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Artist: Pietro Gonzaga ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Gonzaga.
- Pietro Berrettini (Pietro da Cortona)
Daniel Freed from the Lion's Den, after Pietro da Cortona
Engraving
18th century The Minneapolis Institute of Arts
- Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
- Pietro Berrettini (Pietro da Cortona)
Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori...
Etching
18th century
- Pietro Berrettini (Pietro da Cortona)
Santa Bibiana refusing to sacrifice to pagan gods
Etching
1626
- Navarro
S. Aloisius Gonzaga
Engraving
1769
- Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian The Metropolitan Museum of Art
- Margherita Gonzaga (1591-1632), Princess of Mantua Frans Pourbus the Younger (Flemish, 1569-1622)Oil on canvas; 36 The Metropolitan Museum of Art
- The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro The Metropolitan Museum of Art
- The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
- Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian The Metropolitan Museum of Art
- The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650 Guercino (Giovanni Francesco Barbieri) (Italian, Ferrarese,
- Pietro Berrettini (Pietro da Cortona)
Ceiling of Palazzo Barberini
Engraving
16th - 17th century The Metropolitan Museum of Art
- Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
- Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
- Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian The Metropolitan Museum of Art
- The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
- Tommaso Piroli
The Crucifixion, after Pietro Cavallini
Etching and engraving
1825
- G. Petrignani
St. Peter Delivered From Prison, after Pietro Testa
Etching
17th century
- Pietro Ghigi
Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace
Etching-engraving
18th - 19th century The Metropolitan Museum of Art
- The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
- Pietro Berrettini (Pietro da Cortona)
Sacrifice of Iphigenia
Pen and brown ink and brown wash over traces of black chalk on laid paper
17th century
- Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian The Metropolitan Museum of Art
- The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19 The Metropolitan Museum of Art
- The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio) The Metropolitan Museum of Art
- The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
- Pietro Testa ( il Lucchesino)
St. Catherine, after Pietro Testa
Etching
17th century The Metropolitan Museum of Art
- Federigo Gonzaga (1500-1540), 1510 Francesco Francia (Francesco di Marco di Giacomo Raibolini) (Italian, Bolognese, active
- Sebastiano Zamboni
Portrait of S. Luigi Gonzaga, after Domenico Passerini
Engraving
18th century The Metropolitan Museum of Art
- Rodolfo Gonzaga (1451-1495) Style of Andrea Mantegna (Italian, Mantuan, about 1490-95)Tempera on wood; 4 1/4
- Pietro Testa ( il Lucchesino)
Mythological Scene with Bacchus and Persephone, after Pietro Testa
Etching
17th century
- Pietro Testa ( il Lucchesino)
Two Figures, after a drawing by Pietro Testa
Etching mounted to a heavier sheet
17th century Museum of Fine Arts
- Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
- Pietro Bonato
Three Young Women, after Canova
Engraving and etching
19th century The Metropolitan Museum of Art
- Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
- Pietro Longhi
Bal Masque
oil on canvas
18th century
- Stefano Mulinari
The Death of Dido, after Pietro Testa
Etching and engraving
18th century The Metropolitan Museum of Art
- The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and The Metropolitan Museum of Art
- Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
- Pietro Berrettini (Pietro da Cortona)
Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
- Francesco Bartolozzi
Rachel Hiding the Idols of Laban, after Pietro da Cortona
Engraving in sepia ink
1765
- Giovanni Girolamo Frezza
Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio
Engraving
1704
- Pietro Barboni
Teatro di Marcello...
1827
- Pietro Aquila
The Death of the Virgin, after G.M. Morandi
Engraving
17th century
- Pietro Berrettini (Pietro da Cortona)
untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2
Engraving and etching
16th - 17th
- Pietro Longhi
A Theatrical Performance
oil on canvas
18th century
- Pietro Salvatori
Il Violinista, after Raphael
Engraving
19th century
- Pietro Berrettini (Pietro da Cortona)
Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
- Pietro Berrettini (Pietro da Cortona)
Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Barboni
Veduta dell'Arco di Druso...
1826
- Pietro Barboni
Veduta del Sepolchro di Cajo...
1825
- Pietro Barboni
Veduta del Tempio di Minerva...
1825
- Pietro Barboni
Veduta delle antiche...
1825
- Pietro Berrettini (Pietro da Cortona)
Achilles among the Daughters of Lycomedes
Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet
17th century
- Giovanni Cesare Testa
Achilles on the back of the Centaur Chiron
Etching
17th century
- Pietro Berrettini (Pietro da Cortona)
untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
untitled, tenth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
untitled, nineth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
- Pietro Berrettini (Pietro da Cortona)
Untitled, fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Untitled, third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Matura Aetas, second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div
- Pietro Barboni
Veduta dell'Arco Costantino
1825
- Pietro Barboni
Le grandi Cascatelle di Tivoli
1826
- Pietro Berrettini (Pietro da Cortona)
In Alexandri pectusä, twenty-second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine tit
- Pietro Tacca
Slave
bronze
circa 18th century
- Pietro Berrettini (Pietro da Cortona)
Florentiae ä in Veneris Camera, seventeenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with s
- Pietro Paolini
Youth with Musical Instrument
oil on canvas
17th century
- Pietro Longhi
The Concert (The Mandolin Recital)
oil on canvas
circa 1760
- Pietro Aquila
The Virgin Appearing to Saint Alexis
Etching with engraving
17th century
- Pietro Berrettini (Pietro da Cortona)
Untitled, seventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. p
- Pietro Berrettini (Pietro da Cortona)
Cyrusä, nineteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. di
- Pietro Berrettini (Pietro da Cortona)
Untitled, fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
- Pietro Berrettini (Pietro da Cortona)
Crispoä, twenty-third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d.
- Pietro Berrettini (Pietro da Cortona)
Untitled, sixth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Florentiae ä in Veneris Camera, sixteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spi
- Pietro Aquila
The Guardian Angel, after Carlo Maratta
etching and engraving
17th century
- Pietro Berrettini (Pietro da Cortona)
Filius amansä, twenty-fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
- Pietro Berrettini (Pietro da Cortona)
Untitled, ninth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Antiochusä, twenty-fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Oper
- Pietro Berrettini (Pietro da Cortona)
Augustusä, twenty-first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere
- Pietro Berrettini (Pietro da Cortona)
Untitled, fourteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
- Pietro Berrettini (Pietro da Cortona)
Untitled, thirteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
- Pietro Berrettini (Pietro da Cortona)
Untitled, twelfth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Untitled, tenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
- Pietro Berrettini (Pietro da Cortona)
Untitled, fifteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. p
- Pietro Berrettini (Pietro da Cortona)
Untitled, eighth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
- Pietro Barboni
Veduta del Pantheon d'Agrippa in Oggi...
1825
- Pietro Barboni
Veduta dell'Arco di Settimio Severo...
1825
- Pietro Berrettini (Pietro da Cortona)
Adolescentiam Pallas a Venere auellit, eighteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with
- Pietro Berrettini (Pietro da Cortona)
Hostium corpora Scipioä, twentieth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine titl
- Perino del Vaga (Pietro Buonaccorsi)
Neptune with Two Sea Horses, from a series of Neptune and Thetis with Sea Gods and Sea Horses
Engraving
16th century
- Pietro Barboni
Veduta del Ponte Lucano su la via Tiburtina...
1826 Museum of Fine Arts
- Master of San Pietro in Sylvis, Italian (Riminese), active about 1340-1380 Possibly by Pietro da
Artnews Articles and Exhibition Information: (4) Click on any of the links below to read about artnews or exhibitions related to Gonzaga
Frick Collection: Mantegna's Descent into Limbo, from the Barbara Piasecka Johnson Collection
Because it was so highly regarded, several other versions were made, including this smaller one,
which was probably done for Ferdinando Carlo, the last Duke of Mantua, around 1470–75.Lent
through the generosity of the Barbara Pia...
National Gallery: Pisanello: Painter to the Renaissance Court The exhibition will focus on these works, examining their
subject matter and the preparatory drawings, including a group of remarkable
coloured nature studies that Pisanello produced for them.
Many lively and charming details of animals ...
Philadelphia Museum of Art: The Splendor of 18th-Century Rome A strong sense of their city's cultural centrality encouraged Rome's 18th-century civic and religious leaders to construct or embellish numerous churches,
palaces, fountains, public plazas (piazze), gardens and gallerie...
National Gallery of Art: Virtue and Beauty: Leonardo's - Ginevra de' Benci - and Renaissance Portraits of Women The Gallery is pleased to present this remarkable exhibition that brings together some of the most
outstanding examples of Florentine portraits of women from the mid-15th and 16th centuries, said Earl
...
Further Artwork and Information:
Pietro Gonzaga Online
Pietro Gonzaga (1881 - 1962) Biography, Artwork Images, Exhibitions, Reviews
Pietro Gonzaga
FGC: scenografie di pietro gonzaga
Pravda.RU Music For The Eyes, Or Geometry Of Sound: Moscow Premiere Of A Play Dedicated To Pietro Gonzaga
Pravda.RU BRIGADE GENERAL CAPTURED AT NIGHT IN URUS-MARTAN WEARING JUST UNDERPANTS
orari delle S.Messe
Comanducci Arte Italia - Catalogo Artitsti
Pagina vuota 1
Arkhangelskoe - Round Alleys and Pavilions
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Last updated and links verified on: Monday October 10/05/09 06:33:33 AM
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