italian, Milanese, active by
- Portrait of a Man Giovanni Agostino da Lodi (Italian, Milanese, active first quarter 16th century)Oil
- Diana the Huntress Giampietrino (Gian Pietro Rizzi, or Giovanni Pedrini) (Italian, Milanese, active first half
- Saint Matthew and the Angel Giovanni Girolamo Savoldo (Italian, Brescian, active by 1508, died soon
- Bartolommeo Bonghi (died 1584), shortly after 1553 Giovanni Battista Moroni (Italian, Lombard, born no later
- Portrait of a Man Giovanni Battista Moroni (Italian, Lombard, born no later than 1524, died
- Abbess Lucrezia Agliardi Vertova (1490?–?1557) Giovanni Battista Moroni (Italian, Lombard, born no later than 1524,
- The Adoration of the Shepherds L"Ortolano (Giovanni Battista Benvenuti) (Italian, Ferrarese, active by 1512, died
- The Three Ages of Man Dosso Dossi (Giovanni de Lutero) (Italian, Ferrarese, active by 1512,
- Samson Captured by the Philistines Guercino (Giovanni Francesco Barbieri) (Italian, Ferrarese, 1591-1666)Oil on canvas; 75
- The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650 Guercino (Giovanni Francesco Barbieri) (Italian, Ferrarese,
- Madonna and Child with Angels Gentile da Fabriano (Gentile di Niccolò di Giovanni di Massio)
- The Birth of the Virgin, 1467 Fra Carnevale (Bartolomeo di Giovanni Corradini) (Italian, Marchigian, active
- The Sacrifice of Polyxena Giovanni Francesco Romanelli (Italian, Roman, 1610-1662)Oil on canvas; 77 3/4 x
- Ancient Rome, 1757 Giovanni Paolo Panini (or Pannini) (Italian, Roman, 1691-1765)Oil on canvas; 67 3/4
- Modern Rome, 1757 Giovanni Paolo Panini (or Pannini) (Italian, Roman, 1691-1765)Oil on canvas; 67 3/4
- Interior of Saint Peter"s, Rome, after 1754 Giovanni Paolo Panini (or Pannini) (Italian, Roman, 1691-1765)Oil
- David at the Cave of Adullam Giovanni Maldura (Italian, Roman, active by 1810, died 1849)Oil
- Gossip, 1873 Giovanni Boldini (Italian, Ferrarese, 1845-1931)Oil on wood; 7 x 9 1/2 in. (17.8
- The Dispatch-Bearer, ?1879 Giovanni Boldini (Italian, Ferrarese, 1845-1931)Oil on wood; 16 3/4 x 13 1/2
- Mrs. Charles Warren-Cram (Ella Brooks Carter, 1846-1896), 1885 Giovanni Boldini (Italian, Ferrarese, 1845-1931)Oil on canvas;
- Consuelo Vanderbilt (1876-1964), Duchess of Marlborough, and Her Son, Lord Ivor Spencer-Churchill (1898-1956), 1906
- Francesca Ghirardi Lechi Giovanni Battista Gigola (Italian, Brescian, 1767-1841)Ivory; Diameter 2 5/8 in. (66 mm)Bequest
- La Verna: Chapel of
- Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Aurora Dispersing the Clouds of Night (ceiling from the
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Apotheosis of Aeneas about 1762 Oil on canvas 67.31
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Apotheosis of a Poet Oil on canvas 37.1 x
- Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Academic Male Nude Posed Against a Tree early 1750s
- Giovanni Domenico Tiepolo, Italian, 1727-1804 A Venetian Banquet late 18th century, about 1791 Pen and
- Follower of Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 A Bishop Saint Healing a Cripple (Design
- After Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Capriccio of Roman Ruins with a Bas-Relief of
- After Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Capriccio of Roman Ruins with a Statue of
- Style of Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Cherub 17th century Red
- Copied after Giovanni Bellini, Italian (Venetian), about 1430-1516 Christ Carrying the Cross 15th - early
- Formerly attributed to Ugo Da Carpi, Italian, about 1480-1520 Designed by Giovanni Antonio de Sachis,
- Master of the Boccaccio Illustrations, Netherlandish 1470-1490 Publisher Colard Mansion, Bruges Author Giovanni Boccaccio De
- Giovanni Battista Troccoli, American (born in Italy), 1882-1940 Denman Waldo Ross 1934 Oil on fiberboard
- Benvenuto di Giovanni di Meo del Guasta, Italian (Sienese), 1436–about 1518 Expulsion from Paradise 1470s
- Giovanni Battista Piranesi, Italian, 1720-1778 Fantastic Monument 1747-50 Pen and brown ink and wash over
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Flying Angels and Cherubs with the Instruments of the Passion
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Flying Angels with Trumpets Accompanied by Putti mid to late
- Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Fountain of Trevi, Rome Oil on canvas 50.2 x
- Giovanni Battista Piranesi, Italian, 1720-1778 Fountain-like Monument with Rostral Column about 1755 Pen and brown
- Style of Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Girl Seated at a
- Style of Giovanni Antonio Canal (called Canaletto), Italian (Venetian), 1697-1768 Grand Canal, Venice Oil on
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Bearded Man Looking to the Left about
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Bearded Old Man about 1751-53 Red chalk,
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Woman Turned Upward to the Right mid
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Head of a Youth Shouting, in Profile to the Right
- School of Giovanni Pisano Head of Saint John the Baptist Italian (Siena) Gothic, about 1315-1325
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Or Giovanni Domenico Tiepolo, Italian, 1727-1804 Heads of Two
- Attributed to Giovanni Battista Maganza, Italian (Vicenzan), 1509-1586 Healing in the Temple (fragment) Oil on
- Attributed to Giovanni Battista Naldini, Italian, about 1537-1591 Holy Family with Saint Anne and the
- Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
- Matteo da Gualdo (Matteo di Pietro di Giovanni di Ser Bernardo, called Matteo da Gualdo),
- Giovanni di Paolo, Italian (Sienese), active about 1420–died in 1482 Madonna of Humility about 1436
- Benvenuto di Giovanni di Meo del Guasta, Italian (Sienese), 1436–about 1518 Male Saint Tempera on
- Giovanni Battista Fabricatore, Italian, 1780-1811 Mandoline Italy, (Naples), 1790 Maple, spruce 75.9 x 17.8 x
- Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
- Giovanni Battista Piranesi, Italian, 1720-1778 Monumental Facade about 1747-50 Pen and brown ink and wash
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Mother and Child Seated in a Landscape mid 18th century
- Giovanni Battista Troccoli, American (born in Italy), 1882-1940 Mrs. Edwin Champney (Lady with a Tray)
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Old Man Standing with Arms Folded mid 18th century
- Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Pastorale: A Group of Figures Resting in a Landscape
- Giovanni Paolo Castelli, Italian (Roman), active about 1687-1703 Peaches and Pears in a Glass Bowl
- Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Peasant Boy at a Market 1715-18 Oil on canvas
- Giovanni Battista Piazzetta, Italian (Venetian), 1683-1754 Peasant Girl Catching a Flea about 1715 Oil on
- Giovanni Paolo Pannini, Italian (Roman), 1691-1765 Picture Gallery with Views of Modern Rome 1757 Oil
- Giovanni Battista Moroni, Italian (Venetian), 1520-1578 Portrait of a Man and a Boy (Count Alborghetti
- Philippe de Champaigne, French, 1602-1674 Portrait of Reverend Prior Giovanni Antonio Philippini 1651 Oil on
- Fra Carnevale (Bartolomeo di Giovanni Corradini), Italian (School of the Marches), active in 1445-1484 Presentation
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Recto: The Annunciation Verso: Study of the Lower Half
- Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 River Landscape early to mid 17th
- Giovanni Costa, Italian, 1826-1903 Ruins in the Roman Campagna Oil on panel 21 x 42.9
- After Giovanni Bellini, Italian (Venetian), about 1430-1516 Saint Jerome 16th century Oil on panel 69.2
- Style of Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Saint Jerome as Penitent
- Pellegrino di Giovanni di Antonio da Perugio, Italian (Perugian), active in 1425-1437 Saint Michael Tempera
- Benvenuto di Giovanni di Meo del Guasta, Italian (Sienese), 1436–about 1518 Saint Vincent Ferrer Tempera
- Apollonio di Giovanni di Tomaso, Italian (Florentine), 1415-17–1465 Marco del Buono Giamberti, Italian (Florentine), 1402/3–1489
- Giovanni Baglione, Italian, 1571-1644 Seated Male Nude about 1600 Drawing: pen and brown ink Sheet:
- Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Semiramis Receiving Word of the Revolt
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Study of a Cart Drawn by Oxen (The Transportation
- Follower of Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Study of a Right Hand mid to
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 The Annunciation mid 1730"s Pen and brown ink and
- Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
- Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
- Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
- Rosso Florentino (Giovanni Battista di Jacopo, called Rosso Fiorentino), Italian (Florentine), 1496-1540 The Dead Christ
- Giovanni Domenico Tiepolo, Italian, 1727-1804 The Entry of Christ into Jerusalem (recto); The Flagellation (verso)
- Giovanni Benedetto Castiglione, Italian, 1609–about 1665 The Genius of Castiglione 1645-47 Etching and engraving, first
- Giovanni Battista Bertucci, Italian (Romagnan), active in 1503–died about 1516 The Holy Family Oil and
- Giovanni Battista Franco, Italian, about 1510-1561 The Marriage at Cana (John 2: I-II) Pen and
- Francesco Bartolozzi, Italian, 1727-1815 Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 The Martyrdom
- Giovanni Domenico Tiepolo, Italian, 1727-1804 The Milliner"s Shop about 1791 Pen and brown ink with
- Giovanni Battista Paggi, Italian, 1554-1627 The Taking of Christ Pen and ink over black chalk
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 The Virgin Receiving the Prayers of St. Dominic 1737-39
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Three Cloud-Borne Cherubs mid 18th century, about 1755 Pen
- Giovanni Battista Tiepolo, Italian (Venetian), 1696-1770 Time Unveiling Truth 1745-50 Oil on canvas 231.1 x
- Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Tobit Burying the Dead Etching Platemark 7 7/8 x
- Giovanni Battista Piranesi, Italian, 1720-1778 Triumphal Arch about 1747-50 Pen and brown ink and brown
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Trumpet-Blowing Angel mid 18th century, about 1750 Red chalk heightened
- Giovanni Domenico Tiepolo, Italian, 1727-1804 Two Angels Blowing Trumpets mid 18th century, about 1750 Red
- Giovanni Battista Piranesi, Italian, 1720-1778 Two Male Figures 1770s Pen and brown ink on white
- Giovanni Battista Gabbrielli, Italian, 1716-1771 Violin Italy, (Florence), 1761 Maple, spruce Body Length: 35.1 cm
- Giovanni Fattori, Italian, 1825-1908 Woman Carrying Wood on her Head (Boscaiola) 1890s Etching with direct
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Giovanni Battista Piranesi
Portico
Our Price: 13.00
(Giovanni Antonio Canale) Canaletto
Venice
Our Price: 13.00
Giovanni Battista Cipriani
Jessica's Angels
Our Price: 16.00
Giovanni Giardini
Red Goblet I
Our Price: 20.00
Giovanni Piranesi
Blue Urn IV
Our Price: 20.00
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