Artist: John William Haynes (1852 - 1882)
Nationality: American
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John William Haynes.

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Joseph (?) John (?) Haynes Banditti Etching 1780
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Joseph (?) John (?) Haynes St. Paul Preaching to the Britons Etching 18th - 19th century
Museum of Fine Arts -
Benjamin West, American, 1738-1820 Angels Announcing the Birth of Our Savior about 1790 Pen and
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Woman’s Bonnet, N. B. Haynes Importers  (Label), early 1890s, Straw, silk velvet
Museum of Fine Arts -
John C. Haynes & Co., American, 1861-1900 Banjo (banjeaurine) United States, Massachusetts, (Boston), about 1897-98
Museum of Fine Arts -
Frank Jay Haynes, American, 1853-1921 Cinnabar Mountain, Devil"s Slide 1880-90 Photograph, albumen print Image: 43
Museum of Fine Arts -
Funerary stela of Djedinheret Egyptian New Kingdom, Dynasty 22, about 945–712 B.C. Egypt Wood Height
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John B. Neagle William Helmuth (or John Henry Helmuth) oil on canvas 1834
Museum of Fine Arts -
Sistrum Egyptian Late Period about 664–332 B.C. Bronze Height x width x depth: 21.1 x
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William St. John Harper (sculpture) engraving 1889
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William Strang John Bunyan, frontispiece portrait and first plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) book with 14 etchings 1895
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William John Hennessy Child Sitting in a Field charcoal on paper 1863
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William Strang The Man with the Muckrake, opposite page 230 and eleventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William St. John Harper Cleopatra etching 1887
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John Singleton Copley William Vassall and His Son Leonard oil on canvas circa 1770 - 1772
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William Strang Christian Loses His Burden,opposite page 38 and fifth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Butcher and the Sheep, opposite page 240 and twelfth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Scourging of Faithful, opposite page 112 and eighth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Slough of Despond,opposite page 6 and fourth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Mercy at Her Work, opoosite page 272 and thirteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Bunyan*s Wife Reading the Bible to Him,title page and second plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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John William Orr Rev. S.H. Tying, D.D. 19th century
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John William Orr Ninigret 19th century
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John William Joseph Winkler The Mantilla etching 1925
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W. H. Mote William Henry John,Son of Lieut.-Colonel John Sidney and Lady Susan North 19th - 20th century
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William Strang Mercy Swoons Before the Gate,opposite page 224 and tenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Christian Fights Apollyon, opposite page 64 and sixth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Marriage of Mercy and Matthew,opposite page 310 and fourteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang The Valley of the Shadow of Death,opposite page 70 and seventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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William Strang Christian and Hopeful in the Dungeon, opposite page 132 and ninth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895) etching 1885
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Portrait de William Cooper (1924) by CONSTABLE John
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William Poole St. Bernard*s Well, title page vignette for the first volume the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Etching and engraving 180
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William St. John Harper Queen Elizabeth etching 1889
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William Strang Portrait of John Galsworthy Lithograph 1912
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William Strang Portrait of John Galsworthy Lithograph 1912
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John Trumbull William Pinkney oil on canvas circa 1800
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John Singer Sargent - Mrs. William Shakespeare c. 1896 oil on canvas Memorial Art Gallery of the University of Rochester American
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John Trumbull - William Rogers 1804-1808 oil on canvas National Gallery of Art American
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John George Brown - Waiting for William 1879 oil on canvas Chrysler Museum of Art American
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William Poole Elgin Cathedral, title page vignette for volume 2 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Etching with engraving 1801
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John William Orr Rev. Eliphalet Nott, D.D., LL. D. 19th century
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John William Orr King Philip 19th century
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William Kent Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) Book with 52 engravings and uncounted ornamental end pieces 1729
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William Strang Portrait of John Bunyan etching 19th - 20th century
Museum of Fine Arts -
Made by Medici Factory, Italy Cruet for Oil and Vinegar Italian, Florence Italy, (Florence), about
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John B. Pendleton and William S. One of Seven more plates from the same work lithography 1826
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John William Inchbold Study of Cliffs transparent and opaque watercolor 1871
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John William Joseph Winkler Little Alley Etching 1916
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John William Joseph Winkler Wing Lee Etching 1919
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John William Joseph Winkler La Bouquiniste Etching 1923
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John William Joseph Winkler L'oiseleuse Etching 1923
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John William Joseph Winkler Low Tide Etching 1919
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John William Joseph Winkler Alameda Etching 1919

Artnews Articles and Exhibition Information: (3)
Click on any of the links below to read about artnews or exhibitions related to Haynes

Texas Fine Arts Association at Jones Center for Contemporary Art: Glow: Aspects of Light in Contemporary American Art
Light, which makes vision possible, has always been a component of visual art, although in certain periods light has been more significant than in others. The tenebrism of Caravaggio and de la Tour, for example, represents the use of light in the...
Gallery at Crestanello Gran Caffe Italiano: Junko Nakamura: Paintings
This is how the artist describe her inspiration: "I started to learn Japanese dance at four - now, instead of using my body, I am dancing through the strikes of my paint brush, I strive to bring the heart of dance onto the canvas to convey the ton...
Site Gallery: Intermediate 3: New Art from the North of England
The exhibition is selected from open submission and comprises existing and specially commissioned works. The group exhibition will take place both in Site Gallery and in Sylvester Works, a temporary warehouse venue in Sheffield and will also inc...

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