Artist: Frances Hodgkins (1869 - 1947)
Nationality: New Zealand
Movement: Romanticism
Media: Painting
Influences:

Biography:
After studying in New Zealand and receiving praise for her work, Frances Mary Hodgkins traveled throughout Europe, where she furthered her training in Paris and London. She admired the work of Matisse and imitated his impressionist style in her later genre scenes, still-lifes, and landscapes. Hodgkins was revered as a leading figure of the Romantic style.

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Frances Hodgkins.

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William Hogarth - Frances Arnold 1738-1740 oil on canvas The Fitzwilliam Museum British
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Thomas Gainsborough - The Hon. Frances Duncombe c. 1777 oil on canvas The Frick Collection British
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Joshua Reynolds - Lady Frances Warren 1759 oil on canvas Kimbell Art Museum English
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Frances A. Atwell Quilt, Album/Christmas Cross/Chimney Sweep cotton 1850
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Elizabeth Frances Batty Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) book with 60 engravings 1820
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Sir Peter Lely - Portrait of Anne, first wife of Sir Frances Warre n.d. oil on canvas Mead Art Museum, Amherst College Dutch
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Frances F. Palmer "Wooding Up" on the Mississippi Lithograph with hand coloring 1863
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Frances F. Palmer American Farm Scenes. No. 1. from a set of 4 Lithograph with hand coloring 1853
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Frances F. Palmer The Farmers Home - Harvest Lithograph with hand coloring 1864
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Elizabeth Frances Batty Pisa, opposite page 39 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Coliseum, opposite page 75 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Bay of Genoa, opposite page 34 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty La Riccia, opposite page 123 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Florence, opposite page 44 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Rapallo, opposite page 37 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Venice, opposite page 166 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Frederick R. Spencer - Frances Ludlum Morris (Mrs. Robert Morris) oil on canvas National Gallery of Art American
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Elizabeth Frances Batty Genoa, Lighthouse, opposite page 20 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle Gandolfo, opposite page 126 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lake of Albano, opposite page 128 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle of St. Angelo, opposite page 83 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Scene at Tivoli, opposite page 120 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Arch of Janus, opposite page 87 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Village of Simplon, opposite page 194 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Bridge of Gondo, opposite page 192 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples from St. Elmo, opposite page 130 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from the Mole, opposite page 141 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Domo d'Ossola, opposite page 188 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Cascade at Tivoli, opposite page 121 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lake Avenue, opposite page 155 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Untitled title page vignette in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lago d'Agnano, opposite page 153 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Pass of Bramante, opposite page 5 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Virgil's Tomn, opposite page 145 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View from the Chiaja, opposite page 143 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Frances F. Palmer American Country Life: Pleasures of Winter Lithograph with hand coloring 1855
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Elizabeth Frances Batty Terni, from the Road to the Cascade, opposite page 69 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Florence, from the Road to Arezzo, opposite page 59 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Remains of the Temple of Nerva, opposite page 91 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Villa Borghese, near Florence, opposite page 56 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Porta del Palazzo, near Florence, opposite page 67 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty The Temple of Venus & Rome,, opposite page 79 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Papignea, on the Road to the Cascades, opposite page 70 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty TEmple of Minerva Medica, opposite page 97 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Genoa, from the Imperial Hotel, opposite page 27 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from Capo di Chino, opposite page 165 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from Mr. Heigelin's Villa, opposite page 138 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Venice, Piazzetta di San Marco, opposite page 170 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples from above the Grotto of Posilipo, opposite page 159 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Turin, from Vigna Andisano, opposite page 11 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Remains of Hadrian's Villa, opposite page 113 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Tomb of the Family of Plautius, opposite page 111 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Villa on the Coast of Posilipo, opposite page 161 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Frances F. Palmer "Rounding a Bend" on the Mississippi. The parting Salute Color lithograph with hand coloring 1866
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Elizabeth Frances Batty Final page vignette (Vesuvius Erupting), on page 197 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty South East View of Florence, opposite page 60 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle of Lavenza between Sarzana and Massa..., opposite page 38 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Genoa, Porta della Lanterna, opposite page 21 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Aiguebelle, Ascent to Mont Cenis, opposite page 4 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Part of Rome, from the Palatine Hill, opposite page 71 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Tivoli, from below the Villa of Quintilius Varus, opposite page 117 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Tivoli, View from the Temple of Vesta, opposite page 115 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty St. Peters, from the Gardens of Villa Lanti, opposite page 99 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View from Arona, Lago Maggiore, opposite page 179 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Simplon Road, between Bavena and Gravellona, opposite page 187 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View of Ischia and Procida, from Camaldoli, opposite page 149 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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James McNeill Whistler - Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland 1872-73 oil on canvas The Frick Collection American
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Elizabeth Frances Batty Lans Le Bourg, Ascent to Mount Cenis, opposite page 7 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Santa Croce di Gerusalemme & Walls of Rome, opposite page 95 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Ross Boden Glacier and Fletsch Horn, opposite page 195 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty The Temple of Antoninus and Faustina, on the CAmpo Vaccino, opposite page 80 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Frances Hammel Gearhart On the Salinas River Color woodcut 1920
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Elizabeth Frances Batty Turin, Bridge of Bonaparte from Palazzo Valentino, opposite page 18in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Forence, View of the Ponte della Trinita from ~schneider's Hotel, opposite page 48 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lago Maggiore and Isola Superiore, from Casa Boromeo on the Isola BBella, opposite page 184 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1
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Frances Hammel Gearhart Clearing Color woodcut 19th - 20th century
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Frances Hammel Gearhart After The Rain Color woodcut 19th - 20th century
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Frances Hammel Gearhart Easter in San Joaquin color woodcut 20th century
The Metropolitan Museum of Art -
Mrs. Bryan Cooke (Frances Puleston, 1765-1818), ca. 1787-91 George Romney (British, 1734-1802)Oil on canvas; 50
Museum of Fine Arts -
Marie Danforth Page, American, 1869-1940 Frances Lee Weeks 1922 Oil on canvas 121.92 x 83.82
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Frances Hammel Gearhart Misty Morning Color woodcut 19th - 20th century
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Frances Hammel Gearhart The Boat Pier Color woodcut 19th - 20th century
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Frances Hammel Gearhart Low Tide Color woodcut circa early 20th century
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Frances Hammel Gearhart Sierra Skyscrapers Color woodcut 19th - 20th century
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George Stubbs - Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances 1769 oil on canvas National Gallery of Art British
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Frances Valesco Ascension etching, screenprint and electronic transfer 1980
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A.-F. Bargas Frances Jennings 17th - 18th century
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Frances Legat Shakespeare: King Lear. Act V, Scene III color stipple engraving 1792
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Frederick Hendrik van den Hove Frances Bugg of Mildenhall 17th - 18th century
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Frances Legat Shakespeare: Hamlet. Act IV, Scene V Color stipple engraving 18th - 19th century
Museum of Fine Arts -
Thomas Gainsborough, British, 1727-1788 Haymaker and Sleeping Girl (Mushroom Girl) late 1780s Oil on canvas
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John Henry Robinson Frances Diana Manners Sutton. 18th - 19th century
Museum of Fine Arts -
William Page, American, 1811-1885 Sargent Smith Littlehale 1846 Oil on canvas 60.96 x 51.12 cm
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Anonymous Red Peak Brand Valencias, Frances Citrus Association, Tustin, California color lithograph circa 1930 - 1940
Museum of Fine Arts -
William Page, American, 1811-1885 Mrs Sargent Smith Littlehale (Ednah Parker Dow) 1846 Oil on canvas
Museum of Fine Arts -
Joseph Badger, American, 1708-1765 Elizabeth Storer (Mrs. Isaac Smith) about 1746 Oil on canvas 91.44
Museum of Fine Arts -
Attributed to Chester Harding, American, 1792-1866 John Lemist about 1826 Oil on canvas 60.32 x
The Metropolitan Museum of Art -
Henry II (1519-1559), King of France Workshop of François Clouet (French, active by 1536, died
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Sherana Harriette Frances A Natural Act Lithograph 1973

Artnews Articles and Exhibition Information: (6)
Click on any of the links below to read about artnews or exhibitions related to Hodgkins

Auckland Art Gallery: Face to Face: Self portraits by New Zealand artists
The images in Face to Face contradict the common viewer expectation that self portraits should present at the very least, a visual likeness of the artist. Works such as Frances Hodgkins’ Self Portrait Still Life c.1935 demonstrate that a ...
ARTSPACE, Auckland: TIFFANY'S KYOTO A MAJOR JIM SPEERS PROJECT
A few years back Speers explained nothing by describing his works as neither ordinary objects passing themselves off as art, nor works of art passing themselves off as everyday things. Since then he has cemented his position as a key figure i...
Te Papa: More of the National Art Collection Displayed at Te Papa
Past Presents showcases the range of art held in the national collection – everything from old favourites such as the well-known portrait of Mrs Humphrey Devereux by eighteenth-century American artist John Singleton Copley, through to the latest ...
Appleton Museum of Art: 20th Century Masterworks from the Art Gallery of Ontario (AGO), Toronto
Until now, this collection has not been available for loan during the 100-year history of the AGO. Following their exhibition at Appleton, these masterworks will return to Toronto and be re-installed in the AGO permanent collection galleries. The ...
Bartley Nees Gallery: Sara Hughes: Beyond the Horizon
2005 has been quite a year for Hughes who has won New Zealand’s two top art awards and completed a major commission for the sculpture terrace at Te Papa. In September, she won the prestigious Wallace Art Award with a prize of $35000 cash and a res...
Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...

Further Artwork and Information:

Frances Hodgkins Online
Permanent Gallery for Hodgkins Art
Frances Hodgkins
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Frances Hodgkins: New & Used Books Search Result for Frances Hodgkins
Find in a Library: Frances Hodgkins
glbtq >> arts >> Hodgkins, Frances
MODERN BRITISH ART - Frances Hodgkins
Hodgkins and Gill (1993) Letters of Frances Hodgkins
Frances Hodgkins and the Divine Lady - Queer History New Zealand - Gay, Lesbian, Bisexual, Transgender New Zealand ...

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