Artist: Pietro Gonzaga ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Gonzaga.

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Pietro Berrettini (Pietro da Cortona) Daniel Freed from the Lion's Den, after Pietro da Cortona Engraving 18th century
The Minneapolis Institute of Arts -
Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
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Pietro Berrettini (Pietro da Cortona) Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori... Etching 18th century
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Pietro Berrettini (Pietro da Cortona) Santa Bibiana refusing to sacrifice to pagan gods Etching 1626
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Navarro S. Aloisius Gonzaga Engraving 1769
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Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
The Metropolitan Museum of Art -
Margherita Gonzaga (1591-1632), Princess of Mantua Frans Pourbus the Younger (Flemish, 1569-1622)Oil on canvas; 36
The Metropolitan Museum of Art -
The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
The Metropolitan Museum of Art -
The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
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Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
The Metropolitan Museum of Art -
The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650 Guercino (Giovanni Francesco Barbieri) (Italian, Ferrarese,
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Pietro Berrettini (Pietro da Cortona) Ceiling of Palazzo Barberini Engraving 16th - 17th century
The Metropolitan Museum of Art -
Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
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Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
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Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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Tommaso Piroli The Crucifixion, after Pietro Cavallini Etching and engraving 1825
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G. Petrignani St. Peter Delivered From Prison, after Pietro Testa Etching 17th century
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Pietro Ghigi Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace Etching-engraving 18th - 19th century
The Metropolitan Museum of Art -
The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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Pietro Berrettini (Pietro da Cortona) Sacrifice of Iphigenia Pen and brown ink and brown wash over traces of black chalk on laid paper 17th century
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Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian
The Metropolitan Museum of Art -
The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
The Metropolitan Museum of Art -
The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio)
The Metropolitan Museum of Art -
The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
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Pietro Testa ( il Lucchesino) St. Catherine, after Pietro Testa Etching 17th century
The Metropolitan Museum of Art -
Federigo Gonzaga (1500-1540), 1510 Francesco Francia (Francesco di Marco di Giacomo Raibolini) (Italian, Bolognese, active
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Sebastiano Zamboni Portrait of S. Luigi Gonzaga, after Domenico Passerini Engraving 18th century
The Metropolitan Museum of Art -
Rodolfo Gonzaga (1451-1495) Style of Andrea Mantegna (Italian, Mantuan, about 1490-95)Tempera on wood; 4 1/4
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Pietro Testa ( il Lucchesino) Mythological Scene with Bacchus and Persephone, after Pietro Testa Etching 17th century
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Pietro Testa ( il Lucchesino) Two Figures, after a drawing by Pietro Testa Etching mounted to a heavier sheet 17th century
Museum of Fine Arts -
Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
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Pietro Bonato Three Young Women, after Canova Engraving and etching 19th century
The Metropolitan Museum of Art -
Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
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Pietro Longhi Bal Masque oil on canvas 18th century
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Stefano Mulinari The Death of Dido, after Pietro Testa Etching and engraving 18th century
The Metropolitan Museum of Art -
The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and
The Metropolitan Museum of Art -
Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
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Pietro Berrettini (Pietro da Cortona) Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
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Francesco Bartolozzi Rachel Hiding the Idols of Laban, after Pietro da Cortona Engraving in sepia ink 1765
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Giovanni Girolamo Frezza Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio Engraving 1704
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Pietro Barboni Teatro di Marcello... 1827
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Pietro Aquila The Death of the Virgin, after G.M. Morandi Engraving 17th century
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Pietro Berrettini (Pietro da Cortona) untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2 Engraving and etching 16th - 17th
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Pietro Longhi A Theatrical Performance oil on canvas 18th century
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Pietro Salvatori Il Violinista, after Raphael Engraving 19th century
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Pietro Berrettini (Pietro da Cortona) Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
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Pietro Berrettini (Pietro da Cortona) Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Barboni Veduta dell'Arco di Druso... 1826
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Pietro Barboni Veduta del Sepolchro di Cajo... 1825
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Pietro Barboni Veduta del Tempio di Minerva... 1825
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Pietro Barboni Veduta delle antiche... 1825
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Pietro Berrettini (Pietro da Cortona) Achilles among the Daughters of Lycomedes Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet 17th century
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Giovanni Cesare Testa Achilles on the back of the Centaur Chiron Etching 17th century
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Pietro Berrettini (Pietro da Cortona) untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, tenth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, nineth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) Untitled, fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Untitled, third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Matura Aetas, second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div
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Pietro Barboni Veduta dell'Arco Costantino 1825
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Pietro Barboni Le grandi Cascatelle di Tivoli 1826
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Pietro Berrettini (Pietro da Cortona) In Alexandri pectusä, twenty-second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine tit
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Pietro Tacca Slave bronze circa 18th century
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Pietro Berrettini (Pietro da Cortona) Florentiae ä in Veneris Camera, seventeenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with s
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Pietro Paolini Youth with Musical Instrument oil on canvas 17th century
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Pietro Longhi The Concert (The Mandolin Recital) oil on canvas circa 1760
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Pietro Aquila The Virgin Appearing to Saint Alexis Etching with engraving 17th century
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Pietro Berrettini (Pietro da Cortona) Untitled, seventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. p
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Pietro Berrettini (Pietro da Cortona) Cyrusä, nineteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. di
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Pietro Berrettini (Pietro da Cortona) Untitled, fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
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Pietro Berrettini (Pietro da Cortona) Crispoä, twenty-third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d.
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Pietro Berrettini (Pietro da Cortona) Untitled, sixth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Florentiae ä in Veneris Camera, sixteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spi
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Pietro Aquila The Guardian Angel, after Carlo Maratta etching and engraving 17th century
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Pietro Berrettini (Pietro da Cortona) Filius amansä, twenty-fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) Untitled, ninth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Antiochusä, twenty-fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Oper
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Pietro Berrettini (Pietro da Cortona) Augustusä, twenty-first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere
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Pietro Berrettini (Pietro da Cortona) Untitled, fourteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
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Pietro Berrettini (Pietro da Cortona) Untitled, thirteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
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Pietro Berrettini (Pietro da Cortona) Untitled, twelfth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Untitled, tenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Untitled, fifteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. p
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Pietro Berrettini (Pietro da Cortona) Untitled, eighth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
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Pietro Barboni Veduta del Pantheon d'Agrippa in Oggi... 1825
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Pietro Barboni Veduta dell'Arco di Settimio Severo... 1825
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Pietro Berrettini (Pietro da Cortona) Adolescentiam Pallas a Venere auellit, eighteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with
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Pietro Berrettini (Pietro da Cortona) Hostium corpora Scipioä, twentieth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine titl
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Perino del Vaga (Pietro Buonaccorsi) Neptune with Two Sea Horses, from a series of Neptune and Thetis with Sea Gods and Sea Horses Engraving 16th century
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Pietro Barboni Veduta del Ponte Lucano su la via Tiburtina... 1826
Museum of Fine Arts -
Master of San Pietro in Sylvis, Italian (Riminese), active about 1340-1380 Possibly by Pietro da

Artnews Articles and Exhibition Information: (4)
Click on any of the links below to read about artnews or exhibitions related to Gonzaga

Frick Collection: Mantegna's Descent into Limbo, from the Barbara Piasecka Johnson Collection
Because it was so highly regarded, several other versions were made, including this smaller one, which was probably done for Ferdinando Carlo, the last Duke of Mantua, around 1470–75.Lent through the generosity of the Barbara Pia...
National Gallery: Pisanello: Painter to the Renaissance Court
The exhibition will focus on these works, examining their subject matter and the preparatory drawings, including a group of remarkable coloured nature studies that Pisanello produced for them. Many lively and charming details of animals ...
Philadelphia Museum of Art: The Splendor of 18th-Century Rome
A strong sense of their city's cultural centrality encouraged Rome's 18th-century civic and religious leaders to construct or embellish numerous churches, palaces, fountains, public plazas (piazze), gardens and gallerie...
National Gallery of Art: Virtue and Beauty: Leonardo's - Ginevra de' Benci - and Renaissance Portraits of Women
The Gallery is pleased to present this remarkable exhibition that brings together some of the most outstanding examples of Florentine portraits of women from the mid-15th and 16th centuries, said Earl ...

Further Artwork and Information:

Pietro Gonzaga Online
Pietro Gonzaga (1881 - 1962) Biography, Artwork Images, Exhibitions, Reviews
Pietro Gonzaga
FGC: scenografie di pietro gonzaga
Pravda.RU Music For The Eyes, Or Geometry Of Sound: Moscow Premiere Of A Play Dedicated To Pietro Gonzaga
Pravda.RU BRIGADE GENERAL CAPTURED AT NIGHT IN URUS-MARTAN WEARING JUST UNDERPANTS
orari delle S.Messe
Comanducci Arte Italia - Catalogo Artitsti
Pagina vuota 1
Arkhangelskoe - Round Alleys and Pavilions

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