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Artist: Francisca Gonzalez ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Francisca Gonzalez.

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Francisca Gonzalez Monterey 1860 hand colored photograph 1860
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Pierre Auguste Renoir - Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg) 1879 oil on canvas The Art Institute of Chicago French
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Francisco de Goya y Lucientes - Portrait of Dona Francisca Vicenta Chollet Y Caballero, Seated, Three-Quarter Length, with a Lap Dog 1806 Oil on Canvas Norton Simon Museum Spanish
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Hieoronymus Wierix [S. Francisca Romana] 16th - 17th century
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Juan Antonio Gonzalez Indiscretion Etching 1881
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Juan Antonio Gonzalez Chez l'Impressario Etching 1879
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Juan Antonio Gonzalez The Singer Etching 19th century
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Juan Antonio Gonzalez Chez l'impressario Etching 1879
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Juan Antonio Gonzalez Indiscretion Etching 19th century
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Sergio Gonzalez-Tornero Twelve Chambers Intaglio 1964
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Sergio Gonzalez-Tornero A Tree color etching 1964
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Francisco Aguera Bustamante Untitled (Our Lady of Guadalupe), a page accompanying a thesis submitted to the law faculty in Guadalajara by Joseph Turibius Gonzalez et Ramirez Engraving 1796
The Minneapolis Institute of Arts -
Artist: Max Beckmann Title: Self-Portrait Date: 1919 Medium: drypoint Dimensions: H.9-1/8 x W.7-1/2 in. Credit
The Minneapolis Institute of Arts -
Artist: Andy Warhol Title: Self-Portrait Date: 1967 Medium: Screenprint Dimensions: H.23-1/16 x W.23 in. (sheet)
The Minneapolis Institute of Arts -
Artist: Arshile Gorky Title: Composition Date: 1936 - 1939 Medium: oil on canvas Dimensions: H.30
The Minneapolis Institute of Arts -
Artist: Yves Tanguy Title: Reply to Red Date: 1943 Medium: oil on canvas Dimensions: H.12
The Minneapolis Institute of Arts -
Artist: Théodore Chassériau Title: Plate 14 from Othello: Quinze equisses à l"eau forte Date: 1844
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Julio Gonzalez - Woman with Hair in a Bun c. 1930 iron on stone base The Art Institute of Chicago Spanish
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Antonio Gonzalez Velazquez - The Birth of the Virgin 1755-57 oil on canvas The Detroit Institute of Art Spanish
The Minneapolis Institute of Arts -
Artist: Edward Ruscha and Mason Williams Title: Double Standard Date: 1969 Medium: color screenprint Dimensions:
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Felix Gonzalez-Torres - Untitled (Veteran's Day Sale) 1989 offset print on pape Milwaukee Art Museum American
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Felix Gonzalez-Torres - Untitled (Portrait of Ross in L.A.) 1991 multicolored candies The Art Institute of Chicago
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Julio Gonzalez - Woman Combing Her Hair 1936 wrought iron The Museum of Modern Art Spanish
The Metropolitan Museum of Art -
Frog Pendant, 11th–16th century; Chiriquí Costa Rica, Puntarenas ProvinceCast gold; H. 4 1/8 in. (10.5
The Metropolitan Museum of Art -
Odalisque, 1984 Anthony Caro (British, born 1924)Steel; H. 77, W. 96, D. 60-1/2 in. (195.6
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Pablo Picasso TÍte de femme (Head of a woman) Lithograph 1925
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Pablo Picasso Seated Woman bronze 1903
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Pablo Picasso L'atelier (The studio) Etching on Rives BFK paper 1927
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Pablo Picasso Les saltimbanques (The acrobats), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso Metamorphoses Pen and black ink on Arches paper 1938
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Pablo Picasso SalomÈ, from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso TÍte de femme (Head of a woman), from La suite des saltimbanques (The acrobats set) Etching on Van Gelder paper 1905
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Pablo Picasso "Bonne FÍte" Monsieur Picasso Color lithograph poster 1961
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Pablo Picasso TÍte de femme de profil (Head of a Woman in Profile), from La suite des saltimbanques (The Acrobats Set) drypoint 1905
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Pablo Picasso Deux figures nues (Two Nude Figures) Drypoint 1909
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Pablo Picasso Untitled lithography reproduction 19th - 20th century
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Pablo Picasso Edition Picasso Flower in Duck polychrome glaze 1953
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Pablo Picasso Le viol, VII (The rape,VII) Drypoint and aquatint on Montval paper 1933
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Pablo Picasso Reclining nude Graphite on wove paper 1920
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Pablo Picasso Les deux saltimbanques (The two acrobats), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso Le bain (The bath), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso Le peintre et son modËle (The artist and his model), p. 7, from the book Prints from the Mourlot Press Lithograph on Arches paper 1964
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Pablo Picasso Le peintre sur la plage (The painter at the beach) Aquatint on Arches paper 1955
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Pablo Picasso Le singe (The monkey) Etching and aquatint with roulette 1942
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Pablo Picasso La petite colombe (The little dove) Transfer lithograph 1949
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Pablo Picasso La danse (The dance), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso Au cirque (At the circus), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso Buste d'homme (Bust of a man), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso Les pauvres (The poor ones), from La suite des saltimbanques (The acrobats set) Etching on Van Gelder paper 1905
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Pablo Picasso Femme torero II (Female bullfighter) Etching and aquatint on Montval paper 1934
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Pablo Picasso L'abreuvoir (The horse pond), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso Le repas frugal (The Frugal Meal), from La suite des saltimbanques (The Acrobats) etching on Van Gelder paper 1904
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Pablo Picasso Femme au bord de la mer (Woman by the sea) Lithograph on white Van Gelder paper 1924
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Pablo Picasso La jeune artiste (The young artist) Lithograph on Arches paper 1949
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Pablo Picasso Au cirque (At the circus), from La suite des saltimbanques (The acrobats set) Drypoint from the canceled plate 1905
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Pablo Picasso Deux nus assis (Two seated nudes) Etching on old laid paper 1930
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Pablo Picasso L'abreuvoir (The horse pond), from La suite des saltimbanques (The acrobats set) Drypoint on Japanese paper 1905
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Pablo Picasso La toilette de la mËre (Mother making herself ready), from La suite des saltimbanques (The acrobats set) Etching on Van Gelder paper 1905
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Pablo Picasso Le saltimbanque au repos (The acrobat at rest), from La suite des saltimbanques (The acrobats set) Drypoint on Van Gelder paper 1905
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Pablo Picasso SueÒo y Mentira de Franco (Dream and lie of Franco) from the portfolio Picasso/SueÒo y Mentira de Franco (Paris: 1937) Etching and aquatint on Montval paper 1937
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Pablo Picasso SueÒo y Mentira de Franco (Dream and lie of Franco), from the portfolio Picasso/SueÒo y Mentira de Franco (Paris: 1937) Etching and aquatint on Montval paper 1937
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Pablo Picasso Pique (Lancing the bull) Color linoleum cut on Arches paper 1959
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Pablo Picasso TÍte de jeune fille (Head of a young girl) Lithograph 1949
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Pablo Picasso Taureau attaquant un cheval (Bull attacking a horse) Etching 1921
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Pablo Picasso Reclining Female Nude (Sara Murphy?) brush and black ink on wove paper 1923
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Pablo Picasso Corrida (Bullfight) Color transfer lithograph on Arches paper 1957
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Pablo Picasso Cover for Picasso Lithographe/IV/1956-1963. Catalogue by Fernand Mourlot. (Monte-Carlo:AndrÈ Sauret …ditions du Livre, 1964) Lithograph 1963
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Pablo Picasso ScËne d'intÈrieur (Interior scene) Lithograph on light tan Van Gelder paper 1926
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Pablo Picasso Le peintre et son modËle (The painter and his model), frontispiece for Picasso Lithographe/IV/1956-1963. Catalogue by Fernand Mourlot. (Monte-Carlo:AndrÈ Sauret …ditions du Livre, 1964) Lithograph 1964
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Pablo Picasso Grande nature morte au compotier (Large still life with fruit dish) Lithograph from a zinc plate 1947
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Pablo Picasso La danse (The dance), frontispiece for Picasso Lithographe/ III/1949-1956. Catalogue by Fernand Mourlot. (Monte-Carlo:AndrÈ Sauret …ditions du Livre, 1956) Color lithograph 1956
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Pablo Picasso Le festin (The banquet), pl. 6, from the book Lysistrata by Aristophanes (New York: Limited Edition Club, 1934) Etching on Arches paper 1934
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Pablo Picasso Cover for Picasso Lithographe/ I/1919-1947. Preface by Jaime SabartËs, catalogue by Fernand Mourlot. ( Monte-Carlo: AndrÈ Sauret …ditions du Livre, 1949 ) Lithograph 1949
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Pablo Picasso La Petite Corrida (The little bullfight), opposite p. 36 in the book Homage to Picasso, XXe SiËcle, no. 10, March 1958, English ed., (New York: Tudor Publishing Co., 1971) Color lithograph 1957
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Pablo Picasso Poster for CongrËs Mondiale des Partisans de la Paix (Worldwide congress of peace advocates) Color photo lithograph 1949
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Pablo Picasso Couple et enfant (Couple and child), pl. 2, from the book Lysistrata by Aristophanes (New York: Limited Edition Club, 1934) Etching on Arches paper 1934
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Pablo Picasso TÍte de taureau, tournÈe ‡ gauche (Head of a bull, turned to the left) Lithograph from a zinc plate on Arches paper 1948
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Pablo Picasso CinÈsias et Myrrhine (Cinesias and Myrrhine), pl. 3, from the book Lysistrata by Aristophanes (New York: Limited Edition Club, 1934) Etching on Arches paper 1934
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Pablo Picasso Quatre femmes en fuite (Four fleeing women), from the book Les MÈtamorphoses d'Ovide (The Metamorphoses of Ovid) (Lausanne: Albert Skira, 1931) Etching on Japanese paper 1931
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Pablo Picasso Serment des femmes (Oath of the women), pl.1, from the book Lysistrata by Aristophanes (New York: Limited Edition Club, 1934) Etching and aquatint on Arches paper 1934
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Pablo Picasso Deux vieillards et voilier (Two old men and a sailboat), pl.4, from the book Lysistrata by Aristophanes (New York: Limited Edition Club, 1934) Etching on Arches paper 1934
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Pablo Picasso Femme assise et dormeuse (Seated woman and sleeping woman) Color lithograph from zinc plates printed in gray and black on Arches paper 1947
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Pablo Picasso Mademoiselle LÈonie dans une chaise longue (Miss LÈonie in a ~Chaise Longue) pl. 3 from the book, Saint Matorel by Max Jacob (Paris: Henry Kahnweiler, 1911) Etching and drypoint on Van Gelder paper 1910
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Pablo Picasso Fleurs dans un verre (Flowers in a glass), frontispiece for Picasso Lithographe/II/1947-1949. Catalogue by Fernand Mourlot. (Monte-Carlo:AndrÈ Sauret …ditions du Livre, 1950) Lithograph 1947
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Pablo Picasso The Conjuror (Costume design for theballet, La parade produced by Sergei Diaghilev, Paris , 1917) Line block print after the original drawing 1917
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Pablo Picasso La petite colombe (The small dove), frontispiece for Picasso Lithographe/ I/1919-1947. Preface by Jaime SabartËs, catalogue by Fernand Mourlot. (Monte-Carlo: AndrÈ Sauret …ditions du Livre, 1949 ) Lithograph 1949
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Pablo Picasso La chËvre (The goat), pl. 8, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Etching and aquatint on Vidalon paper 1941 - 1942
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Pablo Picasso Le chien (The dog), pl. 7, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Etching and aquatint on Vidalon paper 1942
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Pablo Picasso Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Aquatint and etching with roulette on Vidalon paper 1941 - 1942
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Pablo Picasso L'‚ne (The donkey), pl. 2, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Aquatint and etching on Vidalon paper 1941 - 1942
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Pablo Picasso La mËre poule (The hen), pl. 18, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Etching and aquatint on Vidalon paper 1941 - 1942
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Pablo Picasso Le coq (The rooster), pl. 17, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Aquatint and etching on Vidalon paper 1941 - 1942
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Pablo Picasso La guÍpe (The wasp), pl. 24, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942)~ Aquatint and etching on Vidalon paper 1941 - 1942
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Pablo Picasso Le boeuf (The ox), pl. 3, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Aquatint and etching on Vidalon paper 1941 - 1942
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Pablo Picasso Le bÈlier (The ram), pl. 5, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Aquatint and etching on Vidalon paper 1941 - 1942
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Pablo Picasso Le chat (The cat), pl. 6, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Aquatint and etching on Vidalon paper 1941 - 1942
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Pablo Picasso Le chien (The dog), pl. 7, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Etching and aquatint on Vidalon paper 1941 - 1942
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Pablo Picasso L'abeille (The bee), pl. 22, from the book Picasso/Eaux-fortes originales pour des textes de Buffon (Picasso/Original Etchings for the Texts by Buffon) (Paris: Martin Fabiani, 1942) Aquatint and etching on Vidalon paper 1941 - 1942
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Pablo Picasso Tables des eaux-fortes (Table of Etchings), for the table of contents (pl. XIII), from the book Le chef d'oeuvre inconnu (The Unknown Masterpiece) by HonorÈ de Balzac (Paris: Ambroise Vollard, 1931) Etching on Van Gelder paper 1931
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Pablo Picasso La Tauromaquia o Arte de Torear by JosÈ Delgado alias Pepe Illo (Barcelona: Gustavo Gili/Ediciones La Cometa, 1959) Book with cover and 26 plates 1957

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Gonzalez


Il Ramo d'Oro: Naif Venezuelan Artists: Daniel Garcia Volcan, Edgar Vega, Vidalia Gonzalez, Jose Dudamel
Edgar Vegas developed in the same time his work as naïf painter and that of trainer of paintings in different situations he participated to 11 collective exhibitions and two solo exhibitions. His paintings with religious and social subjects got po...

Beyond the Proscenium Productions: Villa Art Ann Foot
Villa is a noted muralist, painter, poet, and musician as well as being a retired art professor at CSUS. He continues to teach at his studio. Gonzalez is noted for his printmaking as well as concrete poetry-where words make up part of the ...

Artsonje Center: Less Ordinary: Curated by Sungwon Kim
Artists included in the exhibition are Alain Bublex, Pierre Joseph, Dominique Gonzalez Foerster, Koo Jeng A, Natacha Lesueur, Marine Hugonnier, Bruno Serralongue, Matthieu Laurette, Mathieu Mercier, Mélik Ohanian, Valéry Grancher, Xavier Veilhan et ...

JAMES A. & DOROTHY PORTER (WESLEY) ARCHIVES & GALLERY EXHIBITION: JAMES A. PORTER: Paintings and Drawing
JAMES A. & DOROTHY PORTER (WESLEY) ARCHIVES & GALLERY EXHIBITION 600 E. LAS OLAS BLVD., FT. LAUDERDALE., FL. 954/4637880 FEBRUARY 11-APRIL 2, 2000 Tu-Sat: Noon to 8pm; Sat: noon to 10pm Sun: Noon to 6pm...

Baltimore Museum of Art: BodySpace
From a full-scale silk replica of a traditional 18th-century Korean home to a beaded curtain that evokes shimmering water as well as the swinging '60s, these large three-dimensional works blur the boundaries between art and craft, industrial and h...

Fort Wayne Museum of Art: Mary Ellen Mark: American Odyssey
Aperture, a not-for-profit organization devoted to photography and the visual arts, has organized this traveling exhibition and produced the accompanying publications. Aperture gratefully acknowledges the ...

Art Gallery of Hamilton: The Gift: Generous Offerings, Threatening Hospitality
"This exhibition provides a unique and rare opportunity to see some of the most remarkable international artshakers in the world, artists who are highly influential and work with ideas of communication through giving," says AGH Chief Curator Sh...

Neuberger Museum of Art: Welded! Sculpture of the Twentieth Century
Welding will be shown in all of its variations as cut, bent, crushed and painted metal that is stable or that moves, that includes sound and water, that is r...

Il Ramo d'Oro: The sign and the Dream/Il Segno e il Sogno
It gives a synthesis of the artists of ìIl segno e il sognoî (the sign and the dream) whose works of small size we are showing , in October, November and December 2005, collected in the elegant box-frame projected by the architect Gianfranco Erba...

Tate Liverpool: At Sea: Works in All Media that Examine the Sea
Artists such as Vija Celmins and Hiroshi Sugimoto see the sea as conducive to quiet contemplation. For others, the sea evokes scenes of danger or disaster. Shipwrecks, drownings and other tragedies are hauntingly alluded t...

Americas Society Art Gallery: ICON + GRID + VOID, Art of the Americas from the Chase Manhattan Collection
Icon denotes the representational image, often central and indelible, that has been a mainstay of contemporary art from Pop to Postmodernism. Grid is the modernist trope of intersecting perpendiculars that formally underlies diverse artistic conce...

Center for Curatorial Studies at Bard College: Three Exhibtions Celebrate 10th Anniversary: The Arch of Desire-Women in the Marieluise Hessel Collection -- Re(f)use -- Text, Texture, Touch
The Center for Curatorial Studies was founded by Marieluise Hessel as a center for the study of late-20th-century art. It offers an innovative, interdisciplinary graduate program in curating and criticism of contemporary art. In the 10 years since...

ARCO 2003: 22nd International Contemporary Art Fair Features Young Swiss Art
A total of 280 galleries, including some of the world’s most important, representing Europe (214), North-America (27), Latin-America and the Caribbean (27), Asia (8) and Oceania (4), will furnish the ARCO'03 official program with content, offering...

Tate Liverpool: Liverpool Biennial: International 2002
Artists for Liverpool Biennial / International 2002 are Chiho Aoshima, Olaf Breuning, Elizabeth Dadi & Iftikhar Dadi, Guillermo Gómez-Peña, Dominique Gonzalez Foerster, Juan Fernando Herrán, Christine Hill, T...

Centre pour l’image contemporaine: 8th Biennial of Moving Images
Cinema-like works (video screenings and installations requiring a dark space) have been numerously shown in museums and art spaces these last years. This now current habit operates a transformation in the ...

Guggenheim Museum: The Mexperimental Cinema
The series moves from the countercultural works of the 1960s to the newest generation of noncommercial, formal experiments and also features works by U.S. experimental filmmakers for whom Mexico was a site of exploration and a source...

Contemporary Arts Museum Houston: The Inward Eye: Transcendence in Contemporary Art
The exhibition features twenty-nine works created between 1970 and 2001 that capture the viewer's attention in a variety of ways. From perceptual work like that of Charles Ray or James Turrell that allows us to see ourselves seeing, to ...

Michael Dunev Art Projects: Sculpture by Manuel Sola / 20th Century Avantgarde
Their strong verticality recall the totems and ceremonial figures of African and Oceanic cutlures, and like them, give material sense to a spiritual world shared by all humanity. They are prayers to a world that is unravelling, presented with humi...

Caladan Gallery: Contemporary Icons: Artists Explore Modern Iconography
The exhibition presents a coherent atmosphere, however, due to the thoughtfulness and passion of the artists involved. Also on view for the month of May is an addendum to Contemporary Icons entitled The Marketing of Che by photographer Ruth Turne...

San Francisco Museum of Modern Art: SUPERNOVA: Art of the 1990s from the Logan Collection
The exhibition takes its title from Takashi Murakami’s tour de force painting Super Nova, 1999, which depicts “the destruction of an earthly terrain by atomic weapons whose mushroom clouds are rendered in ravishingly colorful detail,” according to...

Joan Miro Foundation: False Innocence: Exploring the Fundamental Issues of Contemporary Art
The title of the exhibition is an attempt to catch the visitor’s attention and predispose him to explore the contents of the works on show beyond their innocent physical appearance, reviving the idea of a committed art generating doubt and confusi...

Michael Werner Gallery: Recent Paintings by Georg Baselitz
All of the works in the exhibition have direct sources in paintings the artist made as a teenager during the 1950s, and in fact certain works bear the dates ‘1953’, ‘1954’ or ‘1955’ as part of their iconography. This combination of personal histo...

Museo Thyssen-Bornemisza: Mimesis. Modern Realism 1918-1945
Despite this, and in contrast to other tendencies such as Surrealism and geometrical Abstraction, which came about in a homogenous and organised manner, Realism was a varied and plural trend which acquired different characteristics depending on so...

Hudson River Museum: The Magic of Light: Artists Focusing on Non-Traditional Media
The Magic of Light displays the work of both established and emerging American artists. James Turrell, part of the Light-and-Space movement of the 1960s and 1970s along with Robert Irwin, works with pure light, while his main goal is the viewer...

Center for Curatorial Studies at Bard College: Assemblance; If it's not love, it's the bomb
The selected works attempt to reconcile difficult histories through the resurrection of personal and cultural memories. This survey crosses experiential divides and examines the artists' continued proximity to the events they depict. Artists inclu...

Complejo Cultural La Rinconada,: The Politics of Barro / IV Barro de America Biennale
Venezuelan as well as Brazilian artists will present their projects that articulate themes such as violence, territorial prejudices, discrimination, male chauvinism, political divisions, and expressions from the urban world and the artificial natu...

The Studio: Winter Solstice Exhibition Feartures Works by 25 Artists
Works by twenty-five artists will be on display. Many of the artists are in Museums and Galleries nationally as well as internationally and in the New York Metropolitan area. Sculptures in aluminum, steel, bronze and ceramic are featured i...

San Diego Museum of Art: José Clemente Orozco in the United States, 1927-1934
The Museum is delighted to be able to present such a significant exhibition of works by Orozco who, along with Diego Rivera, Frida Kahlo, and David Alfaro Siqueiros, is counted among the most important Mexican artists of the twentieth century. Wit...

el museo del barrio: 2002 (S) Files, the biennial of El Museo del Barrio
The exhibition is co-curated by Deborah Cullen, Curator, and Victoria Noorthoorn, Curator of Museo de Arte Latinoamericano, Colección Costanini, Buenos Aires . Works include traditional media, such as painting, drawing, sculptural works,...

Museum Boijmans Van Beuningen: Sarah Morris: Artist in Focus IFFR
Seductive and inviting To Morris, making films and making paintings are two sides of the same coin. She is using both media to hold the codes of the urban environment, and the communication strategies behind them, up against the light. Her film A...

Further Artwork and Information:

Francisca Gonzalez
Francisca González
Francisca Gonzalez Sevilla
Francisca Gonzalez
Francisca Gonzalez
Francisca Gonzalez de Santa Cruz
Francisca Gonzalez, Dpto. Filologias Extranjeras, Universidad de Cordoba, Espanya
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