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Artist: John William Godward (1861 - 1922)
Nationality: British
Movement: Neoclassicism
Media: Painting
Influences:
Biography: Although little is known about the life of John William Godward, it is evident that he was inspired by the neoclassical painter, Sir Lawrence Alma Tadema. He was known for his depiction of ancient Greek and Roman life. Because of his favored subject matter, he was placed into the “Marble School” which was known for its interest in antiquities. Godward was a regular exhibitor at the Royal Academy in London. However, as the neoclassical style fell out of popularity, so did Godward’s work. Nonetheless, Godward continued to paint in the style until his death in 1922.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John William Godward.
J. Paul Getty Museum
- Reverie J. Paul Getty Museum
- The Signal J. Paul Getty Museum
- Mischief and Repose
- John B. Neagle
William Helmuth (or John Henry Helmuth)
oil on canvas
1834
- William St. John Harper
(sculpture)
engraving
1889
- William Strang
John Bunyan, frontispiece portrait and first plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
book with 14 etchings
1895
- William John Hennessy
Child Sitting in a Field
charcoal on paper
1863
- William Strang
The Man with the Muckrake, opposite page 230 and eleventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William St. John Harper
Cleopatra
etching
1887
- John Singleton Copley
William Vassall and His Son Leonard
oil on canvas
circa 1770 - 1772
- William Strang
The Scourging of Faithful, opposite page 112 and eighth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
The Butcher and the Sheep, opposite page 240 and twelfth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
The Slough of Despond,opposite page 6 and fourth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Christian Loses His Burden,opposite page 38 and fifth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Mercy at Her Work, opoosite page 272 and thirteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Bunyan*s Wife Reading the Bible to Him,title page and second plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- John William Orr
Rev. S.H. Tying, D.D.
19th century
- John William Orr
Ninigret
19th century
- John William Joseph Winkler
The Mantilla
etching
1925
- W. H. Mote
William Henry John,Son of Lieut.-Colonel John Sidney and Lady Susan North
19th - 20th century
- William Strang
The Valley of the Shadow of Death,opposite page 70 and seventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Mercy Swoons Before the Gate,opposite page 224 and tenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Christian and Hopeful in the Dungeon, opposite page 132 and ninth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Christian Fights Apollyon, opposite page 64 and sixth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Marriage of Mercy and Matthew,opposite page 310 and fourteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- Portrait de William Cooper (1924) by CONSTABLE John
- William Poole
St. Bernard*s Well, title page vignette for the first volume the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2)
Etching and engraving
180
- William St. John Harper
Queen Elizabeth
etching
1889
- William Strang
Portrait of John Galsworthy
Lithograph
1912
- William Strang
Portrait of John Galsworthy
Lithograph
1912
- John Trumbull
William Pinkney
oil on canvas
circa 1800
- John Singer Sargent - Mrs. William Shakespeare c. 1896 oil on canvas Memorial Art Gallery of the University of Rochester American
- John George Brown - Waiting for William 1879 oil on canvas Chrysler Museum of Art American
- John Trumbull - William Rogers 1804-1808 oil on canvas National Gallery of Art American
- William Poole
Elgin Cathedral, title page vignette for volume 2 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2)
Etching with engraving
1801
- John William Orr
Rev. Eliphalet Nott, D.D., LL. D.
19th century
- John William Orr
King Philip
19th century
- William Kent
Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
Book with 52 engravings and uncounted ornamental end pieces
1729
- William Strang
Portrait of John Bunyan
etching
19th - 20th century
- John B. Pendleton and William S.
One of Seven more plates from the same work
lithography
1826
- John B. Pendleton and William S.
One of Seven more plates from the same work
lithography
1826
- John B. Pendleton and William S.
One of Seven more plates from the same work
lithography
1826
- John B. Pendleton and William S.
One of Seven more plates from the same work
lithography
1826
- John B. Pendleton and William S.
One of Seven more plates from the same work
lithography
1826
- John B. Pendleton and William S.
One of Seven more plates from the same work
lithography
1826
- John B. Pendleton and William S.
One of Seven more plates from the same work
lithography
1826
- Anonymous
Untitled(San Francisco Earthquake)
gelatin silver print
1906
- John William Inchbold
Study of Cliffs
transparent and opaque watercolor
1871
- John William Joseph Winkler
Alameda
Etching
1919
- John William Joseph Winkler
La Bouquiniste
Etching
1923
- John William Joseph Winkler
Low Tide
Etching
1919
- John William Joseph Winkler
L'oiseleuse
Etching
1923
- John William Joseph Winkler
Little Alley
Etching
1916
- John William Joseph Winkler
Wing Lee
Etching
1919
- John William Joseph Winkler
Gulls feeding
Etching
1972 The Metropolitan Museum of Art
- Sir William Hood, ca. 1766 John Smart (British, 1741-43–1811)Ivory; Oval, 1 1/2 x 1 1/4
- William Strang
Milton's Paradise Lost - Portrait of John Milton
etching
1896
- John Singleton Copley - Sir William Pepperrell and His Family 1778 oil on canvas North Carolina Museum of Art American
- Agnes Jeffrey - Robert William Cunningham (1833-1841) and John George Cunningham (1835-1907) c. 1837 watercolor on paper Memorial Art Gallery of the University of Rochester American
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Further Artwork and Information:
John William Godward Online
ArtMagick - Your Source of Visual Intoxication
ARC :: John William Godward (1861-1922) :: Page 1 of 12
John William Godward posters
Open Directory - Arts: Art History: Artists: G: Godward, John William
John William Godward (Getty Museum)
John Godward - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
John William Godward
John William Godward
John William Godward
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