Artist: Lillian Westcott Hale (1881 - 1963)
Nationality: American
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Lillian Westcott Hale.

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Lillian Westcott Hale - Agnes and Her Cat 1917 oil on canvas Florence Griswold Museum American
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Girls in Sunlight 1895 Oil on canvas 73.66 x 99.06
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Self Portrait about 1915 Oil on canvas 76.83 x 63.82
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Landscape about 1890 Oil on canvas 46.04 x 55.88 cm
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 French Farmhouse about 1893 Oil on canvas 64.77 x 81.28
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Frederick W. Macmonnies - Nathan Hale 1890 bronze The Art Institute of Chicago American
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Hale and Sons Mug pewter circa 1852
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L.A. Mix, Gloria Westcott , 1997, Screenprint
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L.A. Mix, Gloria Westcott , 1997, Screenprint
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Walker Evans - Bud Fields with his Wife and Daughter, Hale County, Alabama 1936 gelatin silver print Carnegie Museum of Art American
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Have Aliens Landed, Gloria Westcott , 1996, Screenprint
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Kenneth J. Hale Zealot Color linoleum cut 1982
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Firth & Hale Piano satinwood and rosewood 1800 - 1850
The Minneapolis Institute of Arts -
Artist: Walker Evans Title: Allie Mae Burroughs, Wife of a Cotton Sharecropper, Hale County, Alabama
J. Paul Getty Museum -
Burroughs Family, Hale County, Alabama
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Laura Knight, A.R.A., A.R.E., A.R.W. Lillian Drypoint 19th - 20th century
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Hale Woodruff - Twilight 1926 oil on pressed paper The Art Institute of Chicago American
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Ellen Day Hale - June c. 1893 oil on canvas National Museum of Women in the Arts American
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Hale Woodruff - The Valley c. 1935 conte crayon Arkansas Arts Center American
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Ellen Day Hale - Lilies c. 1905 oil on canvas National Museum of Women in the Arts American
Museum of Fine Arts -
Albert Bierstadt, American (born in Germany), 1830-1902 Thunderstorm in the Rocky Mountains 1859 Oil on
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Textile Design for Series of Doilies, ’Haku the Master Boy’; Numbers 7 and 8; ’Haku’s Hale’ and ’Haku the Luina’, Elza Sunderland (Hungary, 1903 - 1991-06-22) , 1946, Gouache and pencil on paper
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Lillian Tashman and Harold Grieve, Margrethe Mather (United States, 1885 - 1952) , circa 1927, Gelatin-silver print
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Philip Leslie Hale - A Family Affair before 1913 oil on canvas Los Angeles County Museum of Art American
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Hale Woodruff - Sunday Promenade 1931-46 linocut Tufts University Art Gallery American
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Hale Woodruff - Picking Cotton c. 1936 Oil on Masonite High Museum of Art American
Museum of Fine Arts -
Unidentified artist, American, mid-19th century Haydee, Robert and Lillian Long about 1858 Oil on canvas
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Antonio Frasconi Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) Book with 19 linoleum cuts on Rives paper 1954
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Antonio Frasconi Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) book with 19 linoleum cuts on Rives paper 1954
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Edwin Hale Lincoln - Whalers Rousseau and Desdemona 1889 platinum print Peabody Essex Museum American
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Ellen Day Hale - Milk Delivery, Cairo 1930 oil on artist's boar National Museum of Women in the Arts American
Museum of Fine Arts -
Philip Leslie Hale, American, 1865-1931 Folly Cove about 1900 Oil on canvas board 22.54 x
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Ellen Day Hale - Untitled (Woman with Cart) c. 1930 oil on panel National Museum of Women in the Arts American
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Ellen Day Hale - Gabrielle de Veaux Clements c. 1930 oil on canvas National Museum of Women in the Arts American
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Antonio Frasconi Half title page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Half title page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
Museum of Fine Arts -
Whole-cloth crib quilt Cover; Quilt English England, exported to U.S.A., about 1761 Silk satin, quilted
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Antonio Frasconi Illustration for the fable, The Crab in the Mouth of the Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Man Bitten by a Flea, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, TheAmbitious Woman and the Fat Hen, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, TheAmbitious Woman and the Fat Hen, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Crab in the Mouth of the Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Man Bitten by a Flea, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Flattered Raven and the Crafty Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Gnat, the Lion, and the Spiderweb, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Jackdaw with the Eclectic Plumage, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Flattered Raven and the Crafty Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Gnat, the Lion, and the Spiderweb, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Jackdaw with the Eclectic Plumage, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954

Artnews Articles and Exhibition Information: (19)
Click on any of the links below to read about artnews or exhibitions related to Hale

Bergamot Station Art Center, Robert Berman Gallery, D5 Projects: Christina Hale: Executive Mansion, Hotel California
Her drawings are dynamic. It is this vitality that not only compounds these polarities but also breathes life into the work that the viewer can then experience. Hale's inspiration stems not only from her life experience but different facets of...
Detroit Institute of Art: A Cultural Heritage: Selected Works of African American Art from the DIA's Collection
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33 Collective Gallery, Zhou B. Center: Midwest Paint Group, (MPG): Post Abstract-Figuration
Noted painter and Art theorist Gabriel Laderman, in the program introduction to the exhibit, describes the group as being a part of a contemporary movement of figurative painters “who have been profoundly influenced by modernist abstraction”. Expl...
Sheldon Swope Museum of Art: Works from Perception by the Midwest Paint Group
With widely varied styles, these painters are brought together by a joint commitment to working from observation while at the same time adhering to strong emotive and expressive abstract principles. Encompassing landscape, still life, and portrai...
Gibbes Museum of Art: William Christenberry: Photographs, 1961-2005
Since the early 1960s, William Christenberry has photographed the American South, focusing his attention on his hometown, Hale County, Alabama. Christenberry has returned to Hale County every year to record its slowly changing landscape and struct...
Kunstmuseum, Bonn: Under the Sign of the City: Contemporary Art from Turkey
The exhibition is not a backward look at Turkey's postwar art, but sees itself as a young and u...
The Art Institute of Chicago: IKAT: Splendid Silks from Central Asia
IKAT: Splendid Silks from Central Asia is accompanied by a major catalogue authored by scholars Kate FitzGibbon and Andrew Hale, whose research in Russia and Uzbekistan helped to make this important ...
Davis Museum and Cultural Center: Bridging the Border: Shared Themes in Mexican and U.S. Art 1900 – 1950
Four themes: The City, Rural Traditions, Responses to European Modernism, and Protest and Persuasion break the show into sections that highlight areas of exchange during the first fifty years of the 20th century. Each category compares works by ...
Indianapolis Museum of Art: Visions of Home
The tranquil Country Place lifestyle was the prominent theme for American Impressionist painters. These paintings offer a glimpse into the ...
Indianapolis Museum of Art: Visions of Home
The tranquil Country Place lifestyle was the prominent theme for American Impressionist painters. These paintings offer a glimpse into the ...
ASU Art Museum, Nelson Fine Arts Center: Rhapsody: Selections from Valley Collections
Rhapsody includes works by Emma Amos, Benny Andrews, Radcliffe Bailey, Jean-Michel Basquiat, Romare Bearden, John Biggers, Elizabeth Catlett, Michael Ray Charles, Robert Colescott, Renée Cox, Charles Gaines, Sam Gilliam, Eugene Grigsby, ...
Windward Artists Guild: Windward Artists Guild: 3rd Annual Open Juried Exhibition
Awards will be presented in two categories: two-dimensional and three-dimensional artworks, with monetary awards totalling $1,400.00. Plus, numerous special awards. The Exhibition will be held at the new Gallery `Iolani, within the Hale Pala...
Raw Arts Festival: Second Annual Raw Arts Festival Opens Today
The festival has succeeded in bringing together many different people from vastly different backgrounds and cultures e.g. adults with autism, artists with epilepsy, artists from different ethnograthic groups, homeless artists, artists with mental ...
Museum of Fine Arts, Houston: Walker Evans
Evans sought subjects that expressed the essence of America. Rejecting artifice and artiness, he created spare, classically styled pictures. His stated ...
Princess Grace Irish Library: John Minihan's Literary Portraits Displayed
John Minihan spent his early years in Athy, County Kildare. When he was eleven, his family moved to London where he went on to become an office boy on the London Evening News, an apprentice darkroom printer on the Daily Mail, and the youngest staf...
Baltimore Museum of Art: Henry Ossawa Tanner and the Lure of Paris
“This is an exciting opportunity to showcase these well-known paintings by Henry Ossawa Tanner alongside works from the BMA’s outstanding collection,” said BMA Director Doreen Bolger. Tanner spent most of his career as an expatriate in Paris...
Orlando Museum of Art: American Impressionists Abroad and at Home: Paintings from the Collection of The Metropolitan Museum of Art
American Impressionists Abroad and at Home showcases 39 paintings by 28 artists, including two pioneers of American Impressionism, Mary Cassatt and John Singer Sargent, who caught the spirit of the new French painting during the 1870s. Among the ...
Peabody Essex Museum: FRANK BENSON: AMERICAN IMPRESSIONIST
Benson's virtuosity with light in all its manifestations will be the focus of a major exhibition opening at the Peabody Essex Museum September 29, 2000. Frank Benson: American Impressionist, will ...
Metropolitan Museum of Art: Gauguin in New York Collections: The Lure of the Exotic
Comprising paintings, sculptures, ceramics, drawings, and prints, the exhibition vividly conveys the exceptional range of Gauguin's career, both in terms of his technical facility in a variety of media and the far-flung places and cultures that in...

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